Relevant bibliographies by topics / Influence of cinema

Academic literature on the topic 'Influence of cinema'

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Published: 30 May 2022
Last updated: 31 May 2022

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Journal articles on the topic "Influence of cinema"

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Permatasari, Hani Indah, and Mulyadi Mulyadi. "The Influence of Interior Design on Consumer Decisions in Choosing a Cinema Building." Pendhapa 12, no. 1 (January 24, 2022): 33–40. http://dx.doi.org/10.33153/pendhapa.v12i1.3560.

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The global expansion of the film industry has an impact on the construction of cinema buildings, including in Indonesia. The construction of the cinema building must pay attention to the interior design, because the interior design will impact the comfort of visitors and create a desire to return at a later date. The purpose of this study was to determine if the interior design of a cinema influenced visitors' choice of a cinema building. According to the study results, the interior design of the cinema influences visitors' interest in choosing a cinema building, as well as what interior design factors influence them.
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Jefferson Kline, T. "The Film Theories of Bazin and Epstein: Shadow Boxing in the Margins of the Real." Paragraph 36, no. 1 (March 2013): 68–85. http://dx.doi.org/10.3366/para.2013.0078.

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When in 1958 André Bazin published the first volume of What is Cinema?, he was already recognized as French film's pre-eminent thinker. His position at Cahiers du cinéma and his influence on the young directors who were to launch the New Wave guaranteed his centrality and his influence. What is nevertheless surprising about this unparalleled success is how fundamentally conservative his writing was. His belief that ‘true realism’ constituted the ontology and the essence of cinema was remarkably out of step with the major philosophical movements of his time. Paradoxically, it was not Bazin but Jean Epstein who best explained and defined the modernity of cinema. A reading of Epstein's Le Cinéma du diable will allow us to appreciate just how paradoxical it was that it was Bazin and not Epstein who was ‘selected’ to present cinema to a France immersed in existential and post-existential thought.
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Putra, Ramadhan Maulana, and Intan Primadini. "Covid-19 and Cinemas: The Importance of Creating the Engagement with Customers through Social Media." Ultimacomm: Jurnal Ilmu Komunikasi 13, no. 1 (June 30, 2021): 82–92. http://dx.doi.org/10.31937/ultimacomm.v13i1.1994.

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The Covid-19 pandemic has resulted in one of the largest cinema companies in Indonesia, Cinema XXI, to temporarily close their business. Despite the closing, Cinema XXI is still trying to build the engagement with their customers on social media by carrying out marketing activities through the Instagram @Cinema.21. Therefore, the aim of this study is to find out how Cinemas utilizing social media in creating customer engagement during Covid-19. This study is a quantitative research and data is obtained through survey using questionnaire. This research questionnaire was distributed to 400 respondents. Based on the result of this study, it is known that Read Dimension has the highest influence on Engagement. Furthermore, Social Media Marketing was found to significantly influence Customer Engagement. Keywords: Covid-19, Cinema XXI, Social Media, Social Media Marketing, Customer Engagement.
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Sheremeta, Bozhena, Nataliya Chukhray, and Oleh Karyy. "Marketing tools as the competitiveness enhancer of the Ukrainian film distribution market entities." Innovative Marketing 15, no. 4 (December 18, 2019): 88–101. http://dx.doi.org/10.21511/im.15(4).2019.08.

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The main goal of the article is to study the features of film marketing and distribution of film products in Ukraine and to determine what kind of marketing tools are appropriate to be used within a cinema network to ensure their competitiveness in the national film distribution market.This article determines the characteristics of the movie market services and their compliance with modern consumer requirements, outlining the directions for increasing the usefulness of cinema-related services to consumers and developing a set of marketing tools to ensure the competitiveness of the cinema market.The results of the assessment of the impact of competitive forces revealed that intra-industry competition has the strongest impact on private cinema networks, the consumers of film distribution services and potential competitors have the moderate influence, the suppliers and substitute services have a low level of influence. According to the results of the survey, it can be concluded that cinemas are worth reducing the cost of tickets (this can be done by introducing the promotions and discounts for regular customers), since the solvency of a larger population does not correspond to the level of ticket prices. Also expanding the range of products will allow the consumers to spend more time in the cinema, which will lead to an increase in the value of the average check. Cinemas are quite realistic to open their own pizzerias or bars to add value to their customers.
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Rachamalla, Suresh. "Influence of Liberalisation & Globalisation on Indian Cinema - A study of Indian cinema and it’s diasporic consciousness." Journal of Advanced Research in Journalism & Mass Communication 05, no. 01 (February 27, 2018): 18–24. http://dx.doi.org/10.24321/2395.3810.201804.

