Academic literature on the topic 'Independent film-making'
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Journal articles on the topic "Independent film-making"
Puga, Cheyenne. "The Duplass Brothers: Independent Film Moguls Making Way for Aspiring Filmmakers." Film Matters 11, no. 3 (December 1, 2020): 111–16. http://dx.doi.org/10.1386/fm_00105_7.
Full textShuqin, Cui. "Alternative visions and representation: independent documentary film-making in contemporary China." Studies in Documentary Film 4, no. 1 (June 2010): 3–20. http://dx.doi.org/10.1386/sdf.4.1.3_1.
Full textThynne, Lizzie. "Independent Miss Craigie: Narration and the Archive in a Documentary Biopic." Journal of British Cinema and Television 18, no. 4 (October 2021): 442–57. http://dx.doi.org/10.3366/jbctv.2021.0589.
Full textHansen, Kim Toft. "short subject: Creativity, protest, training: Three modes of independent film-making in Denmark." Journal of Scandinavian Cinema 6, no. 1 (March 1, 2016): 53–61. http://dx.doi.org/10.1386/jsca.6.1.53_1.
Full textCaston, Emily. "The Pioneers Get Shot: Music Video, Independent Production and Cultural Hierarchy in Britain." Journal of British Cinema and Television 16, no. 4 (October 2019): 545–70. http://dx.doi.org/10.3366/jbctv.2019.0498.
Full textWu, Helena. "The making of the citizen-spectator in postmillennial Hong Kong: Authorial and spectatorial engagement with independent documentary films." Asian Cinema 33, no. 2 (October 1, 2022): 191–207. http://dx.doi.org/10.1386/ac_00055_1.
Full textTsui, Ting Y., C. A. Ross, and G. M. Pharr. "A method for making substrate-independent hardness measurements of soft metallic films on hard substrates by nanoindentation." Journal of Materials Research 18, no. 6 (June 2003): 1383–91. http://dx.doi.org/10.1557/jmr.2003.0190.
Full textViedge, C., and P. A. Taffinder. "An empirical evaluation of the use of video films in training: A behaviouristic analysis." South African Journal of Business Management 18, no. 3 (September 30, 1987): 163–67. http://dx.doi.org/10.4102/sajbm.v18i3.1013.
Full textPaulos Aemero. "Current Fragmented Film Festival and its Impact on the Process of Building Film Industry in Ethiopia." Integrated Journal for Research in Arts and Humanities 2, no. 4 (July 19, 2022): 86–92. http://dx.doi.org/10.55544/ijrah.2.4.59.
Full textKaur, Harmanpreet. "At Home in the World: Co-productions and Indian Alternative Cinema." BioScope: South Asian Screen Studies 11, no. 2 (December 2020): 123–45. http://dx.doi.org/10.1177/0974927620983941.
Full textDissertations / Theses on the topic "Independent film-making"
Strader, Laura K. "An Exploration in Funding Independent Film." University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1410189827.
Full textRolim, Cristhine Lucena. "Estratégias alternativas de produção no cinema brasileiro contemporâneo: o caso da cooperativa Filmes a granel." Universidade Federal da Paraíba, 2017. http://tede.biblioteca.ufpb.br:8080/handle/tede/9940.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
In the midst of both technological evolution and democratization of the means for audiovisual production within the 21st century, we are experiencing a moment of effervescence in Cinema with new possibilities for independent film-making through the creative employment of digital technologies. Both the attempt at finding alternative strategies in Brazilian cinema and the arising of novel models for audiovisual production provide an advantageous field for academic studies on social and economic contexts and ways of organization within film-making. I intend to reflect about the recent production process in the Brazilian cinema by observing experiences that seek for solutions that are different from the hegemonic industrial model and that appear as a cornerstone for cinema in the digital era. The study here presented considers the following elements as a tripod for audiovisual production: equipaments, funding, and the team. I suggest that the technical, the economic, and the affective fields are crucial for understanding the above mentioned elements within independent cinema. Within this scenario, the thesis examines modes of production in contemporary cinema by taking the model undertaken by Cooperativa Filmes a Granel from Paraíba state - which is part of what we call the Digital Phase of cinema in Paraíba - as a case study.
