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Dissertations / Theses on the topic 'Independent Television'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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Consult the top 28 dissertations / theses for your research on the topic 'Independent Television.'

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1

Lourenço, Ana Isabel Príncipe dos Santos da Silva. "Regulating contracts in the independent television production industry." Thesis, University of Cambridge, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.612405.

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2

Wallace, John. "‘A sense of region’? : independent television in the Midlands, 1950-2000." Thesis, University of Leicester, 2004. http://hdl.handle.net/2381/8828.

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This project has been undertaken with the intention of discussing two closely related themes, the first of which is to provide a general history of ITV's performance in the Midlands in the twentieth century, in which the most significant events to have occurred during this period have been analysed, and various assessments on these events have emerged as a result. The second, and most important, of these themes, concerns the concept of `regional identity', leading to the question of the extent to which the companies that have represented TTV in the Midlands since the mid-1950s (ATV, ABC, Centr

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3

Lee, David John. "Precarious creativity : Working lives in the British independent television production industry." Thesis, Goldsmiths College (University of London), 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514304.

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4

Nye, Bobbi Jean. "What procedures must an independent producer complete when producing a pilot to market a video documentary?" Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1997. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.S.)--Kutztown University of Pennsylvania, 1997.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2717. Typescript. Abstract precedes thesis as preliminary leaves [1-2]. Includes bibliographical references (leaves 76-80).

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5

Araújo, Karla Holanda de. "DOCTV: a produção independente na televisão." Universidade Federal Fluminense, 2013. https://repositorio.ufjf.br/jspui/handle/ufjf/6182.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2018-02-28T18:40:12Z No. of bitstreams: 1 karlaholanda.pdf: 1359067 bytes, checksum: 03ec36b10e230b60a7f55392cb4cd834 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2018-03-01T16:01:17Z (GMT) No. of bitstreams: 1 karlaholanda.pdf: 1359067 bytes, checksum: 03ec36b10e230b60a7f55392cb4cd834 (MD5)<br>Made available in DSpace on 2018-03-01T16:01:17Z (GMT). No. of bitstreams: 1 karlaholanda.pdf: 1359067 bytes, checksum: 03ec36b10e230b60a7f55392cb4cd834 (MD5) Previous issue date: 2013-01-24<br>

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Perry, Colin. "Into the mainstream : independent film and video counterpublics and television in Britain, 1974-1990." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/11999/.

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This thesis looks at independent film and video cultures in Britain from the mid 1970s to late 1980s. It examines a period of time in which diverse radical film- and video-makers in Britain contributed towards struggles against capitalism, patriarchy, racism, colonialism and homophobia. New social models of film and video production and exhibition were developed, such as the film collective, and new alliances were built to campaign for changes to social policy and legislature. The study examines this moment in order to clarify the capacity for radical discourse to bring groups together and imp

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7

Zoellner, Anna. "Creativity and commerce in independent television production : developing documentaries in the UK and Germany." Thesis, University of Leeds, 2010. http://etheses.whiterose.ac.uk/11300/.

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This thesis aims to contribute to the growing field of media production studies through an ethnographic study of independent television production companies in Great Britain and Germany. Discourses of self-enterprise, free markets and consumer choice supported by technological developments, audience fragmentation and neoliberal legislation have led to a shift from a formerly predominantly public-service orientated broadcasting environment to a commercialised, competitive and consumer-orientated television industry. Because they seldom command high ratings, 'serious' documentaries are not a hig

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8

Nikolychuk, Lynne. "A study of the evolution of make/buy contracting for UK Independent Television (ITV), 1954-2001." Thesis, London School of Economics and Political Science (University of London), 2005. http://etheses.lse.ac.uk/1896/.

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This study is an account of how the interplay between socio-political concerns and economic objectives shaped programme supply make/buy decisions for establishing UK commercial television and the ongoing programme supply arrangements of its main terrestrial operator ITV (Independent Television). A main interest is to build a credible explanation of why make/buy decisions for programmes shown on ITV diverged from initial expectations that they would be determined on a competitive basis. The enquiry examines the underlying reasons that affected these decisions to show how socio-political fear of

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9

Suksai, Ousa, and n/a. "Media and Thai civil society: case studies of television production companies, Watchdog and iTV." University of Canberra. Communication, 2002. http://erl.canberra.edu.au./public/adt-AUC20050602.143439.

