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Books on the topic 'Information art'

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Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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1

Choi, Sunah. In media res: Information, contre-information. Rennes: Presses universitaires de Rennes, 2003.

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2

Museum of Modern Art (New York, N.Y.), ed. Information art: Diagramming microchips. New York: Museum of Modern Art, 1990.

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3

Ford, Simon, ed. Information Sources in Art, Art History and Design. Berlin, Boston: DE GRUYTER SAUR, 2001. http://dx.doi.org/10.1515/9783110954500.

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4

author, Cruz Maria Colleen, ed. The art of information writing. Portsmouth, NH: Firsthand, an imprint of Heinemann, 2013.

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5

Gallery, Fruit Market, ed. Information & reality: Korean contemporary art. Edinburgh: Fruitmarket Gallery, 1995.

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6

L' art du moteur. Paris: Editions Galilée, 1993.

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7

Information graphics and visual clues: Communicating information through graphic design. Gloucester, Mass: Rockport Publishers, 2004.

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8

Bijutsukan, Kōriyama Shiritsu. Koriyama City Museum of Art: Information. Koriyama: Koriyama City Museum of Art, 1990.

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9

Jones, Lois Swan. Art information: Research methods and resources. 3rd ed. Dubuque, Iowa: Kendall/Hunt Pub. Co., 1990.

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10

Birmingham Museums and Art Gallery. Public art in Birmingham: Information sheets. Birmingham: Birmingham Museum and Art Gallery, 1994.

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11

Virilio, Paul. The art of the motor. Minneapolis: University of Minnesota Press, 1995.

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12

Antje, Lehn, Gentner Georg, and SpringerLink (Online service), eds. Cartography and Art. Berlin, Heidelberg: Springer-Verlag Berlin Heidelberg, 2009.

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13

Information arts: Intersections of art, science, and technology. Cambridge, Mass: MIT Press, 2002.

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14

National Referral Center (U.S.), ed. Information resources in the arts: A directory. Washington: Library of Congress, 1986.

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15

Guez, Nicole. L' art africain contemporain =: Contemporary African art : guide. 9th ed. Paris: Association dialogue entre les cultures, 1992.

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16

Samuel, Evelyn K. Developing computerized information systems for art museums. Ann Arbor, Mich: University Microfilms International, 1985.

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17

Feather, John. Information science and the art of librarianship. Loughborough: Loughborough University of Technology, 1989.

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18

d'Orsay, Musée. Musée d'Orsay: [a portfolio collection of information]. Paris: The Museum, 1986.

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19

Rodríguez, Bélgica. Latin American art: A resource directory. Edited by Bustillos José and Art Museum of the Americas. Washington, D.C: Museo de arte de las Américas, OEA, 1993.

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20

The art song: A research and information guide. New York: Garland Pub., 1987.

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21

Smith, S. D. Optical Information Technology: State-of-the-Art Report. Berlin, Heidelberg: Springer Berlin Heidelberg, 1993.

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22

Newbury, Darren. Information searching in art & design: A research guide. Birmingham: Research Training Initiative, Birmingham Institute of Art and Design, University of Central England, 1996.

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23

The art of strategic planning for information technology. 2nd ed. New York: Wiley, 2001.

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24

Janssens, Liisa Albertha Wilhelmina, ed. The Art of Ethics in the Information Society. NL Amsterdam: Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9789462984493.

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New technologies are often implemented before their ethical consequences have been fully understood. In this volume, experts working in the sciences, arts, and philosophy of technology share novel perspectives on how we can best identify and navigate the new ethical crossroads emerging in our information society. With an eye toward the future, the contributors present an essential and unique view on the interplay between ethics and modern technology.

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25

Edinburgh City Libraries and Information Services. Fine Art Library. Fine Art Library user survey. Edinburgh: Edinburgh City Libraries and Information Services, 2003.

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26

Street, Rita. Creative newsletters & annual reports: Designing information. Gloucester, Mass: Rockport Publishers, 1998.

