Relevant bibliographies by topics / Influencia medieval

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Influencia medieval'

Author: Grafiati
Published: 29 July 2024
Last updated: 30 July 2024

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Journal articles on the topic "Influencia medieval"

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Gómez Aranda, Mariano. "Teorías astronómicas y astrológicas en el Comentario de Abraham lbn Ezra al libro del Eclesiastés." Sefarad 55, no. 2 (December 30, 1995): 257. http://dx.doi.org/10.3989/sefarad.1995.v55.i2.898.

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Ibn Ezra utiliza en su comentario al Eclesiastés conceptos astronómicos y astrológicos para determinar el significado de algunos versículos. Estos conceptos reflejan la influencia de los sistemas de Ptolomeo, vigentes en la época medieval, y están en consonancia con las teorías de los científicos árabes medievales. Al utilizar estos conceptos, Ibn Ezra trata de justificar la idea del Eclesiastés de que las tareas a las que se dedica el hombre en este mundo son inútiles, porque dependen de la influencia de los astros. Según él, la única tarea que merece la pena hacer en esta vida es la perfección del espíritu mediante el desarrollo de la sabiduría
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López Pérez, Miguel. "La influencia de la Alquimia medieval hispana en la Europa moderna,." Asclepio 54, no. 2 (December 30, 2002): 211–30. http://dx.doi.org/10.3989/asclepio.2002.v54.i2.148.

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Tolentino, Adrián. "La influencia de la época medieval sobre el judaísmo actual." Cuadernos Judaicos, no. 32 (December 29, 2015): 249. http://dx.doi.org/10.5354/0718-8749.2015.38099.

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La importancia del estadio medieval de la religión judía se ha pasado por alto al estudiar su evolución. Generalmente, el análisis de la configuración estructural de la religión se enfoca en los estadios ubicados en la Antigüedad, por ser precisamente un periodo vastamente prolífico al respecto. En esta investigación se pone de manifiesto la latencia que tiene el medioevo respecto de la estructura y función del judaísmo. Se ha recopilado una serie de elementos, dentro de múltiples ámbitos como lo son la escritura, las prácticas religiosas y la lengua, entre otros. Al repasar esta recolección de elementos se caerá en cuenta de la vigencia, totalmente inmutada, del judaísmo medieval sobre el actual.
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Ruiz Callejón, Encarnación. "El pesimismo de Schopenhauer y la influencia del Periphyseon." Mediaevalia Textos e estudos 41 (2024): 485–93. http://dx.doi.org/10.21747/21836884/med41a36.

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This paper analyses the influence of Scotus Erigena’s Periphyseon in relation to Arthur Schopen-hauer’s modulation of pessimism. The first part deals with his interpretation of the medieval period and direct references to Erigena. In the second and third parts, why Erigena’ work should be conside-red as an important key to understand Schopenhauer’s pessimism.
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Buesa Conde, Domingo J. "familia en la extremadura turolense." Aragón en la Edad Media, no. 3 (November 18, 2021): 147–82. http://dx.doi.org/10.26754/ojs_aem/aem.198035289.

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Lopetegui Semperena, Guadalupe. "La notación de onomástica no latina en diplomas del monasterio de Irache: usos fonográficos e influencia de la tradición gramatical." Cuadernos de Filología Clásica. Estudios Latinos 43, no. 2 (January 22, 2024): 275–97. http://dx.doi.org/10.5209/cfcl.92766.

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The notation of non-Latin onomastics in diplomas from the monastery of Irache: phonographic uses and the influence of the grammatical traditionEl objetivo de este trabajo es abordar el poligrafismo de los diplomas medievales desde la perspectiva de la formación gramatical adquirida por los escribas en materia de escritura y pronunciación. Para ello, se seleccionan, en primer lugar, pasajes de obras gramaticales tardo-antiguas y medievales relativos a la escritura y a la pronunciación con el fin de precisar las reglas fonográficas que constituirían la competencia gramatical básica de los escribas. En segundo lugar, se ofrece un análisis ilustrativo del modo en que dichas reglas se utilizan para la notación de onomástica no latina en diplomas de la colección medieval de Irache de los siglos XI y XII.
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García-Manso, Angélica, and Francisco Javier Tovar Paz. "Nuestra Señora de París, de Victor Hugo: su influencia sobre la percepción del teatro medieval en el cine." Trasvases entre la literatura y el cine, no. 4 (October 9, 2022): 117–36. http://dx.doi.org/10.24310/trasvasestlc.vi4.13441.