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The study concerns the inter-relationship between media reform and civil society in Thailand between 1995-2000. It examines case studies of two selected television organisations - the production company Watchdog and the broadcast channel Independent Television (iTV) - and analyses their internal production decision-making processes, their public affairs programs and their urban and rural audiences. Debates about civil society and media reform between 1995-2000 influenced the government's media regulation policies to the extent that more attention was paid to media freedom as intended by Articl

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10

Soto, Daniel. "Techniques to accelerate the transition to a new generation of terrestrial digital TV." Doctoral thesis, Universitat Pompeu Fabra, 2021. http://hdl.handle.net/10803/671364.

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This thesis explores the problem of compatibility between generations in the field of Digital Television, and proposes solutions to this problem. Since its inception, the DTV has been under development without taking into account the ability to continue receiving broadcasts with legacy equipment when a new generation is introduced. Therefore, when it comes time to introduce a new technology, a simulcast solution is usually used. The study carried out in this thesis explains the reasons why a traditional simulcast is a problem. As a concrete study example, the case of the transition from

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11

Barbosa, Fernando da Silva [UNESP]. "A produção independente de webséries pela perspectiva multiplataforma da televisão digital e internet." Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/89550.

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Made available in DSpace on 2014-06-11T19:24:06Z (GMT). No. of bitstreams: 0 Previous issue date: 2013-03-21Bitstream added on 2014-06-13T18:20:12Z : No. of bitstreams: 1 barbosa_fs_me_bauru.pdf: 1245825 bytes, checksum: 02ea0e4125077a39a77a4ce6e8e8fb9d (MD5)<br>Através da contextualização histórica dos meios de comunicação - cinema, televisão e internet - a serialidade é apontada como uma estratégia usual na produção de diversos conteúdos audiovisuais e evidencia-se que a construção da linguagem e formato das webséries independentes intituladas #E_VC? e Armadilha, produzidas pela empresa 8K

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12

Barbosa, Fernando da Silva. "A produção independente de webséries pela perspectiva multiplataforma da televisão digital e internet /." Bauru, 2013. http://hdl.handle.net/11449/89550.

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Orientador: Ana Silvia Lopes Davi Médola<br>Banca: Vania Cristina P. N. Valente<br>Banca: Wilton Garcia Sobrinho<br>Resumo: Através da contextualização histórica dos meios de comunicação - cinema, televisão e internet - a serialidade é apontada como uma estratégia usual na produção de diversos conteúdos audiovisuais e evidencia-se que a construção da linguagem e formato das webséries independentes intituladas #E_VC? e Armadilha, produzidas pela empresa 8KA Produções Audiovisuais Ltda, tem como referenciais os conteúdos produzidos pelas citadas plataformas, acrescentando-se novos elementos próp

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13

Reyes, Díaz Patricia. "Producción audiovisual independiente para televisión." Tesis, Universidad de Chile, 2016. http://repositorio.uchile.cl/handle/2250/151255.

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Memoria para optar al título de periodista<br>¿Cómo se dan los acuerdos entre las cadenas y estas empresas externas? ¿Son esas condiciones las que han perjudicado históricamente a este sector audiovisual, a tal punto de amenazar su existencia? ¿Habrá otros factores que incidan en la inestabilidad de la industria? ¿Por qué es importante que este sector audiovisual pueda sostenerse? ¿Es realmente un sector que aporta a la televisión chilena? Con estas interrogantes como premisa, esta memoria busca explorar una respuesta a la precarización en la que han caído históricamente las productoras i

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14

Pessotto, Ana Heloiza Vita. "De coadjuvante a protagonista? Os desafios da diversidade cultural, da produção audiovisual independente e regional na TV Paga /." Bauru, 2016. http://hdl.handle.net/11449/144254.

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Orientador: Maria Teresa Miceli Kerbauy<br>Banca: Carlo José Napolitano<br>Banca: Ruy Sardinha Lopes<br>Resumo: Esta pesquisa tem como objetivo a avaliação de eficiência da Lei do Serviço de Acesso Condicionado (Lei da TV paga - Lei 12.485/11) a partir dos indicadores: promoção da diversidade cultural, estímulo à produção independente e à produção regional. Para tal fim, a pesquisa apresenta um breve histórico da implantação do serviço de TV paga no Brasil com ênfase para a evolução das regulações direcionadas ao conteúdo. Descreve, com base no modelo do Ciclo de Políticas Públicas, o estágio

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15

Camargos, Carla Gomide Santana de. "Produção audiovisual independente e televisão : a luta pelo espaço de exibição." reponame:Repositório Institucional da UnB, 2011. http://repositorio.unb.br/handle/10482/9722.

