Dissertations / Theses on the topic 'Influence on art'
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Schortgen, Justin Timothy. "Influence." Thesis, University of Iowa, 2014. https://ir.uiowa.edu/etd/4748.
Full textCho, Man Ho. "Industries/ influence ceramics." Thesis, University of Iowa, 2017. https://ir.uiowa.edu/etd/5440.
Full textKouneni, Garyfallia. "Antiquity through medieval eyes : the appropriation of antique art in the Trecento." Thesis, St Andrews, 2009. http://hdl.handle.net/10023/727.
Full textPedrosa, Sebastiano Gomes. "The influence of English art education upon Brazilian art education from 1941." Thesis, Birmingham City University, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.332216.
Full textAntoine, Jean-Philippe. ""Ars memoriae" : image, espace, figure en Italie (1250-1450)." Paris, EHESS, 1989. http://www.theses.fr/1989EHES0323.
Full textMark-Ng, Elsa. "Public Art in Outdoor Space: How Environmental Art Can Influence Notions of Place." Oberlin College Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1559347543553644.
Full textKosmadaki, Polyxeni. "Antiquité et art grec contemporain dans la deuxième moitié du vingtième siècle." Paris 4, 2003. http://www.theses.fr/2003PA040071.
Full textThe present thesis studies the influence of Antiquity on contemporary Greek art (2nd half of the 20th century), an "exchange" process of great importance in a country such as Greece, in constant search of its identity. This thesis is directed towards the solution of four particular problems: the development of an exchange process between two cultures; its place in a particular society; its association with thought, history, rules and ethics; its etiology. To resolve these problems I have established an analytical model of exchange phenomena which studies the processes involved and I have explored the emergence of this phenomenon in a precise historical situation. The analysis evolves in two parts: first, a serial study of the nature of the exchange and, second, its causes and the results of its evaluation. The first part includes the analytical deconstruction of the works and the grouping of the processes involved, whereas, the second part, considers all their plausible explanations ; it sets up the historical interpretation of the phenomenon and its quantitative repartition
Тюрменко, Катерина Олександрівна. "Influence of art on mental state of mind." Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/18272.
Full textRumsey, Adrienne Lynn. "Aesthetic Self-Reliance: Emersonian Influence on American Art." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2426.
Full textCunliffe-Charlesworth, Hilary. "The Royal College of Art : its influence on education, art and design 1900-1950." Thesis, Sheffield Hallam University, 1991. http://shura.shu.ac.uk/3144/.
Full textPavlou, Victoria. "Sixth grade pupils' attitudes to art and the influence of their teachers' art specialisation." Thesis, University College London (University of London), 2003. http://discovery.ucl.ac.uk/10020431/.
Full textJoumaa, Jamal, University of Western Sydney, of Arts Education and Social Sciences College, and School of Contemporary Arts. "The influence of the icon in contemporary Egyptian art." THESIS_CAESS_CAR_JOUMAA_J.xml, 2002. http://handle.uws.edu.au:8081/1959.7/229.
Full textMaster of Arts (Hons)
Dawson, Jane. "Visceral and behavioural responses to modern art : influence of expertise, type of art and context." Thesis, Northumbria University, 2016. http://nrl.northumbria.ac.uk/30240/.
Full textJoumaa, Jamal. "The influence of the icon in contemporary Egyptian art." Thesis, View thesis View thesis, 2002. http://handle.uws.edu.au:8081/1959.7/229.
Full textJoumaa, Jamal. "The influence of the icon in contemporary Egyptian art." View thesis View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030506.114529/index.html.
Full textHumbert, Jean-Marcel. "L'égyptomanie : sources, thèmes et symboles : étude de la réutilisation des thèmes décoratifs empruntés à l'Egypte ancienne dans l'art occidental du XVIe siècle à nos jours." Paris 4, 1987. http://www.theses.fr/1987PA040295.