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Se analizan cuatro adaptaciones fílmicas de Notre Dame de Paris (1831), de Victor Hugo, como iconografías del imaginario del teatro medieval en la contemporaneidad. Si bien cada una de las versiones posee motivos singulares (como el traslado de la fiesta a la noche, la abismación escenográfica, la plasticidad guignolesca y la derivación hacia los “cartoons”), se establece como lugar común el entablado en el centro de la plaza y el traslado de las figuras de las moralités medievales, tal como las concibe Hugo, hacia las calles. De fondo, se propone una lectura en clave de rebelión política del fenómeno teatral sobre la denuncia religiosa y de la aristocracia con la que se ironiza en la novela.
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Llibrer Escrig, José Antonio. "Origen plural de un espacio industrial: familia, empresa y negocio. Ontinyent, Alcoi, Cocentaina y su área de influencia (segunda mitad del siglo XV)." Anales de la Universidad de Alicante. Historia Medieval, no. 24 (March 15, 2023): 207–26. http://dx.doi.org/10.14198/medieval.23217.

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El artículo analiza el espacio industrial que se articuló en una región interior-sur del antiguo reino de Valencia en la baja Edad Media. Su objetivo es descubrir qué factores permitieron la formación de ese auténtico distrito pañero en el área de influencia de las villas de Ontinyent, Alcoi y Cocentaina a lo largo del siglo XV, especializado en la elaboración de tejidos de calidad media-alta. La particular estructura agraria, junto al crecimiento de la demanda y la articulación de mercados interiores están en la raíz de este desarrollo manufacturero. Mediante el método prosopográfico se accede a las empresas artesanales, a sus estrategias y negocios, y se reconstruye su origen. A su vez, se analiza la especialización técnica y profesional de estos colectivos a través de los más de cuatrocientos artesanos del textil documentados, de sus numerosos oficios y de los perfiles socioeconómicos resultantes, lo que permite observar la formación de un grupo emprendedor local (esencialmente de pelaires y pañeros o drapers), nacido de la esfera de la producción, que capitalizará y gestionará los procesos de fabricación de toda esta iniciativa industrial en crecimiento, además de intervenir de forma muy activa en la comercialización de los paños producidos. Como base documental, se ha realizado la prospección de una veintena de registros municipales (Manual de Consell y Cort de Justícia) y de sesenta protocolos de diversos notarios que trabajaron en la región durante la segunda mitad del siglo XV.
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Hernández Toledo, Carlos. "La influencia del derecho foral en la reconquista de España." Revista Mexicana de Historia del Derecho 1, no. 38 (October 30, 2019): 101. http://dx.doi.org/10.22201/iij.24487880e.2018.38.14060.

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En este artículo, se observa el papel que el derecho, aun en su forma menos sofisticada, es decir bajo la forma de fueros, pudo ser un instrumento de desarrollo social, así como un instrumento esencial para el nacimiento, evolución y consolidación de instituciones y formas de gobierno. Asimismo, se destacan los aportes y repercusiones que el derecho foral medieval pudo tener en la fundación y composición del actual territorio español, cuyos ecos parecen tener presencia en la actualidad.
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Rodríguez, Abel. "Desde la filosofía hacia el pensamiento emergente en el desarrollo de los procesos investigativos." Revista Arbitrada Interdisciplinaria Koinonía 4, no. 7 (January 26, 2019): 262. http://dx.doi.org/10.35381/r.k.v4i7.204.