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Manghani, Sunil. "The influence of cinema on painting." Journal of Contemporary Painting 1, no. 1 (April 1, 2015): 123–46. http://dx.doi.org/10.1386/jcp.1.1.123_1.

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Spence, Charles. "Scent and the Cinema." i-Perception 11, no. 6 (November 2020): 204166952096971. http://dx.doi.org/10.1177/2041669520969710.

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From the very earliest days of public cinema (moving pictures), there has been consideration about how odors and scents might influence the viewer’s experience. While initially this was primarily a concern with how to eliminate the malodor of the cinema-goers themselves, in more recent times, there have been a number of well-publicized attempts to add synchronized pleasant (and, on occasion, also unpleasant) scents to “enhance” the cinema experience. While early solutions such as AromaRama and Smell-O-Vision were beset by technical challenges, low-tech scratch and sniff ( Odorama) and, more recently, Edible Cinema-type solutions (where the audience get to consume flavourful, and often aromatic, morsels in time with the events on screen) have proved somewhat more successful. Nevertheless, there are a number of key psychological factors that will likely inhibit the uptake of scented cinema in the future, even should the technical and financial issues (associated with retrofitting cinemas, and providing the appropriate fragrances) one day be satisfactorily resolved. These include the phenomenon of “inattentional anosmia” as well as the “fundamental misattribution error,” whereby people (who are, by-and-large, visually-dominant) tend to attribute their enjoyment to the action seen on screen, rather than to smell, and hence are unlikely to pay a premium for the latter.
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Rosskam, Jules. "Making Trans Cinema: A Roundtable Discussion with Felix Endara, Reina Gossett, Chase Joynt, Jess Mac, and Madsen Minax." Somatechnics 8, no. 1 (March 2018): 14–26. http://dx.doi.org/10.3366/soma.2018.0234.

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In conversation with Jules Rosskam, trans filmmakers Felix Endara, Chase Joynt, Reina Gossett, Madsen Minax, and Jess Mac explore the contemporary state of trans cinema production, trans methodologies and social practices, the corporeality of cinema, and the relationship between theory and practice. Like somatechnics complicates the term ‘body modification,’ cinema broadens the ways in which we think and talk about films to include the world around the film – the technologies, power(s), relationships, disciplines, spaces, and techniques. The filmmakers discuss the various ways in which their embodied experiences influence and necessitate particular modes of production, reception, and theorization. There is a dynamic and organic movement between the past, present, and future, between dominant and experimental cinemas; one deeply rooted in the urgent intersectionality of trans.
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Wan, Xing, Nianxin Wang, and Ben Shaw-Ching Liu. "Impact of O2O platform multihoming and vertical integration on performance of local service firms – a quantile regression approach." Internet Research 30, no. 5 (May 7, 2020): 1583–610. http://dx.doi.org/10.1108/intr-03-2019-0087.

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PurposeThis study takes the cinema industry as the research context and investigates the impact of online to offline (O2O) platforms on cinemas' performance. Specifically, the purposes of this paper are threefold: first, to study the influence of platform multihoming on cinemas' performance; second, to examine the interaction impact of platform multihoming and vertical integration; third, to investigate how the influence of platform multihoming varies with cinemas' performance.Design/methodology/approachThis study collects data from 1918 cinemas in China, employs quantile regressions to estimate the model and test the proposed hypotheses and adopts an instrumental variable method to examine the robustness of our results.FindingsThe findings confirm the positive role of platform multihoming for cinemas' performance. However, when a cinema has low-degree platform multihoming, the cinema's vertical integration is positively associated with its performance; when a cinema has high-degree platform multihoming, the cinema's vertical integration is negatively associated with its performance. Furthermore, results from quantile regressions indicate that low-performance cinemas benefit more than high-performance cinemas from employing platform multihoming strategy.Research limitations/implicationsThis paper extends previous research by investigating the impact of platform multihoming on heterogeneous firms and the impact of interaction between platform multihoming and vertical integration. The findings imply that the impact of platform multihoming on firms' performance depends on firms' performance attributes and their vertical relationships.Practical implicationsPlatform multihoming can be a double-edged sword for local service firms. When multihoming platforms, a local service firm should think about the fit between platforms and its own attributes, and identify the potential conflict between platform relationships and traditional relationships of industrial organization.Originality/valueThere is a growing interest in understanding platforms' role in the digital economy. The impact of platform participation on local service firms' performance is not sufficiently investigated. Previous research rarely addressed the impact by incorporating local service firms' performance attributes and the existing relationships of industrial organization.
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Swetha.S. "CONTEMPORARY TAMIL CINEMA & DISCUSSIONS ON CASTE IDENTITY." Journal of English Language and Literature 09, no. 01 (2022): 74–80. http://dx.doi.org/10.54513/joell.2022.9108.

