Academic literature on the topic 'Installations (Art) Australia'
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Journal articles on the topic "Installations (Art) Australia"
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bandt, ros. "designing sound in public space in australia: a comparative study based on the australian sound design project's online gallery and database." Organised Sound 10, no. 2 (August 2005): 129–40. http://dx.doi.org/10.1017/s1355771805000774.
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the purpose of this paper is to articulate some of the ways in which australian sound practitioners are already designing sound in the public domain so that current trends and practices can be examined, compared and contrasted. this paper interrogates the new hybrid art form, public sound art, and the design processes associated with it as it occurs in public space in australia. the right to quiet has been defined as a public commons (franklin 1993). public space in australia is becoming increasingly sound designed. this article investigates the variety of approaches by sound artists and practitioners who have installed in public space through a representative sample of works drawn from the australian sound design project's online gallery and article, http://www.sounddesign.unimelb.edu.au, a site dedicated to the multimedia publishing of diverse sound designs installed in public space in australia, as well as its international outreach hearing place. works include permanent public and ephemeral sculptures, time-dense computerised sound installations, museum designs, exhibits in airports, art galleries, car parks, digital and interactive media exhibitions, and real-time virtual habitats on and off the web. the degree of interactivity in the sound-designed artworks varies greatly from work to work. stylistic features and design processes are identified in each work and compared and contrasted as a basis for examining the characteristics of the genre as a whole and its impact on the soundscape now and in the future.
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Su, Yang, and David Jones. "Healing the ‘Scar’ of the Landscape: Post-Mining Landscape in Anglesea." KnE Engineering 2, no. 2 (February 9, 2017): 182. http://dx.doi.org/10.18502/keg.v2i2.613.
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<p>The nexus between environmental bio-remediation and environmental design, as it pertains to disused coal mining sites in Australia, is little investigated. Increasingly, many of these open cut extraction holes around south-eastern Australia, are becoming redundant as their resources are exhausted or non-economic viability creeps into the industry or are becoming management ‘nightmares’. The recently announced March 2017 cessation of the Yallourn Power Station and associated brown coal Open Cut, and the recent fires and insurance liability legal determinations of the Yallourn Open Cut are exemplar of the former and latter respectively.</p>This paper surveys the deeper bio-remediation and ecological transformative issues directly associated with the Anglesea brown coal Open Cut, and offers an ecological design lens insight as to possible treatments and scenarios that can be offered to guide the future use and management of the site. The lens demonstrates the richness that interdisciplinary design and applied research offers in assisting the healing and mediation of sites. The extraordinary nature and scope of the Anglesea coal mine site provides an opportunity to create a range of cultural attractions, natural succession treatments, natural bio-remediation strategies and educational opportunities. One scenario, for an Anglesea Lake Eco-Resort, proposes to incorporate an integrated Aboriginal cultural destination, performance centre, art installations and recreational venues, engaging the Anglesea community, visitors, researchers and students towards creating a vibrant and unique environment.
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Black, Jane. "Beautiful Botanicals: Art from the Australian National Botanic Gardens Library and Archives." Art Libraries Journal 44, no. 3 (June 12, 2019): 124–31. http://dx.doi.org/10.1017/alj.2019.17.
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The Australian National Botanic Gardens plays an important role in the study and promotion of Australia's diverse range of unique plants through its living collection, scientific research activities and also through the art collection held in the institution's Library and Archives. Australia's history of formal botanical illustration began with the early voyages of discovery with its popularity then declining until the modern day revival in botanical art. The Australian National Botanic Gardens Library and Archives art collection holds works from the Endeavour voyage through to the more contemporary artists of Celia Rosser, Collin Woolcock, Gillian Scott and Aboriginal artists including Teresa Purla McKeeman as well as photographs and outdoor installations.
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Morrow, Derek C., and Nick E. Jackson. "GOODWYN ‘A’ DRILLING FACILITIES." APPEA Journal 33, no. 1 (1993): 343. http://dx.doi.org/10.1071/aj92025.
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The Drilling Facilities Package designed and developed by Atwood Oceanics Australia Pty. Ltd. for operation on Woodside Offshore Petroleum Pty. Ltd.'s Goodwyn 'A' Platform will break new ground in the development and application of offshore modular drilling rig technology when commencement of offshore drilling is achieved. These facilities are among the largest, specifically designed, offshore demountable drilling rigs in the world today.Initially, Woodside performed sufficient engineering to determine a design specification for the Drilling Facilities which detailed the types of equipment necessary and the final performance characteristics required by the finished facility to drill the Goodwyn 'A' production wells.Following award of the Drilling Facilities Contract to Atwood Oceanics in 1989, Woodside's role was essentially related to technical interface and contract administration management. The responsibility for the design, fabrication, commissioning and operation of the Drilling Facilities lay with Atwood Oceanics.The Drilling Facilities consist of fifty-two (52) small modules, each weighing up to 105 tonne. These modules are assembled into three (3) major structural packages, these being the Drilling Support Facilities, weighing some 1300 tonne, the Sub-Base weighing 1100 tonne and the Derrick weighing 260 tonne. Total operating weight of the facilities will exceed 4500 tonne.The modular design of these facilities was developed by Atwood Oceanics from previous modular rig design of relatively simple facilities and technical scope, up to the high capacity, technical complexity and flexibility in design demanded for operation on the Goodwyn 'A' Platform. Following the issue of the Cullen Report on the Piper Alpha Disaster, extensive control and monitoring safety systems were included in the design. These systems have had an adverse impact on the modular concept due to the large increase in electrical interfaces, however the modular concept remains sound and viable.Modular rig design has allowed a Drilling Facility to be developed which has accrued savings in design, fabrication, fit-out, transport and installation and has resulted in reduced overall installed weight. These savings are real and demonstrable when compared with conventional large-module drilling rig packages of similar scope and complexity. Unlike its North Rankin 'A' development, Woodside elected to have the Drilling Facilities for Goodwyn 'A' designed, procured, fabricated and commissioned by an experienced drilling contractor, who will then operate and maintain the rig during the drilling phase (P.Scott et al., 1991). Woodside will realise substantial cost savings at the point when the facilities are installed and ready to drill. Further savings will accrue during drilling operations by allowing the drilling contractor more autonomy and responsibility (eg. maintenance of the complete drilling facilities will be by contractor personnel).The relative ease of removal of the facilities and potential for re-use on other installations will generate additional significant cost benefits in the future.The Drilling Facilities are state-of-the-art in their applied technology and are capable of year-round, self-contained operation for the drilling of highly deviated, long reach wells of up to 72° deviation from the vertical and up to 7000 m along hole depth.This paper provides an overview of the design, fabrication, fit-out, onshore commissioning, transport and installation of the modules which comprise the Goodwyn 'A' Drilling Facilities, for which Atwood Oceanics were awarded a Commendation for a High Standard of Engineering Achievement at the Institution of Engineers, Australia 1992 Engineering Excellence Awards.
