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Journal articles on the topic 'INFERNET'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

DeOrio, A., A. B. Bauserman, V. Bertacco, and B. C. Isaksen. "Inferno: Streamlining Verification With Inferred Semantics." IEEE Transactions on Computer-Aided Design of Integrated Circuits and Systems 28, no. 5 (May 2009): 728–41. http://dx.doi.org/10.1109/tcad.2009.2013995.

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2

Carvalho, Flávio. "INFERNO." Nanocell News 2, no. 16 (August 17, 2015): n/a. http://dx.doi.org/10.15729/nanocellnews.2015.08.17.009.

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3

Preciosa, Rosane. "Moda na filosofia: das imagens que nos abraçam." dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda 6, no. 13 (January 24, 2013): 17. http://dx.doi.org/10.26563/dobras.v6i13.130.

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Vemos coisas demais. Será possível ainda nos surpreendermos com algo? Nossa resposta tende a ser um “sim”. Parece ser imperativo trafegar nesse “inferno” de imagens para poder distinguir, nele, o que não é inferno. É necessário abrir espaço nesse ambiente infernal: não há outro. Mas isso exige de nós deliberado empenho para resistir às imagens que nos transmitem sinuosamente visões totalitárias, que se dependuram em nós, ávidas por se reproduzir em palavras de ordem (...)

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4

Da Silva Junior, Augusto Rodrigues. "Alteridade e liminaridade na Comédia de Dante: epifanias literárias entre Inferno, Purgatório e Paraíso." FronteiraZ. Revista do Programa de Estudos Pós-Graduados em Literatura e Crítica Literária, no. 22 (July 4, 2019): 131–50. http://dx.doi.org/10.23925/1983-4373.2019i22p131-150.

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Este estudo estabelece relações dialógicas entre os três volumes/espaços definidos pela Divina Comédia de Dante e pela tradição cristã. Apresentamos relações epifânicas entre as três camadas tanatográficas percorridas pelo autor do século XIV: Inferno, Purgatório e Paraíso. A partir das noções de catábase (descida mágica e transformadora aos infernos, conforme Eudoro de Sousa), liminaridade (condição liminar, limite, entre-lugar, a partir de Victor Turner) e anábase (retorno espetacular do inferno que engendra sabedoria também conforme Sousa), engendramos mirada pela tanatografia (escrita de morte) em Dante a fim de perscrutar o logos dialógico (no esteio de Bakhtin) que se desdobra no imenso universo autoral constituído pela tradição dos diálogos dos mortos. A Divina Comédia, como a entendemos, figura uma profunda catábase em relação ao eu-autoral: epifania do literário às portas da modernidade no Ocidente.

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5

Moshonkina, Elena N. "DANTE’S RHETORICAL MODELS IN INFERNO XIII." RSUH/RGGU Bulletin. Series History. Philology. Cultural Studies. Oriental Studies, no. 3 (2018): 295–315. http://dx.doi.org/10.28995/2073-6355-2018-3-295-315.

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6

Lopes, Ruth Silviano Brandão. "O lugar de exclusão em corpo vivo." Cadernos de Linguística e Teoria da Literatura 4, no. 8 (December 31, 2016): 151. http://dx.doi.org/10.17851/0101-3548.4.8.151-167.

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Resumo: Este ensaio busca localizar no romance Corpo vivo vários tipos de suportes, tais como o mito, o rito, elementos sociais e históricos, a partir dos quais se infere a posição atribuída à violência na narrativa.Abstract: This piece of work — «Corpo Vivo-Texture of violence» — tries to emphasise, in the narrative, some supports of various kinds, such as: the myth, the social and historical elements, from which the position attributed to violence in the novel can be inferred.

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7

Balducci, Marino Alberto. "Il sacrilegio di Vanni Fucci pistoiese e bestia nella Divina Commedia." Romanica Cracoviensia 20, no. 4 (2020): 227–38. http://dx.doi.org/10.4467/20843917rc.20.022.13308.

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The sacrilege of Vanni Fucci, the beast of Pistoia, in the Divine Comedy This hermeneutic analysis presents a reflection on the complex nature of the concept of theft in the Christian world, compared to the pagan one. The author develops the idea of the desperate blasphemy of the infernal prisoner as a form of unconscious prayer. Vanni Fucci from Pistoia, the sacrilegious and blasphemous character of Dante’s Inferno, is analyzed by referring to the fundamental difference between the classical and medieval philosophical perception of metamorphosis as a symbol.