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Recibido: 06 de octubre del 2018Aprobado: 30 de octubre del 2018El objetivo de este artículo es demostrar la influencia de las corrientes filosóficas del pensamiento antiguo, medieval, moderno y contemporáneo; en los enfoques epistémicos o paradigmas investigativos tradicionales y emergentes, y estos a su vez en el desarrollo de los procesos investigativos de nuestro contexto científico. Dentro del marco metodológico, hemos utilizado la investigación de tipo documental y de carácter interpretativo y descriptivo, empleando como método de análisis, el análisis del discurso, el cual nos permitió establecer algunas conclusiones en el marco del ser de la investigación, entre estas; existe una influencia y correlación entre las Corrientes filosóficas del pensamiento antiguo, medieval, moderno y contemporáneo, y los enfoques epistémicos o paradigmas investigativos tradicionales y emergentes, asimismo, estos en el desarrollo de los procesos investigativos de nuestro contexto científico.
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Dissertations / Theses on the topic "Influencia medieval"

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Sánchez, Estefanía Bernabé. "Signa Iudicii : orígenes, fuentes e tradición hispánica." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/169005.

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A tese tem por objetivo estudar a evolução da lenda dos signa iudicii na literatura da península ibérica, uma matéria que descreve os vários signos que haverão de preceder ao Juízo Final, um ato solene de justiça coletiva presidido pela divindade. Trata-se de um repertório de sinais escatológicos, de ampla natureza (atmosférica, lendária, geológica, espiritual), que tem suas raízes na apocalíptica primitiva, nos livros dos Oracula Sybillina e em alguns escritos apócrifos judeu-cristãos dos primeiros séculos da nossa era, claramente associada ao que temos denominado fator medo e visando uma propagação do furor dei e do sentimento de contrição através da sua inserção no imaginário social colectivo. A matéria teve imensa repercussão nas tradições gaélica, anglo-saxônica ou latina, e a recolhem autores como Lactancio, Orígenes ou Comodiano, até o próprio Agostinho de Hipona na sua Civitate Dei. A partir daqui, sua difusão será ampla, primeiro em latim e depois nas diferentes línguas vernáculas occidentais, com uma clara função proselitista. Em primeira instância, amplia-se nas penas de vários teóricose exegetas do cristianismo durante os séculos X, XI e XII. A partir do século seguinte se introduz na península ibérica, seguramente através da fronteira com França e do Caminho de Santiago. De meados do século XIII data o primeiro texto peninsular até agora a ela dedicado, um poema de Gonzalo de Berceo, Los signos que aparecerán antes del Juicio. A matéria entra em claro desuso a partirde finais do século XVII com a irrupção do racionalismo epistemológico, sendo uma versão livre e decimonónica de Diego Santos Lostado a última incursão hispânica no tema. Paralelamente às versões cristãs medievais, aprofundamos também na incidência que a matéria teve entre vários autores muçulmanos peninsulares ao longo dos séculos. Rastrear as fontes e desvendar os vínculos entre as versões ibéricas, latinas e primitivas da tradição será o alvo principal do trabalho.
La tesis tiene por objetivo estudiar la evolución de la leyenda de los signa iudicii en la literatura de la península ibérica, una materia que describe los varios signos que habrán de preceder al denominado Juicio Final, o acto solemne de justicia colectiva presidido por la divinidad. Para varias tradiciones religiosas, se trata de un repertorio de señales escatológicas, de amplia naturaleza (atmosférica, legendaria, geológica, espiritual), que hunde sus raíces en la apocalíptica primitiva, en los libros de los Oracula Sybillina y enalgunos escritos apócrifos judeo-cristianos de los primeros siglos de nuestra era, claramente asociado a lo que hemos denominado factor miedo y visando unsentimiento de contrición a través de su inserción en el imaginario social colectivo. La materia tuvo inmensa repercusión en las tradiciones gaélica, anglosajona o latina, y la recogen autores como Lactancio, Orígenes o Comodiano, hasta el mismo Agustín de Hipona en su Civitate Dei. A partir de aquí, su difusión será dilatada, primero en latín y después en las diferentes lenguas vernáculas occidentales, con una clara función proselitista. En primera instancia, se amplia en las plumas de varios teóricos y exégetas del cristianismo durante los siglos X, XI y XII. A partir del siglo siguiente se introduce en la península Ibérica seguramente a través de la frontera con Francia y del Camino de Santiago. De mediados del siglo XIII data el primer texto hispánico hasta ahora a ella dedicado, un poema de Gonzalo de Berceo, Los signos que aparecerán antesdel Juicio. La materia entra en claro desuso a partir de finales del siglo XVII con la irrupción del racionalismo epistemológico, siendo una versión libre y decimonónica de Diego Santos Lostado la última incursión hispánica en el tema. Paralelamente a las versiones cristianas medievales, profundizamos también en la incidencia que la materia tuvo entre varios autores musulmanes peninsulares a lo largo de los siglos. Rastrear las fuentes y desvendar los vínculos entre las versiones ibéricas, latinas y primitivas de la tradición será el objetivo principal del trabajo.
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Kouneni, Garyfallia. "Antiquity through medieval eyes : the appropriation of antique art in the Trecento." Thesis, St Andrews, 2009. http://hdl.handle.net/10023/727.

