Academic literature on the topic 'Innovative cultural production'
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Journal articles on the topic "Innovative cultural production"
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Moreva, Evgeniya. "Innovations Potential of Cultural Production and Issues of Its Development in Cultural Policy of CIS Countries." Moscow University Economics Bulletin 2018, no. 4 (August 31, 2018): 122–46. http://dx.doi.org/10.38050/01300105201847.
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The objective of the paper is the determination of the opportunities to realize the cultural policies in the CIS countries to activate their innovations. The conceptual basis of such a course are the theories about the position of cultural production in the social-economic systems and its influence over their innovative development. In lens of their application opportunities this approach facilitated the appraisal of the cultural policy in the Post-soviet space and the design of the general attitude towards its transformation to stimulate efficiently the innovative development of the countries of the Region. The Methodological principles of the research are based on the systems theory, comparative studies and the evolution theories. The research was concluded recognizing the innovation potential of the cultural sector neglected in the countries policies of the countries of the region. Hence the main directions of the cultural policy transformation to activate innovations were indicated. The conclusions of the analysis may be operated while the elaboration and materialization of the cultural and innovation policies at the national and regional levels.
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Shamova, E. A., and Yu G. Myslyakova. "Assessing the Innovative Solvency of Regional Exports in the Russian Federation." Economics and Management 27, no. 12 (December 26, 2021): 951–62. http://dx.doi.org/10.35854/1998-1627-2021-12-951-962.
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Aim. The presented study aims to develop a methodology for assessing the innovative solvency of exports from Russian regions and to identify the leading exporting regions in the development of the country’s innovative exports. Tasks. The authors clarify the definition of ‘innovative solvency of regional exports’; develop a methodology for assessing the innovative component of regional exports; test methodological recommendations for assessing the innovative solvency of exports through the example of industrial regions. Methods. The approach to determining the innovative solvency of regional exports is based on a matrix measurement method using two-component evaluation tools. This method also makes it possible to compare the level of the region’s existing foreign economic relations with the level of the regional production system when considering the latter as a resource and a prerequisite for further increasing the level of innovation in exports; to assess the degree of regional potential realization through a separate comparison of the indicators of commodity production and exports of goods and indicators reflecting the level of production technologies and their exports. Results. A typology of exporting regions is proposed based on the synthesis of two criteria: the level of development of the innovative component in the exports of the region and the level of development of advanced innovative technologies in the region. The study confirms the hypothesis about the heterogeneity of Russian regions in terms of the innovative component of their exports, which has a direct impact on the development of the corresponding regional development strategies. Of the 34 exporting regions analyzed, only 16 regions can be identified as exporters of innovative goods. Conclusions. The methodology proposed by the authors makes it possible to qualitatively assess the innovative component of regional exports based on quantitative data, which reveals the potential of the regional production system for innovative production, and to compare it with the existing and projected levels of innovative exports. The practical significance of this study consists in the formation of a list of regions leading in innovative exports, which can be useful for public authorities when adjusting programs aimed at stimulating innovation activity and forming an export-oriented national economy.
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Karpenko, Andrii, Tetiana Naumchuk, and Natalia Karpenko. "Cultural аnd Mental Peculiarities of Innovation Processes’ Development in Ukraine in the Context of Industry 4.0." SHS Web of Conferences 100 (2021): 01025. http://dx.doi.org/10.1051/shsconf/202110001025.
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The article deals with cultural and mental peculiarities of innovation processes’ development in Ukraine in the context of Industry 4.0. There has been presented a comparative rating of some world countries according to NRI, ICT, GOI, IDI, GII indices and the position of Ukraine over the past decade has been stated. The main results of innovation activity in Ukraine that lie in low innovative activity have been characterized. The factors that hinder innovation activity are insufficient level of educational training, low activity in offering innovative ideas, no incentive to create something new etc. In addition, a significant negative impact on innovation activity is exerted by cultural and mental factors of the population, a considerable part of which does not have entrepreneurial skills. There have been substantiated some socio-cultural and mental characteristics of Ukrainians that determine their innovative activity, namely reduce the competitiveness of the country's human capital both at the personal and national levels. The solution of the problem has been proposed which implies cooperation between three main components of the innovative economy – "science – education – production" as a common system.
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Istudor, Laura Gabriela. "Innovation and entrepreneurship in Romania’s cultural and creative industries." Proceedings of the International Conference on Business Excellence 12, no. 1 (May 1, 2018): 498–507. http://dx.doi.org/10.2478/picbe-2018-0045.
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Abstract The evolution of entrepreneurship in the cultural and creative sectors leads to social innovation by creating new jobs intended for the creative class and by building a long-run smart, sustainable and inclusive local development. Innovation and sustainability are concepts that can be applied to many industries, and they can involve numerous improvements related but not limited to processes, products, services, logistics. This paper supports the idea that the creative and cultural sectors can develop through innovative entrepreneurship, by introducing new methods of production, optimizing existing processes, improving the delivery methods or by developing new products or services, while also relying on the help of the government and smart organizations such as clusters. Since innovation involves improving the way of doing business, this paper will focus on identifying the available innovative methods that can be applied to the businesses activating in the cultural and creative sectors of the economy in Romania, together with the main challenges and opportunities that might arise by applying them. The perspectives of intellectual capital, creative economy and knowledge-based society in relation to the impact of innovation and entrepreneurship towards the development of the cultural and creative sectors in Romania will also be considered. The paper will also tackle a series of best practice examples of innovative businesses in the creative sectors, as well as a comparative analysis of the successfully implemented innovative ideas in this field of activity and their impact on the customer satisfaction and on the development of the local economy.
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Shmakov, P. P., V. G. Savenko, and Yu N. Egorov. "Organizational and methodological foundations of innovative support for agri-cultural production." Machinery and Equipment for Rural Area, no. 1 (January 27, 2020): 2–5. http://dx.doi.org/10.33267/2072-9642-2020-1-2-5.
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Ibrus, Indrek. "Audiovisual Policymaking in Estonia at Times of Convergence: An ‘Innovation System’ as a Policy Rationale." Baltic Screen Media Review 3, no. 1 (November 1, 2015): 102–15. http://dx.doi.org/10.1515/bsmr-2015-0026.
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Abstract The first thing this article tries to do is discuss the Estonian audiovisual media and content production system in its entirety - i.e. to look at film, television and interactive audiovisual services as an increasingly integrated system. Secondly, it tries to understand the issues that this convergence process presents to these formerly distinct sub-fields of the audiovisual culture, as well as for the country’s cultural policy makers. Thirdly, it presents an alternative rationale for audiovisual policymaking - reconceptualising the policy in support of an ‘innovation system’. The aim of this policy would be to improve ‘innovation coordination’ - to make the system generate more innovative cultural forms and representations, which at the aggregate level would translate into increased cultural diversity. The article assesses the innovation coordination within the Estonian audiovisual media and content production system.
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Nikitin, Svyatoslav A., Irina A. Tronina, Galina I. Tatenko, and Alina E. Grekova. "Problems of Formation of the Innovative Environment of the Region: Socio-Cultural Approach." Proceedings of the Southwest State University. Series: Economics, Sociology and Management 11, no. 6 (2021): 131–45. http://dx.doi.org/10.21869/2223-1552-2021-11-6-131-145.
