Relevant bibliographies by topics / INFERNET

Academic literature on the topic 'INFERNET'

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Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "INFERNET"

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DeOrio, A., A. B. Bauserman, V. Bertacco, and B. C. Isaksen. "Inferno: Streamlining Verification With Inferred Semantics." IEEE Transactions on Computer-Aided Design of Integrated Circuits and Systems 28, no. 5 (May 2009): 728–41. http://dx.doi.org/10.1109/tcad.2009.2013995.

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Carvalho, Flávio. "INFERNO." Nanocell News 2, no. 16 (August 17, 2015): n/a. http://dx.doi.org/10.15729/nanocellnews.2015.08.17.009.

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Preciosa, Rosane. "Moda na filosofia: das imagens que nos abraçam." dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda 6, no. 13 (January 24, 2013): 17. http://dx.doi.org/10.26563/dobras.v6i13.130.

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Vemos coisas demais. Será possível ainda nos surpreendermos com algo? Nossa resposta tende a ser um “sim”. Parece ser imperativo trafegar nesse “inferno” de imagens para poder distinguir, nele, o que não é inferno. É necessário abrir espaço nesse ambiente infernal: não há outro. Mas isso exige de nós deliberado empenho para resistir às imagens que nos transmitem sinuosamente visões totalitárias, que se dependuram em nós, ávidas por se reproduzir em palavras de ordem (...)
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Da Silva Junior, Augusto Rodrigues. "Alteridade e liminaridade na Comédia de Dante: epifanias literárias entre Inferno, Purgatório e Paraíso." FronteiraZ. Revista do Programa de Estudos Pós-Graduados em Literatura e Crítica Literária, no. 22 (July 4, 2019): 131–50. http://dx.doi.org/10.23925/1983-4373.2019i22p131-150.

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Este estudo estabelece relações dialógicas entre os três volumes/espaços definidos pela Divina Comédia de Dante e pela tradição cristã. Apresentamos relações epifânicas entre as três camadas tanatográficas percorridas pelo autor do século XIV: Inferno, Purgatório e Paraíso. A partir das noções de catábase (descida mágica e transformadora aos infernos, conforme Eudoro de Sousa), liminaridade (condição liminar, limite, entre-lugar, a partir de Victor Turner) e anábase (retorno espetacular do inferno que engendra sabedoria também conforme Sousa), engendramos mirada pela tanatografia (escrita de morte) em Dante a fim de perscrutar o logos dialógico (no esteio de Bakhtin) que se desdobra no imenso universo autoral constituído pela tradição dos diálogos dos mortos. A Divina Comédia, como a entendemos, figura uma profunda catábase em relação ao eu-autoral: epifania do literário às portas da modernidade no Ocidente.
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Moshonkina, Elena N. "DANTE’S RHETORICAL MODELS IN INFERNO XIII." RSUH/RGGU Bulletin. Series History. Philology. Cultural Studies. Oriental Studies, no. 3 (2018): 295–315. http://dx.doi.org/10.28995/2073-6355-2018-3-295-315.

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Lopes, Ruth Silviano Brandão. "O lugar de exclusão em corpo vivo." Cadernos de Linguística e Teoria da Literatura 4, no. 8 (December 31, 2016): 151. http://dx.doi.org/10.17851/0101-3548.4.8.151-167.

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Resumo: Este ensaio busca localizar no romance Corpo vivo vários tipos de suportes, tais como o mito, o rito, elementos sociais e históricos, a partir dos quais se infere a posição atribuída à violência na narrativa.Abstract: This piece of work — «Corpo Vivo-Texture of violence» — tries to emphasise, in the narrative, some supports of various kinds, such as: the myth, the social and historical elements, from which the position attributed to violence in the novel can be inferred.
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Balducci, Marino Alberto. "Il sacrilegio di Vanni Fucci pistoiese e bestia nella Divina Commedia." Romanica Cracoviensia 20, no. 4 (2020): 227–38. http://dx.doi.org/10.4467/20843917rc.20.022.13308.

