Academic literature on the topic 'In cold blood (Motion picture)'

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Journal articles on the topic "In cold blood (Motion picture)"

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Iijima, Atsuhiko, Tohru Kiryu, Kazuhiko Ukai, Haruo Toda, and Takehiko Bando. "Motion picture effects to eye movement and cerebral blood flow." Neuroscience Research 58 (January 2007): S213. http://dx.doi.org/10.1016/j.neures.2007.06.982.

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Sangjoon Lee. "The Asia Foundation's Motion-Picture Project and the Cultural Cold War in Asia." Film History 29, no. 2 (2017): 108. http://dx.doi.org/10.2979/filmhistory.29.2.05.

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Kumar, Neeraj, Christopher J. Boes, and Martin A. Samuels. "Liver therapy in anemia: a motion picture by William P. Murphy." Blood 107, no. 12 (June 15, 2006): 4970. http://dx.doi.org/10.1182/blood-2006-01-0297.

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Vukoder, Bret. "Screening sovereignty: Cold War mediations of nationhood in USIA motion picture operations in the SWANA region." Journal of Contemporary Iraq & the Arab World 18, no. 1 (March 1, 2024): 23–45. http://dx.doi.org/10.1386/jciaw_00118_1.

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This article explores how visible constructions and perceptions of sovereignty in the motion pictures of the United States Information Agency (USIA) factored into the dynamics of US Cold War foreign policy amidst the rise of the Non-Aligned Movement. Specifically, it focuses on agency films about and circulating within the Southwest Asian and North African (SWANA) region – such as the locally produced Iraq al-Youm newsreels (c.1956–58). By mapping the different policy contexts of the Eisenhower and Kennedy administrations onto the USIA films’ aesthetics and themes, the article illustrates continuities in the United States’s attempts to expressively leverage images and evocations of sovereignty to sell and consolidate its policy interests in the region.
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Gorny, Deborah A. "Arterial Blood Pressure Measurement Technique." AACN Advanced Critical Care 4, no. 1 (February 1, 1993): 66–80. http://dx.doi.org/10.4037/15597768-1993-1007.

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Arterial blood pressure (BP) measurements, which include invasive direct methods and noninvasive indirect methods, provide a picture of the hemodynamic status of the patient. Invasive BP methods measure pressure pulse wave amplitude; noninvasive methods rely on blood flow or arterial wall motion as a basis for the determination of BP values. To obtain the most accurate BP value, the clinician must identify which measurement variables in a specific clinical situation are most contributory to error and, if possible, use a method of measurement for which the sources of error are not parallel. Blood pressure values obtained by different methods cannot be compared without a thorough understanding of the user-related and instrumentation-related limitations associated with each BP measurement technique
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Lahav, Ofer. "Streaming Motions in the Local Universe." Highlights of Astronomy 9 (1992): 687–91. http://dx.doi.org/10.1017/s1539299600010054.

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AbstractDeviations from the Hubble flow directly probe of the underlying total mass distribution, assuming the gravitational instability picture. We discuss the origin of motion of the Local Group with respect to the Cosmic Background Radiation and review the peculiar velocity field deduced from distances to hundreds of elliptical and spiral galaxies, including new results for the Shapley Supercluster. Bulk-flow solutions which are free of Malmquistbias are presented, indicating coherence length larger than that expected from the optical and IRAS dipoles or from Cold Dark Matter models.
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Bizzaro, Nicola, and Francesco Fiorin. "Coexistence of Erythrocyte Agglutination and EDTA-Dependent Platelet Clumping in a Patient With Thymoma and Plasmocytoma." Archives of Pathology & Laboratory Medicine 123, no. 2 (February 1, 1999): 159–62. http://dx.doi.org/10.5858/1999-123-0159-coeaae.

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Abstract For 8 years, EDTA-dependent pseudothrombocytopenia was observed in a 55-year-old woman with a history of rheumatoid arthritis who had undergone surgery for lymphoepithelial thymoma 11 years earlier. The clinical picture was characterized by the presence of platelet clumps and antiplatelet antibodies of the IgM class. With the recent appearance of a solitary extramedullary plasmocytoma in the right retrobulbar region and the detection of an IgGλ monoclonal gammopathy, blood examination also revealed erythrocyte agglutinates alongside the platelet clumps and the presence of a cold IgG antibody with anti-l specificity. Both phenomena were observed in vitro when the sample temperature declined to 20°C to 25°C, but not at 37°C. While the EDTA-dependent antiplatelet antibodies did not appear to be chronologically correlated with the patient’s diseases, the cold antierythrocyte autoantibodies were strictly related to the plasmocytoma and the IgGλ monoclonal component in serum. To our knowledge, this is the first description of an association between EDTA-dependent platelet and erythrocyte agglutinates, with a clinical picture of pseudothrombocytopenia and pseudoerythrocytopenia due to cold agglutinins.
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Frost, Jennifer. "Cinema as Cultural Diplomacy and the Cold War: U.S. Participation in International Film Festivals behind the Iron Curtain, 1959–1971." Journal of Cold War Studies 25, no. 1 (2023): 75–100. http://dx.doi.org/10.1162/jcws_a_01122.