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8

André Nepomuceno, Luís. "MELHOR SERIA NÃO TER NASCIDO." Revista de Estudos de Cultura 7, no. 18 (July 5, 2021): 93–106. http://dx.doi.org/10.32748/revec.v7i18.15985.

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O Apocalipse de Pedro e o Apocalipse de Paulo são dois apócrifos do Novo Testamento escritos nos séculos II e IV, respectivamente. São os dois primeiros documentos cristãos a fazer um registro do mundo dos mortos, com sua geografia mapeada e uma exposição dos suplícios do inferno em conformidade com os erros humanos. Partindo de uma indagação que ocorre aos dois narradores (a de que seria melhor os condenados do inferno nunca terem sido criados, porque herdarão sofrimento eterno), o presente artigo analisa os dois textos considerando questões históricas, rastreando suas influências clássicas e buscando neles a resposta a essa pergunta, tendo como referência o conceito de catábase, ou descida aos infernos, que, conforme ensina Eudoro de Sousa (2003), é o maior dos mistérios humanos. A conclusão é de que os dois apocalipses abrem as portas para o entendimento de um cosmo criado por Deus como ordem fixa e imutável, conforme se verá na Idade Média.Palavras-chave: Apocalipses. Catábase. Apócrifos da Bíblia.

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9

Pincerati, Walker Douglas. "Negro é o inferno! Um ensaio sobre as cores dos homens, dos demônios e dos deuses." Working Papers em Linguística 17, no. 2 (October 8, 2016): 46. http://dx.doi.org/10.5007/1984-8420.2016v17n2p46.

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http://dx.doi.org/10.5007/1984-8420.2016v17n2p46Problematiza-se o par negro.branco na formação social brasileira, trabalhando a hipótese de que ‘negro’ não é cor, mas a metáfora do corpo do ser infernal. Estatísticas oficiais, a história da formação do Brasil, um enunciado de um Deputado Federal Pastor, o quadro A libertação dos Escravos de Pedro Américo (1889) e a história da construção das catedrais góticas medievais são evocadas para analisá-lo, desde o ponto de vista linguístico-discursivo. Nota-se, destarte, uma longa história do alinhamento dos significantes branco-luz-deuses-céu-liberdade... e negro-escuridão-demônios-inferno-escravidão... atuando ainda no nosso país.

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10

Queiroz, José Francisco da Silva. "AMAZÔNIA: INFERNO VERDE OU PARAÍSO PERDIDO? CENÁRIO E TERRITÓRIO NA LITERATURA ESCRITA POR ALBERTO RANGEL E EUCLIDES DA CUNHA." Nova Revista Amazônica 5, no. 3 (September 1, 2017): 13. http://dx.doi.org/10.18542/nra.v5i3.6256.

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A representação da Amazônia seja feita pela ótica estrangeira, seja pelo olhar autóctone, manifesta-se de forma equivocada, quando não perniciosa. Um imaginário, ora fantasioso, ora infernal instituiu-seao longo de uma histórica repetição de (pré) conceitos e estereótipos. A literatura, em alguns casos, serviu a essa estandardização na tentativa de entender e explicar a região amazônica. Os primeiros textos literários que colocaram a Amazônia em foco no cenário literário nacional estão ligados aos princípios positivistas em voga no século XIX e inserem-se concomitantemente na tradição literária realista-naturalista. Na discussão de Inferno Verde (1908) e À margem da história (1909), respectivamente escritos por Alberto Rangel e Euclides da Cunha; nós podemos encontrar duas perspectivas interpretativas: um lugar terrível ou um paradisíaco. Nesse artigo, nós iremos discutir as bases ideológicas presentes no discurso paratextual (GENETTE, 2009) responsável por dar suporte aessa caracterização infernal ou paradisíaca da Amazônia; questionando até que ponto o discurso narrativo (Fictionality/Factuality) (STIERLE, 2002; SCHMID, 2010) pretende ser considerado como representativo do espaço e das sociedades que habitaram a Amazônia em certo contexto histórico.

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11

Wang, S. S. J., and M. P. Wand. "Using Infer.NET for Statistical Analyses." American Statistician 65, no. 2 (May 2011): 115–26. http://dx.doi.org/10.1198/tast.2011.10169.