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Tan, Verity, Pablo R. Dias, Nathan Chang, and Rong Deng. "Estimating the Lifetime of Solar Photovoltaic Modules in Australia." Sustainability 14, no. 9 (April 28, 2022): 5336. http://dx.doi.org/10.3390/su14095336.
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Determining the lifetime of solar photovoltaic modules is integral to planning future installations and ensuring effective end-of-life management. The lifetime of photovoltaic modules is most commonly considered to be 25 years based on performance guarantees of 80% power output after 25 years of operation; however, influences including climatic conditions, social behaviour, fiscal policy, and technological improvements have the potential to prompt early replacement. Therefore, this work aims to estimate the operating lifetime of photovoltaic panels more accurately in Australia by considering a variety of technical, economic, and social reasons for decommissioning. Based on a range of sources including government organisations, other policymakers, regulators and advisors, energy suppliers, researchers, recyclers, and manufacturers, three lifetime models—power decrease, damage and technical failures, and economic motivation—were developed and then weighted in three scenarios to form overall views of panel lifetime in Australia. In addition, it was concluded that the module lifetime will vary considerably between countries due to differences in market factors. Therefore, these results specifically address Australia as most of the input data were sourced from Australian industry reports and Australian photovoltaic systems and interpreted within the context of the Australian photovoltaic market. However, the methodology of estimating lifetime based on both technical and non-technical factors can be applied to other scenarios by using country-specific data. With the popularity of photovoltaic technology beginning in the early 2010s and given the practical lifetimes of 15–20 years found in this work, Australia will need to act swiftly within the next three years to responsibly manage the looming solar panel waste.
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Batchen, Geoffrey. "Installation View: Photography Exhibitions in Australia 1848–2020." History of Photography 45, no. 1 (January 2, 2021): 101–3. http://dx.doi.org/10.1080/03087298.2021.2020476.
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Bandt, Ros. "Technology in Australian sound installations: Three recent approaches." Continuum 8, no. 1 (January 1994): 44–57. http://dx.doi.org/10.1080/10304319409365625.
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Jas, E. P., and A. T. McPhee. "A STATE-OF-THE-ART SHORE CROSSING." APPEA Journal 45, no. 1 (2005): 551. http://dx.doi.org/10.1071/aj04042.
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An insight is provided into the design and construction of the shore crossing of the export pipeline system for the Otway Gas Project in Western Victoria. The development of the Otway Gas Project, which is now underway, requires the installation of a 20-inch gas pipeline and a 4-inch glycol service line across the shoreline in the Port Campbell National Park along the Great Ocean Road, one of the major tourist attractions in Australia. An account is given of the landfall site selection process, the collection of required site data, the identification of geo-hazards, the development of a unique construction method based on a combination of retractable micro-tunnelling and horizontal directional drilling, and an outline of the construction challenges. These include the complex geo-technical conditions, the ever present high-energy Southern Ocean swell, and the environmental significance of the site. The design and construction work performed demonstrates that trenchless technology can successfully be applied for the installation of pipelines across shorelines provided detailed attention is paid to a number of design and construction aspects; bearing in mind that horizontal directional drilling design guidelines are generally limited with respect to these crossings.
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Kuppers, Petra. "Outsider Histories, Insider Artists, Cross-Cultural Ensembles: Visiting with Disability Presences in Contemporary Art Environments." TDR/The Drama Review 58, no. 2 (June 2014): 33–50. http://dx.doi.org/10.1162/dram_a_00345.
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Disability is highly visible in contemporary performance festivals and art venues. Traveling from the disability performance ensemble work of Theater Hora and Jérôme Bel, to Javier Telléz's installation Artaud's Cave at dOCUMENTA(13) in Kassel, and on to the Australian Back to Back Theatre's Ganesh versus the Third Reich at the Bodies of Work festival in Chicago raises the pressing questions: How and why is disability art and performance becoming so visible? And for whom?
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Cross, David. "On task: De-Limit, dance and the performance of menial action." Choreographic Practices 12, no. 2 (December 1, 2021): 135–51. http://dx.doi.org/10.1386/chor_00033_1.