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Relevance. In modern conditions, the innovative development of the region is largely determined by the environment that promotes the activation of innovative activities of regional stakeholders. The formation of an innovative environment becomes an important task due to the objective process of transition from an economy based on production factors to an economy based on knowledge. Moreover, socio-economic factors (the quality of the infrastructure environment, the state of the economy and the innovation system) affect innovative development to a greater extent than scientific and technological progress. The economic behavior of a society is formed on the basis of established behavioral attitudes and moral values as a socio-cultural vector of its development. In this regard, there is an objective need to study the formation of the innovative environment of the region from the standpoint of the socio-cultural approach. The purpose of the study is to provide a theoretical justification for the use of the socio-cultural approach in the study of the problem of the formation of the innovation environment in the region, as well as to analyze the socio-cultural factors in terms of their impact on the innovation activity of regional stakeholders. The objectives of the research are to study the theoretical foundations and methodological aspects that reveal the issues of the formation of the innovation environment of the region, as well as to justify the use of a socio-cultural approach to study the interaction of stakeholders of the innovation process and their attitude to innovation. Methodology. The methodological basis of the research consists of general scientific methods of cognition, statistical methods, as well as the principles and methods of the systematic approach. The information component of the study includes data from Russian state statistics, reference data from domestic and foreign scientific literature, materials of scientific and practical conferences, scientific journals and the Internet environment. Results. As a result of the study, it is established that the innovative development of the region involves the improvement of the system of social reproduction on the basis of the introduction of technological, institutional and social innovations. The modern paradigm of regional development is based on a set of approaches, among which, according to the authors, the socio-cultural approach is becoming relevant, involving the study and assessment of such factors as the socio-cultural profile of the region, the attitude of the population to new technologies and to technological entrepreneurship. In the course of the study, the main principles of the formation of the innovation environment of the region are formulated, taking into account the concept of «smart specialization» and the model of "four-link spiral of innovation". Conclusions. The innovation environment of the region is a source that creates "windows of opportunity" for stakeholders of the innovation process, and causes stagnation of regional innovation activity. The perception of innovations by all participants of the innovation process, determined by individual characteristics and group socio-economic characteristics, is a factor of openness to new technological achievements. This fact should be taken into account in the innovation policy of the region with an emphasis on the formation of an innovative environment that ensures the innovative activity of stakeholders.
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Mal'shina, N. "Supra-Industry Technologies in the Mechanism of Financing of Cultural Industries in Russia." Scientific Research and Development. Economics of the Firm 9, no. 2 (June 25, 2020): 35–43. http://dx.doi.org/10.12737/2306-627x-2020-35-43.
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The main goal of this work is to develop effective forms of financing for cultural industries. Information and methodological elements were formed. ensuring the process of logistics of the cultural services system. As a result, there is an objective need for system monitoring of the database of cultural industry organizations and innovative use of modern information technologies in solving complex economic problems to justify optimal solutions with a variety of alternative options.According to the author's classification of cultural services into passive and active, it is possible to distinguish two ways in the development of basic technologies and in the cultural industry. Mechanisms of innovative interaction of cultural institutions with business and government structures can be divided into several types: project financing (support for certain projects); social innovation and investment (support coincides with certain business strategies); donation interaction with business on a philanthropic basis; investment exchanges for cultural, art and creative projects; service contract (life cycle contract); fundraising for scientific (educational) and cultural services; concessions in the cultural industry; business incubators as a multiplier-accelerator for the culture industry (support for the system of cultural services at an early stage) , etc. The development and application of cross-industry information and communication technologies gives the largest volume of production of cultural services with a low cost, due to the scale of production.
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Moncayo Romero, Mario. "Analysis of the generation and consumption of animated audiovisual content in Ecuador." Espirales Revista Multidisciplinaria de investigación 3, no. 27 (April 3, 2019): 187. http://dx.doi.org/10.31876/er.v3i27.567.
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Introduction With the passage of time, audiovisual productions are increasingly demanded by the public and these are part of the cultural industry of any country. However, there is a noticeable change in the production of these since currently the topics of interest are very diverse. ObjectiveAnalyze the generation of animated content in Ecuador Materials and methodsThe following article presents a short analysis on audiovisual production from the documentary and systemic review. ResultsA critical interpellation with this framework of action allows to verify that production is favored to date DiscussionThe cultural industry replaces everything common for original and innovative facts Conclusionscountries undergo rapid cultural changes in the wake of globalization
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Nieborg, David B., Brooke Erin Duffy, and Thomas Poell. "Studying Platforms and Cultural Production: Methods, Institutions, and Practices." Social Media + Society 6, no. 3 (July 2020): 205630512094327. http://dx.doi.org/10.1177/2056305120943273.
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This introduction to the second special collection of articles on the platformization of the cultural industries foregrounds research methods and practices. Drawing from the 12 articles included in this collection, as well as the 14 articles published in the first collection, we identify commonalities in approaches, consistencies in traditions, and uniform modes of analysis. We argue that approaches that have been deployed in media industry studies for decades—semi-structured interviews, discourse analysis, content analysis, and participant observation—remain productive. At the same time, transformations in the temporalities and curation of cultural production require updated modes of investigation and analysis. As such, we spotlight contributors’ novel methods and innovative theoretical approaches, such as the walkthrough method and multi-sided market theory.
Dissertations / Theses on the topic "Innovative cultural production"
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Khattabi, Mohamed Aissam. "Les clusters, innovation et développement territorial." Thesis, Lille 1, 2012. http://www.theses.fr/2012LIL12007.
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L’objectif de ce travail est d’expliciter en premier lieu l’évolution théorique des clusters depuis le XIXème (District marshallien) jusqu’aux clusters d’aujourd’hui, les pôles de compétitivité français ; et d’étudier en deuxième lieu les caractéristiques, les déterminants et les effets des clusters en général sans négliger et oublier de traiter le côté pratique des clusters dans le monde (France, Etats-Unis, Japon, Corée de Sud et l’Inde). Ainsi, la pratique nous montre qu’il y a des liens et des interdépendances réciproques entre les clusters et l’innovation. A cet effet, nous déduisons que les clusters constituent l’écosystème, l’environnement et l’organisation la plus favorable à l’innovation, grâce aux effets des proximités croisées que les clusters réunissent et au capital social créé et développé en son sein entre les parties prenantes des clusters. A partir de là, nous comprendrons bien que les clusters agissent ou ont un effet sur leur territoire d’implantation du fait de tous les éléments (proximités, innovations, capital social…), les intervenants et les acteurs locaux qu’ils réunissent. Donc, ils impactent d’une manière globale le développement territorial et en particulier la compétitivité et l’attractivité territoriale ; tout cela d’une manière endogène ou exogène. Autrement dit, le développement territorial par les clusters est basé sur des ressources « glocales » c’est-à-dire d’origine endogène et exogène en même tempsThe purpose of this work is to clarify firstly the theoretical evolution of clusters since the nineteenth (Marshallian District) to today's clusters, French competitiveness clusters, and secondly, to study the characteristics, determinants and clusters effects in general without neglecting or forgetting to treat the practical side of clusters in the world (France, USA, Japan, South Korea and India).Thus, practice shows that there are links and reciprocal interdependencies between clusters and innovation. To this end, we infer that clusters constitute the ecosystem, the environment and the most conducive organization for innovation, due to effects of cross proximities that clusters gather and social capital created and developed within, between clusters stakeholders.From there, we understand that the clusters act or have an effect on their implantation territory due to all of the elements (proximities, innovations, social capital ...), stakeholders and local actors they assemble. Thus, they impact the territorial development in a global way, and the competitiveness and territorial attractiveness in particular ; all this in an endogenous or exogenous way. In other words, territorial development by the clusters is based on "glocal" resources, i.e. they have endogenous and exogenous origin at the same time
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Su, Chunmeizi. "Changing dynamics of digital entertainment media in China." Thesis, Queensland University of Technology, 2019. https://eprints.qut.edu.au/130744/1/Chunmeizi_Su_Thesis.pdf.
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This study is about the rise of Chinese technology companies and their integrated power in screen production culture. It examines the dynamics between BAT - Baidu, Alibaba and Tencent, the Chinese equivalent of Google, Facebook and Amazon, and the streaming services in China. This study adopted case studies to explore Chinese online productions via genres of TV, variety shows and user-generated content. In doing so, BAT is identified as the new digital power, and that they are reconfiguring power distributions of media industries in the content professionalising process.
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Machida, Wataru <1979>. "IPAT equation, life cycle inventory analysis and dynamic Leontief model for critical thinking in industrial ecology: decomposition, attribution and marginal analyses for innovative solutions." Doctoral thesis, Università Ca' Foscari Venezia, 2011. http://hdl.handle.net/10579/1054.
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Questa tesi si propone per la missione dell'Ecologia Industriale, di trovare soluzioni innovatrici a problemi ambientali complicati, dall' analisi dei modelli e delle tecniche analitiche. La parte di sintesi (Capitolo 1) chiarisce il rapporto fra i modelli (i.e. IPAT equation, life cycle inventory analysis e dynamic Leontief model) e le tecniche analitiche (decomposition, attribution e marginal analyses) e come possono essere utilizzati per scopi differenti. Ogni capitolo specifico si focalizza su un tema differente: confronto fra i modelli statici e dinamici nei rispettivi contesti del sistema di produzione sostenibile e del consumo e decrescita (Capitolo 2), metodi integrati per gli inquinamenti industriali in particolare per quanto riguarda l' accessibilità e l' elaborazione dei dati (Capitolo 3), e indicatori base, oggetti e vincoli per una società a bassa emissione di carbonio (Capitolo 4). Sulla base dei risultati dei casi specifici, viene sintetizzato sul meta-model per il design, come i modelli e le tecniche possono essere applicati per la missione, e le loro limitazioni vengono inoltre discusse (Capitolo 5).