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The sacrilege of Vanni Fucci, the beast of Pistoia, in the Divine Comedy This hermeneutic analysis presents a reflection on the complex nature of the concept of theft in the Christian world, compared to the pagan one. The author develops the idea of the desperate blasphemy of the infernal prisoner as a form of unconscious prayer. Vanni Fucci from Pistoia, the sacrilegious and blasphemous character of Dante’s Inferno, is analyzed by referring to the fundamental difference between the classical and medieval philosophical perception of metamorphosis as a symbol.
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André Nepomuceno, Luís. "MELHOR SERIA NÃO TER NASCIDO." Revista de Estudos de Cultura 7, no. 18 (July 5, 2021): 93–106. http://dx.doi.org/10.32748/revec.v7i18.15985.

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O Apocalipse de Pedro e o Apocalipse de Paulo são dois apócrifos do Novo Testamento escritos nos séculos II e IV, respectivamente. São os dois primeiros documentos cristãos a fazer um registro do mundo dos mortos, com sua geografia mapeada e uma exposição dos suplícios do inferno em conformidade com os erros humanos. Partindo de uma indagação que ocorre aos dois narradores (a de que seria melhor os condenados do inferno nunca terem sido criados, porque herdarão sofrimento eterno), o presente artigo analisa os dois textos considerando questões históricas, rastreando suas influências clássicas e buscando neles a resposta a essa pergunta, tendo como referência o conceito de catábase, ou descida aos infernos, que, conforme ensina Eudoro de Sousa (2003), é o maior dos mistérios humanos. A conclusão é de que os dois apocalipses abrem as portas para o entendimento de um cosmo criado por Deus como ordem fixa e imutável, conforme se verá na Idade Média.Palavras-chave: Apocalipses. Catábase. Apócrifos da Bíblia.
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Pincerati, Walker Douglas. "Negro é o inferno! Um ensaio sobre as cores dos homens, dos demônios e dos deuses." Working Papers em Linguística 17, no. 2 (October 8, 2016): 46. http://dx.doi.org/10.5007/1984-8420.2016v17n2p46.

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http://dx.doi.org/10.5007/1984-8420.2016v17n2p46Problematiza-se o par negro.branco na formação social brasileira, trabalhando a hipótese de que ‘negro’ não é cor, mas a metáfora do corpo do ser infernal. Estatísticas oficiais, a história da formação do Brasil, um enunciado de um Deputado Federal Pastor, o quadro A libertação dos Escravos de Pedro Américo (1889) e a história da construção das catedrais góticas medievais são evocadas para analisá-lo, desde o ponto de vista linguístico-discursivo. Nota-se, destarte, uma longa história do alinhamento dos significantes branco-luz-deuses-céu-liberdade... e negro-escuridão-demônios-inferno-escravidão... atuando ainda no nosso país.
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Queiroz, José Francisco da Silva. "AMAZÔNIA: INFERNO VERDE OU PARAÍSO PERDIDO? CENÁRIO E TERRITÓRIO NA LITERATURA ESCRITA POR ALBERTO RANGEL E EUCLIDES DA CUNHA." Nova Revista Amazônica 5, no. 3 (September 1, 2017): 13. http://dx.doi.org/10.18542/nra.v5i3.6256.

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A representação da Amazônia seja feita pela ótica estrangeira, seja pelo olhar autóctone, manifesta-se de forma equivocada, quando não perniciosa. Um imaginário, ora fantasioso, ora infernal instituiu-seao longo de uma histórica repetição de (pré) conceitos e estereótipos. A literatura, em alguns casos, serviu a essa estandardização na tentativa de entender e explicar a região amazônica. Os primeiros textos literários que colocaram a Amazônia em foco no cenário literário nacional estão ligados aos princípios positivistas em voga no século XIX e inserem-se concomitantemente na tradição literária realista-naturalista. Na discussão de Inferno Verde (1908) e À margem da história (1909), respectivamente escritos por Alberto Rangel e Euclides da Cunha; nós podemos encontrar duas perspectivas interpretativas: um lugar terrível ou um paradisíaco. Nesse artigo, nós iremos discutir as bases ideológicas presentes no discurso paratextual (GENETTE, 2009) responsável por dar suporte aessa caracterização infernal ou paradisíaca da Amazônia; questionando até que ponto o discurso narrativo (Fictionality/Factuality) (STIERLE, 2002; SCHMID, 2010) pretende ser considerado como representativo do espaço e das sociedades que habitaram a Amazônia em certo contexto histórico.
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Dissertations / Theses on the topic "INFERNET"