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Bridges, Venetia Rachel Lucy. "Writing the past : a comparative study of 'the Classical Tradition' in the works of Walter of Châtillon and contemporary literature, 1160-1200." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610518.

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Comshaw-Arnold, Benjamin W. "Feudalism in Decline: The Influence of Technology on Society." Kent State University Honors College / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1399675397.

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Powers, Ashley. "The Commerce Of Time: The Influence Of Thirteenth Century Commercial Society On The Conception And Expression Of Time In Parisian Poet Rutebeuf’s Corpus." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1469089012.

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Rasmussen, Claire. "Circular Inspirations: Medieval Mediterranean Influence in the Treasury of San Marco." Oberlin College Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1556730752971936.

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Sinclair, Kyle James. "War writing in Middle Byzantine historiography : sources, influences and trends." Thesis, University of Birmingham, 2013. http://etheses.bham.ac.uk//id/eprint/3977/.

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This thesis examines literary and cultural influences upon descriptions of warfare in Byzantine historiography, focusing on events of the ninth to twelfth centuries. Its main aim is twofold: to account for the appearance in historiography of more ‘heroic’ accounts of battle from the late tenth century, and to identify the sources Middle Byzantine historians employed for military events, particularly since this material appears to have had a significant role in the aforementioned development. Study of Middle Byzantine historical works grants insight into general features of war writing. Moreover, it also reveals much about the working methods of historians and the written sources they employed for military episodes. These sources, now lost to us, are determined to have primarily been campaign reports and biographical compositions. Once an understanding of the nature of such texts is reached, one may demonstrate that they presented their military subject according to contemporary ideals of valour and generalship. It is suggested that the appearance of promotional literature of the military aristocracy in the tenth century was instrumental in the development of a more ‘heroic’ form of war writing, with Homeric-style descriptions of battle, cunning military stratagems, and courageous displays more evident in historiography from this time.
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Law, Marita. ""Piers Plowman": The influence and the effects of sermon structure and rhetoric in the B Text." Diss., The University of Arizona, 1990. http://hdl.handle.net/10150/185030.

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Critics have offered many views about the structure of Piers Plowman. Provided with few clues, they have tried to determine from the dominant features the poem's organizing factors. However, since 1926, when G. R. Owst suggested in Preaching in Medieval England that the meaning of Piers would become clear if the poem were compared in its thematic and artistic elements with sermon literature (295-296), only a few critics have discussed Langland's use of the sermon form. This present study argues that Langland structured his poem as a sermon to answer the Dreamer's question, "How I may saue my soule?" (B. I. 84), and to explain that salvation is attained by knowing and observing the love commandments, a Scriptural theme frequently treated in the sermons of the time. By comparing the structure of Piers with that of the sermon as Robert of Basevorn describes in Forma praedicandi (1322), I show that Langland forms his poem with the use of sermon "ornaments": invention of theme, antetheme/protheme, prayer concluding the antetheme, restatement of theme, division and confirmation of divisions, and concluding prayer. In addition, I show that the visions and passus, which are interrupted with the Dreamer's awakening, form subdivisions in each of the sections. I also show that Langland uses dream-allegory, dramatic-narrative, and satirical exempla to embellish his explanation of salvation. This parallel of the "art" in Langland's poem with the "art" of preaching shows that the poem has a definite structural and thematic unity and that the logical plan makes Christian belief concerning salvation understandable, instructive, and persuasive.
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Smith, Nathanial B. "Dreams of influence embodied reading in late medieval and Renaissance English literature /." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3330817.