Frente ao processo de evolução tecnológica e à democratização dos meios de produção audiovisual no século XXI, vivenciamos um momento de efervescência com as possibilidades de realização independente, através da utilização criativa das tecnologias digitais. A busca por estratégias alternativas no cinema brasileiro e o surgimento de novos modelos de produção audiovisual oferecem um terreno profícuo para estudos acadêmicos sobre o contexto socioeconômico e as formas de organização no fazer fílmico. Pretendemos refletir sobre a produção recente, a partir da observação de experiências que buscam soluções diferentes do modelo hegemônico industrial e que constituem em uma mola propulsora para o cinema na era digital. A pesquisa aqui proposta considera como tripé de sustentação para uma produção audiovisual os seguintes elementos: os equipamentos, os recursos financeiros e a equipe. Sugerimos os campos técnico, econômico e afetivo para compreender tais pontos no cinema independente. Diante deste cenário, essa dissertação versa sobre modos de produção no cinema contemporâneo, tendo como estudo de caso o modelo paraibano da Cooperativa Filmes a Granel, que se insere no que chamamos de Fase Digital do cinema na Paraíba.
Lang, Ian William, and n/a. "Conditional Truths: Remapping Paths To Documentary 'Independence'." Griffith University. Queensland College of Art, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20031112.105737.
Full textLang, Ian William. "Conditional Truths: Remapping Paths To Documentary 'Independence'." Thesis, Griffith University, 2003. http://hdl.handle.net/10072/367923.
Full textThesis (PhD Doctorate)
Doctor of Philosophy by Publication (PhD)
Queensland College of Art
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Lopez, Laura. "BAKER:THE MAKING OF AN INDEPENDENT THRILLER." Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2096.
Full textM.F.A.
School of Film and Digital Media
Arts and Humanities
Film and Digital Media MFA
Fasolo, Damian. "The making of Broken: A manifesto for a democratised cinema." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2020. https://ro.ecu.edu.au/theses/2340.
Full textHsiao, Jox, and 蕭永生. "Investigations of Computer 3D Animations Independent Film Making in Personal Formula & Creation Descriptions of「The Pickets」." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/90085864042642295164.
Full text臺南藝術學院
音像動畫研究所
90
ABSTRACT Most CG animations are made independently, and most of then are personal formula, except the few that are published by big film corporations. What are the differences between them? Based upon my experiences about CG production, I’ll propose an outlook on the making procedure and methods of CG independent animation. Moreover this thesis research the history about how computer technology influence film(animation) industry, and point out the playing role and possibility of CG animation short film in commerce. Finally, my CG animation 「THE PICKETS」 probes the difficulties of making a CG independent animation, and discuss the methods how to improve.
Books on the topic "Independent film-making"
Chan, Amos. Behind Union City: The making of an independent film. London?]: Ziggurat Books International, 2012.
Find full textProducing independent 2D character animation: Making and selling a short film. Amsterdam: Focal Press, 2003.
Find full textBay Area Video Coalition (San Francisco, Calif.). Mediamaker handbook: The essential resource for making independent film, video, & new media. San Francisco, CA: BAVC, 2000.
Find full textBay Area Video Coalition (San Francisco, Calif.). Mediamaker handbook: The essential resource for making independent film, video, & new media. San Francisco, CA: BAVC, 2000.
Find full textManal, Castro John, and Mabalon Dawn Bohulano, eds. The debut: The making of a Filipino American film. Chicago: Tulitos Press, 2001.
Find full textSilva, Raul Da. Making money in film and video: A handbook for freelancers and independents. New York: Prentice Hall Press, 1986.
Find full textCopyright Paperback Collection (Library of Congress), ed. Life blood. New York: Kensington Pub. Corp., 2000.
Find full textPutting the pieces together: The Graffiti model for indie filmmaking : a behind-the-scenes look at the making of Quality of life. New York: Soft Skull, 2006.
Find full textThe economic consequence of independent film making. Los Angeles, Calif: Arthur Andersen Economic Consulting, 1995.
Find full textSimon, Mark. Producing Independent 2D Character Animation: Making and Selling a Short Film. Taylor & Francis Group, 2013.