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Reflecting on a specific case study commissioned for the 2020 Keir Choreographic Awards in Australia, this text investigates how the work De-Limit sought to negotiate the relationship between menial, process-driven labour and dance/installation art. Developed as a collaboration between dance maker Alison Currie and visual artist David Cross, the work interrogated how Walter Benjamin’s and Martin Heidegger’s ideas on boredom and suspended time, respectively, might offer new considerations of task-based practice. This study specifically seeks to test key thresholds in relation to task-orientated discourse with the insertion of a series of counter-moments informed by Freud’s thinking around the uncanny. Playing with ideas of staging and set making at the intersection of art and dance, this text also seeks to interrogate how the building of an art installation offers a frame in which to understand dance and its assorted modalities in different ways. De-Limit slips between functional and abstract, exploring live action as an unstable liminal space between labour and performance.
Dissertations / Theses on the topic "Installations (Art) Australia"
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Vaughan, Pam. "..and the rabbit." Thesis, The University of Sydney, 2004. https://hdl.handle.net/2123/27960.
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A small number of framed prints can be seen on approach to the exhibition. They are black and white — the predominant colours of the entire exhibition. Viewers will walk into a dimly lit room and see a frail, house-shaped structure made out of Perspex plates. The plates have images scratched into them, some with the residue of ink. Inside the house is an old iron rabbit trap as well as lighting which casts imprecise shadows into the surroundings. Around the walls are a series of charcoal drawings on paper. Most of the images are of a single object or figure. Circling around the room and weaving in and out of the viewers will be Pam on an old pushbike.
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Yamani, Jamil Art College of Fine Arts UNSW. "The glittering city: moving the moving image." Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/40468.
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The project aims to produce an immersive video installation titled 'The Glittering City???. This project investigates contemporary cultural issues within the context of critical/specific geographical sites. These locations are the Australian coastal border, and a refugee camp near the Kenyan/Sudanese border, known as Kakuma. 'The Glittering City'is an installation that incorporates elements of video, sculpture, sound and electronics in a kinetic 2 channel immersive video and (multi-channel) audio installation. The key aims for the project are to raise awareness of the issues facing refugees and asylum seekers in relation to their sense of home. In order to accomplish this aim the research will extend upon prior research into embedded video sculptures. A subset of the key aim is to seek funding for the project. The installation is the third and final work from a trilogy of works that explores the themes journey, arrival and departure, respectively. The Glittering City is contextualised within four key areas inherent within the research practice. These key elements are 1. hybrid documentary art, 2. expanded cinema, 3. Technology and art, 4. culture and identity. Key outcomes of the research are the production and installation of The Glittering City at Campbelltown Arts Centre, May 2007. An educational program also took place at the Centre to raise awareness of the themes the installation poses. The production of a catalogue for The Glittering City is an important device for disseminating the core concepts. For the costs of making the multi-channel production, the project successfully sought grant funding from Arts NSW. This resulted in a grant through their Western Sydney I Artists' Fellowship program. The Glittering City used further funding from the Campbelltown Arts Centre to cover catalogue production, invitation design, mail out and installation costs.
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Williams, Holly. "The cluttered mind and the illusory nature of perception and reality." Thesis, The University of Sydney, 2005. https://hdl.handle.net/2123/28047.
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This paper is conceived of as an overview and a discussion positing that there is
inherent uncertainty in the subject, and that installation art can act as a revelatory
agent in the viewer’s understanding of this uncertainty. This - the recognition of
uncertainty - can be achieved through the inclusion of uncertainty itself as a trope in
artwork.
The self and subjectivity are open to a myriad of speculation and theory. Informing
my discussion are theories of the uncanny, the abject and Buddhist discourse of the
misapprehension of self. In this paper, I will focus on the concept of uncertainty in
relation to subjectivity and suggest the existence of the narratizing process that
determines the individual’s sense of self and perception of the world. This proposes
an idea of the ‘self’ as a fiction, and includes discussions surrounding narcissism (the
shoring up of identity), anxiety (existential fear), certainty (misguided search for
solidity of self), imagination (the fictionalising process and the amelioration of
anxiety), the interstice (breaks in the cognitive narrative).
As well as my own work, 1 am focussing on artists whoutilize elements of fantasy
and the uncanny in their work, namely Mike Nelson, et a1., Gregor Schneider, Eija-
Liisa Ahtila and Gregory Crewdson.
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Croft, Pamela Joy, and n/a. "ARTSongs: The Soul Beneath My Skin." Griffith University. Queensland College of Art, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20030807.124830.
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This exegesis frames my studio thesis, which explores whether visual art can be a site for reconciliation, a tool for healing, an educational experience and a political act. It details how my art work evolved as a series of cycles and stages, as a systematic engagement with people, involving them in a process of investigating 'their' own realities - both the stories of their inner worlds and the community story framework of their outer conditions. It reveals how for my ongoing work as an indigenous artist, I became the learner and the teacher, the subject and the object. Of central importance for my exploration was the concept and methodology of bothways. As a social process, bothways action-learning methodology was found to incorporate the needs, motivations and cultural values of the learner through negotiated learning. Discussion of bothways methodology and disciplinary context demonstrated the relationships, connections and disjunctions shared by both Aboriginal and Western domains and informed the processes and techniques to position visual art as an educational experience and a tool for healing. From this emerged a range of ARTsongs - installations which reveal possible new alternatives sites for reconciliation, spaces and frames of reference to 'open our minds, heart and spirit so we can know beyond the boundaries of what is acceptable, so that we can think and rethink, so that we can create new visions, transgressions - a movement against and beyond boundaries' (hooks, 1994 p.12). Central to studio production was bricolage as an artistic strategy and my commitment to praxis - to weaving together my art practice with hands-on political action and direct involvement with my communities. I refer to this as the trial and feedback process or SIDEtracks. These were documented acts of personal empowerment, which led to a more activist role in the political struggle of reconciliation. I conclude that, as aboriginal people, we can provide a leadership role, and in so doing, we can demonstrate to the wider community how to move beyond a state of apathy.