Full textThe catalogue of this thesis has been taken from a data base specially created. Its 1370 notices give thousands of references; the notices are classified according to themes in the course of six chronological periods. Thanks to these selected objects, it has been possible to study the sources and the constituent parts of the Egyptian revival according to periods and countries, to index the Egyptian themes more often used, to measure their degree of adaptation, and to identify the symbols contained in the different creations. The sources of egyptomania are taken from archeological items, travel accounts, exceptional events and former egyptianizing creations; but the evolution of the fidelity of the interpretations doesn’t follow necessarily the increasing of the knowledge of ancient Egypt. The chronological study points out several evolutions: egyptomania, created at the beginning for esthetes’' pleasure, soon becomes democratized; the archeological discovering and publications give new possibilities to it; it can use many new means of expression (movies, cartoons, comic-strips and adverting) and thus increased its audience. The thematic study of the egyptianizing objects and creations shows how easily egyptomania adapts itself and mixes with the style of the period. A repertory of the themes taken from ancient Egypt shows which ones are used most. Egyptianizing items carry lots of symbols from ancient Egypt and from the time of their making; using numerous concepts (dream, fear, laugh), egyptomania, as well as Egypt, has a strong impact on people. The Egyptian revival is more than part of exotism and anticomania; it is an independent current more alive and fascinating to-day than ever
Saffaran, Elyas. "Recherches sur l'Iran et la Grèce anciens : éléments artistiques et culturels iraniens (traditions et rapports réciproques avec la Grèce, conservation et restauration)." Limoges, 1996. http://www.theses.fr/1996LIMO2007.
Full textAlthough nowadays these two countries, greece and iran, seem very distant from one another, in antiquity, they were very close. . . In spite of this situation, until now, it has been written a lot about these two civilizations, all over the world, in the west, like in the east. All aspects have been discussed. . . Because the ancient historians have been driven to give pictures of one or the other of these two civilizations, which do not always correspond to the strictly objective reality because they are transformed by the political thinking and the political propaganda. Therefore a comparative study about the artistic and cultural elements of these countries of tradition, which are very different from one another today, will unable us to understand better what, since the remote antiquity, has linked and separated them. These elements are the key to the careful understanding of the secrets of these two countries of the antiquity. It has been then noticed that iran and greece have, in their geographical area, known an artistic and cultural development very peculiar, which gives them a first rank place in the ancient world and in the history of humanity. This thesis deals with a thorough study of the definit image of these two civilizations. Furthermore, if artistic and cultural works and elements of these two civilizations do not grow old, with the methods available (technical and legal), and thanks to modern sciences, laws and international rights, one can keep and restore the cultural and artistic elements of these two civilizations for the next generations
Fadorsen, Stephanie Alexandra. "American Art Pottery: Ohio's Influence on Transforming a Local Craft into a World Renowned Fine Art." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1342890450.
Full textGuibergia, Béatrice. "Influences plastiques des « arts premiers » de l’Afrique occidentale et centrale." Aix-Marseille 1, 2009. http://www.theses.fr/2009AIX10090.
Full textRobert, Renaud. "Recherches sur les modèles hellénistiques et l'art romain (du 3ème s. Av. J. -C. à l'époque d'Auguste) : réception, fonction, interprétation." Aix-Marseille 1, 1992. http://www.theses.fr/1993AIX10006.
Full textThe aim of this research is to define certain aspects of the forming of roman art and aesthetic thougt, focusing on the use and interpretation of imported greek models. The first section deals with the analysis of an iconographic theme-battles against the gauls-, representative of the problems connected with the adoption of greek artistic tradition and ideology in rome. This study leads to question the meaning of roman triomphal representations based on the glorifiaction of the triompher through the image of the sufferings of his defeated ennemies. In the second section, the dissertation retraces the different historical stages of the perception of works of art in rome, by examining the evidence offered by plautus, terentius, lucilius, varro, virgil and ovid on the theoretical concerns, tastes, and artistic interests of the roman public
Daftari, Fereshteh. "The influence of Persian art on Gauguin, Matisse, and Kandinsky /." New York ; London : Garland publ, 1991. http://catalogue.bnf.fr/ark:/12148/cb37423050q.
Full textGerard, Dubernard-Laurent Annie. "Le pré-raphaélisme en Angleterre, les arts et les lettres en France : essai d'étude comparative." Paris 4, 1996. http://www.theses.fr/1995PA040306.