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12

Kops, Henri, and Willem Brakman. "Inferno." World Literature Today 65, no. 4 (1991): 727. http://dx.doi.org/10.2307/40147741.

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13

Petersen, Eskild. "Inferno." Travel Medicine and Infectious Disease 11, no. 5 (September 2013): 334. http://dx.doi.org/10.1016/j.tmaid.2013.08.004.

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14

Perrochon, L., and W. Mann. "Inferred designs." IEEE Software 16, no. 5 (1999): 46–51. http://dx.doi.org/10.1109/52.795101.

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15

Fink, Jonathan. "Towering infernos?" Nature 355, no. 6362 (February 1992): 688. http://dx.doi.org/10.1038/355688a0.

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16

Larsen, Lars Bang. "Infernal Rodeo." Afterall: A Journal of Art, Context and Enquiry 7 (January 2003): 92–103. http://dx.doi.org/10.1086/aft.7.20711500.

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17

Hartigan, J. A., and T. B. Murphy. "Inferred probabilities." Journal of Statistical Planning and Inference 105, no. 1 (June 2002): 23–34. http://dx.doi.org/10.1016/s0378-3758(01)00202-6.

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18

Ferrari, Mauro. "Infernal Mechanism." Mechanical Engineering 132, no. 03 (March 1, 2010): 24–28. http://dx.doi.org/10.1115/1.2010-mar-1.

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This article explores the new generation of nanotech-based therapeutic agents that have entered the fight against cancer. In 2005, a class of albumin-based nanoparticles was approved for delivery of taxanes for breast cancer, and then later for ovarian cancer. Therapeutic and imaging contrast nanoparticles now have a market size exceeding $5 billion per year, and many higher functionality nanodrugs are awaiting approval in the regulatory pipeline. An essential role of nanoparticles in cancer mechanics is in the building of the necessary tools for experimental studies of transport. The research carried out so far on cancer transport differentials has employed nanoparticles as test probes. In order to overcome the multitude of biological barriers, scientists have introduced a system of nanoparticles, designed to address the barriers in their time sequence of presentation called multistage vectors, which consist of nested particles that release consecutively. The level of specificity that can be achieved through the use of the conceptual model of cancer as a mechanical disease—and through the power of the mechanical engineering design process—will result in greater therapeutic efficacy with reduced side effects.

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19

Schrag, Adam Tobias. "Infernal Machines." American Book Review 28, no. 6 (2007): 6–7. http://dx.doi.org/10.1353/abr.2007.0102.

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20

Bottoms, S. J. "Inferred Alternatives." Theater 33, no. 2 (January 1, 2003): 102–5. http://dx.doi.org/10.1215/01610775-33-2-102.

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21

Li, Gege. "Infernal energy." New Scientist 256, no. 3413 (November 2022): 30–31. http://dx.doi.org/10.1016/s0262-4079(22)02080-2.

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22

Makshakova, Olga, Agata Zykwinska, Stephane Cuenot, Sylvia Colliec-Jouault, and Serge Perez. "Three-dimensional structures, dynamics and calcium-mediated interactions of the exopolysaccharide, Infernan, produced by the deep-sea hydrothermal bacterium Alteromonas infernus." Carbohydrate Polymers 276 (January 2022): 118732. http://dx.doi.org/10.1016/j.carbpol.2021.118732.

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23

Kawahara, T., and K. Yamane. "Phylogeny of Aegilops and Triticum inferred from sequence data of cpDNA." Czech Journal of Genetics and Plant Breeding 41, Special Issue (July 31, 2012): 56. http://dx.doi.org/10.17221/6133-cjgpb.

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24

Agarwal, Megha. "Scrounging and Salvaging: Literary Guidance and the Descent into the Underworld in the Inferno, Paradise Lost, Frankenstein and Heart of Darkness." Comparative Critical Studies 14, no. 2-3 (October 2017): 133–53. http://dx.doi.org/10.3366/ccs.2017.0232.