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Sabatier, Damien. "Influence des facteurs agro-climatiques sur les modalités d'allocation de la biomasse produite aux différentes composantes lignocellulosiques des structures de la canne à sucre." Phd thesis, AgroParisTech, 2012. http://pastel.archives-ouvertes.fr/pastel-00944800.
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Malgré l'impact économique et les enjeux environnementaux liés à la production d'énergie renouvelable par combustion de la biomasse de canne à sucre, les systèmes de culture canniers ne sont optimisés que pour maximiser la production de sucre. Ce travail contribue à l'élaboration d'un module de simulation de l'évolution des composantes du rendement énergétique (CRE) de la biomasse de canne à sucre qui à terme servira à la conception et l'optimisation de systèmes de culture innovants visant une production multi-usages. Les deux critères retenus dans le cadre de ces systèmes de culture sont les rendements énergétique (MJ m-2) et sucrier (kg m-2). En préalable à la formalisation des dynamiques d'évolution des CRE(fractions anatomiques, structures et lignocelluloses) dans la biomasse de canne à sucre, l'influence de facteurs de variations agro-climatiques sur ces dynamiques d'évolution a du être testé. La vérification de cette hypothèse supposant la collecte massive de données au champ, un modèle proche infrarouge de prédiction des CRE dans la biomasse de canne à sucre a été développé. Ce modèle a permis de quantifier les CRE et de suivre leurs évolutions pour 3 cultivars de canne à sucre (R570, R579 et R585) cultivés dans des environnements contrastés (4 sites) durant deux cycles de culture (vierge et première repousse). Cette étude a révélé des différences significatives entre cycles de culture, sites, cultivars, méthodes coupe et composantes anatomiques pour les CRE et le rendement énergétique. Cependant, lerendement en biomasse aérienne de canne à sucre explique 97% de la variabilité du rendement énergétique à la récolte. La maximisation du rendement en biomasse aérienne s'avère être le principal paramètre à optimiser pour maximiser le rendement énergétique de la production. Toutefois, ces nouveaux objectifs de production peuvent être à l'origine de diminution importantes des rendements en sucre par pertes lors du procédé d'extraction. Ces antagonismes doivent être quantifiés et pris en compte dans l'évaluation de performances de système de culture tant que le sucre sera la principale source de rémunération.
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Ілляшенко, Сергій Миколайович, Сергей Николаевич Ильяшенко, Serhii Mykolaiovych Illiashenko, Юлія Сергіївна Шипуліна, Юлия Сергеевна Шипулина, and Yuliia Serhiivna Shypulina. "Еколого-орієнтована інноваційна культура як передумова сталого розвитку." Thesis, Видавництво Львівської політехніки, 2013. http://essuir.sumdu.edu.ua/handle/123456789/30621.
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Запропоновано авторське визначення поняття "екологічно-орієнтована інноваційна культура", виконана систематизація основних механізмів її формування та розвитку. Окреслене коло основних проблем формування екологічно-орієнтованої інноваційної культури та запропоновано рекомендації щодо їх розв'язання. Запропоновано підхід до визначення шансів екологічних інновацій на ринковий успіх залежно від стану складових інноваційної культури організації.
При цитуванні документа, використовуйте посилання http://essuir.sumdu.edu.ua/handle/123456789/30621Предложено авторское определение понятия "экологически-ориентированная инновационная культура", выполнена систематизация основных механизмов ее формирования и развития. Очерчен круг основных проблем формирования экологически-ориентированной инновационной культуры и предложены рекомендации по их решению. Предложен подход к определению шансов экологических инноваций на рыночный успех в зависимости от состояния составляющих инновационной культуры организации. При цитировании документа, используйте ссылку http://essuir.sumdu.edu.ua/handle/123456789/30621
The author's definition of "environmentally-oriented innovation culture» is proposed, the basic mechanisms of its formation and development are described. The key issues shaping environmentally-oriented innovation culture are identified and recommendations for their solution are proposed in the article. The authors produced an approach to determining the possible chances of environmental innovations to market success, depending on the components of the organization’s innovation culture. When you are citing the document, use the following link http://essuir.sumdu.edu.ua/handle/123456789/30621
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Cruz, Marcia Rohr da. "Processo de desenvolvimento das inovações na cadeia produtiva da maçã brasileira." reponame:Repositório Institucional da UCS, 2013. https://repositorio.ucs.br/handle/11338/86.
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A inovação exerce importância no negócio das empresas, compreende diferentes aspectos e contribui de formas diversas para o seu crescimento e desenvolvimento. Dentre os aspectos que podem ser levados em consideração para as inovações estão os aspectos internos relacionados com o contexto da organização e os aspectos externos que envolvem todo o
ambiente em que a organização está inserida. Acredita-se que estes aspectos exercem influência tanto na decisão para o desenvolvimento das inovações quanto para a aplicação dos produtos ou processos de inovação no mercado. Este estudo teve como objetivo identificar como e porque as inovações emergem na cadeia produtiva da maçã brasileira e quais os resultados obtidos a partir das inovações implementadas nos segmentos produtores e packinghouses. Os procedimentos metodológicos empregados têm como estratégia de pesquisa o estudo de caso, o qual foi efetivado através das abordagens qualitativa e quantitativa de pesquisa. Em relação aos objetivos o estudo teve caráter exploratório, descritivo e explicativo. A etapa qualitativa foi executada através da pesquisa exploratória com especialistas da cadeia produtiva da maçã brasileira para identificar as inovações que foram implementadas e
também para classificá-las de acordo com o encadeamento do anel tetralógico. Dentre os principais resultados obtidos ressalta-se a identificação dos aspectos que compuseram o framework e serviram de norteador para a realização da pesquisa qualitativa. Destaca-se também o encadeamento obtido entre os aspectos identificados de forma empírica e a junção com as teorias utilizadas, em especial os pressupostos de Edgar Morin, através da teoria da complexidade. A etapa quantitativa foi efetivada através do método estatístico, por meio da análise fatorial, cuja análise apresentou a identificação dos resultados que as inovações apresentam para os fatores sociais, econômicos, organizacionais, políticos e mercadológicos na amostra de produtores e packing-houses da cadeia produtiva da maçã brasileira definidas para esta investigação. Na análise quantitativa merece destaque a apresentação através de estatística descritiva da caracterização das amostras, bem como os processos de inovação que cada amostra tem implementado. A análise fatorial permitiu a apresentação das variáveis destacadas para cada fator nas quatro amostras (produtores e packing-houses de Santa Catariana e Rio Grande do Sul) individualmente e também para toda a cadeia incluindo as quatro amostras. Através da análise de regressão múltipla identificou-se a percepção sobre o impacto das inovações para toda cadeia produtiva da maçã brasileira, incluindo os produtores e packing-houses dos estados de Santa Catarina e Rio Grande do Sul.Submitted by Marcelo Teixeira (mvteixeira@ucs.br) on 2014-04-25T19:25:44Z No. of bitstreams: 1 Tese Marcia Rohr da Cruz.pdf: 2558047 bytes, checksum: 714824fb7f0fdc80f826cdc4a5231130 (MD5)
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Innovation plays importance in business enterprises, comprises different aspects and contributes in different ways to their growth and development. Among the aspects that can be considered for the innovations are the internal aspects related to the context of the organization and external aspects that involve the whole environment in which the organization operates. It is believed that these aspects influence both the decision for the development of innovations in the application for product or process innovation in the market. This study aimed to identify how and why innovations emerge in the productive chain of Brazilian apples and what the results obtained from the innovations implemented in the sectors producing and packing houses. The methodological procedures have employed as a research strategy case study, which was effected by means of qualitative and quantitative approaches to research. In relation to the objectives the study had an exploratory, descriptive and explanatory. The qualitative analysis was performed through exploratory research with experts in the productive chain of Brazilian apples to identify innovations that have been implemented and also to classify them according to the chain ring tetralogical. Among the main results emphasize the identification of aspects that compose the framework and provided a guideline for conducting qualitative research. Also noteworthy is the chain obtained among those identified empirically and the junction with the theories used, in particular the assumptions of Edgar Morin, by complexity theory. The quantitative stage was effected through the statistical method, by means of factor analysis, which analysis showed identification results show that the innovations to the social, economic, organizational, political and market in the sample of producers and packing-houses of the production chain Brazilian apple defined for this investigation. The quantitative analysis deserves the presentation through descriptive statistics of the characterization of the samples, as well as the processes of innovation that each sample has implemented. A factor analysis of the presentation highlighted variables for each factor in the four samples (producers and packing houses of Santa Catarina and Rio Grande do Sul) individually and for the entire chain including the four samples. Through multiple regression analysis identified the perception of the impact of innovations for the entire production chain of Brazilian apples, including growers and packing houses in the states of Santa Catarina and Rio Grande do Sul.