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Thesis (Ph.D.)--Indiana University, Dept. of English, 2008.
Title from PDF t.p. (viewed on Jul 22, 2009). Source: Dissertation Abstracts International, Volume: 69-10, Section: A, page: 3963. Adviser: Judith H. Anderson.
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Nettles, Isolde Betty. "Mamluk cavalry practices: Evolution and influence." Diss., The University of Arizona, 2001. http://hdl.handle.net/10150/289748.

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Mamluk equestrian expertise in Egypt and Syria from mid-thirteenth to early sixteenth century reflects skills derived from a variety of sources incorporated artfully into their military institution, and which exerted influence beyond the period and the region with which it is directly concerned. With a thorough examination of its various vocations including Furusiyah and equestrian-related activities, a reconstruction of the Mamluk military society leads to the inescapable conclusion that the mounted military sector was absolutely essential to the operation and defense of the State. Maintaining a top-notch cavalry fluctuated at different periods in Mamluk history but seems to have been especially crucial in the first twenty years in the wars against the Crusaders and Mongols. The Mamluk's armies are credited with having cleared the remnants of the Crusaders out of the Levant region, checked the westward advance of the fearsome Mongol hordes into Syria and Palestine, and carved out an empire that extended northwards as far as eastern Turkey. How and where the Mamluks acquired the tactical and riding expertise to accomplish these feats is examined in this dissertation along with the legacy they passed on to later Egyptian and French horsemen. Classical equitation's origins trace to a period of progressive development in horsemanship's history stimulated by Mamluk preoccupation with furusiyah as well as the French Knights' chivalric tournament and battle honor code. Mamluk horsemanship literature left in manuscript form contains systematized military games and tactics patterned after the ancient Greco-Roman world's military, joined with Mamluk cavalry training experience. The main corpus of surviving horsemanship treatises from the Mamluk period awaits translation and/or remains unpublished.
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Books on the topic "Influencia medieval"

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Weckmann, Luis. The medieval heritage of Mexico. New York: Fordham University Press, 1992.

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Beatriz, Arízaga Bolumburu, ed. La ciudad medieval y su influencia territorial. Logroño: Instituto de Estudios Riojanos, 2007.

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Román, Celso Bañeza. Influencia de la Biblia en la literatura medieval española. Bilbao: Ediciones Cervantes, 1995.

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Jornadas Medievales (9th 2002 Mexico City, Mexico). Textos medievales: Recursos, pensamiento e influencia : trabajos de las IX Jornadas Medievales. Edited by Company Company Concepción, González Aurelio, Walde Moheno, Lillian von der., Colegio de México, Universidad Autónoma Metropolitana, and Universidad Nacional Autónoma de México. México: Colegio de México, 2005.

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Benjamí, Costa, and Fernández Jorge H, eds. Santuarios fenicio-púnicos en Iberia y su influencia en los cultos indígenas. Eivissa: Museu Arqueològic d'Eivissa i Formentera, 2000.

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Universidad de León. Instituto de Estudios Medievales, ed. Roma como referencia del mundo medieval. [León]: Universidad de León, 2010.

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Sorge, Valeria. Profili dell'averroismo bolognese: Metafisica e scienza in Taddeo da Parma. Napoli: Luciano, 2001.