Full textThe English pre-Raphaelite movement presents a variety of aspects which have features in common with French painting and poetry. The aim of this study is to bring forward and analyze some of these aspects: for example it tries to show the similarities and differences between the "realism" in the earliest pre-Raphaelite paintings and the French so-called "réalisme" as exemplified by Courbet and some of his contemporaries in their way of portraying the sacred, people at work, and social problems. It shows how avant-gardists such as Merimee, Lecoq de Boisbaudran and Charles Blanc one looked up to British reformists - who they thought were mainly pre-Raphaelites - in the teaching of the arts and the conception of museums. It then goes on to show how pre-Raphaelite works (painting and poetry) and ideas penetrated the French cultural environment through the exhibitions and the press. Burne-Jones's impact on the work of some symbolist poets and painters is also examined. The conclusion suggests a synthesis between various forms of pre-Raphaelitism (German, English and French)
Rasmussen, Claire. "Circular Inspirations: Medieval Mediterranean Influence in the Treasury of San Marco." Oberlin College Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1556730752971936.
Full textSamier, Debski Nathalie. "Analyse de l'influence de l'appreciation sur les performances des ressources humaines. Application au tertiaire non marchand." Paris 11, 1997. http://www.theses.fr/1997PA111004.
Full textPerformance appraisal is a basic management task because the human resource is considered as the most important factor to the competitiveness of enterprises. Paradoxically, since 1990's, performance appraisal isn't key factor in boosting productivity and development. Then, we wonder about the positive or the negative effect of appraisal on human resources performance, we seek to know also other factors on which it does not intervene, but that contribute to the competitiveness of organizations. We conducted a survey in the non profit tertiary sector on representations of the appraisal and its influence on behaviors. In first, we observed that the vocabulary and the behavior of employees are in accordance with the norm defined by the organization. But the vocabulary and the behavior of managers or professionals are different because their work performance evolved. Furthermore, three groups of representation of the appraisal influence emerged: beneficial influence on performance: negativeinfluence on performance as absenteism, delay or psychological disease: and no influence. Then, we noted some relationship between discrepancy on career and social dysfonctions, except for the professionals. Finally, when there was no influence, some organizational commitment boosted and developed human resources performance
Nobécourt, Pauline. "Les influences littéraires et cinématographiques de et à travers Marc Desgranchamps." Thesis, Valenciennes, Université Polytechnique Hauts-de-France, 2020. https://ged.uphf.fr/nuxeo/site/esupversions/fda559a4-f3dd-40f9-aba6-7509ca11bb10.
Full textThrough the art of Marc Desgrandchamps, this present thesis aims to figure out the way literature and cinema act on the creation of a painter whose career, initiated in the eighties, takes place at the turning point of two centuries. The main goal that guides our investigations into the relationships he has established with other visual universes and other views of the world is to replace his work inside a certain artistic context that will shed some light on aspects not yet fully understood of his art. In a more general way, by uncovering the influences which operate in his creation, the purpose we are pursuing is to review the very issue of influence. To grasp its role in the creative process is a question that lies at the heart of our subject matter
Chraptavičiūtė, Diana. "DAILĖS ĮTAKA IKIMOKYKLINIO AMŽIAUS VAIKŲ DOROVINGUMO FORMAVIMUI." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2006. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2006~D_20060602_112327-26217.
Full textDogbe, Buckner Komla. "The influence of African sculpture on British art 1910 to 1930." Thesis, University of St Andrews, 1988. http://hdl.handle.net/10023/7118.
Full textChayama, Yuri. "The Influence of Modern Art on Toru Takemitsu's Works for Piano." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/268593.
Full textDu, Crest Xavier. "Paris-Constantinople (1851-1949) : un siècle de relations artistiques entre la France et la Turquie." Strasbourg 2, 2006. http://www.theses.fr/2006STR20055.