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CHOUFFOT, STRUYCKEN BARBARA. "Contribution a l'etude des capacites de multiplication vegetative du shorea curtisii dyer ex king, diphterocarpaceae de malaisie." Strasbourg 1, 1986. http://www.theses.fr/1986STR13138.
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Surexploitee pour son bois, infeodee pour son developpement a une mycorhization, dependant d'une production de semences episodique et d'une germination aleatoire, shorea curtisii, incapable en outre de multiplication vegetative spontanee ou par les procedes traditionnels, est tres representatif des dipterocarpacees asiatiques menacees d'extinction rapide. Une mise au point d'un procede de micropropagation in vitro contribuerait a sauvegarder l'espece. L'observation, chez shorea curtisii, de galles epiphylles a organisation de bourgeon abortif suggerant une certaine aptitude des feuilles a la neoformation de meristemes caulinaires, privilegie celles-ci pour larecherche d'une methode de clonage in vitro (. . . )
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Falgas, Julien. "Raconter à l'ère numérique : auteurs et lecteurs héritiers de la bande dessinée face aux nouveaux dispositifs de publication." Thesis, Université de Lorraine, 2014. http://www.theses.fr/2014LORR0112/document.
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Considérant l’environnement numérique qui se caractérise par la convergencedes modes et des formes discursifs, à quels cadres les auteurs et les lecteurs héritiers de la bande dessinée se référent-ils et de quelle manière s’y réfèrent-ils ? Il s'agit de comprendre comment des auteurs confrontés à de nouveaux dispositifs de publication produisent le sens commun nécessaire à la création de récits numériques dont les lecteurs parviennent à partager les standards de transcription, tirent des routines d’usage pour leur interprétation, et jugent attrayante la sélection et la mise en forme des évènements racontés. Après avoir présenté lecontexte dans lequel ont émergé les premiers récits identifiés comme des « bandes dessinées numériques de création », l'étude porte sur l'analyse indexicale d'entretiens conduits auprès des auteurs et des lecteurs de deux de ces récits. L'analyse fait apparaître l'originalité des assemblages de cadres de références opérés par les auteurs et reconnus de leurs lecteurs. Cette étude montre ainsi l'importance des dynamiques de production de sens dans l'invention et l'adoption de nouvelles formes narratives. Le retour critique sur ce travail soulève plusieursquestions méthodologiques, notamment quant à la place du chercheur en tant qu'acteur engagé dans la production de sens, mais aussi quant à la prépondérance accordée au mot dans ce type d'étude, et enfin quant aux modalités d'entretien les plus favorables à la recherche et à l'élucidation des marques indexicales par lesquelles s'expriment les cadres de référence des acteursWhat are the frames to which authors inspired by the comics legacy refer inthe digital environment, characterized by the convergence of media and discursive forms ? How do they refer to such frames in order to make sense and to tell digital stories from which readers are able to share the standards of translation, find routines for their interpretation, and feel entertained by the selection and the arrangement of events ? After setting the context in which emerged the first accounts identified as « original digital comics », the study focuses on the indexical analysis of interviews with authors and readers of two such stories. The analysis reveals the originality of the frames arrangements made by the authors and recognized by their readers. This study shows the importance of sensemaking activities for the invention and adoption of new narrative forms. The critical review of this work raises several methodological issues, particularly regarding the place of the scientist as an actor engaged in the sensemaking activity, but also about the the importance given to words in this kind of researches, and finally about the appropriate interview methods in order to find and explain indexical marks leading to the actors' frames
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Clairac, Bernard. "L'aerosol en foret tropicale humide d'afrique : application a l'etude des echanges entre la foret et son environnement." Toulouse 3, 1986. http://www.theses.fr/1986TOU30144.
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Les mesures ont ete faites, pres du sol, dans une region accidentee (4**(o)s-1**(o)e) de 1978 a 1984. L'aerosol est surtout constitue de composes du carbone, et sa distribution dimensionnelle est formee de 3 modes dont le plus important est centre vers 0,1 micron. Les variations et la composante submicronique sont interpretees en termes de formation et d'evolution des particules et de melanges dans l'atmosphere. Les plus petits noyaux sont formes a partir de gaz emis par la biosphere, principalement au cours de reactions photochimiques. Pendant les heures ensoleillees, la production totale est estimee a 1,8. 10**(5) cm**(-2). S**(-1). 70% des particules formees restent alors dans les vallees, mais sous le couvert forestier la production est faible, et les concentrations augmentent, en fin d'apres-midi, lorsque les melanges amenent les particules formees, le jour, en altitude
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Chen, Chun-Liang, and 陳俊良. "An Exploratory Study on International Market Expansion and Cultural Production Innovation of Taiwanese Puppet Troupe." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/20567186771482273979.
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博士國立臺灣大學
國際企業學研究所
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This research attempts to explain how local puppet show troupes can develop sustainable competitiveness through cultural production innovation and international expansion. We purposely conduct case studies of two outstandingly innovative cultural organizations in Taiwan, namely the PiLi International Multimedia Corporation and the Taiyuan Puppet Theatre Company, both are renowned for hand puppetry. Based on our exploratory study and the analytic induction approach for data analysis, we achieved four research aims of Taiwanese typical puppet show troupes. The first purpose of the dissertation is to develop explanatory models to examine patterns of cultural production in the globalization context. Our analyses lead us to postulate a conceptual framework of cultural production innovation and the factors with special reference to the technology factors, organization factors, market characteristics and the individual factors. Because of the paucity of studies on the cultural production innovation model, we identified four dimensions and induced some cultural production patterns. While the puppetry troupes expand globally, the cultural content/ text should be reconciled in the globalization context, and more interesting we apply business globalization strategy and conflict management strategy to explain this phenomenon. The second purpose of the dissertation is to identify and determine crucial dynamic capabilities that associate to aspects of sustainable competitive development for firm’s cultural production innovation. This research identifies six dynamic capabilities and their resource-based nature as an important basis for cultural production innovation. Our case study also shows that technology-based FSAs help local cultural corporations globalize their businesses. The third purpose of the dissertation is to identify and determine crucial factors that associate to aspects of sustainable competitive development for firm’s international expansion. An important finding of the study is that international expansion presents cultural organizations with a tension between technology related factors, organization factors (e.g. dynamic capabilities, global competencies and network relationship etc.), environmental characteristics and individual factors (e.g. entrepreneurial attitude, business successor etc.). There are two global expansion paths that local cultural organizations can use to increase sustainable competitive development. The last purpose of the dissertation is to identify the relationship between cultural firm’s cultural production innovation and international expansion. Due to the high environmental dynamism and competitiveness, the international expansion of the puppet enterprises is the result of cultural production innovation. The research provides a good, interdisciplinary starting point for combining and integrating among these research fields, i.e. resource-based theory, innovation theory and international business (IB) theory. Several proposed models of ‘survival’ or ‘from local to global’ have been developed in coping with global market dynamics. Another concern is with developing understanding about the relationships between international expansion of cultural enterprises and cultural production innovation. From our findings, we concluded that puppet show troupe proceed the cultural production innovation to expand globally and enhance the cultural content adaptation to foreign customers. Future research comparing the innovation strategies of new and traditional companies would also yield useful knowledge.
Books on the topic "Innovative cultural production"
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Valjakka, Minna, and Meiqin Wang, eds. Visual Arts, Representations and Interventions in Contemporary China. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462982239.