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Croft, Pamela Joy. "ARTSongs: The Soul Beneath My Skin." Thesis, Griffith University, 2003. http://hdl.handle.net/10072/367423.
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This exegesis frames my studio thesis, which explores whether visual art can be a site for reconciliation, a tool for healing, an educational experience and a political act. It details how my art work evolved as a series of cycles and stages, as a systematic engagement with people, involving them in a process of investigating 'their' own realities - both the stories of their inner worlds and the community story framework of their outer conditions. It reveals how for my ongoing work as an indigenous artist, I became the learner and the teacher, the subject and the object. Of central importance for my exploration was the concept and methodology of bothways. As a social process, bothways action-learning methodology was found to incorporate the needs, motivations and cultural values of the learner through negotiated learning. Discussion of bothways methodology and disciplinary context demonstrated the relationships, connections and disjunctions shared by both Aboriginal and Western domains and informed the processes and techniques to position visual art as an educational experience and a tool for healing. From this emerged a range of ARTsongs - installations which reveal possible new alternatives sites for reconciliation, spaces and frames of reference to 'open our minds, heart and spirit so we can know beyond the boundaries of what is acceptable, so that we can think and rethink, so that we can create new visions, transgressions - a movement against and beyond boundaries' (hooks, 1994 p.12). Central to studio production was bricolage as an artistic strategy and my commitment to praxis - to weaving together my art practice with hands-on political action and direct involvement with my communities. I refer to this as the trial and feedback process or SIDEtracks. These were documented acts of personal empowerment, which led to a more activist role in the political struggle of reconciliation. I conclude that, as aboriginal people, we can provide a leadership role, and in so doing, we can demonstrate to the wider community how to move beyond a state of apathy.Thesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
Queensland College of Art
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Knezevic, Nina. "Interpreting the autobiographical archive." Phd thesis, Sydney College of the Arts, 2009. http://hdl.handle.net/2123/13893.
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Williams, Court. "Sensitive skin." Thesis, The University of Sydney, 2008. https://hdl.handle.net/2123/28932.
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The work being considered for examination will be my gallery installation Affliction.
Consisting of approximately six hundred digitally printed and hand constructed three
dimensional models, it will be installed on the gallery floor as a part of the Postgraduate
Degree show at Sydney College of the Arts (Tuesday December 9th through to Wednesday
December 17th).
My masters project explores the isolation and dislocation experienced in the urban
environment and situates un-commissioned street art as a construct that potentially
generates modes of plurality through immediate encounter, collaboration and intervention.
My work explores the inter-activity of street art. This is done through a reading of Nicolas
Bourriaud’s Relational Aesthetics - a theory of art that takes as its theoretical horizon
the realm of human inter-actions in social spaces. 1 demonstrate the inter-activity of street
art through a discussion of my work as well as the work of three other street artists.
In doing so, 1 also draw attention to the virtual characteristics of the anonymous urban
environment by locating street art as a virtual representation of the art world, the street
artist as an avatar and the city surface as an online blog.
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Wise, Gianni Ian Media Arts College of Fine Arts UNSW. "Scenario House." Awarded by:University of New South Wales. Media Arts, 2006. http://handle.unsw.edu.au/1959.4/26230.
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Scenario House, a gallery based installation, is comprised of a room constructed as a ???family room??? within a domestic space, a television with a looped video work and a sound componant played through a 5.1 sound system. The paper is intended to give my work context in relation to the processes leading up to its completion. This is achieved through clarification of the basis for the installation including previous socio-political discourses within my art practice. It then focuses on ways that the installation Scenario House is based on gun practice facilities such as the Valhalla Shooting Club. Further it gives an explanation of the actual production, in context with other art practices. It was found that distinctions between ???war as a game??? and the actual event are being lost within ???simulation revenge scenarios??? where the borders distinguishing gaming violence, television violence and revenge scenarios are increasingly indefinable. War can then be viewed a spectacle where the actual event is lost in a simplified simulation. Scenario House as installation allows audience immersion through sound spatialisation and physical devices. Sound is achieved by design of a 5.1 system played through a domestic home theatre system. The physical design incorporates the dual aspect of a gun shooting club and a lounge room. Further a film loop is shown on the television monitor as part of the domestic space ??? it is non-narrative and semi-documentary in style. The film loop represents the mediation of the representation of fear where there is an exclusion of ???the other??? from the social body. When considering this installation it is important to note that politics and art need not be considered as representing two separate and permanent realities. Conversely there is a need to distance politicised art production from any direct political campaign work in so far as the notion of a campaign constitutes a fixed and inflexible space for intellectual and cultural production. Finally this paper expresses the need to maintain a critical openness to media cultures that dominate political discourse. Art practices such as those of Martha Rosler, Haacke and Paul McCarthy are presented as effective strategies for this form of production.
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Fowler, Smith Juliet. "Inhabiting space and place : from installation to the clinical setting." Thesis, View thesis View thesis, 2002. http://handle.uws.edu.au:8081/1959.7/25608.