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Abstract During the Cold War, international film festivals proliferated on both sides of the Iron Curtain. The United States and the Soviet Union recognized these festivals as important venues for “cinematic diplomacy” and the pursuit of broader foreign policy goals. This article explores how the U.S. government, together with the U.S. motion picture industry, made use of its participation in the Moscow and Karlovy Vary International Film Festivals in the 1950s and 1960s. It confirms many of the findings of earlier studies of Cold War cultural diplomacy but also expands our historical understanding of this phenomenon. Specifically, it reveals the extent of cooperation and conflict—as well as an interchangeability of roles—among public officials in Washington and private citizens in Hollywood, with implications for both the formulation at home and reception abroad of U.S. cinematic diplomacy.
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Fayad, Elsayed A., Wesam F. Aly Eddin, and Mohamed A. Amr. "The effect of cold crystalloid versus warm blood cardioplegia on the myocardium during coronary artery bypass grafting." Egyptian Cardiothoracic Surgeon 3, no. 1 (January 1, 2021): 12–21. http://dx.doi.org/10.35810/ects.v3i1.169.

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Background: The optimal cardioplegic solution is still debated. The objective of this study was to compare the effect of cold crystalloid versus warm blood cardioplegia on the myocardial injury during coronary artery bypass grafting. Methods: The study included 34 consecutive patients who underwent elective primary on-pump isolated coronary artery bypass grafting from 2016 to 2019. We randomly assigned the patients into two groups. Group (ICCC) (n= 17) received intermittent antegrade cold crystalloid cardioplegia and Group (IWBC) (n= 17) received intermittent antegrade warm blood cardioplegia. Results: There was no difference in the preoperative and operative variables between groups. The time taken by the heart to regain normal sinus rhythm was significantly longer in the cold crystalloid group (7.06 ± 1.8 vs. 2.17 ± 0.8 minutes, p<0.001) with a higher rate of reperfusion ventricular arrhythmia (35% versus 6%; p=0.03) compared to the warm blood cardioplegia group. Both coronary sinus acid production and lactate level were significantly higher in the warm blood group than in the cold crystalloid group (p< 0.001 and 0.043, respectively). The ischemic ECG changes and the severity of new segmental wall motion abnormalities were non-significantly different between both groups (p= 0.68 and 0.67, respectively). Postoperative CK-MB and cTnI levels in all-time points were not significantly different between groups (p= 0.46 and 0.37, respectively). ICU (2.29 ± 0.77 vs. 2.41 ± 0.87 days, p= 0.68) and hospital stay (9.28 ± 0.76 vs. 9.42 ± 0.88 days, p= 0.62) were non-significantly different between both groups. Conclusion: Intermittent antegrade cold crystalloid cardioplegia was associated with attenuated myocardial metabolism. However, it was associated with a longer time to regain normal sinus rhythm and more reperfusion ventricular arrhythmias. We did not find differences in the clinical and echocardiographic outcomes and cardiac enzymes between cold crystalloid and warm blood cardioplegia.
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Ren, Bin, and Qinyu Zhou. "Assessing Passengers’ Motion Sickness Levels Based on Cerebral Blood Oxygen Signals and Simulation of Actual Ride Sensation." Diagnostics 13, no. 8 (April 12, 2023): 1403. http://dx.doi.org/10.3390/diagnostics13081403.

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(1) Background: After motion sickness occurs in the ride process, this can easily cause passengers to have a poor mental state, cold sweats, nausea, and even vomiting symptoms. This study proposes to establish an association model between motion sickness level (MSL) and cerebral blood oxygen signals during a ride. (2) Methods: A riding simulation platform and the functional near-infrared spectroscopy (fNIRS) technology are utilized to monitor the cerebral blood oxygen signals of subjects in a riding simulation experiment. The subjects’ scores on the Fast Motion sickness Scale (FMS) are determined every minute during the experiment as the dependent variable to manifest the change in MSL. The Bayesian ridge regression (BRR) algorithm is applied to construct an assessment model of MSL during riding. The score of the Graybiel scale is adopted to preliminarily verify the effectiveness of the MSL evaluation model. Finally, a real vehicle test is developed, and two driving modes are selected in random road conditions to carry out a control test. (3) Results: The predicted MSL in the comfortable mode is significantly less than the MSL value in the normal mode, which is in line with expectations. (4) Conclusions: Changes in cerebral blood oxygen signals have a huge correlation with MSL. The MSL evaluation model proposed in this study has a guiding significance for the early warning and prevention of motion sickness.
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Dissertations / Theses on the topic "In cold blood (Motion picture)"

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Field, Emma. "Only a trickle? : blood in detail and three women's films /." Connect to this title online, 2003. http://adt.lib.utas.edu.au/public/adt-TU20050315.093920.