Find full textBook chapters on the topic "Independent film-making"
Edgar, Brenda Lynn. "Archiving the Trauma of Internment Camps in Film: Jacqueline Veuve’s Journal de Rivesaltes, 1941–1942 (1997)." In Making Humanitarian Crises, 101–26. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-00824-5_5.
Full text"Making an Independent Film." In The Fundamentals of Animation, 229–32. Bloomsbury Publishing Plc, 2016. http://dx.doi.org/10.5040/9781474222402.ch-021.
Full textTurnock, Bryan. "American Independent Horror." In Studying Horror Cinema, 139–58. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325895.003.0008.
Full textBackman Rogers, Anna. "Chapter Three." In American Independent Cinema. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748693603.003.0004.
Full textKishore, Shweta. "Afterword." In Indian Documentary Film and Filmmakers, 162–68. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474433068.003.0007.
Full textMa, Ran. "Fading Hometown and Lost Paradise." In Independent Filmmaking across Borders in Contemporary Asia. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789462986640_ch03.
Full textWilson, Dean. "Ho Chi Minh in France: An Early Independence Newsreel." In The Colonial Documentary Film in South and South-East Asia. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474407205.003.0010.
Full textTurner, Peter. "The Making of The Blair Witch Project." In The Blair Witch Project, 15–32. Liverpool University Press, 2015. http://dx.doi.org/10.3828/liverpool/9781906733841.003.0002.
Full textMa, Ran. "Introduction." In Independent Filmmaking across Borders in Contemporary Asia. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789462986640_intro.
Full textNanney, Lisa. "Film Writing." In John Dos Passos and Cinema, 101–26. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781942954873.003.0007.
Full textConference papers on the topic "Independent film-making"
El-Shafei, A., and R. V. Eranki. "Dynamic Analysis of Squeeze Film Damper Supported Rotors Using Equivalent Linearization." In ASME 1993 International Gas Turbine and Aeroengine Congress and Exposition. American Society of Mechanical Engineers, 1993. http://dx.doi.org/10.1115/93-gt-030.
Full textSavrda, Steve, Marc D. Himel, Karl H. Guenther, and Frank K. Urban. "Practical approach to determining n, k, and d of a growing film with an in situ ellipsometer." In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1990. http://dx.doi.org/10.1364/oam.1990.thcc2.
Full textNatsui, G., P. L. Johnson, M. C. Torrance, M. A. Ricklick, and J. S. Kapat. "The Effect of Transpiration on Discrete Injection for Film Cooling." In ASME 2011 Turbo Expo: Turbine Technical Conference and Exposition. ASMEDC, 2011. http://dx.doi.org/10.1115/gt2011-46138.
Full textPeck, James, Jason Liu, Kenneth M. Bryden, and Tom I.-P. Shih. "Methods for Measuring and Computing the Adiabatic-Wall Temperature." In ASME Turbo Expo 2020: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/gt2020-14169.
Full textMa, Yiwen, Haiwang Li, Meisong Yang, Min Wu, and Huimin Zhou. "Numerical Study on Influencing Factors of Film Cooling on Turbine Blade Leading Edge Under Rotating State." In ASME 2018 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/imece2018-87258.
Full textPicchi, A., A. Andreini, R. Becchi, and B. Facchini. "A New Test Facility for Investigating Thermal Behaviour of Effusion Cooling Test Plates for RQL Combustors." In ASME Turbo Expo 2020: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/gt2020-16151.
Full textPaster, Eli, Bryan P. Ruddy, Priam V. Pillai, and Ian W. Hunter. "Conducting Polymer-Based Multifunctional Materials." In ASME 2010 Conference on Smart Materials, Adaptive Structures and Intelligent Systems. ASMEDC, 2010. http://dx.doi.org/10.1115/smasis2010-3761.
Full textSarkar, Kamal. "Modeling of Spin Coating Process to Control Submicron Film Thickness of Permeation Layer." In ASME 2010 First Global Congress on NanoEngineering for Medicine and Biology. ASMEDC, 2010. http://dx.doi.org/10.1115/nemb2010-13083.
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