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This paper explores the relationship between place in installation art and its relevance to the practice of placemaking in a hospital setting. The discussion draws on phenomenology, psychodynamic theory and contemporary art, in particular the author's art experience of places, their formal qualities and potential meanings, along with, an examination of what creates an embodied sense of being contained at home ( emotionally and physically). Some of the questions posed for discussion include; what is it about places that becomes inherent to memory and shapes its form? How do places impact on what we do there and who we are? Is place more significant in memory for a young child or someone in a vulnerable state of being (as in the hospital setting)? Process issues, along with physical outcomes, in installations and in the hospital projects are discussed.
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Purcell, Marisa. "Ancestral spaces time, memory and the liminal experience of painting /." Connect to full text, 2007. http://hdl.handle.net/2123/2763.
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Thesis (M.V.A.)--University of Sydney, 2008.Title from title screen (viewed 11 September, 2008). Submitted in fulfilment of the requirements for the degree of Master of Visual Arts to the Sydney College of the Arts. Degree awarded 2008; thesis submitted 2007. Includes bibliographical references.
Books on the topic "Installations (Art) Australia"
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1950-, Desmond Michael, and National Gallery of Australia, eds. Islands: Contemporary installations from Australia, Asia, Europe and America. Canberra: National Gallery of Australia, 1996.
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Jubelin, Narelle. Narelle Jubelin: Soft shoulder : the Renaissance Society at the University of Chicago, May 4, 1994-June 26, 1994, Grey Art Gallery & Study Center, New York University, January 20, 1995-February 28, 1995. [Chicago]: Renaissance Society at the University of Chicago, 1994.
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Daniels, Dolly Nampijinpa. Ngurra (camp/home/country): Dolly Nampijinpa Daniels and Anne Mosey : University of South Australia Art Museum, 24 February-26 March 1994. Underdale, SA: The Museum, 1994.
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Cooke, Grayson. Live A/V in Australia. Broadway: UTS ePRESS, 2013.
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Daniel, Thomas. James Darling: Instinct, imagination, physical work. Kent Town, S. Aust: Wakefield Press, 2001.
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Lynn, Victoria. Double take: Anne Landa Award for video & new media arts 2009. Edited by Art Gallery of New South Wales. Sydney: Art Gallery of New South Wales, 2009.
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Desmond, Michael, and Kate Davidson. Islands Contemporary Installations from Australia, Asia, Europe and America: Contemporary Installations from Australia, Asia, Europe and America. National Gallery of Australia, 1996.
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Jackman, Hugh. Nomad: Two Worlds. teNeues Publishing Company, 2012.
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Desmond, Michael, and Kate Davidson. Islands: Contemporary Installations from Australia, Asia, Europe and America. Thames & Hudson, 1996.
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Counting Blackness: Recalibrating Knowledge in the Sandstone University. University of Queensland Press, 2016.
Find full textBook chapters on the topic "Installations (Art) Australia"
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Nallas, Ronnel, and Jane Moon. "Integration of Automation and Clinical Decision Support Systems." In Rapid Automation, 56–76. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-8060-7.ch004.
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As the world of pathology and laboratory medicine has increasingly headed in the direction of automation, implementation of Clinical Decision Support Systems are becoming a vital part of the process. The advances in technology and costs of human resources are factors pushing for automation. This chapter addresses the advantages and issues encountered during the installation of the new automated system Roche Cobas 8000 and Middleware IT3000 for the Clinical Chemistry Laboratory of one of the major teaching hospitals in Australia. The input and cooperation of Laboratory staff, Clinicians, Roche Diagnostics and LEAN processes has resulted in a fine example of how automation and clinical decision support systems play a major role in Improving Health Management.
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Nallas, Ronnel, and Jane Moon. "Integration of Automation and Clinical Decision Support Systems." In Improving Health Management through Clinical Decision Support Systems, 165–85. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-4666-9432-3.ch008.
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As the world of pathology and laboratory medicine has increasingly headed in the direction of automation, implementation of Clinical Decision Support Systems are becoming a vital part of the process. The advances in technology and costs of human resources are factors pushing for automation. This chapter addresses the advantages and issues encountered during the installation of the new automated system Roche Cobas 8000 and Middleware IT3000 for the Clinical Chemistry Laboratory of one of the major teaching hospitals in Australia. The input and cooperation of Laboratory staff, Clinicians, Roche Diagnostics and LEAN processes has resulted in a fine example of how automation and clinical decision support systems play a major role in Improving Health Management.
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Conterio, Martyn. "Beyond Anarchie Road." In Mad Max, 77–94. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781911325864.003.0005.
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This chapter explores the sequels to George Miller's Mad Max (1979): Mad Max 2 (1981), Mad Max Beyond Thunderdome (1985), and Mad Max: Fury Road (2015). It also looks at the influence of Mad Max. Mad Max's cultural credentials are evident in the array of films, television shows, music videos, and art installations it influenced, or on works which make direct reference to it. The chapter then studies the video essay Terror Nullius (2018), which was commissioned by the Australian Centre for the Moving Image. This playful video essay uses footage from Mad Max to satirise Mel Gibson and denounce his misogynistic, racist rants. The chapter also considers the relationship between Mad Max and The Rover (2014). The Mad Max comparisons largely stem from the fact that The Rover is also set in the future and is situated around a great shift in the country's fortunes. And, as with Mad Max, the future is stripped down and desolate, hinting at rather than showing social decay.