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Signorelli, Valentina. "Cinematic infernos : digital technologies and the remediation of Dante's Infernal imagery through the cinematic screen (2005-2015)." Thesis, University of Westminster, 2017. https://westminsterresearch.westminster.ac.uk/item/q3375/cinematic-infernos-digital-technologies-and-the-remediation-of-dante-s-infernal-imagery-through-the-cinematic-screen-2005-2015.

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In 2015 we celebrated the 750th anniversary of Dante Alighieri’s birth. In light of the popularity of Dante’s imagery, channelled through a variety of the arts and across national contexts for more than seven centuries, this study explores practices of adaptation and remediation of Dante’s Inferno through the cinematic screen in 2005-2015 as well as its relationship with digital technologies. Despite our understanding of Dante and the screen being enriched by the contribution of several scholars such as Antonella Braida, Luisa Calé, Dennis Looney and Nick Havely, amongst others, very little has been written about the aesthetic, social and political impact of digital technologies on cinematic adaptations of the infernal imagery. In order to fill this gap in knowledge, this study investigates the remediate power of digital technology by simultaneously exploring its involvement and its impact. This includes an examination of film production, conservation, circulation and reception. In order to do so, I scrutinise the following three key case studies: Milano Film’s Inferno (ITA,1911), Pier Paolo Pasolini’s Salò – 120 Days of Sodom (ITA, 1975) and David Cronenberg’s Cosmopolis (CAN, FR, ITA, POR, 2012). This multi-disciplinary approach offers a theoretical revision of the theory of adaptation, shifting from the enduring centrality of the ‘reference text’ to a more intermedial awareness of the pivotal role played by the cinematic screen. This enables an exploration of the cultural, political and social impact of Dante’s inspired infernal imagery in the 21st century.
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Sabelström, Ellen. "Dantes två infernon : En adaptationsanalys av Den gudomliga komedin och tvspelet Dante's Inferno i relation till gymnasieelevers lärande." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-295301.

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Petersen, Kate S. "Aliens inferred." Thesis, Massachusetts Institute of Technology, 2020. https://hdl.handle.net/1721.1/128980.

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Thesis: S.M. in Science Writing, Massachusetts Institute of Technology, Department of Comparative Media Studies/Writing, 2020
Cataloged from student-submitted PDF version of thesis.
Includes bibliographical references (pages 14-15).
The discovery of extraterrestrial (ET) life would be a revelation of scientific and cultural magnitude that rivals Darwin's theory of evolution and Copernicus's hypothesis that the Earth revolves around the Sun. But while conjecture about the existence of ET life predates industrialism, it is only within the past century or so that technology has developed to the point where humans can add empirical observations to centuries of wondering. With rapid advancements in biological, chemical, and technological science, discovering ET life could be within reach. However, investigations of other planetary environments are still on the edge of technological capability and researchers may need to rely on indirect signs of life to make a detection. These signs may be difficult to interpret. This thesis surveys some of the main techniques and technologies that researchers currently use or are developing to search for alien life. It also teases out some limitations and ambiguity inherent in contemporary data interpretation.
by Kate S. Petersen.
S.M. in Science Writing
S.M.inScienceWriting Massachusetts Institute of Technology, Department of Comparative Media Studies/Writing
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Kachenovich, Stephen. "Inferno." Digital Commons @ Butler University, 2015. http://digitalcommons.butler.edu/grtheses/263.

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Andersson, Andreas. "Inferno?" Thesis, Malmö högskola, Lärarutbildningen (LUT), 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-28023.