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Dissertação (mestrado)—Universidade de Brasília, Centro de Ciências Humanas e Sociais, Faculdade de Comunicação, Programa de Pós-Graduação em Comunicação, 2011.<br>Submitted by Albânia Cézar de Melo (albania@bce.unb.br) on 2011-11-11T11:19:43Z No. of bitstreams: 1 2011_CarlaGomideSantanaCamargos.pdf: 1566716 bytes, checksum: f2f6a9b6b8715b35a2c82935cf48da88 (MD5)<br>Approved for entry into archive by Mariana Guedes(mari_biblio@hotmail.com) on 2011-12-13T13:17:10Z (GMT) No. of bitstreams: 1 2011_CarlaGomideSantanaCamargos.pdf: 1566716 bytes, checksum: f2f6a9b6b8715b35a2c82935cf48da88 (MD5)<br>M

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Awotona, Dinah A. "An examination of the use of educational television in southern Nigeria its post independence status, with a proposal for advancement /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1999. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.S.)--Kutztown University of Pennsylvania, 1999.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2704. Typescript. Abstract precedes thesis as preliminary leaves. Includes bibliographical references (leaves 34-35).

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17

Rogatto, Marcos Ernesto. "Produção independente de video no Brasil : desafios e perspectivas." [s.n.], 1995. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285078.

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Orientador: Nelly de Camargo<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-07-20T18:14:05Z (GMT). No. of bitstreams: 1 Rogatto_MarcosErnesto_M.pdf: 15550636 bytes, checksum: d523d95883d9c3acb3269e7f6ba27964 (MD5) Previous issue date: 1995<br>Resumo: A presente dissertação de mestrado analisa as perspectivas para a produção independente de vídeo no Brasil frente ao quadro de mudanças que se configura nas telecomunicações. Através de elementos da Teoria dos Sistemas aborda-se o perfil da televisão brasileira, o percur,so d

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18

Alves, Cristina Marcos. "A SIC - Sociedade independente de comunicação: rumo ao futuro (1992-1995)." Master's thesis, NSBE - UNL, 1997. http://hdl.handle.net/10362/11774.

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19

Barôa, David. "A televisão na internet : o caso da TVI24." Master's thesis, Universidade da Beira Interior, 2010. http://hdl.handle.net/10400.6/1275.

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A massificação da Internet trouxe inúmeras possibilidades. Comunicar à distância nunca foi tão simples e rápido como agora. Todos os dias surgem novas aplicações que respondem à necessidade que o ser humano tem em se relacionar com os outros e com o mundo. O jornalismo é, hoje em dia, impensável sem a Internet. Este trabalho tenta explicar como é que um canal de televisão, mais concretamente a TVI, utiliza este novo meio para divulgar informação. A página de informação da TVI não é, por enquanto, uma nova forma de assistir televisão, mas oferece a possibilidade de o utilizador interagi

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20

Morais, Kátia Santos de. "Produção independente, mercados de televisão e a Política de Fomento ao Audiovisual no Brasil." Faculdade de Comunicação, 2018. http://repositorio.ufba.br/ri/handle/ri/28299.

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Submitted by Pós-Com Pós-Com (pos-com@ufba.br) on 2018-12-11T12:56:02Z No. of bitstreams: 1 MORAIS_Kátia_tese doutorado 2018.pdf: 4307718 bytes, checksum: 4996e3de8e8b7e34387b2c6b7b73da0f (MD5)<br>Approved for entry into archive by Uillis de Assis Santos (uillis.assis@ufba.br) on 2019-01-03T11:15:17Z (GMT) No. of bitstreams: 1 MORAIS_Kátia_tese doutorado 2018.pdf: 4307718 bytes, checksum: 4996e3de8e8b7e34387b2c6b7b73da0f (MD5)<br>Made available in DSpace on 2019-01-03T11:15:17Z (GMT). No. of bitstreams: 1 MORAIS_Kátia_tese doutorado 2018.pdf: 4307718 bytes, checksum: 4996e3de8e8b7e34387b2c

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21

Trimble, Jessica Lynn. "“More than just film” : rebranding independence on IFC." 2013. http://hdl.handle.net/2152/22270.

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In 2010, IFC (formerly Independent Film Channel) underwent a major rebrand campaign, which included a redesigned logo, tagline, and channel name; a transition to ad-supported programming and airing films with commercial interruptions; a reliance on original scripted comedy series; an emphasis on so-called 'blockbuster' indies over lesser-known films; and a general de-emphasis of independent film as the core of the brand identity. The features of the rebrand closely mirrored actions already taken by other film-based cable channels, most notably IFC's current parent channel, AMC (formerly Americ

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22

LIU, CHIEN-SHOU, and 柳兼守. "Service Quality Innovation of Cable Television with Independent System Operators Using the extension of Interpretive Structural Modeling." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/5cjz72.

