Log in

Relevant bibliographies by topics / Indigenous film / Books

Books on the topic 'Indigenous film'

To see the other types of publications on this topic, follow the link: Indigenous film.

Author: Grafiati

Published: 4 June 2021

Last updated: 19 February 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Indigenous film.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Columpar, Corinn. Unsettling sights: The fourth world on film. Carbondale: Southern Illinois University Press, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Columpar, Corinn. Unsettling sights: The fourth world on film. Carbondale: Southern Illinois University Press, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Columpar, Corinn. Unsettling sights: The fourth world on film. Carbondale: Southern Illinois University Press, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Unsettling sights: The fourth world on film. Carbondale: Southern Illinois University Press, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Heider, Karl G. Seeing anthropology: Cultural anthropology through film. Boston: Allyn and Bacon, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Heider, Karl G. Seeing anthropology: Cultural anthropology through film. 2nd ed. Boston: Allyn and Bacon, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Seeing anthropology: Cultural anthropology through film. 3rd ed. Boston: Allyn and Bacon, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Limbrick, Peter. Making settler cinemas: Film and colonial encounters in the United States, Australia, and New Zealand. New York: Palgrave Macmillan, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Visualities: Perspectives on contemporary American Indian film and art. East Lansing: Michigan State University Press, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Childhood Indians: Television, film and sustaining the white (sub)conscience. Scotts Valley, Calif.]: [CreateSpace], 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Reservation reelism: Redfacing, visual sovereignty, and representations of Native Americans in film. Lincoln: University of Nebraska Press, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Smoke signals: Native cinema rising. Lincoln: University of Nebraska Press, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Making settler cinemas: Film and colonial encounters in the United States, Australia, and New Zealand. New York: Palgrave Macmillan, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

Making settler cinemas: Film and colonial encounters in the United States, Australia, and New Zealand. New York: Palgrave Macmillan, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Clelland-Stokes, Sacha. Representing aboriginality: A post-colonial analysis of the key trends of representing aboriginality in South African, Australian and Aotearoa/New Zealand film. Højbjerg, Denmark: Intervention Press, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

Representing aboriginality: A post-colonial analysis of the key trends of representing aboriginality in South African, Australian and Aotearoa/New Zealand film. Højbjerg: Intervention Press, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

Engaged resistance: American Indian art, literature, and film from Alcatraz to the NMAI. Austin: University of Texas Press, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

Native recognition: Indigenous cinema and the western. Albany: State University of New York Press, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

Native features: Indigenous films from around the world. New York: Continuum, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

Alexander G. Flor. Ethnovideography: Video-based indigenous knowledge systems. College, Los Baños, Laguna, Philippines: SEAMEO Regional Center for Graduate Study and Research in Agriculture, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Indigenous aesthetics: Native art, media, and identity. Austin: University of Texas Press, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

Williams, Deane. Mapping the imaginary: Ross Gibson's Camera natura. South Melbourne, Vic: Australian Film Institute, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

El cine de los otros: La representación de "lo indígena" en el cine documental ecuatoriano. Quito, Ecuador: Ediciones Abya-Yala, Universidad Politécnica Salesiana, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

1948-, Warren Charles, ed. Just representations. Cambridge, Mass: Studio7Arts & Peabody Museum Press, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

The Gulliver file: Mines, people, and land : a global battleground. London: Minewatch, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

26

Looking with Robert Gardner. Albany: State University of New York Press, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

27

The country of lost children: An Australian anxiety. Cambridge: Cambridge University Press, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

28

Schweninger, Lee. Imagic Moments: Indigenous North American Film. University of Georgia Press, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

29

Imagic moments: Indigenous North American film. University of Georgia Press, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

30

Pearson, Wendy Gay, and Susan Knabe. Reverse Shots: Indigenous Film and Media in an International Context. Wilfrid Laurier University Press, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

31

Pearson, Wendy Gay, and Susan Knabe. Reverse Shots: Indigenous Film and Media in an International Context. Wilfrid Laurier University Press, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

32

Dutto, Matteo. Legacies of Indigenous Resistance: Pemulwuy, Jandamarra and Yagan in Australian Indigenous Film, Theatre and Literature. Lang AG International Academic Publishers, Peter, 2019.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

33

Dutto, Matteo. Legacies of Indigenous Resistance: Pemulwuy, Jandamarra and Yagan in Australian Indigenous Film, Theatre and Literature. Lang AG International Academic Publishers, Peter, 2019.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