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Cinema is a popular medium of art. In earlier days, cinema in India did deal with social problems in a peripheral way. It often failed to address the social realities, especially caste disparities. Cate issues were always portrayed as economic backwardness. But recent times have witnessed that popular and commercial cinema has begun to open up towards the discussions of gender and caste. In the case of caste discussion, it is the Tamil Cinema industry that creates more movies on it. Tamil cinema is comparatively rich with Dalit representations in the arena of filmmaking. Some directors, writers, and actors initiated the discussions of caste hierarchy in popular cinema. The political situations of Tamil Nadu have been a deep influence in molding these directors and their courageous ventures of popular cinema with Dalit subjects. Dravidian Ideology, Mandal politics, and the recent revival of Ambedkarite politics have been fuel for this. Still, fitting Dalit issues into the frames of the popular and commercial film have both pros as well as cons. Hence, this article analyses the relevance of the socio-political situations of Tamil Nadu in initiating mainstream Dalit cinemas. It also looks into the pros and cons of the popular narrative of Dalit subjects.
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Dissertations / Theses on the topic "Influence of cinema"

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Codó, Martínez Jordi. "El cinema com a espai intercultural. La influència asiàtica en el cinema d'Occident: contextos, conceptes i casos." Doctoral thesis, Universitat Ramon Llull, 2013. http://hdl.handle.net/10803/104535.

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En un món social cada cop més nodrit per les interconnexions culturals, el cinema - expressió artística que és filla inequívoca del seu temps- es conforma des dels seus inicis a través de la integració i la interacció de formes expressives diverses i allunyades. Els darrers tres lustres han vist un impuls en la referida tendència, promoguda per la globalització de la indústria fílmica i, en bona mesura també, pel creixement (i/o la voluntat exportadora) dels cinemes asiàtics. La influencia d'aquests cines en el mainstream internacional (ja sigui el de l'entreteniment o el d'art i assaig) és cada cop més patent, i s'aventuren noves formes d'expressió cinematogràfica i d’anàlisi. El present treball vol reflexionar sobre la naturalesa d'aquests intercanvis, tot observant quines idees i practiques es posen en joc en la producció de films de caràcter transnacional. Conceptes com 'interculturalitat', 'cinema nacional', 'autoria' o 'orientalisme' en són els protagonistes, juntament amb l'estudi d'un cas: la influencia del cinema japonès en !'obra de Jim Jarmusch.
En un mundo social cada vez más nutrido por las interconexiones culturales, el cine­ expresión artística que es hija inequívoca de su tiempo- se conforma desde sus inicios a través de la integración y la interacción de formas expresivas diversas y alejadas. Los últimos tres lustros han visto un impulso en la referida tendencia, promovida por la globalización de la industria fílmica y, en buena medida también, por el crecimiento (y/o la voluntad exportadora) de los cines asiáticos. La influencia de estos cines en el mainstream internacional (ya sea el del entretenimiento o el de arte y ensayo) es cada vez más patente, y se aventuran nuevas formas de expresión cinematográfica y de análisis. El presente trabajo quiere reflexionar sobre la naturaleza de estos intercambios, observando qué ideas y prácticas se ponen en juego en la producción de filmes de carácter transnacional. Conceptos como 'interculturalidad', 'cine nacional', 'autoría' u 'orientalismo' son los protagonistas, junto con el estudio de un caso: la influencia del cine japonés en la obra de Jim Jarmusch.
In a social world increasingly nourished by cultural interconnections, film -an artistic expression that is an unequivocal output of its time- has been shaped from its beginnings through the integration and interaction of various and distant forms of expression. The last fifteen years have seen a boost in the aforementioned trend, promoted by the globalization of the film industry and, to some extent also by the growth (and / or will to export) of Asian cinemas. The influence of these cinemas in the interntional mainstream (either for entertainment or arthouse) is increasingly evident, and puts forward new forms of cinematic expression and analysis. The present work reflects on the nature of these exchanges, by observing which ideas and practices come into play in producing films with a transnational personality. Concepts such as interculturality, national cinema, authorship or orientalism are the protagonists, along with a case study: the influence of Japanese cinema in the work of Jim Jarmusch.
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Oliveira, Nuno António Grilo de. "Cinema de animação-metonímia americana." Master's thesis, Instituições portuguesas -- -Universidade Aberta, 2003. http://dited.bn.pt:80/29951.