Conference papers on the topic "Installations (Art) Australia"
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O’Neill, Lee A., Emmanuel Fakas, and Mark Cassidy. "A Novel Application of Constrained NewWave Theory for Floatover Deck Installations." In ASME 2004 23rd International Conference on Offshore Mechanics and Arctic Engineering. ASMEDC, 2004. http://dx.doi.org/10.1115/omae2004-51099.
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Numerical techniques are extensively used to predict vessel motions and associated contact forces for offshore operations such as lift and floatover deck installations. The accuracy of such predictions however is highly dependent on the comprehensive modelling of seastate conditions, which is often limited by computational power and time constraints. A time-efficient methodology, suitable for modelling large numbers of installation seastates, is developed to alleviate this problem. The methodology is based on the Constrained NewWave model which has been previously used to overcome similar problems. However this has only been for individual, extreme storm conditions. The accuracy, time-efficiency and practicality of the revised methodology is demonstrated by means of direct comparison of simulation results obtained for a floatover deck installation on the North West Shelf of Australia. The ability to perform large number of simulations in a time and cost efficient manner is of paramount importance in assessing the system limitations to varying installation conditions, a case that has always been challenging to designers during the development of oil and gas projects. Such flexibility improves confidence in the overall system, necessary for the accurate assessment of the commercial viability of marginal developments.
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Wullems, Christian, and Anjum Naweed. "Low-Cost Railway Level Crossings: Breaking Down the Barriers." In 2014 Joint Rail Conference. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/jrc2014-3808.
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Level crossing risk continues to be a significant safety concern for the security of rail operations around the world. Over the last decade or so, a third of railway related fatalities occurred as a direct result of collisions between road and rail vehicles in Australia. Importantly, nearly half of these collisions occurred at railway level crossings with no active protection, such as flashing lights or boom barriers. Current practice is to upgrade level crossings that have no active protection. However, the total number of level crossings found across Australia exceed 23,500, and targeting the proportion of these that are considered high risk (e.g. public crossings with passive controls) would cost in excess of AU$3.25 billion based on equipment, installation and commissioning costs of warning devices that are currently type approved. Level crossing warning devices that are low-cost provide a potentially effective control for reducing risk; however, over the last decade, there have been significant barriers and legal issues in both Australia and the US that have foreshadowed their adoption. These devices are designed to have significantly lower lifecycle costs compared with traditional warning devices. They often make use of use of alternative technologies for train detection, wireless connectivity and solar energy supply. This paper describes the barriers that have been encountered for the adoption of these devices in Australia, including the challenges associated with: (1) determining requisite safety levels for such devices; (2) legal issues relating to duty of care obligations of railway operators; and (3) issues of Tort liability around the use of less than fail-safe equipment. This paper provides an overview of a comprehensive safety justification that was developed as part of a project funded by a collaborative rail research initiative established by the Australian government, and describes the conceptual framework and processes being used to justify its adoption. The paper provides a summary of key points from peer review and discusses prospective barriers that may need to be overcome for future adoption. A successful outcome from this process would result in the development of a guideline for decision-making, providing a precedence for adopting low-cost level crossing warning devices in other parts of the world. The framework described in this paper also provides relevance to the review and adoption of analogous technologies in rail and other safety critical industries.
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Skoczylas, Paul. "Update of Field Experience with Hydraulically Regulated Progressing Cavity Pumps." In SPE Artificial Lift Conference and Exhibition - Americas. SPE, 2022. http://dx.doi.org/10.2118/209764-ms.
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Abstract The patented hydraulically regulated progressing cavity pump (HRPCP) has been tested previously in the oilfield, but its range of application is being expanded. The HRPCP can be used in any well where a PCP would be installed and provides added protection in cases where significant free gas may be present. It is as effective as a standard PCP in pumping high viscosity fluids or fluids with high solids content, or both. It retains its effectiveness as a pump even when no gas is present, although its primary benefit is the increase in PCP run-life when there is free gas present at the pump intake. The present study is to evaluate the performance of the HRPCP in new applications around the world. Previous publications on the HRPCP have looked at installations in Argentina, Venezuela, and Kuwait. There are now installations in coal seam gas (CSG) in Queensland, Australia, gassy oil wells in Colombia, and heavy oil wells in the Lloydminster area of Canada, and in wells in the newer operations in the Clearwater formation near Slave Lake in Alberta, Canada. In Canada in particular, there have been 27 installations in thirteen fields by six oil companies at the time this paper was prepared. In Colombia, the HRPCPs were installed in new wells that were expected to produce high gas volumes while still producing some sand. In the Australian CSG wells, operators wanted to land the pumps higher in the well to avoid solids problems, knowing that this would result in higher gas volume fraction at the pump intake, so the HRPCP was chosen. In the Canadian heavy oil areas, there can be a higher GOR in many wells than there was in the past, so the gas fraction at the pump intake can now be a larger factor in PCP run-life than in the past. In some of the Canadian wells, the performance data of the previous installation is available for a direct comparison. Overall, the run-life of the HRPCP has been excellent in comparison to either expectations or to the run-life of previous PCPs in the same wells or fields. In one example well, the previous PCP suffered a significant drop in efficiency (from 60% to 10%) after 90 days. The HRPCP that followed it has been running at 70% efficiency for over 180 days (and still going). In Colombia, the operator saw reduced load on the pump due to the "gas lift" effect from the gas going through the pump and up the tubing, while exceeding expectations for run-life.
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Xia, J., S. Hayne, G. Macfarlane, D. Field, and Y. Drobyshevski. "Investigation Into Float-Over Installations of Minimal Platforms by Hydrodynamic Model Testing." In ASME 2005 24th International Conference on Offshore Mechanics and Arctic Engineering. ASMEDC, 2005. http://dx.doi.org/10.1115/omae2005-67092.