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This edited volume provides a multifaceted investigation of the dynamic interrelations between visual arts and urbanization in contemporary Mainland China with a focus on unseen representations and urban interventions brought about by the transformations of the urban space and the various problems associated with it. Through a wide range of illuminating case studies, the authors demonstrate how innovative artistic and creative practices initiated by various stakeholders not only raise critical awareness on socio-political issues of Chinese urbanization but also actively reshape the urban living spaces. The formation of new collaborations, agencies, aesthetics and cultural production sites facilitate diverse forms of cultural activism as they challenge the dominant ways of interpreting social changes and encourage civic participation in the production of alternative meanings in and of the city. Their significance lies in their potential to question current values and power structures as well as to foster new subjectivities for disparate individuals and social groups.
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Kaufman, J. Jerry. Stimulating Innovation in Products and Services. New York: John Wiley & Sons, Ltd., 2006.
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Bonora, Laura, Donatella Carboni, and Matteo De Vincenzi, eds. Eighth International Symposium “Monitoring of Mediterranean Coastal Areas. Problems and Measurement Techniques”. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-147-1.
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The 8th International Symposium "Monitoring of Mediterranean Coastal Areas. Problems and Measurements Techniques" was organized by CNR-IBE in collaboration with FCS Foundation, and Natural History Museum of the Mediterranean and under the patronage of University of Florence, Accademia dei Geogofili, Tuscany Region and Livorno Province. It is the occasion in which scholars can illustrate and exchange their activities and innovative proposals, with common aims to promote actions to preserve coastal marine environment. Considering Symposium interdisciplinary nature, the Scientific Committee, underlining this holistic view of Nature, decided to celebrate Alexander von Humboldt; a nature scholar that proposed the organic and inorganic nature’s aspects as a single system. It represents a sign of continuity considering that in-presence Symposium could not be carried out due to the COVID-19 pandemic restrictions. Subjects are related to coastal topics: morphology; flora and fauna; energy production; management and integrated protection; geography and landscape, cultural heritage and environmental assets, legal and economic aspects.
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Brioni, Simone, and Shirin Ramzanali Fazel. Scrivere di Islam. Venice: Edizioni Ca' Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-411-0.
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Scrivere di Islam. Raccontare la diaspora (Writing About Islam. Narrating a Diaspora) is a meditation on our multireligious, multicultural, and multilingual reality. It is the result of a personal and collaborative exploration of the necessity to rethink national culture and identity in a more diverse, inclusive, and anti-racist way. The central part of this volume – both symbolically and physically – includes Shirin Ramzanali Fazel’s reflections on the discrimination of Muslims, and especially Muslim women, in Italy and the UK. Looking at school textbooks, newspapers, TV programs, and sharing her own personal experience, this section invites us to change the way Muslim immigrants are narrated in scholarly research and news reports. Most importantly, this section urges us to consider minorities not just as ‘topics’ of cultural analysis, but as audiences and cultural agents. Following Shirin’s invitation to question prevailing modes of representations of immigrants, the volume continues with a dialogue between the co-authors and discusses how collaboration can be a way to avoid reproducing a ‘colonial model’ of knowledge production, in which the white male scholar takes as object of analysis the work of an African female writer. The last chapter also asserts that immigration literature cannot be approached with the same expectations and questions readers would have when reading ‘canonised’ texts. A new critical terminology is needed in order to understand the innovative linguistic choices and narrative forms that immigrant writers have invented in order to describe a reality that has lacked representation or which has frequently been misrepresented, especially in the discourse around the contemporary Muslim diaspora.
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International perspectives on business innovation and disruption in the creative industries: Film, video and photography. Cheltenham, UK: Edward Elgar, 2014.
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Roy, Woodhead, ed. Stimulating innovation in products and services: Function analysis and function mapping. Hoboken, NJ: John Wiley & Sons, 2006.
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Tartaglia, Andrea, Roberto Bolici, and Matteo Gambaro, eds. La ricerca tra innovazione, creatività e progetto / Research among Innovation, Creativity and Design. Florence: Firenze University Press, 2012. http://dx.doi.org/10.36253/978-88-6655-160-7.
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In the current socio-cultural scenario, the implementation of the university reform aimed at boosting third-level education calls for meditation within the discipline of Architectural Technology (ICAR 12). This review must address the research topics and academic profiles of PhD courses in the Technological Area, also in terms of fostering actions consistent with European strategic lines for the promotion of a knowledge society. Research, innovation, creativity and design are the keywords of this scenario that PhD students and lecturers must bear in mind when considering three fields of study: environmental design and landscape, building production and construction and works and services strategic for the community. This book "Research among innovation, creativity and design" develops the topics addressed during the VII OSDOTTA workshop (the network of PhD courses in the field of Architectural Technology) held at the Mantua campus of Milan Polytechnic on 15th-16th-17th September 2011.
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Ingram, Linda J., Klára Tarkó, and Susan L. Slocum, eds. Women, leisure and tourism: self-actualization and empowerment through the production and consumption of experience. Wallingford: CABI, 2021. http://dx.doi.org/10.1079/9781789247985.0000.
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Abstract This book provides a comprehensive discussion of women, leisure, and tourism through the lens of leisure production and consumption, both by women and for women. Specifically, this text includes a multicultural perspective highlighting the unique attributes leisure brings to women, the role of women in leisure entrepreneurship, and the creation of supportive, inclusive environments to enhance female well-being through the examination of these activities in often overlooked populations. The diversity of women's leisure and tourism practices is best perceived through the links between various leisure practices (e.g., sport, outdoor recreation, travel and tourism, learning, crafts, events, and family leisure), as well as an understanding of leisure production and consumption across cultures and life stages. Chapters bring to the forefront many of the challenges inherent in providing and experiencing leisure and tourism that support the diverse needs of women, as well as a look at female innovation that is also often overlooked in leisure research. This multi-disciplinary book includes examples of both applied and conceptual chapters from global perspectives in academic studies, which will be useful for academics and graduate students of tourism, leisure and gender studies.
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Hans-Böckler-Stiftung and Industriegewerkschaft Metall für die Bundesrepublik Deutschland., eds. Lean production: Kern einer neuen Unternehmenskultur und einer innovativen und sozialen Arbeitsorganisation? : gewerkschaftliche Auseinandersetzung mit einem Managementkonzept : eine Dialogtagung der Hans-Böckler-Stiftung und der Industriegewerkschaft Metall, Frankfurt/M., 30. Juni und 1. Juli 1992. Baden-Baden: Nomos, 1992.
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Casas, Arturo. Procesos da historiografía literaria galega Para un debate crítico. Venice: Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-530-8.
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Galician literary historiography shows links and ruptures that refer to the cultural history of Galicia itself and to the sequence of historical events that have delineated the social, economic and political development of the country since the nineteenth century. These coordinates comprise a series of processes, including the elaboration and propagation of ideologies aimed at achieving a way out of political subalternity and oriented towards the horizon of national emancipation. Those events and these processes also marked the connection of Galicia with modernity and the dynamics of historical change. As a result of the above, this book analyses critically the institutionalization processes of the history of Galician literature – with special emphasis on historiographic models such as that of Said Armesto, Carvalho Calero, Méndez Ferrín and others – and indicates the need to undertake a productive methodological innovation of the discipline in heuristic, organic and discursive terms. It further argues that this update should pay attention to substantive theoretical debates, not exclusively of specific cultural coordinates, such as Galician ones or any others that could be considered. Among these, the cooperation between history and sociology, the intellection of literary facts as historical facts, the review of the link between literary history and nation, the public uses of literary history, and the inquiry of discursive choices that promote a less self-indulgent and predictable historiography. This essentially involved a challenge, that of permanent dialogue with some of the most powerful critical reinterpretations of the Galician historiographic tradition and with alternative models constituted from feminist thought, postcolonial theories, the sociology of the literary field or the systemic theories of culture, as well as with the contributions made from a post-national understanding of the literary phenomenon.
Book chapters on the topic "Innovative cultural production"
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Tsakirides, Olga. "Cultural Innovation Management: Pilot-Research in Production Units, Greece, 2017–2018." In Strategic Innovative Marketing and Tourism, 1151–58. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12453-3_132.
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Thienhirun, Supimmas, and Sulin Chung. "Consumer Attitudes Toward Cross-Cultural Products in Convenience Stores: A Case Study of Japanese Food in Thailand." In Advances in Production Management Systems: Innovative Production Management Towards Sustainable Growth, 129–35. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-22756-6_16.