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27

Zylinska, Joanna. AI Art: Machine Visions and Warped Dreams. London: Open Humanities Press, 2020.

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28

Neue Gesellschaft für Bildende Kunst. World watchers: Demokratie, Information, Subjekte. Berlin: Neue Gesellschaft für Bildende Kunst, 2003.

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29

Kalayan, Haroutune. The architectural information through symmetry. Amman: The Hashemite Kingdom of Jordan, Department of Antiquities, 1988.

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30

J, Armstrong C., Hartley R. J, and Learned Information (Firm), eds. Database 2000: UKOLUG state-of-the-art conference 1992. Oxford: Learned Information, 1992.

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31

Jones, Lois Swan. Art libraries and information services: Development, organization, and management. Orlando, Fla: Academic Press, 1986.

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32

Armitage, L. H. Information need in the visual document domain. (London): British Library Research and Innovation Centre, 1996.

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33

Hakala, Juha. State of the art of information technologies in Finnish libraries. Helsinki: Helsinki University Library, 1996.

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34

Horn, Manger Barbara J., and Merrill Natalie, eds. Review questions for health information management: RRA and ART examination preparation. Pearl River, N.Y., USA: Parthenon Pub. Group, 1997.

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35

The art of error correcting coding. Chichester: John Wiley & Sons, 2002.

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36

Morelos-Zaragoza, Robert H. The Art of Error Correcting Coding. New York: John Wiley & Sons, Ltd., 2006.

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37

The art of error correcting coding. 2nd ed. Chichester, UK: John Wiley & Sons, Ltd, 2007.

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38

Linking art objects and art information. Champaign: University of Illinois Graduate School of Library and Information Science, 1988.

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39

McCarty, Cara. Information Art: Diagramming Microchips. Museum of Modern Art, 1991.

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40

Hoelscher, Jason A. Art as Information Ecology. Duke University Press, 2021. http://dx.doi.org/10.1515/9781478021681.

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41

Hoelscher, Jason A. Art as Information Ecology. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021681.

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Abstract:

In Art as Information Ecology, Jason A. Hoelscher offers not only an information theory of art but an aesthetic theory of information. Applying close readings of the information theories of Claude Shannon and Gilbert Simondon to 1960s American art, Hoelscher proposes that art is information in its aesthetic or indeterminate mode—information oriented less toward answers and resolvability than toward questions, irresolvability, and sustained difference. These irresolvable differences, Hoelscher demonstrates, fuel the richness of aesthetic experience by which viewers glean new information and insight from each encounter with an artwork. In this way, art constitutes information that remains in formation---a difference that makes a difference that keeps on differencing. Considering the works of Frank Stella, Robert Morris, Adrian Piper, the Drop City commune, Eva Hesse, and others, Hoelscher finds that art exists within an information ecology of complex feedback between artwork and artworld that is driven by the unfolding of difference. By charting how information in its aesthetic mode can exist beyond today's strictly quantifiable and monetizable forms, Hoelscher reconceives our understanding of how artworks work and how information operates.

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42

Information Sources in Art, Art History and Design (Guides to Information Sources). K. G. Saur, 2001.

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43

Introduction to Art (Information Books - Art & Crafts - Introduction to Art). Hodder Wayland, 1995.

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44

Michelangelo (Information Books - Art & Crafts - Masters of Art). Hodder Wayland, 1996.

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45

National Gallery of Art (U.S.), ed. National Gallery of Art: Volunteer Art Information Program. [Washington, D.C: The Gallery, 1989.

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46

Gauguin (Masters of Art) (Information). Hodder Children's Books, 1999.

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47

Chagall (Masters of Art) (Information). Hodder Children's Books, 1999.

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48

Lee, Yongwoo. Information & Reality: Korean Contemporary Art. Fruitmarket Gallery, 1997.

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49

Jones, Lois Swan. Art Information and the Internet. Routledge, 2013. http://dx.doi.org/10.4324/9781315062198.

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50

An Introduction to Art (Information Books - Art & Crafts - Introduction to Art). Hodder Wayland, 1995.

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