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SammandragDet har talats om en litterär kanon som tagit stort utrymme i gymnasieskolans svenskundervisning. Detta examensarbete är en undersökning där gymnasieelever som studerar på ett praktiskt gymnasieprogram pressenteras för August Strindbergs text Inferno medierat utifrån tre olika medier. Strindberg tillhör vad somliga kallar en kanon. Utifrån detta undersöker jag Strindbergs relevans och medieringens betydelse. Frågestälningarna som ligger till grund för undersökningen är:Vad knyter eleverna an till i Inferno?Hur responderar eleverna på medieringen?Vilken relevans har August Strindberg i svenskundervisningen på praktiska gymnasieutbildningar utifrån resultatet av undersökningen? Metoderna för att besvara frågestälningarna är enkät, observation och kvalitativ intervju. Eleverna pressenteras för Strindbergs Inferno i formen av ett undervisningsförsök. Därefter tolkas det empiriska materalet utifrån teorier kring svenskundervisning på praktiska gymnasieutbildningar, det vidgade textbegreppet, högt och lågt samt genus. I resultatet av undersökningen framgår Strindbergs relevans på praktiska gymnasieutbildningar samt medieringens betydelse. Nyckelord: Strindberg, mediering, det vidgade textbegreppet
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Cabrini, Júnior Paulo de Tarso [UNESP]. "Uma novela infernal." Universidade Estadual Paulista (UNESP), 2002. http://hdl.handle.net/11449/94149.

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Made available in DSpace on 2014-06-11T19:26:54Z (GMT). No. of bitstreams: 0 Previous issue date: 2002-09-20Bitstream added on 2014-06-13T20:55:37Z : No. of bitstreams: 1 cabrinijunior_pt_me_assis.pdf: 347300 bytes, checksum: 1beb213681f7ce2605a14c2e4aeee265 (MD5)
Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
As Obras do Diabinho da Mão Furada têm sido um texto polêmico, pela suspeita de que transmite, sob a forma de novela doutrinária católica, uma mensagem contrária a essa mesma doutrina e suas práticas. Escrita em Portugal, no início do século XVIII, mas publicada, no Brasil, apenas em 1861-1862, a novela é atribuída a Antonio José da Silva (1705-1739), autor conhecido por suas peças para teatro de bonecos, nas quais usava satirizar as instituições e os valores morais e sociais de sua época. Cristão-novo, mais conhecido pelo apelido O Judeu, Antonio José foi preso e torturado, em 1726, por crime de judaísmo. Foi depois dessa primeira prisão que Antonio José passou a escrever e fazer representarem suas peças, como forma disfarçada de agressão e resistência ao Tribunal da Inquisição, até ser preso novamente e executado em auto-de-fé, em 1739. Esta dissertação de mestrado se propõe a investigar a mensagem camuflada das Obras do Diabinho da Mão Furada, e interpretar a crítica ao Tribunal da Inquisição, disfarçada, textualmente, em apologia da doutrina católica.
Obras do Diabinho da Mão Furada is a controversial text, because it seems that, under a catholic and doctrinal shape, it transmits a message against that same doctrine and against its practices. The story was written in Portugal, in the beginning of the XVIIIth century, but it was published in Brazil in 1861-1862. Its authorship is imputed to Antonio José da Silva (1705-1739), an author known by his puppet plays, which he used to satirize the institutions, the moral and the social values of his age. Antonio José, better known as The Jew, was arrested and tortured in 1726, because of jewish practices. After that, he began to write and perform his plays, as a disguised form of agression and resistence to the Inquisition, and done it until his last imprisonment and death (1739). The motion of this present work is an investigation of the disguised message of the story Obras do Diabinho da Mão Furada, in order to decode the assaults against the Inquisition - assaults textually disguised beneath an eulogy of the catholic doctrine.
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Cabrini, Júnior Paulo de Tarso. "Uma novela infernal /." Assis : [s.n.], 2002. http://hdl.handle.net/11449/94149.