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1964-, Arisi Rota Arianna, and De Conca Massimiliano, eds. Aristotelismo e platonismo nella cultura del Medioevo. Pavia: Collegio Ghisleri, 1996.

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Roussillon, Marine. Don Quichotte à Versailles: L'imaginaire médiéval du Grand Siècle. Ceyzérieu: Champ Vallon, 2022.

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Giorgio, Simoncini, ed. La Tradizione medievale nell'architettura italiana dal XV al XVIII secolo. [Florence, Italy]: Leo S. Olschki, 1992.

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Book chapters on the topic "Influencia medieval"

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García Portilla, Jason. "Concluding Remarks." In “Ye Shall Know Them by Their Fruits”, 353–54. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-78498-0_25.

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AbstractThis chapter provides some brief concluding remarks.This study contributes to existing research in the sociology of religion and development studies fields by demonstrating the effect of the mutually reinforcing configuration of multiple prosperity triggers (religion–political–environment). Historical Protestantism largely influenced prosperity by promoting education, by secularising institutions, and by stabilising democracy. Protestantism has also proven highly influential in the successive historical law revolutions that gradually mitigated the power of pervasive feudal institutions and of papalist medieval canon law. In contrast, traditionally Roman Catholic countries have generally upheld a medieval model of extractivist institutions until anti-clerical (non-communist) movements were able to weaken this influence in some countries.
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Kaiser, J. P., S. Trümpler, and P. Raschle. "Fungal Growth on Medieval Glass Paintings." In Microbially Influenced Corrosion of Materials, 353–57. Berlin, Heidelberg: Springer Berlin Heidelberg, 1996. http://dx.doi.org/10.1007/978-3-642-80017-7_25.

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van Winter, Johanna Maria. "Interregional Influences in Medieval Cooking." In Food in the Middle Ages, 45–59. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781315048437-3.

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Van Winter, Johanna Maria. "Arabic influences on European Medieval cuisine." In Medieval and Post-Medieval Mediterranean Archaeology, 25–32. Turnhout: Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.mpmas-eb.5.113476.

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Brown, Michelle P. "An Early Outbreak of ‘Influenza’? Aspects of Influence, Medieval and Modern." In Under the Influence. The Concept of Influence and the Study of Illuminated Manuscripts, 1–10. Turnhout: Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.rcim-eb.3.918.

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Richter, Michael. "Ireland under Foreign Influence: the Twelfth Century." In Medieval Ireland, 121–39. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19541-1_9.

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McCann, Sarah. "Cuthbert and Boisil: Irish Influence in Northumbria." In Medieval Church Studies, 69–88. Turnhout: Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.mcs-eb.5.113513.

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St. John, Lisa Benz. "The Queen as Intercessor: Power and Influence." In Three Medieval Queens, 33–63. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137094322_3.

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Sardi, Maria. "Foreign influences in Mamluk textiles: The formation of a new aesthetic." In Medieval and Post-Medieval Mediterranean Archaeology, 83–118. Turnhout, Belgium: Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.mpmas-eb.5.120555.

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De Santis, Daniele, and Anna Tropia. "Medieval Philosophy, Influence on and by Phenomenology." In Encyclopedia of Phenomenology, 1–13. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-030-47253-5_390-2.

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Conference papers on the topic "Influencia medieval"

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Gil Campuzano, Miguel Angel, and María Teresa Palomares Figueres. "El Paradigma Universidad-Colegio. Transformación urbana de Alcalá de Henares en el Renacimiento." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6317.