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Smulders, Frido E. "Interactions between Product Development and Production I — Clashes in Cross-Cultural Learning." In Cross-Cultural Innovation, 113–29. Wiesbaden: Deutscher Universitätsverlag, 2005. http://dx.doi.org/10.1007/978-3-663-05626-3_9.
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Smulders, Frido. "Interactions between Product Development and Production II — Clashes in Cross-Cultural Abstraction Levels." In Cross-Cultural Innovation, 131–47. Wiesbaden: Deutscher Universitätsverlag, 2005. http://dx.doi.org/10.1007/978-3-663-05626-3_10.
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Ruth, Klaus. "Industrial Cultures and Machine Tool Industries: Competitiveness and Innovation Trajectories." In Industrial Cultures and Production, 176–98. London: Springer London, 1996. http://dx.doi.org/10.1007/978-1-4471-1492-5_10.
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Ruth, Klaus. "Industrial Culture - An Action-Oriented View at Innovation and Production." In Industrial Cultures and Production, 84–103. London: Springer London, 1996. http://dx.doi.org/10.1007/978-1-4471-1492-5_6.
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Kumar, Mukka Pranay, N. Abirami, S. K. Paromita Bilkis, Ponnasani Kotesh, Arathi Sreenikethanam, Subhisha Raj, and Amit K. Bajhaiya. "Innovative and Strategic Upgrades in Large-Scale Microalgal Culture Techniques." In Clean Energy Production Technologies, 211–37. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-0793-7_9.
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Baiano, Antonietta, and Leonardo Petruzzi. "The role of starter cultures and spontaneous fermentation in traditional and innovative beer production." In Starter Cultures in Food Production, 231–54. Chichester, UK: John Wiley & Sons, Ltd, 2017. http://dx.doi.org/10.1002/9781118933794.ch12.
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Lin, Hsin-Chih. "Structure Correlation Between Knowledge-Oriented Culture, Knowledge Sharing, and Innovative Management at Junior High Schools." In Innovative Management in Information and Production, 333–41. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-4857-0_36.
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Wilson, Katie, Lucy Montgomery, Cameron Neylon, Rebecca N. Handcock, Richard Hosking, Chun-Kai (Karl) Huang, Alkim Ozaygen, and Aniek Roelofs. "Becoming Open Knowledge Institutions: Divergence, Dialogue and Diversity." In Diversity, Divergence, Dialogue, 431–40. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71305-8_36.
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AbstractThe Curtin Open Knowledge Initiative (COKI) is an innovative research project that collects and analyses publicly available research output data to assist and encourage researchers, academics, administrators and executives to understand the actual and potential reach of openness in research, and to assess their progress on the path towards open knowledge institutions. By taking a broad global approach and using multiple data sources, the project diverges from existing approaches, methods and bibliometric measures in the scholarly research environment. It combines analysis of research output, citations, publication sources and publishers, funders, social media events, open and not open access to provide overviews of research output and performance at institutional, funder, consortial and country levels. The project collects and analyses personnel diversity data such as gender, focusing on widening the reach of data analysis to emphasise the importance and value of diversity in research and knowledge production. Interactive visual tools present research output and performance to encourage understanding and dialogue among researchers and management. The path towards becoming open knowledge institutions involves a process of cultural change, moving beyond dominant publishing and evaluation practices. This paper discusses how through divergence, diversity and dialogue the COKI project can contribute to this change, with examples of applications in understanding and embracing openness.
Conference papers on the topic "Innovative cultural production"
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Matkin, Darren, and Davide Scotti. "Building safety culture in a multi-cultural and de-centralised context: an innovative approach to change." In SPE International Conference on Health, Safety and Environment in Oil and Gas Exploration and Production. Society of Petroleum Engineers, 2010. http://dx.doi.org/10.2118/126439-ms.
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Burlacu, Sorin, Catalin Stefan, and Andreea catalina Enache. "INCREATOR - INNOVATIVE SOFTWARE TOOL FOR CREATION OF ADAPTIVE EDUCATIONAL DIGITAL CONTENT." In eLSE 2013. Carol I National Defence University Publishing House, 2013. http://dx.doi.org/10.12753/2066-026x-13-146.
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ICT development has led to a new approach to the traditional way of learning. Thus, we can see that the education is moving towards a revolution on learning systems towards individualized learning, allowing pupils, students and those who want to be trained, or simply to be informed, to choose content and tools that are appropriate to their own interests. The INcreator project includes the creation of a technological platform that supports the development of new learning objects. The innovative production process will result in substantial improvement of digital learning objects and will reduce production cost while increasing flexibility through a highly advanced interface. The new product will provide an effective, dynamic and friendly approach, applicable to any field of training. The INcreator project encompasses a technological platform that supports the development of innovative learning materials. The innovative process will result in substantial improvement of product (represented by a digital learning object) and will reduce production cost while increasing flexibility through a highly customizable interface. The new learning objects and digital educational content will provide an effective, dynamic and friendly approach, applicable to any field of training. Development of technology platforms to support innovation in the production process, in order to generate a new product - digital learning object with adaptive educational content, must take into account several human factors for the three categories of actors participating in the e-learning: education, educators and institutions. In terms of adapting to the diversity of human factors HSI was made special mention of the importance of proper addressing cultural diversity and international offering examples of these types of cultural differences in dealing with everyday problems.
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Pantazi-Bajenaru, Mirela, and Traian Foiasi. "Design and manufacture of products with Romanian cultural identity." In The 8th International Conference on Advanced Materials and Systems. INCDTP - Leather and Footwear Research Institute (ICPI), Bucharest, Romania, 2020. http://dx.doi.org/10.24264/icams-2020.v.9.
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In the current context, research on cultural identity unfolds as an uninterrupted process of modeling and remodeling, constituting the link between past, present and future. The issue of cultural identity has become an increasingly important topic in recent years, especially in the European context, due to the need to legitimize European cultural identity as a link between European citizens and as a unifying principle of different cultural heritage. The current processes of social and economic globalization provide major challenges on the world market of consumer-oriented production sectors. The increase of competition in the market, as well as consumers' exigency, calls for the manufacture of innovative products in the field of footwear as well. Thus, the approached topic appeared as a necessity to make footwear products with innovative design, in order to sustainably develop the competitiveness of companies through the strategic development of footwear production. The research that is the object of this article consists in the creative reinterpretation of footwear, creating a new product concept with Romanian cultural identity. The aim is, on the one hand, to identify and analyze the product concept and, on the other hand, to develop the product with the help of creative industries, highlighting cultural identity.
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Zhanguzhinova, Meruyert, Bagdat Akylbekova, Sabit Kurmanbekov, Nazerke Kumargaliyeva, and Nazerke Kairbekkyzy. "Innovative Trends in Ethno-Costumology in the Modern Theater Process." In 15th International Scientific Conference "Rural Environment. Education. Personality. (REEP)". Latvia University of Life Sciences and Technologies. Faculty of Engineering. Institute of Education and Home Economics, 2022. http://dx.doi.org/10.22616/reep.2022.15.023.
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This article examines the topicality of ethno-costumes in the context of the modern theatrical process. The aim of the study is to conduct a theoretical and methodological study of the problems of ethno-costumeology in the context of the modern theatrical process. The scientific and theoretical methodology of the research include the theoretical foundations of ethno-costumes, concepts of the modern theatrical process, methodological aspects of ethno-costumes, innovative directions of ethno-costumes, artistic principles of creating an ethnocostume. Scientific and theoretical methods were used: socio-cultural, historical, semiotic, ethnographic, formal-stylistic analysis, ekphrasis, attribution of an ethnic costume, observation, interpretation of an ethnic costume in the theatrical process. The practical methods: research of innovative technologies in the design of ethnic costume in the context of the modern theatrical process, which make up various types of 3D modelling and visualization. The result of the study is: the application of the obtained scientifically grounded methodological foundations in the method of designing an ethnic costume in the production process of the Kazakh Drama Theater named after S. Seifullin in the city of Karaganda. The significance of the results is in the study and identification of methodological aspects in innovative areas of ethno-costumology within the framework of the modern theatrical process.
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Budevici-Puiu, Liliana. "Epistemological Landmarks of the Specialists Managerial-Legislative Training in the Field of Physical Culture." In World Lumen Congress 2021, May 26-30, 2021, Iasi, Romania. LUMEN Publishing House, 2022. http://dx.doi.org/10.18662/wlc2021/10.