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Falk, Andrew Justin. "Staging the Cold War negotiating American national identity in film and television, 1940-1960 /." 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3120292.

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Srch, Daniel. "Na černé listině: Hollywoodští rudí a hony na čarodejnice v americkém filmovém průmyslu (1947-1960)." Doctoral thesis, 2014. http://www.nusl.cz/ntk/nusl-328192.

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On the Blacklist: Hollywood Reds and Witch Hunting in the American Motion Picture Industry (1947-1960) Abstract At the beginning of the Cold War, the American motion picture industry was struck with a "witch-hunt" that led to establishment of the so-called blacklist. Due to this controversial policy, three hundred "Reds" (actual or perceived members of the U.S. Communist Party) were shut out from work in Hollywood during 1947-1950. The first explanation of this phenomenon can be seen in the bipolarity of the post-war world where the United States took leadership in a crusade against the Soviet Union. One result of this seemingly international crusade was that it also became domestic-followers of the U.S. Communist Party became actual public enemies. A deeper analysis of whole issue, however, requires that other elements must be seriously taken into account. The microcosm of Hollywood, some principles of American thinking and the activities of the Reds themselves provide crucial insights into comprehensively understanding the complexity of blacklisting. Experience with the Hollywood blacklist included many different aspects. First of all, it was a political battle with the "inquisitors" from the House Committee on Un-American Activities who helped establish the anti-Communist policy in American motion...
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Books on the topic "In cold blood (Motion picture)"

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Coen, Joel. Blood simple. London: Faber and Faber, 1996.

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Coen, Joel. Blood simple. London: Faber, 1999.

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Coen, Joel. Blood simple. London: Faber and Faber, 1996.

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Cañameras, Adrià. Reasonable blood. [Barcelona]: Terranova, 2019.

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Coen, Joel. Blood simple: [screenplay]. London: Faber and Faber, 1996.

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Coen, Joel. Blood simple: An original screenplay. New York: St. Martin's Press, 1988.

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Auiler, Dan. Cold mountain: The journey from book to film. New York: Newmarket Press, 2003.

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Sagan, Françoise. Painting in blood. Henley-on-Thames, Oxon: Aidan Ellis, 1988.

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A blood red rose: A Pete Castle mystery. Waterville, Me: Five Star, 2004.

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Cocteau, Jean. Two screenplays: The blood of a poet, The testament of Orpheus. London: Marion Boyars, 1985.

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Book chapters on the topic "In cold blood (Motion picture)"

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Lee, Sangjoon. "The Asia Foundation’s Motion Picture Project." In Cinema and the Cultural Cold War, 17–46. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752315.003.0002.

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This chapter investigates how and to what extent the Asia Foundation (TAF) and its field agents covertly acted to construct an alliance of anticommunist motion picture producers in Asia. It explores how US government–led Cold War cultural policies influenced the Asian regional film industry in the 1950s. It also scrutinizes the ways TAF agents responded to the various needs of local film executives and negotiated with the constantly changing political, social, and cultural environments in the region during the project's early activities. The chapter reviews the origin of TAF, the Committee for a Free Asia (CFA), which is intended to advance US foreign policy interests in Asia. It discusses the CFA's core activities, which include the broadcasting of Radio Free Asia.
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"1. The Asia Foundation’s Motion Picture Project." In Cinema and the Cultural Cold War, 17–46. Cornell University Press, 2020. http://dx.doi.org/10.1515/9781501752322-004.

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Lee, Sangjoon. "Introduction." In Cinema and the Cultural Cold War, 1–14. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752315.003.0001.

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This chapter examines the historical, social, cultural, and intellectual constitution of the first postwar pan-Asian cinema network during the two decades after the Korean War armistice in July 1953. It argues that Asia's film cultures and industries were shaped by the practice of transnational collaboration and competition between newly independent and colonial states, with financial and administrative support from US institutions. It also looks at the network of motion picture executives, creative personnel, policy makers, and intellectuals in Asia at the height of the Cold War and beyond. The chapter shows how Asians aspired to rationalize and industrialize a system of mass production by initiating a regional organization. It identifies the cultural, economic, and political logic that gave rise to and modified the Federation of Motion Picture Producers in Southeast Asia and the Southeast Asian Film Festival.
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Lee, Sangjoon. "The FPA, US Propaganda, and Postwar Japanese Cinema." In Cinema and the Cultural Cold War, 47–67. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752315.003.0003.