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Con la creación del modelo universitario boloñés en España nace una tipología docente de nueva implantación. Ante la falta de alojamiento en la reciente creada Universidad Alcalaina, nace el modelo Colegio-Universidad implantado por el Cardenal Cisneros. Se inaugura una nueva etapa al mismo tiempo que se culminan experiencias edificatorias anteriores en las ciudades de Salamanca y Valladolid. El nuevo tipo forja el concepto de Colegio Mayor con una ambición mayor que los ya existentes en el país y capaz de responder a nuevas necesidades de una ciudad de principios de la Edad Moderna. El sistema de crecimiento se jerarquiza a través de nuevos claustros. Estos patios organizan todos los elementos del conjunto. Nace una nueva urbe, convirtiendose ésta en foco investigador de primera magnitud. En su planificación, destaca la constitución de una especie de “ensanche” de época temprana del casco medieval, comprendiendo los edificios tanto docentes como residenciales y de equipamientos. Esta es una experiencia novedosa, se podría atribuir como la primera ciudad universitaria, planificada en cierta medida, de la historia. Tuvo una gran proyección e influencia internacional, teniendo el mayor énfasis en ciudades sudamericanas. Y en la actualidad, en 1998 es incluído este recinto universitario junto al casco antiguo de Alcalá de Henares en la lista Patrimonio Mundial de la Unesco.
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Tomescu, Domniţa. "Multicultural references in Romanian anthroponomy of medieval Transylvania." In International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/26.

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This paper analyzes medieval onomastics in the Romanian historical province of Transylvania (11th–14th centuries), a multicultural area, corresponding to the ethnic, linguistic and religious diversity of the population. The different ethnic communities are ruled by a unique administrative authority, but the multicultural environment exercises a major influence on the personal names of each ethnic group by distinguishing the names according to several aspects: ethnic criteria, the manifestation of unilateral or reciprocal onomastic influences, the adaptation of borrowed names to the specificity of each language and the alteration of the popular names in use in written variants, established as officially Latinized forms.
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Wang, Yini. "Analysis of The influence of The Medieval Pope During His Pontificate." In 2021 4th International Conference on Humanities Education and Social Sciences (ICHESS 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.211220.358.

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Sarr, Bilal, Luca Mattei, and Yaiza Hernández Casas. "Asentamientos fortificados en el Rif Oriental (siglos VIII-XV). Nuevos datos sobre Ghassasa y Tazouda (Nador, Marruecos)." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11519.

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Fortified settlements in Eastern Rif (eighth-fifteenth centuries): new data on Ghassasa and Tazouda (Nador, Morocco)The present paper attempts to aproximate to the archaeological research of two of the most relevants fortified settlements of the Medieval Rif (north of Morocco), Ghassasa and Tazouda. Reviewing the written sources –Ibn Ḥawqal, al-Bakrī, al-Idrīsī, Ibn Ḥayyān, al-Bādisī, etc.– and comparing the data they offer with the archaeological records of surface, we report here the recent hypothesis deduced from the analysis of their emerging structures and pottery, trying to trace some new information of the fortification process in the Rif since Early Medieval centuries to the fifteenth century and to detect the development of the interrelations and influences by the commercial exchanges between twice Mediterranean coasts: North African and al-Andalus. So, we offer the planimetry of both settlements, Ghassasa and Tazouda, which haven´t been documented before, and also some typologies of Magrib’s medieval pottery founded there, contributing with an original research to the study of medieval urbanism in Magrib al-Aqṣā and the role that they take on the trade routes existing between Bilād al-Sūdān, to Siŷilmāsa, and al-Andalus.
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Jaksic, Natasa. "THE MEDIEVAL CHURCH OF SAINT CLEMENT NEAR SPLIT: THE INFLUENCE OF THE DIOCLETIAN'S MAUSOLEUM." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s15.129.

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Aleksić, Jana. "UMETNIČKA EPOHA KRALjA MILUTINA U KULTURNOISTORIJSKOJ I ESTETIČKOJ OPTICI MILANA KAŠANINA." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.817a.