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Orientador: Odil José de Oliveira Filho
Banca: Aguinaldo José Gonçalves
Banca: José Carlos Zamboni
Resumo: As Obras do Diabinho da Mão Furada têm sido um texto polêmico, pela suspeita de que transmite, sob a forma de novela doutrinária católica, uma mensagem contrária a essa mesma doutrina e suas práticas. Escrita em Portugal, no início do século XVIII, mas publicada, no Brasil, apenas em 1861-1862, a novela é atribuída a Antonio José da Silva (1705-1739), autor conhecido por suas peças para teatro de bonecos, nas quais usava satirizar as instituições e os valores morais e sociais de sua época. Cristão-novo, mais conhecido pelo apelido "O Judeu", Antonio José foi preso e torturado, em 1726, por crime de judaísmo. Foi depois dessa primeira prisão que Antonio José passou a escrever e fazer representarem suas peças, como forma "disfarçada" de agressão e resistência ao Tribunal da Inquisição, até ser preso novamente e executado em auto-de-fé, em 1739. Esta dissertação de mestrado se propõe a investigar a mensagem "camuflada" das Obras do Diabinho da Mão Furada, e interpretar a crítica ao Tribunal da Inquisição, disfarçada, textualmente, em apologia da doutrina católica.
Abstract: Obras do Diabinho da Mão Furada is a controversial text, because it seems that, under a catholic and doctrinal shape, it transmits a message against that same doctrine and against its practices. The story was written in Portugal, in the beginning of the XVIIIth century, but it was published in Brazil in 1861-1862. Its authorship is imputed to Antonio José da Silva (1705-1739), an author known by his puppet plays, which he used to satirize the institutions, the moral and the social values of his age. Antonio José, better known as "The Jew", was arrested and tortured in 1726, because of jewish practices. After that, he began to write and perform his plays, as a "disguised" form of agression and resistence to the Inquisition, and done it until his last imprisonment and death (1739). The motion of this present work is an investigation of the "disguised" message of the story Obras do Diabinho da Mão Furada, in order to decode the assaults against the Inquisition - assaults textually disguised beneath an eulogy of the catholic doctrine.
Mestre
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Kahramanogullari, Ozan. "Nondeterminism and Language Design in Deep Inference." Doctoral thesis, Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2007. http://nbn-resolving.de/urn:nbn:de:swb:14-1176467220770-67405.

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This thesis studies the design of deep-inference deductive systems. In the systems with deep inference, in contrast to traditional proof-theoretic systems, inference rules can be applied at any depth inside logical expressions. Deep applicability of inference rules provides a rich combinatorial analysis of proofs. Deep inference also makes it possible to design deductive systems that are tailored for computer science applications and otherwise provably not expressible. By applying the inference rules deeply, logical expressions can be manipulated starting from their sub-expressions. This way, we can simulate analytic proofs in traditional deductive formalisms. Furthermore, we can also construct much shorter analytic proofs than in these other formalisms. However, deep applicability of inference rules causes much greater nondeterminism in proof construction. This thesis attacks the problem of dealing with nondeterminism in proof search while preserving the shorter proofs that are available thanks to deep inference. By redesigning the deep inference deductive systems, some redundant applications of the inference rules are prevented. By introducing a new technique which reduces nondeterminism, it becomes possible to obtain a more immediate access to shorter proofs, without breaking certain proof theoretical properties such as cutelimination. Different implementations presented in this thesis allow to perform experiments on the techniques that we developed and observe the performance improvements. Within a computation-as-proof-search perspective, we use deepinference deductive systems to develop a common proof-theoretic language to the two fields of planning and concurrency.
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POLES, DANY, and EHSAN PAKMANESH. "Inferno Strobocop LED." Thesis, KTH, Tillämpad maskinteknik (KTH Södertälje), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-139160.

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Chang, Hau-Wei. "Inferno, for Orchestra." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/13234.

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Inferno, Volume I of Dante Alighieri's timeless magnum opus, The Divine Comedy, persists to modern times as a work of immense imagination and philosophical poignancy. Dante, as the Pilgrim, spins in verse a massive tale wherein his fictitious self must traverse the depths of the Christian Hell with the guidance of the poet Virgil. This meditative allegory for the passage of the soul, and the nature of worldly sin, has attracted the attention of scholars and artists alike for centuries and has been the inspiration for numerous famous musical works. Dark forests, burning sands, bleeding trees, and rivers filled with muck, or fire, or ice, Alighieri's epic poem is rife with metaphors, images, and scenes that almost demand treatment as a musical narrative. Binding all of these disparate tableaus is the spiritual journey of the Pilgrim, the allegory for the passage of the self, moral conscience, and the artistic soul.
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Books on the topic "INFERNET"

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Park, Mac. Infernix. Toronto: Scholastic Canada, 2011.