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Socrates, in Phaedo, posits that the route to Hades is far from ‘straightforward’, and that it is riddled with ‘crossroads’ that demand the presence of a vigilant guide. The possibility of multiple routes culminating in the underworld, and the necessity of guidance, form the bedrock of the interwoven analysis of the Inferno, Paradise Lost, Frankenstein, and Heart of Darkness. Amidst the profusion of pathways, the Inferno and Paradise Lost gesture towards a direction that is replicated and repudiated in Mary Shelley and Joseph Conrad's versions of the descent voyage in Frankenstein and Heart of Darkness. Dante and Milton's ‘prototype’ narratives exemplify the descent – or the fall – into hell, and shape the two novels through ‘literary guidance’. Heart of Darkness emerges as an inversion of the meticulously structured Dantean universe. The Pilgrim's progress in the Inferno is a consistent counterpoint to Conradian chaos and Marlow's wilful yet meandering descent into colonial Africa. Dante's Pilgrim emerges from the underworld to progress onwards, while Marlow remains entrenched in the inescapably infernal condition of twentieth-century imperialism. The Inferno is an unacknowledged spectre that haunts the proceedings of the novella, but Milton's poetic re-telling of Genesis is a recognised presence in Frankenstein. Paradise Lost is re-viewed through the perspective of the hapless Monster, who oscillates between identifying with Satan and Adam. Both poets thus dabble in the attainment (or the elusiveness) of salvation, while the novelists struggle to salvage a semblance of significance with which they can imbue their characters' journeys. While 2016 saw several literary anniversaries, a strand that the organisers envisioned intertwining with ‘salvaging’, the year 2015 marked the 750th birth anniversary of Dante, sparking speculation about the present-day pertinence of the afterlife. This interplay between the theme of Salvage and these four narratives ought to provide unexpected insights that complement BCLA's emphasis on renewing critical perspectives.

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25

Patzak, J., F. Paprštein, A. Henychová, and J. Sedlák. " Genetic diversity of Czech apple cultivars inferred from microsatellite markers analysis." Horticultural Science 39, No. 4 (November 19, 2012): 149–57. http://dx.doi.org/10.17221/218/2011-hortsci.

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Genetic diversity and genetic relationships of Czech apple cultivars were evaluated. Trees of 33 Czech apple cultivars and 97 reference foreign cultivars were analysed using the set of 10 SSR (simple sequence repeat) primer pairs. The total of 89 polymorphic alleles were amplified, while the number of alleles per locus ranged from 4 to 14. The SSR dendrogram, based on the Jaccard’s similarity coefficient, divided apple cultivars into three major groups: Cox’s Orange Pippin, McIntosh and Golden Delicious ancestries. The clustering highly depended on pedigree and origin of apple cultivars. Spontaneous mutated cultivars were identical with their progenitors. We proved that microsatellite markers were useful for evaluation of genetic resources, collection management and cultivar identification.  

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26

Delorme, L. D., H. C. Duthie, S. R. Esterby, S. M. Smith, and N. S. Harper. "Prehistoric inferred pH changes in Batchawana Lake, Ontario from sedimentary diatom assemblages." Archiv für Hydrobiologie 108, no. 1 (November 25, 1986): 1–22. http://dx.doi.org/10.1127/archiv-hydrobiol/108/1986/1.

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27

Gomez, Jewelle, and Gloria Naylor. "Naylor's Inferno." Women's Review of Books 2, no. 11 (August 1985): 7. http://dx.doi.org/10.2307/4019677.

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28

Korinman, Michel. "Inferno Lost." Outre-Terre 20, no. 3 (2007): 9. http://dx.doi.org/10.3917/oute.020.0009.

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29

Davis, Zeinabu Irene. "Daunting Inferno." Afterimage 21, no. 1 (January 1, 1993): 20. http://dx.doi.org/10.1525/aft.1993.21.1.20.

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30

Feldman, Cláudio. "Inverno/Inferno." Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG 10, no. 19 (November 9, 2016): 200–201. http://dx.doi.org/10.17851/1982-3053.10.19.200-201.

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31

Putnam, Michael C. J. "Virgil's Inferno." Materiali e discussioni per l’analisi dei testi classici, no. 20/21 (1988): 165. http://dx.doi.org/10.2307/40235911.

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32

P., R. "Flowering inferno." Nature 359, no. 6398 (October 1992): 776. http://dx.doi.org/10.1038/359776a0.

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33

Anonymous. "Dante's Inferno." Eos, Transactions American Geophysical Union 75, no. 33 (1994): 378. http://dx.doi.org/10.1029/eo075i033p00378-04.

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34

DAGANI, RON. "BUBBLE INFERNO." Chemical & Engineering News Archive 83, no. 10 (March 7, 2005): 10. http://dx.doi.org/10.1021/cen-v083n010.p010.

