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Books on the topic 'Influence of cinema'

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Author: Grafiati

Published: 30 May 2022

Last updated: 31 May 2022

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1

The Turkish cinema in the early republican years. Beylerbeyi, Istanbul: Isis Press, 2007.

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2

The transatlantic gaze: Italian cinema, American film. Albany: SUNY Press, 2014.

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3

Stefano, Milioto, and Lauretta Enzo, eds. Quel che il cinema deve a Pirandello. Pesaro: Metauro, 2011.

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4

Barzanti, Roberto. I confini del visibile: Televisione e cinema senza frontiere nelle politiche dell'Unione europea. Milano, Italy: Lupetti, 1994.

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5

Existentialism and contemporary cinema: A Sartrean perspective. New York: Berghahn Books, 2011.

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6

Cinema, tempo e soggetto: Il sublime kantiano secondo Deleuze. Milano: Mimesis, 2008.

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7

Isaacs, Bruce. Orientation of future cinema: Technology, aesthetics, spectacle. New York: Bloomsbury, 2014.

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8

Krämer, Lucia. Bollywood in Britain: Cinema, brand, discursive complex. New York: Bloomsbury Academic, 2016.

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9

Bresson and others: Spiritual style in the cinema. Newcastle upon Tyne, UK: Cambridge Scholars Pub., 2009.

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10

Cardullo, Bert. Bresson and others: Spiritual style in the cinema. Newcastle upon Tyne, UK: Cambridge Scholars Pub., 2009.

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11

Macedo, Lynne. Fiction and film: The influence of cinema on writers from Trinidad and Jamaica. Chichester: Dido, 2003.

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12

Kundu, Gautam. Fitzgerald and the influence of film: The language of cinema in the novels. Jefferson, NC: McFarland & Company, Inc., Publishers, 2007.

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13

Existentialism and contemporary cinema: A Beauvoirian perspective. New York: Berghahn Books, 2012.

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14

The haunted screen: Expressionism in the German cinema and the influence of Max Reinhardt. Berkeley: University of California Pr., 2008.

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15

Post-9/11 cinema: Through a lens darkly. Lanham, Md: Scarecrow Press, Inc., 2011.

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16

Post-9/11 horror in American cinema. New York, NY: The Continuum International Pub. Group Inc, 2012.

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17

Il declino dell'impero americano: Cattiva coscienza e cinema dopo l'undici settembre. Piombino (LI) [i.e. Livorno, Italy]: Il foglio, 2008.

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18

Italian masculinity as queer melodrama: Caravaggio, Puccini, contemporary cinema. New York, NY: Palgrave Macmillan, 2015.

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19

It looks at you: The returned gaze of cinema. Albany: State University of New York Press, 1995.

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20

Beyond the screen: Emerging cinema and engaging audiences. New York: Bloomsbury, 2014.

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21

Iannelli, Angelo. L'io diviso: Dai medici-filosofi alla letteratura, al teatro e al cinema del Novecento. Roma: Aracne editrice, 2013.

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22

Loving & hating Hollywood: Reframing global and local cinemas. Crows Nest, N.S.W: Allen & Unwin, 2009.

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23

Mills, Jane. Loving & hating Hollywood: Reframing global and local cinemas. Crows Nest, N.S.W: Allen & Unwin, 2009.

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24

Morelli, Pino. UFO impact!: Quando gli alieni invadono i mass media : dal cinema alla TV, dalla fiction alla realtà. Pescara: Samizdat, 2002.

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25

Tröhler, Margrit, and Guido Kirsten, eds. Christian Metz and the Codes of Cinema. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789089648921.

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Abstract:

A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalisation in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today.

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26

Hollywood in Berlin: American cinema and Weimar Germany. Berkeley: University of California Press, 1994.

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27

How the films of Pedro Almodovar draw upon and influence Spanish society: Bilingual essays on his cinema. Lewiston: The Edwin Mellen Press, 2012.

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28

Frodon, Jean-Michel. Cinema and the Shoah: An art confronts the tragedy of the twentieth century. Edited by Frodon Jean-Michel. Albany: State University of New York Press, 2010.

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29

Reinventing cinema: Movies in the age of digital convergence. New Brunswick, N.J: Rutgers University Press, 2009.

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30

Horror after 9/11: World of fear, cinema of terror. Austin: University of Texas Press, 2011.

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31

Bacon, Henry. Continuity and transformation: The influence of literature and drama on cinema as a process of cultural continuity and renewal. Helsinki: Suomalainen Tiedeakatemia, 1994.

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32

Cinema and the Shoah: An art confronts the tragedy of the twentieth century. Albany: State University of New York Press, 2010.

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33

Kaes, Anton. Shell shock cinema: Weimar culture and the wounds of war. Princeton: Princeton University Press, 2009.

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34

Confronting the 'Dirty War' in Argentine cinema, 1983-1993: Memory and gender in historical representations. Woodbridge, Suffolk, UK: Tamesis, 2009.

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35

Burucúa, Constanza. Confronting the 'Dirty War' in Argentine cinema, 1983-1993: Memory and gender in historical representations. Woodbridge, Suffolk, UK: Tamesis, 2009.

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36

Defeated masculinity: Post-traumatic cinema in the aftermath of war. New York: P.I.E. Peter Lang, 2009.

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37

Deocampo, Nick. Film: American influences on Philippine cinema. Manila, Philippines: Published and exclusively distributed by Anvil Pub., 2011.

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38

Aleksandrowicz, Joanna. Pomiędzy płótnem a ekranem: Inspiracje twórczością Goi w kinie hiszpańskim = Entre el lienzo y la pantalla : las inspiraciones de la obra de Goya en el cine español = Between canvas and the screen : the inspiration of Goya in the Spanish cinema. Katowice: Wydawnictwo Uniwersytetu Śląskiego, 2012.

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39

Spain. Ministerio de Educación y Cultura., Ateneo de Manila University, and National Commission on Culture and the Arts (Philippines). Cinema Values Reorientation Program., eds. Cine: Spanish influences on early cinema in the Philippines. Manila: Cinema Values Reorientation Program, National Commission for Culture and the Arts, 2003.

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40

Le cinéma français dans le monde. Paris: Klincksieck, 2012.

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41

Destination Hollywood: The influence of Europeans on American filmmaking. Jefferson, N.C: McFarland, 2000.

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42

Cinéma sous influence: Le cinéma à l'épreuve de l'histoire, de la littérature et des genres. Paris: Harmattan, 2007.

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43

Global Mexican Cinema Cultural Histories of Cinema. British Film Institute, 2013.

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44

A, Iannucci Amilcare, ed. Dante, Cinema, and Television. Canada: University of Toronto Press, 2004.

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45

A, Iannucci Amilcare, ed. Dante, cinema, and television. Toronto: University of Toronto Press, 2004.

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46

(Editor), Roel Vande Winkel, and David Welch (Editor), eds. Cinema and the Swastika: The International Expansion of Third Reich Cinema. Palgrave Macmillan, 2007.

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47

(Foreword), Takashi Miike, ed. Iron Man: The Cinema of Shinya Tsukamoto. FAB Press, 2005.

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48

Mes, Tom. Iron Man: The Cinema of Shinya Tsukamoto. FAB Press, 2006.

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49

Shakespeare's cinema of love: A study in genre and influence. Manchester University Press, 2016.

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50

White, R. S. Shakespeare's Cinema of Love: A Study in Genre and Influence. Manchester University Press, 2020.

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