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Milan Kašanin (1895–1981) in his integral study of medieval Serbian culture pays significant attention to the works and authors who created in the time of King Stefan Uroš II Milutin Nemanjića (1282–1321). Kašanin’s analysis also includes medieval literary and artistic achievements whose central theme is the King's personality and symbols of rule, as well as the spiritual and socio-histor- ical characteristics of the era the era of this important founder and great artistic patron. The author of the monographs Serbian Literature in the Middle Ages (1975) and Stone Discoveries (1978) seeks to systematize knowledge of the cul- tural past, to explain the spiritual and historical forces of the time, to understand Byzantine influences on art forms and meanings, to find elements of original art within medieval Serbian culture and to establish the most reliable periodization of literary and artistic styles. Methodologically, in examining the key focuses of a historically limited period, such as the Middle Ages, Kašanin insists on mutual “illumination of art”. He also connects the poetic and spiritual-aesthetic features of specific literary achievements with medieval church and secular architecture, fresco painting or icon painting, but also with socio-political factors. Therefore, we tried to outline the analytical and methodological framework of Kašanin’s spiritual, historical, and aesthetic thought from the point of view of the history of literary criticism, concerning the way in which he had perceived and named the artistic forms of Milutin’s epoch, art forms in which Milutin’s age and literary achievements of monk Theodosius and archbishop Danilo II.
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Marmolejo Cantos, Francisco. "El palacio fortificado de Ibn Ḥafṣūn y sus ḥuṣūn-abwāb. La supuesta edilicia ḥafṣūní y los modelos orientales en el occidente malagueño." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11464.

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The fortified palace of Ibn Ḥafṣūn and its ḥuṣūn-abwāb. The supposed ḥafṣūní architecture and the oriental models in western MalagaNew interpretative approaches are raised about ḥafṣūní architecture based on the archeological data in the medieval city of Bobastro and its most immediate castles, all located in the limits of the municipal terms of Ardales and Alora, to the northwest from the capital of Malaga. We focus our attention on the palatine complex built by Ibn Ḥafṣūn during the Umayyad emirate and we present numerous nearby fortress, which has allowed us to first approach the knowledge of the defensive system that protected the medieval city. Among the recent evidence of the ḥafṣūní palace, as a result of this study, structural and ornamental elements are discovered that derive from the classical tradition, but they are unknown by local structures and must respond to the influence of the Syrian-Byzantine model.
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Varenov, Andrei, and Mariya Kudinova. "TRACES OF NESTORIAN INFLUENCE AT THE WUJIACHUAN PETROGLYPH SITE IN THE GANSU PROVINCE (CHINA)." In ANCIENT AND MEDIEVAL CULTURES OF CENTRAL ASIA (THE FORMATION, DEVELOPMENT AND INTERACTION OF URBANIZED AND CATTLE-BREEDING SOCIETIES). Institute for the History of Material Culture of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.31600/978-5-907298-09-5-263-266.

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Campone, Maria Carolina, and Saverio Carrillo. "L’Arce medievale di Nola. Tecniche difensive per una struttura urbana." In FORTMED2024 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2024. http://dx.doi.org/10.4995/fortmed2024.2024.17904.

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Abstract Research on the built heritage in the military field is a very topic study. The case of the medieval Tower of Nola, with its defensive system conditioned by a geometrically significant distribution system, clarifies how historically defense techniques have progressively changed. The lowering of the mammoth tuff building with wall thicknesses of almost one "canna", gave rise to the need to equip security facilities in the lower vicinity of the defensive system, also having to extend the defense to the quadrilateral base of the tower in question through a canalization with water to obtain an "umbone" to prevent enemy access with the creation of "vallum". The advent and introduction of gunpowder have also significantly influenced the geometric mutation of the militar system defense. This condition has given significant value to the large size of the territory close to the city which should not have vulnus constituted by building value to the large size of the territory close to the city which should not have vulnus constituted by building aggregates adhering to the structure of the urban masonry called upon to carry out defense work for the city.
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Yevglevskii, Aleksandr. "THE BUDDHIST INFLUENCE ON THE ICONOGRAPHY OF STATUES OF THE MEDIEVAL NOMADS OF EURASIA: HYPOTHESES, GUESSWORKS AND REALITY." In ANCIENT AND MEDIEVAL CULTURES OF CENTRAL ASIA (THE FORMATION, DEVELOPMENT AND INTERACTION OF URBANIZED AND CATTLE-BREEDING SOCIETIES). Institute for the History of Material Culture of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.31600/978-5-907298-09-5-274-276.

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