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Radical changes that take place in all society spheres (economic, social, political and cultural) of a state, directly and indirectly affect the development and functioning of the socio-economic system of physical culture and sports. A new category of human resources employed in the field of sports management is emerging, given that sports organizations are interested in forming a management system that ensures high performance, development opportunities and a stable market position. In the last decade, the system of physical culture and sports management has undergone substantial changes, as a result of the emergence of new sports events, the development of sports movement, the creation of innovative services and the production of special equipment / installations in accordance with the legislation in force, as well as due to modern trends in entrepreneurial activity in market conditions. The fulfillment of the management functions in these conditions, at a higher level, generator of performance and success can be ensured only by qualified persons who have received a special professional training (including additional, continuous training) and requalification. This training is necessary for all activities specific to the field of physical education and sports management, for the development and proper functioning of sports organizations. Management and marketing activities, innovative for physical culture and the national sports movement, require special knowledge, skills and an effective professional training of the specialists in the field.
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Cerasoli, Mario. "Rigenerazione e centralità urbane vs sprawl." In International Conference Virtual City and Territory. Roma: Centre de Política de Sòl i Valoracions, 2014. http://dx.doi.org/10.5821/ctv.7949.
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Le aree urbane centrali, storiche e non, hanno dimostrato, nell’ultimo quindicennio, una
straordinaria vitalità e una sorprendente capacità di mettere in atto strategie di rilancio. A
dispetto di un annunciato, ma mai verificatosi, declino epocale del proprio ruolo, le realtà urbane
continuano a presentarsi come un luogo privilegiato di crescita economica e di sperimentazione
sociale e culturale, e si rivelano oggi autonome protagoniste, inserendosi nei circuiti economici
innovativi, attirando dall’esterno nuove risorse, finanziarie ed umane, ed incrementando flussi
turistici e culturali. Molte operazioni di riqualificazione di siti industriali e portuali sono state
completate, producendo effetti positivi nell’attrazione di nuove attività e di investimenti e benefici
in termini di miglioramento della qualità urbana. Nonostante la prefigurazione di realtà in cui la
diffusione delle tecnologie telematiche e le forme di produzione e comunicazione immateriale,
avrebbero determinato decentramenti e indifferenze localizzative, nelle città si assiste ad una
rinnovata concentrazione delle più importanti funzioni politiche, direzionali, strategiche e
finanziarie, nonché ad una consolidata importanza delle interazioni face-to-face, che restano un
fattore rilevante per la costituzione di reti funzionali ad attività lavorative. Questi temi hanno
caratterizzato la Sessione Rigenerazione urbana vs Sprawl. In the last 15 years, central urban areas demonstrated a particular vitality and an amazing
capacity to put in place recovery strategies. In spite of an announced, but never happened,
epochal decline of their role, urban realities continue to present themselves like a privileged
place of economic growth and social and cultural experimentation. They appear as independent
protagonists, inserting themselves in innovative economic circuits, attracting new finance and
human resource from the outside, increasing tourist and cultural flows. A lot of industrial and
port sites renovation have been completed having a positive effect in attracting new activities,
investments and improvement of urban quality. In spite of forecasts of a reality in which the
broadcast of technologies and immaterial form of production and communication would have led
to decentralization and indifference as to localization, inside the city, there is a refocusing of the
most important political, strategic, management and financial functions, as well as consolidation
of the importance of interactions “face – to – face”, that are a really important factor for the
constitution of a new functional network and work activities. These themes have characterized
the Session Urban Regeneration vs Sprawl.
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Kennedy-Karpat, Colleen. "Adaptation studies in Europe." In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.02015k.
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Adaptation is a creative process that crosses and blurs boundaries: from page to stage, from small screen to big screen – and then, sometimes, back again. Beyond questions of form and medium, many adaptations also cross national borders and language barriers, making them important tools for intercultural communication and identity formation. This paper calls for a more intensive, transnational study of adaptation across print, stage, and screens in EU member and affiliate countries. For the highest possible effectiveness, interdisciplinarity is key; as a cultural phenomenon, adaptation benefits from perspectives rooted in a variety of fields and research methods. Its influence over transnational media flows, with patterns in production and reception across European culture industries, offers scholars a better understanding of how narratives are transformed into cultural exports and how these exchanges affect transnational relationships. The following questions are proposed to shape this avenue for research: (1) How do adaptations track narrative and media flows within and across national, linguistic, and regional boundaries? (2) To what extent do adapted narratives reflect transnational relationships, and how might they help construct Europeanness? (3) How do audiences in the EU respond to transnational adaptation, and how are European adaptations circulated and received outside Europe? (4) What impact does adaptation have in the culture industries, and what industrial practices might facilitate adaptation across media platforms and/or national boundaries? The future of adaptation studies and of adaptation as a cultural practice in Europe depends on the development of innovative, comparative, and interdisciplinary approaches to adaptation. The outcomes of future research can hold significant value for European media industries seeking to expand their market reach, as well as for scholars of adaptation, theater, literature, translation, and screen media.
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Kennedy-Karpat, Colleen. "Adaptation studies in Europe." In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.02015k.
Full textAbstract:
Adaptation is a creative process that crosses and blurs boundaries: from page to stage, from small screen to big screen – and then, sometimes, back again. Beyond questions of form and medium, many adaptations also cross national borders and language barriers, making them important tools for intercultural communication and identity formation. This paper calls for a more intensive, transnational study of adaptation across print, stage, and screens in EU member and affiliate countries. For the highest possible effectiveness, interdisciplinarity is key; as a cultural phenomenon, adaptation benefits from perspectives rooted in a variety of fields and research methods. Its influence over transnational media flows, with patterns in production and reception across European culture industries, offers scholars a better understanding of how narratives are transformed into cultural exports and how these exchanges affect transnational relationships. The following questions are proposed to shape this avenue for research: (1) How do adaptations track narrative and media flows within and across national, linguistic, and regional boundaries? (2) To what extent do adapted narratives reflect transnational relationships, and how might they help construct Europeanness? (3) How do audiences in the EU respond to transnational adaptation, and how are European adaptations circulated and received outside Europe? (4) What impact does adaptation have in the culture industries, and what industrial practices might facilitate adaptation across media platforms and/or national boundaries? The future of adaptation studies and of adaptation as a cultural practice in Europe depends on the development of innovative, comparative, and interdisciplinary approaches to adaptation. The outcomes of future research can hold significant value for European media industries seeking to expand their market reach, as well as for scholars of adaptation, theater, literature, translation, and screen media.
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Doker, Aslı Cansın, Sevgi Elverdi, Mine Gerni, and Ömer Selçuk Emsen. "Vocational Tendencies of Young Generation in the Development of Perception: A Survey Analysis on Entrepreneurship Profiles of Erzincan University Stud." In International Conference on Eurasian Economies. Eurasian Economists Association, 2017. http://dx.doi.org/10.36880/c08.01851.
Full textAbstract:
Entrepreneurship, which is one of the most important elements of the production-supply dimension of the economy, is also the main determinants of economic growth, including economic growth in the context of positive externalities emerging from the information age. It is clear that the development is linked to industrialization, which is related to spirit of innovative thinking. Therefore, undeveloped must be considered in concert with the lack of innovative thinking. According to Schumpeter, who defines entrepreneurship in such an understanding as "the replacement of the present and the future of Pareto Optimum with tomorrow's new and different things," this factor also encompasses innovation. Therefore, factors such as the characteristics of the entrepreneur, the risk perception profile and the socio-economic, socio-cultural and demographic structure of the population in which it is located can have significant effects on the development and development of entrepreneurship. In this study, it is aimed to investigate what factors are more effective on the perception of entrepreneurship by using the statistical methods on Erzincan University Students, taking into consideration that today's students will be the future production factor (labor or enterprise). Another important goal of the paper is to determine whether the entrepreneurship factor, which has a significant role in the development of the country and especially in urban development, is based on scientific or traditional elements. It can be considered that the existence and sustainability of the enterprise spirit will be tested with the awareness of the opportunities and opportunities for incentives to act rationally.
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Accornero, Mariana Esther, Marcela Catalina Mambrini, and Carola Rossetti. "Contributions of textile design to the regional identity of the Sierras de Córdoba, Argentina." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.122.