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Ferreira, Carlos Miguel de Sá e. Melo. "Para além das poéticas do cinema-o cinematógrafo." Phd thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas, 2001. http://dited.bn.pt:80/29591.

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Pereira, Paula Cristina Esperanço. "The Burton/Depp partnership and its influence on modern cinema." Master's thesis, Universidade de Aveiro, 2012. http://hdl.handle.net/10773/9169.

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Mestrado em Línguas, Literaturas e Culturas - Estudos Ingleses
O presente trabalho pretende desvendar o singular universo cinematográfico de Tim Burton, autor de personagens e paisagens predominantemente góticas. Ao mesmo tempo, propõe-se descortinar o seu contributo para o cinema moderno através da colaboração regular que o realizador tem mantido com o ator Johnny Depp ao longo dos últimos vinte anos. O ponto de partida para este estudo compreende uma breve apresentação das origens, interesses e início da carreira do realizador e do ator no primeiro capítulo. De seguida, e no mesmo capítulo, são analisados os filmes resultantes da parceria entre o realizador e o ator dando-se especial relevo aos temas e elementos iconográficos mais frequentes e à influência que os filmes de terror gótico alcançaram na filmografia do realizador. No segundo capítulo, a carreira cinematográfica do ator Johnny Depp é alvo de análise discutindo-se o tipo de personagens que o ator protagoniza e a sua colaboração com vários realizadores do cinema atual, em particular a sua parceria com Burton. São ainda discutidas neste capítulo, as razões que conduziram ao sucesso artístico e comercial deste par. O terceiro capítulo centra-se na apreciação alargada da obra do realizador e a influência dos seus filmes no cinema contemporâneo através do ressurgimento de personagens bizarras e da perpetuação de mundos esteticamente irreais e sombrios próprios da cultura do gótico (em particular do teen gótico). A revitalização de técnicas de animação de stop-motion e a apropriação e subversão da narrativa do conto de fadas tradicional na obra de Tim Burton são também objeto de estudo neste último capítulo. Finalmente, a análise feita à ligação do realizador com os estúdios de Hollywood permite fazer uma apreciação crítica e chegar à conclusão que desta parceria profissional resultam filmes com um cunho pessoal que são, em simultâneo, comercialmente bem sucedidos e favoravelmente aceites pela crítica cinematográfica em geral.
In this work I intend to show Tim Burton’s peculiar filmic universe as an author of stereotypical characters and dark gothic atmospheres. Meanwhile, I also intend to unveil Burton’s contribution to modern cinema through his regular working collaboration with the actor Johnny Depp over the last twenty years. Starting first with a brief introduction to their childhood and family backgrounds, interests and formative years, I proceed to examine their common filmography as well as Burton’s most recurrent themes and iconography in the first chapter, including the influence of gothic horror films on Burtonian cinematic universe. The spotlight of the second chapter is a brief analysis on Johnny Depp’s acting career, thus discussing his portrayal of a certain typology of leading characters, along with his working collaboration with several contemporary directors, particularly his partnership with Burton. The reasons behind this working team’s artistic and commercial success are also discussed in this chapter. The third chapter will focus on an extended appreciation of Burton’s work and its influence on contemporary cinema as is illustrated by the resurgence of bizarre characters or monsters and heavily stylized unrealistic dark universes properly identifiable within contemporary gothic culture (particularly the teen gothic). The revival of stop-motion animation film techniques along with Burton’s appropriation and plot subversion of the traditional fairy tale in his films are also discussed in this last chapter. Finally, by examining the director’s working relationship within the Hollywood studio system, I arrive at the conclusion that Burton has been able to produce personal films that are nevertheless commercially successful and critically acclaimed by reviewers.
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Araújo, Cristina Manuela Mendes de. "Violência sexual e famílias disfuncionais no cinema americano contemporâneo." Master's thesis, Instituições portuguesas -- -Universidade do Minho -- -Instituto Letras e Ciências Humanas, 1996. http://dited.bn.pt:80/29923.