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碩士<br>明道大學<br>產業創新與經營學系碩士班<br>100<br>Taiwan's cable TV industry from illegal to legitimate business, evolution of today's convergence of telecommunications, information and entertainment in of the important role. Cable TV in the development process, the consortium centralized of resulting in gradually market structure industry competition, lead to the gradual centralization of market structure. The customer dissatisfied the quality of service of the cable television industry, it has been some scholars have called for the quality of service should face up to cable, to ensure the interests of th

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23

Thothela, Monamodi Owen. "The influence of regulatory approach on competition in the South African pay-TV market." Thesis, 2014.

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Thesis (M.M. (ICT Policy and Regulation))--University of the Witwatersrand, Faculty of Commerce, Law and Management, Graduate School of Public and Development Management, 2013.<br>In the year 2004, before the advent of competition in the South African subscription television broadcasting market the Independent Communications Authority of South Africa (ICASA) identified various potential barriers to enter this market. Then, in January 2006 ICASA issued an invitation to apply for commercial satellite and cable subscription television broadcasting licenses. Eighteen applications were receive

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24

Oliveira, Liliana Raquel Silva. "Plateaux informativos: a cadeira da opinião na televisão independente." Master's thesis, 2014. http://hdl.handle.net/1822/33773.

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Dissertação de mestrado em Ciências da Comunicação (área de especialização em Informação e Jornalismo)<br>A televisão é, para muitos, o meio de comunicação por excelência. O impacto e a importância que assume na sociedade são inquestionáveis. Uma larga parte dos portugueses acede à informação sobre a atualidade única e exclusivamente através da caixinha mágica que, em Portugal, desde 1974, aliou som e imagem. É alvo de muitos estudos nas Ciências da Comunicação, mas o foco nem sempre envolve aqueles que fazem parte dela. Muitos são os seus protagonistas. Três meses de estágio na TVI perm

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25

Drdla, Jan. "Postavení a činnost Rady pro rozhlasové a televizní vysílání." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-313644.

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This thesis deals with the issue of The Council for Radio and Television Broadcasting (the Council). The Council is an administrative office, which the public has little information about, and this lack of facts often results in various misunderstandings. The main objective of this thesis is to provide information about the Council and its activities and thus help to eliminate these mistakes and lack of knowledge. The thesis combines the administrative law and the media law. The thesis is composed of two major parts. The Council in general is dealt with in the first part. The history is summar

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26

謝妮珊. "The Study of Public Television Service Foundation's independence and supervision mechanisms." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/50378834842389237391.

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碩士<br>國立政治大學<br>公共行政研究所<br>98<br>In this study, the focus of discussion is on the disputes that the budget of Public Television Service Foundation(PTS Foundation) was frozen breaking out at the end of 2008.It presents the conflicts among the model that PTS relies on the government budgets for financial resource,the surveillance jurisdiction of government for financial affairs,and the purpose to protect independence of public television by external oversight on actual operation.On the other hand,the series of controversial incidents during the 4th board of directors and supervisors recruitment

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Li, Chian-Ting, and 李倩婷. "The System of Taiwan Public Television Service: the Perspective of Independence." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/18176786709787671314.

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碩士<br>銘傳大學<br>公共事務學系碩士在職專班<br>102<br>This study bases on the fact that the statutory budget NT$450 million of Taiwan Public Television Service (PTS) was frozen by the Legislative Yuan in 2008. Later, the Legislative Yuan also amended the law to expand the Board of Directors of PTS; such a condition led to constant conflicts regarding reappointment and re-election within the board which therefore jeopardized the independence of PTS. Under this premise, the research aims to analyze and explore the public television system in Taiwan from the perspective of independence in order to serve as a refe

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28

Mendes, Joana Pereira Carvalho Nunes. "Um passo em frente na comunicação: aplicação 2.0 “Você na Tv”»." Master's thesis, 2016. http://hdl.handle.net/10071/12525.

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Este trabalho de projeto enfoca o estudo desenvolvido ao longo de 6 meses, a construção de uma nova aplicação para smartphone, tendo como base um programa de televisão para o seu funcionamento. Após o meu contato direto com a aplicação 1.0.8 da estação de televisão TVI, «Você na Tv», notei que evidenciava algumas lacunas que tornavam a aplicação menos eficiente. Para chegar ao objetivo final, foi feita uma revisão da literatura desde o nascimento da Internet, ao dos telemóveis e posteriormente às aplicações. Ao longo de todo o projeto fui sempre abordando o papel do utilizador em cada u

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