34

Dutto, Matteo. Legacies of Indigenous Resistance: Pemulwuy, Jandamarra and Yagan in Australian Indigenous Film, Theatre and Literature. Lang AG International Academic Publishers, Peter, 2019.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

35

Dutto, Matteo. Legacies of Indigenous Resistance: Pemulwuy, Jandamarra and Yagan in Australian Indigenous Film, Theatre and Literature. Lang AG International Academic Publishers, Peter, 2019.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

36

Heider, Karl G. Supplement: Ethnographic Film Clips (DVD) - Seeing Anthropology: Cultural Anthropology Through Film. Allyn & Bacon, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

37

Markussen, Birgitte. Advocacy and Indigenous Film-Making (Intervention : Nordic Papers in Critical Anthropology). Smyrna Pr, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

38

Heider, Karl G. Seeing Anthropology: Cultural Anthropology through Film. Allyn & Bacon, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

39

Heider, Karl G. Seeing Anthropology : Cultural Anthropology Through Film. Allyn & Bacon, Incorporated, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

40

Pamela A. R. Blakely (Contributor) and Thomas D. Blakely (Contributor), eds. Seeing Anthropology: Cultural Anthropology Through Film. Allyn & Bacon, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

41

Marsh, Dawn G. Native American History Goes to the Movies: Indigenous Film and the Problem of American History. Taylor & Francis Group, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

42

Marsh, Dawn G. Native American History Goes to the Movies: Indigenous Film and the Problem of American History. Taylor & Francis Group, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

43

Heider, Karl G. Seeing Anthropology: Cultural Anthropology Through Film, Third Edition. Allyn & Bacon, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

44

Heider, Karl G. Seeing Anthropology: Cultural Anthropology through Film (2nd Edition). 2nd ed. Allyn & Bacon, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

45

Native Americans on film: Conversations, teaching, and theory. 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

46

Cummings, Denise K. Visualities: Perspectives on Contemporary American Indian Film and Art. Michigan State University Press, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

47

Raheja, Michelle H. Reservation Reelism: Redfacing, Visual Sovereignty, and Representations of Native Americans in Film. University of Nebraska Press, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

48

Fox, Alistair. A Māori Girl Watches, Listens, and Learns – Coming of Age from an Indigenous Viewpoint: Mauri (Merata Mita, 1988). Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474429443.003.0007.

Full text

Abstract:

This chapter examines Merata Mita’s Mauri, the first fiction feature film in the world to be solely written and directed by an indigenous woman, as an example of “Fourth Cinema” – that is, a form of filmmaking that aims to create, produce, and transmit the stories of indigenous people, and in their own image – showing how Mita presents the coming-of-age story of a Māori girl who grows into an understanding of the spiritual dimension of the relationship of her people to the natural world, and to the ancestors who have preceded them. The discussion demonstrates how the film adopts storytelling procedures that reflect a distinctively Māori view of time and are designed to signify the presence of the mauri (or life force) in the Māori world.

APA, Harvard, Vancouver, ISO, and other styles

49

Avila, Jacqueline. Cinesonidos. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190671303.001.0001.

Full text

Abstract:

Cinesonidos: Film Music and National Identity During Mexico’s Época de Oro is the first book-length study concerning the function of music in the prominent genres structured by the Mexican film industry. Integrating primary source material with film music studies, sound studies, and Mexican film and cultural history, this project closely examines examples from five significant film genres that developed during the 1930s through 1950s. These genres include the prostitute melodrama, the fictional indigenista film (films on indigenous themes or topics), the cine de añoranza porfiriana (films of Porfirian nostalgia), the revolutionary melodrama, and the comedia ranchera (ranch comedy). The musics in these films helped create and accentuate the tropes and archetypes considered central to Mexican cultural nationalism. Distinct in narrative and structure, each genre exploits specific, at times contradictory, aspects of Mexicanidad—the cultural identity of the Mexican people—and, as such, employs different musics to concretize those constructions. Throughout this turbulent period, these tropes and archetypes mirrored changing perceptions of Mexicanidad manufactured by the state and popular and transnational culture. Several social and political agencies were heavily invested in creating a unified national identity to merge the previously fragmented populace owing to the Mexican Revolution (1910–ca.1920). The commercial medium of film became an important tool in acquainting a diverse urban audience with the nuances of national identity, and music played an essential and persuasive role in the process. In this heterogeneous environment, cinema and its music continuously reshaped the contested, fluctuating space of Mexican identity.

APA, Harvard, Vancouver, ISO, and other styles

50

Rader, Dean. Engaged Resistance: American Indian Art, Literature, and Film from Alcatraz to the NMAI. University of Texas Press, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!