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Nogueira, António Couceiro da Cruz. "Cinema, narratologia, jornalismo-um travelling pela cultura cinematográfica." Master's thesis, Instituições portuguesas -- UC-Universidade de Coimbra -- -Faculdade de Letras, 2002. http://dited.bn.pt:80/29599.

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Barroso, Eduardo Paz. "Justificação e crítica do cinema português-anos 60, anos 70." Phd thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas, 2002. http://dited.bn.pt:80/29616.

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Girina, Ivan. "Cinematic games : the aesthetic influence of cinema on video games." Thesis, University of Warwick, 2015. http://wrap.warwick.ac.uk/74038/.

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During its first decade, Game Studies debate mainly revolved around the juxtaposition between two perspectives: the one of ludology and the one of narratology, each positing a primary quality of video games against the other. The study of the relationship between cinema and video games got somehow caught in the crossfire between these two fields. In this work, I investigate the extent to which representation in video games is connected to cinema and its representational codes. A number of authors before challenged this assumption, theorising models that only partially connect the cinematic form to video games. Such investigations have always started from the ludologically educated assumption that video games are different from cinema and, therefore, for the premises of this comparison to be considered “vitiated”, only tangentially useful due to the irreconcilably different nature of the two media. The adjective “cinematic” is a concept constantly evoked in cultural discourses concerning video games. Magazines, reviewers, critics, but also designers, artists, users and commentators (even scholars) often summon the idea of cinematic games in the attempt of describing some peculiar features that share affinities with films and suggesting that video games possess the aura of the big screen. Cinematic games are born at the crossroads between interactive movies and video games, for which the cinematic expression is retained by means of audiovisual representation while keeping the action in the hands of the player. Due to the vast scale of the subject, my work focuses on relatively recent developments in game design which have yet to be fully investigated, and seeks to extend existing attempts to apply the tools of film theory to Game Studies. A secondary value of this work is an annotation on the disengagement of moving image scholars with video games, and it partly serves as an invocation for this to change.
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Knollmueller, Marit R. "A cinema under the influence? : contemporary European auterism beyond the postmodern." Thesis, University of Kent, 2009. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.499694.

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Amado, Luís Pedro Castanheira de Aguiar. "Identidade e complexidade cultural-reminiscências culturais irlandesas no cinema de John Ford." Master's thesis, Instituições portuguesas -- -Universidade Aberta, 2002. http://dited.bn.pt:80/29594.

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Books on the topic "Influence of cinema"

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The Turkish cinema in the early republican years. Beylerbeyi, Istanbul: Isis Press, 2007.

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The transatlantic gaze: Italian cinema, American film. Albany: SUNY Press, 2014.

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Stefano, Milioto, and Lauretta Enzo, eds. Quel che il cinema deve a Pirandello. Pesaro: Metauro, 2011.

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Barzanti, Roberto. I confini del visibile: Televisione e cinema senza frontiere nelle politiche dell'Unione europea. Milano, Italy: Lupetti, 1994.

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Existentialism and contemporary cinema: A Sartrean perspective. New York: Berghahn Books, 2011.

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Cinema, tempo e soggetto: Il sublime kantiano secondo Deleuze. Milano: Mimesis, 2008.

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Isaacs, Bruce. Orientation of future cinema: Technology, aesthetics, spectacle. New York: Bloomsbury, 2014.

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Krämer, Lucia. Bollywood in Britain: Cinema, brand, discursive complex. New York: Bloomsbury Academic, 2016.

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Bresson and others: Spiritual style in the cinema. Newcastle upon Tyne, UK: Cambridge Scholars Pub., 2009.

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Cardullo, Bert. Bresson and others: Spiritual style in the cinema. Newcastle upon Tyne, UK: Cambridge Scholars Pub., 2009.

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Book chapters on the topic "Influence of cinema"

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Forshaw, Barry. "The Legacy: Gothic Influence on Television." In British Gothic Cinema, 157–64. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137300324_12.

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Giles, Jane. "Genet and Cinema: Adaptations and Influence." In Jean Genet: Performance and Politics, 169–78. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230595439_14.

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Buonanno, Milly. "Italian TV Drama: The Multiple Forms of European Influence." In European Cinema and Television, 195–213. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137356888_10.

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Rushton, Richard. "Discovering a Politics of Cinema: The Influence of Althusser." In The Politics of Hollywood Cinema, 33–56. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137316165_2.

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Donovan, Barna William. "Asian Action Cinema and Its Influence on Hollywood." In A Companion to the Action Film, 118–39. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2019. http://dx.doi.org/10.1002/9781119100744.ch6.