Full textAbstract:
The idea of using float-over installations for minimal facilities platforms was shown to offer significant advantages, especially when coupled with a substructure installed by a jack-up rig. Recently, float-over installations of minimal facilities have been conducted by the cantilevered method by ICON Engineering Pty Ltd (ICON). The operation involves the platform topsides being loaded and transported to site on a barge, skidded over the barge bow, and lowered onto the jacket. The paper presents results of a research project undertaken by the Australian Maritime College (AMC) in conjunction with ICON, with the objective to investigate motions of a barge and loads exerted on the jacket when the two are docked together for a smooth load transfer operation. The model of an installation barge has been tested in the AMC wave basin and response amplitude operators of the barge motions have been determined for both the free floating and docked conditions. A range of wave periods and heights has been investigated. Model test results have been used to verify numerical predictions used in the design, and to get insight into uncertainties, which may otherwise be difficult to assess using standard software.
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Li, Guang (George), Robert Kipp, and Steve Leverette. "Horizontal Installation of TLP Tendons." In ASME 2012 31st International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/omae2012-83013.
Full textAbstract:
Tension Leg Platforms (TLPs) are ideal supports for dry-tree top tension riser systems because their tendons exhibit high tensile stiffness and significantly reduce the heave, pitch, and roll motions of the platforms. Since the first TLP (Hutton) was installed in the North Sea in 1984, a total of 24 TLPs have been installed throughout the world with 16 of them installed in the Gulf of Mexico. Currently there are new TLP projects proposed in regions off the coast of Malaysia, West Africa, Brazil and Western Australia. Heavy-lift vessels were used to install tendons for most of these TLP’s. Tendon joints were assembled vertically from bottom part to top part. Using a heavy-lift vessel introduces significant cost and schedule challenge to TLP projects, especially ones located in remote regions. A horizontal tendon installation methodology is presented in this paper. This innovative approach involves horizontal assembly of TLP tendon segments on a construction barge. The partially assembled tendon is then incrementally pulled out through a stinger at the barge stern and secured with a hold back clamp so that the next tendon joint can be connected. The process repeats itself until the whole tendon is assembled and deployed. The tendon is then upended to a vertical configuration and connected to a TLP or a foundation pile. In this paper, we examine the alternative equipment and configuration options in the horizontal installation methodology. We outline rationales to select the appropriate options and measures to reduce project cost and risks.
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Rosen, Jordan, Andrew Kilner, Jonathan Gumley, Kanishka Jayasinghe, and Hemant Thurumella. "The Impact of Climate Change on Offshore Operations and Design Considerations for Offshore Vessels and Installations." In ASME 2022 41st International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2022. http://dx.doi.org/10.1115/omae2022-79274.
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Abstract This paper investigates the impact on the availability, uptime, and design conditions of offshore facilities and operations due to climate change. As the physical processes that generate ocean waves are intrinsically linked to atmospheric conditions, the ocean wave climate will change as global temperatures increase and global winds change. The impacts on offshore facilities have been investigated by studying and comparing wave climate predictions for a range of climate change scenarios, considering both the magnitude of temperature increase and the time horizon of the scenario. This paper relies on the scenarios generated in multiple revisions of the Coupled Model Intercomparison Project (CMIP). This paper presents the impacts of climate change in a series of case studies: • Changing design wave conditions for several potential offshore wind farm developments around Australia. • The predicted change in the availability and uptime of five Single Point Mooring (SPM) terminals around South America. • The predicted change in durations of offshore platform decommissioning activities and the duration of operations to install new floating facilities.
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Punanova, Svetlana. "DEVELOPMENT OF THE FUEL AND ENERGY COMPLEX IN CONNECTION WITH THE ADOPTION OF THE DECARBONIZATION LAW (ON THE EXAMPLE OF AUSTRALIA)." In GEOLINKS Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/geolinks2021/b2/v3/33.
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The article, based on the current informational material, provides an overview of the mineral resource complex of Australia and the ways of its development in modern conditions. Modern requirements for the development of the fuel and economic complex of countries are caused by new challenges in connection with the need to follow the Paris Convention on Climate Change and the installation on decarbonization – a significant reduction and then a complete rejection of CO2 emissions from the combustion of hydrocarbons. The work shows that the process of "greening" Australia provides for the creation and implementation of a completely new paradigm for the development of the fuel and energy complex. This is a complete rejection of the extraction and use of coal, an increase in gas production in compliance with environmental requirements, the development and implementation of new technologies, the expansion of gas storage facilities and a network of pipelines, as well as the parallel development and introduction of renewable energy sources.
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Bhargav, Kiran, and Senthilkumar Durairaj. "Beachpull Installation of Long Pipelines and Cables." In ASME 2012 31st International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/omae2012-83059.