Full textAbstract:
Based on a survey of the textile production of textile makers from the Sierras de Córdoba and attempting to reconstruct a regional aesthetic from the records of clothing in archaeological pieces of the indigenous Comechingonas cultures and ethnographic production, this research work is proposed as a contribution to the contemporary textile design and identity. The project was developed from the concept of “Disruptive Design”, that is to say: produce-create and consume-create in a different way than usual (Gardetti, 2017) and Strategic Design focused on more environmentally friendly production processes, reversing current methods, generating innovation strategies approach that provide added value to the product from the following guidelines: a) Raw materials based on natural fibers. b) Reuse of dyeing properties, artisanal processes of native natural dyes. c) Innovative pattern based on textile typologies focused on the reuse of fibers, zero waste. d) Consumer awareness in relation to the use and maintenance of clothing, environmental problems in the life cycle of the product. e) Optimization of sequences and processes of creation-production of clothing in which cleaner production is involved under controlled processes (Salcedo, 2014). Another important aspect that was taken into account is the ethics of the designer in the search for innovative and transformative processes, and in promoting the impulse of regional economies through employment, use of natural fibers and collaborationism in the production of designs co-producing jointly with the artisan textile. The methodology used was participant observation, data collection and primary sources; for this, archaeological statuettes and ethnographic textile typologies were taken that are conceptualized in the creative process of each clothing-accessory-complement. In the clothing design process, typologies were created in which the user can interact and transform the clothing from disassembly and / or assembly in alternation of "pattern-texture-color designs" according to tastes and preferences, producing co- design between the designer and the user, including different body types, ages. The collections developed by two designer researchers: “Chasca Arqueológica”, a project by Carola Rossetti and “Chasca Etnográfica”, a project by Marcela Catalina Mambrini, highlight the archaeological-ethnographic textile, producing the recovery and revaluation of the textile heritage of our province with the enhancement and safeguarding textile techniques in danger of extinction due to lack of transmission. The term Chasca refers to the dawn star, the one that enables the new day. This concept was taken as a metaphor for design a new starting point for the artisan textile production of Córdoba. The results of this research work have been made available to the cooperatives of mountain textile makers, in order to begin to manage the mechanisms of self-sustaining production for vulnerable regions in the interior of the province, with the aim of generating micro textile enterprises that consolidate and spread the cultural identity of our province through clothing, complements and accessories.
Reports on the topic "Innovative cultural production"
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Dunbar, William, Suneetha M. Subramanian, and Makiko Yanagiya. Recognising and Supporting the Role of Culture in Effective Area-based Conservation. United Nations University Institute for the Advanced Study of Sustainability, December 2022. http://dx.doi.org/10.53326/nrlk9587.
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Other effective area-based conservation measures (OECMs) can achieve positive biodiversity outcomes in a larger area than is covered by protected areas. But this requires OECMs to be better integrated into sustainable production systems in conjunction with protected areas. Good examples of productive social-ecological systems exist. Recognising potential OECMs requires recognising the cultures that make them possible. Recommendations: (i) fully recognise and support the role of culture in fostering interlinked human–nature relationships and nurturing biodiversity in production landscapes and seascapes; (ii) develop sustainable market mechanisms using landscape approaches that promote respect for local cultures and the rights of all stakeholders; (iii) apply good practices for empowering cultures to enhance long-term biodiversity outcomes; (iv) provide innovative incentives including capacity development to encourage local communities to manage their landscapes and seascapes for biodiversity conservation.
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McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Coffs Harbour. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208028.
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Coffs Harbour on the north coast of NSW is a highway city sandwiched between the Great Dividing Range and the Pacific Ocean. For thousands of years it was the traditional land of the numerous Gumbaynggirr peoples. Tourism now appears to be the major industry, supplanting agriculture and timber getting, while a large service sector has grown up around a sizable retirement community. It is major holiday destination. Located further away from the coast in the midst of a dairy farming community, Bellingen has become a centre of alternative culture which relies heavily on a variety of festivals activated by energetic tree changers and numerous professionals who have relocated from Sydney. Both communities rely on the visitor economy and there have been considerable changes to how local government in this region approach strategic planning for arts and culture. The newly built Coffs Harbour Education Campus (CHEC) is an experiment in encouraging cross pollination between innovative businesses and education and incorporates TAFE NSW, Coffs Harbour Senior College and Southern Cross University as well as the Coffs Harbour Technology Park and Coffs Harbour Innovation Centre all on one site. The 250 seat Jetty Memorial Theatre is the main theatre in Coffs Harbour for local and touring productions while local halls and converted theatres are the mainstay of smaller communities in the region. As peak body Arts Mid North Coast reports, there is a good record of successful arts related events which range across all genres of music, art, sculpture, Aboriginal culture, street art, literature and even busking and opera. These are mainly managed by passionate local volunteers.
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Hunter, Fraser, and Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.
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The main recommendations of the panel report can be summarised under five key headings: Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There is a pressing need to revisit the archives of excavated sites to extract more information from existing resources, notably through dating programmes targeted at regional sequences – the Western Isles Atlantic roundhouse sequence is an obvious target. o Many areas still lack anything beyond the baldest of settlement sequences, with little understanding of the relations between key site types. There is a need to get at least basic sequences from many more areas, either from sustained regional programmes or targeted sampling exercises. o Much of the methodologically innovative work and new insights have come from long-running research excavations. Such large-scale research projects are an important element in developing new approaches to the Iron Age. Daily life and practice: There remains great potential to improve the understanding of people’s lives in the Iron Age through fresh approaches to, and integration of, existing and newly-excavated data. o House use. Rigorous analysis and innovative approaches, including experimental archaeology, should be employed to get the most out of the understanding of daily life through the strengths of the Scottish record, such as deposits within buildings, organic preservation and waterlogging. o Material culture. Artefact studies have the potential to be far more integral to understandings of Iron Age societies, both from the rich assemblages of the Atlantic area and less-rich lowland finds. Key areas of concern are basic studies of material groups (including the function of everyday items such as stone and bone tools, and the nature of craft processes – iron, copper alloy, bone/antler and shale offer particularly good evidence). Other key topics are: the role of ‘art’ and other forms of decoration and comparative approaches to assemblages to obtain synthetic views of the uses of material culture. o Field to feast. Subsistence practices are a core area of research essential to understanding past society, but different strands of evidence need to be more fully integrated, with a ‘field to feast’ approach, from production to consumption. The working of agricultural systems is poorly understood, from agricultural processes to cooking practices and cuisine: integrated work between different specialisms would assist greatly. There is a need for conceptual as well as practical perspectives – e.g. how were wild resources conceived? o Ritual practice. There has been valuable work in identifying depositional practices, such as deposition of animals or querns, which are thought to relate to house-based ritual practices, but there is great potential for further pattern-spotting, synthesis and interpretation. Iron Age Scotland: ScARF Panel Report v Landscapes and regions: Concepts of ‘region’ or ‘province’, and how they changed over time, need to be critically explored, because they are contentious, poorly defined and highly variable. What did Iron Age people see as their geographical horizons, and how did this change? Attempts to understand the Iron Age landscape require improved, integrated survey methodologies, as existing approaches are inevitably partial. Aspects of the landscape’s physical form and cover should be investigated more fully, in terms of vegetation (known only in outline over most of the country) and sea level change in key areas such as the firths of Moray and Forth. Landscapes beyond settlement merit further work, e.g. the use of the landscape for deposition of objects or people, and what this tells us of contemporary perceptions and beliefs. Concepts of inherited landscapes (how Iron Age communities saw and used this longlived land) and socal resilience to issues such as climate change should be explored more fully. Reconstructing Iron Age societies. The changing structure of society over space and time in this period remains poorly understood. Researchers should interrogate the data for better and more explicitly-expressed understandings of social structures and relations between people. The wider context: Researchers need to engage with the big questions of change on a European level (and beyond). Relationships with neighbouring areas (e.g. England, Ireland) and analogies from other areas (e.g. Scandinavia and the Low Countries) can help inform Scottish studies. Key big topics are: o The nature and effect of the introduction of iron. o The social processes lying behind evidence for movement and contact. o Parallels and differences in social processes and developments. o The changing nature of houses and households over this period, including the role of ‘substantial houses’, from crannogs to brochs, the development and role of complex architecture, and the shift away from roundhouses. o The chronology, nature and meaning of hillforts and other enclosed settlements. o Relationships with the Roman world