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Rafaelić, Daniel. "The Influence of German Cinema on Newly Established Croatian Cinematography, 1941–45." In Cinema and the Swastika, 99–111. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230289321_7.

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Winkel, Roel Vande. "German Influence on Belgian Cinema, 1933–45: From Low-profile Presence to Downright Colonisation." In Cinema and the Swastika, 72–84. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230289321_5.

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Tomaselli, Keyan, and Michael Eckardt. "Brown-red Shadows: The Influence of Third Reich and Soviet Cinema on Afrikaans Film, 1927–48." In Cinema and the Swastika, 231–42. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230289321_17.

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Cooke, Paul. "“Soft power” and shifting patterns of influence in global film culture." In The Routledge Companion to World Cinema, 299–309. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315688251-25.

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Barrow, Sarah. "Negotiating Neoliberal Demands on Contemporary Cinema: The Role and Influence of the Socially Committed Film Producer in Peru." In Contemporary Latin American Cinema, 119–34. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77010-9_7.

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Conference papers on the topic "Influence of cinema"

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Босов, Дмитрий Вячеславович, Екатерина Викторовна Морозова, and Елена Александровна Солодова. "THE AMERICANIZED MAINSTREAM CINEMATOGRAPH AS A FACTOR OF SOCIALIZATION AND A TOOL OF INFLUENCE: SOCIOPOLITICAL ANALYSIS." In Сборник избранных статей по материалам научных конференций ГНИИ "Нацразвитие" (Санкт-Петербург, Июнь 2021). Crossref, 2021. http://dx.doi.org/10.37539/jun297.2021.33.76.007.

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Цель статьи: рассмотреть американизированный мейнстрим-кинематограф как фактор социализации и инструмент влияния США. Методы: компаративистский, системный. Результаты: выявлены сущность и особенности развития американизированного мейнстрим-кинематографа как фактора социализации и инструмента влияния США. Выводы: Голливуд формирует новую картину мира, варваризирует массовое сознание. Purpose of the article: to consider Americanized mainstream cinema as a factor of socialization and an instrument of influence for the United States. Methods: comparative, systemic. Results: the essence and features of the development of Americanized mainstream cinema as a factor of socialization and an instrument of influence of the United States were revealed. Conclusions: Hollywood forms a new picture of the world, barbarizes mass consciousness.
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Neviyarni, Hidayani Syam, and A. Muri Yusuf. "Group Guidance Model with Cinema Counseling Technique as A Prevention of Gay Influence for Students." In Proceedings of the Padang International Conference on Educational Management And Administration (PICEMA 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/picema-18.2019.27.

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Wang, Zhuo. "The Development of Chinese Cinema Culture and Its Influence on Movie Education at the Present Stage." In 2018 8th International Conference on Social science and Education Research (SSER 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/sser-18.2018.153.

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Vasilchenko, Diana Dmitrievna. "Influence of modern cinema in the social mood of students (for example, students of the Kursk region)." In International Research-to-practice Conference for students. TSNS Interaktiv Plus, 2016. http://dx.doi.org/10.21661/r-113123.

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SKVARCIANY, Viktorija, and Kristina ASTIKĖ. "THEORETICAL ASPECTS OF CULTURAL ECONOMICS CONCEPT." In International Scientific Conference „Contemporary Issues in Business, Management and Economics Engineering". Vilnius Gediminas Technical University, 2021. http://dx.doi.org/10.3846/cibmee.2021.626.

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Abstract. Purpose – the aim of the article is to present the concept of cultural economics upon analysing the scientific literature and to single out the factors that influence the development of cultural economics. Research methodology – analysis and synthesis of scientific literature. The articles published in CA WoS were analysed in order to extract high-quality information on the topic of cultural economics. Findings – after analysis of the scientific literature, the factors of cultural economics have been determined. They are as follows: creativity; new technologies; consumer society; public authorities; artistic forms; media, information, digitisation; local cultural identity; public sector approach to culture; theatre, cinema, museums, crafts; media, social networks; the needs for a consumer society and culture; public sector funding for culture. Research limitations – the main limitation of the current research is that the factors of cultural economics are distinguished from the scientific literature. For more precise identification, the experts should be interviewed as well. Practical implications – the distinguished factors could be used for measurement of the level of a country’s cultural economics level. Originality/Value – the article summarises
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Martínez Millana, Elena. "Le Corbusier versus Sergei Eisenstein. La construcción de un sueño." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.824.