Full textIn Constantinople between 1851 and 1949, the decorator Charles Séchan (1803-1874) at the Dolmabahçe Palace (1851-1859), the painter Pierre Désiré Guillemet (1827-1878) at the sultan’s court (1865-1878), the archeologist André Joubin (1868-1944) at the Ottoman Imperial Museum (1893-1898), the journalist Régis Delbeuf (1854-1911) in the Stamboul (1901 and 1902) and the painter Léopold Lévy (1882-1966) at the Fine-Arts Academy of Istanbul (1936-1949), without forgetting the Levantine scholar Adolphe Thalasso (1857-1919) and his critic of the Turkish art in France, are the leading ambassadors of French art and culture on the Bosphore banks. The archives (private, public, etc. ) and other printed sources like the french press of Turkey show their predominant role in this century of artistic relations between France and Turkey, now based on knowledge but also, with dialog, on acknowledgement
Twell, Mary Tudor. "The Influence of Flamenco on Selected Works of Picasso." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc332484/.
Full textWolfe, Mary Melissa. "The Influence of Ethnography on the Indian Portraits of Elbridge Ayer Burbank." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392019638.
Full textWhite, Steven Robert. "A confluence of thinking: The influence of 20th century art history on American landscape architecture." Thesis, The University of Arizona, 1997. http://hdl.handle.net/10150/278634.
Full textHeine, Martin Alfons. "Versus the vox populi reflections on the practice of art as a quest for liberation /." Connect to full text, 2003. http://hdl.handle.net/2123/640.
Full textTitle from title screen (viewed 5 May 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Sydney College of the Arts. Degree awarded 2004; thesis submitted 2003. Includes bibliographical references. Also available in print form.
Manuel, Ann Marie. "The influence of principals in art program promotion in Newfoundland secondary schools." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28172.
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Graduate
Silveira, Sarita. "The influence of mental frames on the neurocognitive processing of visual art." Diss., Ludwig-Maximilians-Universität München, 2014. http://nbn-resolving.de/urn:nbn:de:bvb:19-170101.
Full textSchum, Joshua F. "The influence of digital technology on the narrative of American art museums." Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1397650.
Full textDepartment of Telecommunications
Frumkin, Beverly Ann. "The influence of the art of Antonio Gaudí on the work of Joan Miró /." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63764.
Full textMorse, Meredith. "Shake a pan of nails : Simone Forti's art of movement and sound after Cage and Halprin." Phd thesis, Department of Art History and Film Studies, 2012. http://hdl.handle.net/2123/13674.
Full textDenholm, Michael. "Art magazines in Australia, 1963-1990 : a study of values, influence and patronage." Thesis, Canberra, ACT : The Australian National University, 1994. http://hdl.handle.net/1885/139448.
Full textZhu, Ying. "Evidence of existing knowledge of China and its influence on European art and architecture in the sixteenth and seventeenth centuries." Diss., Georgia Institute of Technology, 2009. http://hdl.handle.net/1853/37096.
Full textBernier, Yolande. "Genshoku : parfums d'origine pour les Œuvres de la terre." Master's thesis, Université Laval, 2013. http://hdl.handle.net/20.500.11794/24717.
Full textHutchins, Katharine. "Choreographing Modernity: Loïe Fuller and Her Influence on the Arts." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/75.
Full textMottram, J. "Critical concepts and change in painting : The relationship of influence." Thesis, Manchester Metropolitan University, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.383647.
Full textJenkins, Kyle. "The cold war : the politics of being inside and outside a visual art space." Phd thesis, Sydney College of the Arts, 2003. http://hdl.handle.net/2123/3966.
Full textBrewin, Julie. "An exploration of the influence of the acculturation process on an artist's practice and the implications for education." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2003. https://ro.ecu.edu.au/theses/1482.
Full textKannar-Lichtenberger, Lea. "Anthropocene: Human Influence on Evolution and the Biosphere." Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/14429.
Full textSmith, Helen. "Artist as navigator : understanding how the social qualities of art influence organizational change : a methodology for art as a social practice." Thesis, Robert Gordon University, 2015. http://hdl.handle.net/10059/1377.
Full textGrubbs, Jeffrey Bryan. "Teacher Belief Research in Art Education: Analyzing a Church of Christ Christian College Art Educator Beliefs and their Influence on Teaching." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1284733542.
Full textPieri, Giuliana. "The influence of English Pre-Raphaelitism on 19th-century Italian art and literature." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313182.
Full textJones, Lisa. "Knowing fiction : a philosophical exploration of the cognitive influence of fictional narrative art." Thesis, University of Liverpool, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402404.
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