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Inferno. Monroe, Mich: One-in-Ten, 2003.

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Galdós, Benito Pérez. Inferno. London: Phoenix House, 1998.

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Corbalán, Macky. Inferno. Buenos Aires: Libros de Tierra Firme, 1999.

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Larry, Niven. Inferno. New York: Orb, 2008.

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Berk, İlhan. İnferno. İstanbul: Dünya Kitapları, 2004.

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Chester, Michael. Inferno. Thousand Oaks, Calif: M. Chester, 1998.

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Baker, Roy, William Bloom, and Francis M. Cockrell. Inferno. Beverly Hills, Calif: Twentieth Century Fox Home Entertainment, 2012.

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Firan, Carmen. Inferno. New York: Spuyten Duyvil, 2011.

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Alighieri, Dante. Inferno. Indianapolis: Hackett, 2009.

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Book chapters on the topic "INFERNET"

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Genesereth, Michael R., and Nils J. Nilsson. "Inferenz." In Logische Grundlagen der Künstlichen Intelligenz, 63–88. Wiesbaden: Vieweg+Teubner Verlag, 1989. http://dx.doi.org/10.1007/978-3-322-92881-8_3.

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Glikson, Andrew Y. "Inferno." In The Event Horizon: Homo Prometheus and the Climate Catastrophe, 61–68. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-54734-9_6.

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Bibel, Wolfgang. "Automatische Inferenz." In Artificial Intelligence — Eine Einführung, 151–74. Wiesbaden: Vieweg+Teubner Verlag, 1986. http://dx.doi.org/10.1007/978-3-322-93997-5_8.

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Klima, André, Paul W. Thurner, Christoph Molnar, Thomas Schlesinger, and Helmut Küchenhoff. "Ökologische Inferenz." In Exit Polls und Hybrid-Modelle, 127–54. Wiesbaden: Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-15674-9_8.

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Sauer, Sebastian. "Simulationsbasierte Inferenz." In Moderne Datenanalyse mit R, 301–17. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-21587-3_17.

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Fuchs, Norbert E. "Logische Inferenz." In Kurs in Logischer Programmierung, 113–49. Vienna: Springer Vienna, 1990. http://dx.doi.org/10.1007/978-3-7091-9112-5_6.

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Kahlert, Jörg, and Hubert Frank. "Fuzzy-Inferenz." In Fuzzy-Logik und Fuzzy-Control, 41–82. Wiesbaden: Vieweg+Teubner Verlag, 1993. http://dx.doi.org/10.1007/978-3-322-83760-8_2.

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Živković, Zoran. "Infernal Library." In The Clay Writer, 125–34. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19753-7_8.

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Bibel, Wolfgang. "Nichtmonotone Inferenz." In Wissensrepräsentation und Inferenz, 111–84. Wiesbaden: Vieweg+Teubner Verlag, 1993. http://dx.doi.org/10.1007/978-3-322-86814-5_3.

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Waldi, Roland. "Statistische Inferenz." In Statistische Datenanalyse, 99–223. Berlin, Heidelberg: Springer Berlin Heidelberg, 2019. http://dx.doi.org/10.1007/978-3-662-60645-2_4.

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Conference papers on the topic "INFERNET"

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Ausin, Markel Sanz, Hamoon Azizsoltani, Song Ju, Yeo Jin Kim, and Min Chi. "InferNet for Delayed Reinforcement Tasks: Addressing the Temporal Credit Assignment Problem." In 2021 IEEE International Conference on Big Data (Big Data). IEEE, 2021. http://dx.doi.org/10.1109/bigdata52589.2021.9671827.

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Tan, Vincent Y. F., John Winn, Angela Simpson, and Adnan Custovic. "Immune System Modeling with Infer.NET." In 2008 IEEE Fourth International Conference on eScience (eScience). IEEE, 2008. http://dx.doi.org/10.1109/escience.2008.91.

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Kircher, Scott, and Alan Lawrance. "Inferred lighting." In the 2009 ACM SIGGRAPH Symposium. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1581073.1581080.