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Resumen: Este artículo plantea la revisión de la relación entre el arquitecto Le Corbusier y el cineasta Sergei Eisenstein. Se lanza como hipótesis la posible influencia del cineasta en Le Corbusier. Le Corbusier versus Eisenstein en el sentido más profundo de ‘avanzar en dirección a’: Le Corbusier hacia la cinematografía, no como contraposición. Se esboza el papel de cada figura y su encuentro en el período de 1928-1936, tiempo en que Le Corbusier se aproximó a la Unión Soviética, un contexto que configura un marco complejo a partir del cual es posible entrever aquello que los vincula y que refuerza la hipótesis planteada. Por otro lado, se realiza un análisis de Poème électronique - filme de 480” que Le Corbusier hace en 1958 con motivo de la Exposición Universal en Bruselas - con la intención de visibilizar que Le Corbusier recurre a la técnica del montaje dialéctico de la que Eisenstein era maestro y por tanto la consustancial influencia. Le Corbusier reconoce el potencial de esta técnica de montaje y se sirve de ella como la estrategia clave en su aproximación al ámbito de la cinematografía. El mecanismo del montaje dialéctico forma parte de su propio pensamiento y lo materializa en su arquitectura y también en el caso de estudio que nos ocupa, en la disciplina de la imagen en movimiento, tan próxima a ésta. Pero hay más, en el Pabellón Philips la técnica del montaje oculto - sobre la que Eisenstein había teorizado en aquél periodo - está presente, pues mediante éste mecanismo construye la puesta en escena del espectáculo total. Como veremos, Poème électronique representa la construcción de un sueño. Abstract: This article reviews the relationship between the architect Le Corbusier and the filmmaker Sergei Eisenstein. When launched, it was seen to hypothesise the possible influence of the filmmaker in the work of Le Corbusier. Le Corbusier versus Eisenstein, in the deepest sense of the expression, is portrayed as "towards to": Le Corbusier towards the film, not in opposition to it. It outlines the role of each figure and their interactions during the period between 1928 and 1936, the time when Le Corbusier got closer to the Soviet Union. This context forms a complex framework from which it is possible to glimpse what it is that links them, reinforcing the hypothesis-raised. On the other hand, this work presents an analysis of the Poème électronique - 480" film Le Corbusier made in 1958 for the Universal Exhibition in Brussels - in order to exemplify that Le Corbusier uses the technique of dialectical montage, in which Eisenstein was the undisputed master, thereby highlighting an inherent influence. Le Corbusier recognises the potential of this montage technique and uses it as a key strategy in his approach to the field of cinema. The mechanism of dialectical montage is a part of Le Corbusier's own thought and this materialises both in his architecture as well as in the subsequent case study regarding the discipline of the moving image, which is closely aligned to it. There is, however, more to it. In the Philips Pavilion, the hidden montage technique - theorised by Eisenstein in that period - is present, the use of which was the mechanism to construct the stage for the spectacle as a whole. As we will see, Poème électronique represents the construction of a dream. Palabras clave: Eisenstein; Le Corbusier; Le Poème électronique; montaje dialéctico; montaje oculto; cinematografía. Keywords: Eisenstein; Le Corbusier; Le Poème électronique; dialectical montage; hidden montage; cinematography. DOI: http://dx.doi.org/10.4995/LC2015.2015.824
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Янковская, Е., Дмитрий Войтка, М. Федорович, and А. Михнюк. "Антагонистическая активность энтомопатогенных грибов в отношении фитопатогенных микромицетов." In VIIth International Scientific Conference “Genetics, Physiology and Plant Breeding”. Institute of Genetics, Physiology and Plant Protection, Republic of Moldova, 2021. http://dx.doi.org/10.53040/gppb7.2021.85.

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The researches on evaluation the influence of entomopathogenic fungi of the genuses Beauveria, Isaria and Lecanicillium influence on phytopathogenic microorganisms Alternaria solani, Botrytis ciner-ea, Sclerotinia sclerotiorum, Rhizoctonia solani, Fusarium solani, Phytophtora alni are presented. The antifungal peculiarities of tested strains – a potential basis of complex action biological preparations for plant protection are shown in vitro. The highest level of antagonistic activity has been revealed in strains Beauveria brongniartii МХ, Lecanicillium sp. аph and Isaria fumosorosea 21-2.
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Kundu, Suman. "Total Influence and Hybrid Simulation of Independent Cascade Model using Rough Knowledge Granules." In 2020 4th International Conference on Computational Intelligence and Networks (CINE). IEEE, 2020. http://dx.doi.org/10.1109/cine48825.2020.234405.