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35

Jones, Peter. "DISCO inferno." Clinical Psychology Forum 1, no. 157 (January 2006): 14–15. http://dx.doi.org/10.53841/bpscpf.2006.1.157.14.

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The following piece examines the views of a clinical psychologist who has been offered the opportunity to undertake further training in the Diagnostic Interview for Social and Communication Disorders (DISCO). It explores his thoughts surrounding the role of psychologists in the diagnosis of individuals and its impact with regards to power differentials, personal impact and being forced into medicalising one’s practice.

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36

Aguiar, Flávio. "Visões do inferno ou o inferno somos nós." Língua e Literatura 15 (December 19, 1986): 51. http://dx.doi.org/10.11606/issn.2594-5963.lilit.1986.113981.

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37

Aguiar, Flávio. "Visões do Inferno ou O Inferno Somos Nós." Linha D'Água, no. 4 (April 14, 1986): 33. http://dx.doi.org/10.11606/issn.2236-4242.v0i4p33-38.

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38

Colmant, Bruno. "An Infernal Trap." CFA Institute Magazine 23, no. 3 (May 2012): 20. http://dx.doi.org/10.2469/cfm.v23.n3.6.

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39

Anderson, J. L. ""The Infernal War"." Annals of Iowa 77, no. 3 (July 2018): 311–12. http://dx.doi.org/10.17077/0003-4827.12483.

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40

Rea, John. "Gradus ad Infernum." Circuit 9, no. 2 (March 5, 2010): 9–24. http://dx.doi.org/10.7202/902227ar.

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Cette entrevue imaginaire, accordée à l’auteur par ce maître penseur de la musique, soulève en maints endroits la problématique du simulacre de la vérité masquée, du faire-semblant et de la supercherie que pourrait être la postmodernité. L’écrivain autrichien se penche sur une topologie moderniste parcourant les forêts, les prairies, les catégories et les valeurs socio-musicales qui caractérisent cette fin de millénaire.

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41

Kaplan, William, and Larry Hannant. "The Infernal Machine." Labour / Le Travail 37 (1996): 316. http://dx.doi.org/10.2307/25144057.

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42

Mantovani, Alberto. "An infernal triangle." Nature 448, no. 7153 (August 2007): 547–48. http://dx.doi.org/10.1038/448547a.

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43

Deming, Drake. "An infernal Earth." Nature 503, no. 7476 (October 30, 2013): 344–45. http://dx.doi.org/10.1038/nature12702.

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44

Charlton, L. A., R. J. Hastie, and T. C. Hender. "Resistive ‘‘infernal’’ modes." Physics of Fluids B: Plasma Physics 1, no. 4 (April 1989): 798–803. http://dx.doi.org/10.1063/1.859004.

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45

Bennett, G. "Inferring the inferred." IMA Journal of Management Mathematics 7, no. 4 (October 1, 1996): 327–35. http://dx.doi.org/10.1093/imaman/7.4.327.

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46

Bush, Elizabeth. "Infernal Devices (review)." Bulletin of the Center for Children's Books 59, no. 11 (2006): 513–14. http://dx.doi.org/10.1353/bcc.2006.0471.

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47

Krieger, J. "The infernal cyclist." Sleep Medicine Reviews 3, no. 1 (March 1999): 3–4. http://dx.doi.org/10.1016/s1087-0792(99)90010-2.

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48

Dawson, Conor. "“There's Nothing So Black as the Inferno of the Human Mind”: Infernal Phenomenal Reference and Trauma in Mark Z. Danielewski'sHouse of Leaves." Critique: Studies in Contemporary Fiction 56, no. 3 (May 13, 2015): 284–98. http://dx.doi.org/10.1080/00111619.2014.905445.

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49

Turan, Cemal. "Phylogenetic relationships of Mediterranean Mullidae species (Perciformes) inferred from genetic and morphologic data." Scientia Marina 70, no. 2 (June 30, 2006): 311–18. http://dx.doi.org/10.3989/scimar.2006.70n2311.

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50

López Pardo, Fernando. "Nergal y la deidad doble del friso del Banquete infernal de Pozo Moro." Archivo Español de Arqueología 82 (December 30, 2009): 31–68. http://dx.doi.org/10.3989/aespa.082.009.002.

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