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Diethe, Tom, Niall Twomey, and Peter Flach. "BDL.NET: Bayesian dictionary learning in Infer.NET." In 2016 IEEE 26th International Workshop on Machine Learning for Signal Processing (MLSP). IEEE, 2016. http://dx.doi.org/10.1109/mlsp.2016.7738851.

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Powell, Amanda. "Dante's Inferno." In ACM SIGGRAPH 2010 Computer Animation Fesitval. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1836623.1836637.

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Grosjean, Luce. "Mortal breakup inferno." In SIGGRAPH '15: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2745234.2746728.

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Mytkowicz, Todd, Devin Coughlin, and Amer Diwan. "Inferred call path profiling." In the 24th ACM SIGPLAN conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1640089.1640102.

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Lepp, Haley, Olga Zamaraeva, and Emily M. Bender. "Visualizing Inferred Morphotactic Systems." In Proceedings of the 2019 Conference of the North. Stroudsburg, PA, USA: Association for Computational Linguistics, 2019. http://dx.doi.org/10.18653/v1/n19-4022.

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Carter, Jason, and Prasun Dewan. "Contextualizing inferred programming difficulties." In ICSE '18: 40th International Conference on Software Engineering. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3194932.3194937.

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Steimann, Friedrich, Philip Mayer, and Andreas Meißner. "Decoupling classes with inferred interfaces." In the 2006 ACM symposium. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1141277.1141604.

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Reports on the topic "INFERNET"

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Ya.I. Kolesnichenko, V.S. Marchenko, and R.B. White. Infernal Fishbone Mode. Office of Scientific and Technical Information (OSTI), February 2003. http://dx.doi.org/10.2172/812019.

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Canavan, G. H. Rates inferred from the space debris catalog. Office of Scientific and Technical Information (OSTI), August 1996. http://dx.doi.org/10.2172/377506.

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Lanier, Nicholas Edward. Solving the Inferred Temperature Discrepancy Between Oplib and Atbase. Office of Scientific and Technical Information (OSTI), September 2018. http://dx.doi.org/10.2172/1473776.

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Canavan, G. H. Debris masses and areas inferred from the launch catalog. Office of Scientific and Technical Information (OSTI), January 1997. http://dx.doi.org/10.2172/434431.

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Thomas-Van Gundy, Melissa A., and Gregory J. Nowacki. Landscape-fire relationships inferred from bearing trees in Minnesota. Newtown Square, PA: U.S. Department of Agriculture, Forest Service, Northern Research Station, 2016. http://dx.doi.org/10.2737/nrs-gtr-160.

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Thomas-Van Gundy, Melissa A., and Gregory J. Nowacki. Landscape-fire relationships inferred from bearing trees in Minnesota. Newtown Square, PA: U.S. Department of Agriculture, Forest Service, Northern Research Station, 2016. http://dx.doi.org/10.2737/nrs-gtr-160.

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Collett, T. S., M. W. Lee, S. R. Dallimore, and W. F. Agena. Seismic- and well-log-inferred gas hydrate accumulations on Richards Island. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1999. http://dx.doi.org/10.4095/210782.

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Kolesnichenko, Ya.I., Marchenko, V.S., White, and R.B. Interchange and Infernal Fishbone Modes in Plasmas with Tangentially Injected Beams. Office of Scientific and Technical Information (OSTI), January 2006. http://dx.doi.org/10.2172/934616.

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Dagnew, Fithanegest, Nat Gopalswamy, Solomon Tassema, Agne Umuhire, Seiji Yashiro, Pertti Mäkelä, and Hong Xie. The Shock-Driving Capability of a CME Inferred from Multiwavelength Observations. Balkan, Black sea and Caspian sea Regional Network for Space Weather Studies, March 2020. http://dx.doi.org/10.31401/sungeo.2019.02.02.

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Dagnew, Fithanegest, Nat Gopalswamy, Solomon Tassema, Agne Umuhire, Seiji Yashiro, Pertti Mäkelä, and Hong Xie. The Shock-Driving Capability of a CME Inferred from Multiwavelength Observations. Balkan, Black sea and Caspian sea Regional Network for Space Weather Studies, March 2020. http://dx.doi.org/10.31401/sungeo.2020.02.02.

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