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Dyephart, Anouchka. "Concevoir aujourd’hui un film sur la villa Savoye." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.652.

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Résumé: Si de nombreuses images de la villa Savoye existent, par contre peu de films sont centrés sur elle. Je souhaite présenter ici un projet de film documentaire que je développe depuis 2012. Sur cette villa considérée comme une icône de l’architecture moderne, et déjà tant étudiée, je propose un regard un peu décalé, nourri à la fois par ma formation d’architecte et mon expérience de réalisatrice. J’aborde en particulier la question de l’impact de cette architecture ; comment est-elle perçue au XXIème siècle, en quoi peut-elle influer sur notre façon d’envisager l’espace ? Je développerai un aspect de ma démarche qui touche au rapport entre architecture et cinéma: comment montrer la villa par un film ? autrement dit comment traduire ce qu’elle représente par des images animées, des sons, mais aussi des ‘évènements’ qui dévoilent les contrastes de lumière et d’ambiances ? De quoi cette architecture est-elle le récit ? Ou, comme le proclame une des questions-slogans de Bernard Tschumi : “Et si l’architecture était autant une question de mouvement et d’évènement que d’espace ?”1. Resumen: Si existen numerosas imágenes de la Villa Savoye, escasos son, en cambio, los films que traten de ella. Deseo presentar aquí un proyecto de film documenta, sobre el que estoy trabajando desde el año 2012. Propongo una vision un poco desfasada, nutrida al mismo tiempo por mi formación de arquitecta y mi experiencia de cineasta, sobre esta obra ya tan estudiada, icono de la arquitectura moderna. Abordo especialmente la cuestión del impacto de esta arquitectura; ¿cómo es percibida en el siglo XXI?, ¿qué influencia puede tener en nuestra manera de considerar el espacio? Desarrollaré un aspecto de mi trabajo que trata de la relación entre la arquitectura y el cine: como mostrar la Villa Savoye en un film ? Es decir, como traducir lo que ella representa a través de imágenes animadas, sonido y “acontecimientos” que rebelen los contrastes de luces y de ambientes? ¿ De qué da cuenta esta arquitectura? O, como lo proclama una de las preguntas-eslogan de Bernard Tschumi: “¿Y si la arquitectura fuera tanto cuestión de movimiento y de acontecimiento como de espacio?” Mots-clés: villa Savoye ; film documentaire ; transmission ; création ; recherche formelle. Palabras clave: villa Savoye, película documental, transmisión, creación, investigación formal. DOI: http://dx.doi.org/10.4995/LC2015.2015.652
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Octavia, Eva Nur, and Pandu Riono. "Effectivity of National Health Insurance on Maternal Health in Developing Countries: A Systematic Review." In The 7th International Conference on Public Health 2020. Masters Program in Public Health, Universitas Sebelas Maret, 2020. http://dx.doi.org/10.26911/the7thicph.04.03.

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ABSTRACT Background: Improving maternal health services is one of the main objectives in reducing maternal mortality. The national health insurance system is one of the efforts to achieve Universal Health Coverage (UHC) which aims to ensure that people can access health services without financial difficulties as stated in the third point of SDGs 2030. This system ensures that women are able to access quality maternal health services. This study aimed to review the effectiveness of national health insurance implementation on maternal health service in developing countries, systematically. Subjects and Method: This was a systematic review conducted by searching for articles through three databases, namely Cinahl, Medline, and JSTOR. The search was carried out using the Population, Intervention, Comparison, Outcome, Study Design (PICO-S method). In the identification stage, it was found 251 articles and 8 articles were selected to meet the criteria for this study. Results: The national health insurance system was an effort to ensure that women of reproductive age were able to access quality maternal health services. However, there were still gaps in the utilization of health services which are influenced by factors of education, economic status, and geographic area. Conclusion: The implementation of the national health insurance system has an impact on increasing the utilization of maternal health services, especially in developing countries. Keywords: national health insurance, women of reproductive age, maternal health services, developing country Correspondence: Eva Nur Octavia. Postgraduate of Reproductive Health, Faculty of Public Health, Universitas Indonesia. Jl. Margonda Raya, Pondok Cina, Beji, Depok 16424, East Java. Email: evanuroctavia@gmail.com. Mobile: +62 87759656772 DOI: https://doi.org/10.26911/the7thicph.04.03
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