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Conventional pipelay (i.e. S-lay) is not feasible in shallow water locations owing to the draft of pipelay barges. Pipelay using beachpull method provides an alternative to such restrictions. A typical long beachpull operation in shallow water environment presents a substantial challenge, which calls for a thorough engineering analysis along with a detailed installation procedure. This paper highlights the methods and techniques of pipelay using beachpull method that were employed on the John Brookes joint venture (Apache and Santos) and the Aramco Karan project. The John Brookes project (Varanus Island, Australia) included the installation of a landfall section comprising an 18” FBE coated pipeline featuring a beachpull length of 7.0 km, one of the longest of its kind. The Karan project (Saudi Arabia) comprised the installation of a 38” trunkline, requiring a beachpull length of 3.0 km and also the installation of a 15kV cable having a beachpull length of 4.0 km. Beachpull engineering comprised checking the pipeline’s lateral stability under the influence of near-shore current-induced hydrodynamic forces. For the Apache Project, the 7.0 km long beachpull coupled with the proximity to the existing pipeline and near-shore currents offered a unique challenge. Supplementary buoyancy was utilized to limit the required beachpull tension within allowable limits. The drifting of the pipeline from the installation corridor was restricted by installing sand-filled bulker bags at designed intervals. The beachpull installation on the Karan project offered a different challenge owing to a larger pipe size and a piggybacked cable in a shallow water depth. Special consideration was given to the attachment of supplementary buoyancy bags and dynamic loadings that were acting throughout the beachpull length, especially during cable installation. This paper describes the technical challenges faced during the estimation of the pull-in loads and weather-induced lateral displacements encountered during the beachpull. This paper also elaborates the assessment of proposed winch, design of supplementary buoyancy, design of bulker bags, etc. Data collected on-site during installation of the pipelines are in good agreement with computed / designed values, ensuring the correctness of the beachpull simulations. Detailed engineering studies along with well developed installation procedures resulted in successful completion of the installation.
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McMaster, Scott Y., Dean R. Campbell, and Eric Jas. "Pipeline Shore Approach Design: Case Study." In ASME 2011 30th International Conference on Ocean, Offshore and Arctic Engineering. ASMEDC, 2011. http://dx.doi.org/10.1115/omae2011-49937.
Full textAbstract:
An insight is provided into the design of a large diameter high pressure gas pipeline shore approach for an LNG project off the coast of North Western Australia. The shore approach is located in a challenging and congested area, within one of Australia’s busiest ports. In close proximity to the pipeline route are two existing high pressure gas pipelines, several major shipping channels, a large spoil ground and environmentally sensitive coral reefs. Throughout the design process, careful consideration has been given to environmental and heritage constraints. In the case of the pipeline shore approach, prevention of coral mortality due to dredging induced turbidity has been a key priority. Ensuring the preservation of the heritage site adjacent to the landfall site has also been a major consideration. This paper describes the numerous challenges faced in designing the pipeline shore approach. A description of the design processes used to develop the secondary stabilisation and accidental external impact designs is provided. The unique methods employed to install the trunkline system across an operating shipping channel are also described. The information provided in this paper can be applied to the design and development of numerous pipeline shore approaches in the future. Individuals interested in pipeline secondary stabilisation, impact protection, shore crossings and pipelay techniques will also find this paper of value. This paper contributes to the technical knowledge base of the offshore industry by displaying the benefits of effectively combining relevant theoretical approaches with state of the art physical model testing methods and best practice installation techniques. This work demonstrates how innovative design practices can be successfully applied to produce a safe, cost effective and robust pipeline shore approach design in a challenging area.
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Kim, Jang W., Jim O’Sullivan, Atle Steen, and John Halkyard. "Global Performance and Sloshing Analysis of a New Deep-Draft Semi-Submersible LNG FPSO." In ASME 2008 27th International Conference on Offshore Mechanics and Arctic Engineering. ASMEDC, 2008. http://dx.doi.org/10.1115/omae2008-58001.
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A new concept of LNG FPSO based on a deep-draft semi-submersible hull is introduced. With the deep draft, small water plane area, low center of gravity and large radius of gyration, the new LNG FPSO offers very low motions. This low-motion LNG FPSO platform provides more options and flexibilities in the selection of LNG liquefaction units, LNG containment systems, construction sites, installation methods, mooring systems (i.e. no requirements for weather-vaning), riser system and less down time compared with a conventional FPSO hull. Global performance and sloshing analyses for the new LNG FPSO hull and the conventional FPSO hull are performed to compare their operating performance for West Africa and the Northwest Australia environments.
Reports on the topic "Installations (Art) Australia"
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Williams, Michael, Marcial Lamera, Aleksander Bauranov, Carole Voulgaris, and Anurag Pande. Safety Considerations for All Road Users on Edge Lane Roads. Mineta Transportation Institute, March 2021. http://dx.doi.org/10.31979/mti.2021.1925.
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Edge lane roads (ELRs), also known as advisory bike lanes or advisory shoulders, are a type of shared street where two-way motor vehicle (MV) traffic shares a single center lane, and edge lanes on either side are preferentially reserved for vulnerable road users (VRUs). This work comprises a literature review, an investigation of ELRs’ operational characteristics and potential road user interactions via simulation, and a study of crash data from existing American and Australian ELRs. The simulation evaluated the impact of various factors (e.g., speed, volume, directional split, etc.) on ELR operation. Results lay the foundation for a siting criterion. Current American siting guidance relies only upon daily traffic volume and speed—an approach that inaccurately models an ELR’s safety. To evaluate the safety of existing ELRs, crash data were collected from ELR installations in the US and Australia. For US installations, Empirical Bayes (EB) analysis resulted in an aggregate CMF of .56 for 11 installations observed over 8 years while serving more than 60 million vehicle trips. The data from the Australian State of Queensland involved rural one-lane, low-volume, higher-speed roads, functionally equivalent to ELRs. As motor vehicle volume grows, these roads are widened to two-lane facilities. While the authors observed low mean crash rates on the one-lane roads, analysis of recently converted (from one-lane to two-lane) facilities showed that several experienced fewer crashes than expected after conversion to two-lane roads.