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This chapter recounts how Nagata Masaichi, president of Daiei Studio in Japan, pitched the idea of founding the Federation of Motion Picture Producers in Southeast Asia (FPA) and an annual Southeast Asian Film Festival. It discusses the consensus among American foreign officers stationed in Asia that communists had infiltrated the Japanese film industry since the end of the US occupation of Japan in April 1952. It also describes the activities of the “Reds” in the Japanese motion picture industry that is considered a threat to the United States' strategic Cold War interests in the Asia-Pacific region. The chapter cites Rashomon, which won the award for Best Foreign Language Film at the Oscars and elicited simultaneous respect and jealousy from other nations in the region. It elaborates how the unprecedented success of Rashomon rapidly established Nagata's presence in the Japanese film industry.
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Lee, Sangjoon. "The Rise and Demise of a Developmental State Studio." In Cinema and the Cultural Cold War, 137–70. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752315.003.0007.

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This chapter introduces five motion picture studios that stood out in Asia at the beginning of the 1960s, such as Shin Films in South Korea, GMP and CMPC in Taiwan, and Shaw Brothers and MP&GI in Hong Kong and Singapore. It examines how film studios in the region aspired to implement the rationalized and industrialized system of mass-producing motion pictures known as the Hollywood studio system. It also explains that the Hollywood studio system evolved in the United States to handle film production, distribution, and exhibition during the first three decades of the twentieth century. The chapter recounts how the studio system became a highly efficient system that produced feature films, newsreels, animations, and shorts to supply its mass-produced motion pictures to subsidized theaters. It describes Fordism as the famous American system of mass production with particular American circumstances.
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Lesser, Wendy. "United States." In The Oxford Guide to Contemporary Writing, 406–31. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198182627.003.0026.

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Abstract Contemporary American literature might be said to have begun in 1965, with the serial publication of Truman Capote’s (1924-84) In Cold Blood in the New Yorker. Capote’s was not the first American work to mingle factual reportage with novelistic style: for that, one would have to go back to 1952, to Lillian Ross’s (b. 1927) Picture, or even further, to the New York anecdotes and profiles written in the 1940s and 1950s by Joseph Mitchell (b. 1908; reissued in his collection Up in the Old Hotel, 1992). Nor does Capote’s book mark the beginning of America’s interest in murder as literary material: there was, after all, Edgar Allan Poe over a century earlier. And though In Cold Blood is a powerful and lasting work of literature, it is not necessarily the best work of its decade, or even the first remarkable book of that period. But it marks a watershed.
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Powaski, Ronald E. "The Reagan Nuclear Buildup." In Return to Armageddon, 14–38. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195103823.003.0002.

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Abstract In January 1981 Ronald Reagan, like the overwhelming majority of his Cold War predecessors, entered the White House with almost no background in national security affairs. Before entering the political arena in the early 1960s and then serving as governor of California from 1966 to 1974, he had been in movies and television. His only military experience consisted of making training and documentary films during World War II. Reagan’s knowledge of communism and the Soviet Union was also limited. It was based almost entirely on personal experience rather than study. In the late1940s, as president of the Screen Actors Guild, he fought what he believed was a communist effort to take over the motion picture industry. The experience made him deeply suspicious of communism and the Soviet Union, in particular. In 1983 he called the Soviet Union “the focus of evil in the modern world.”1
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Ahlskog, J. Eric. "Symptoms, Related Brain Regions, and Diagnosis." In Dementia with Lewy Body and Parkinson's Disease Patients. Oxford University Press, 2013. http://dx.doi.org/10.1093/oso/9780199977567.003.0008.

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As a prelude to the treatment chapters that follow, we need to define and describe the types of problems and symptoms encountered in DLB and PDD. The clinical picture can be quite varied: problems encountered by one person may be quite different from those encountered by another person, and symptoms that are problematic in one individual may be minimal in another. In these disorders, the Lewy neurodegenerative process potentially affects certain nervous system regions but spares others. Affected areas include thinking and memory circuits, as well as movement (motor) function and the autonomic nervous system, which regulates primary functions such as bladder, bowel, and blood pressure control. Many other brain regions, by contrast, are spared or minimally involved, such as vision and sensation. The brain and spinal cord constitute the central nervous system. The interface between the brain and spinal cord is by way of the brain stem, as shown in Figure 4.1. Thought, memory, and reasoning are primarily organized in the thick layers of cortex overlying lower brain levels. Volitional movements, such as writing, throwing, or kicking, also emanate from the cortex and integrate with circuits just below, including those in the basal ganglia, shown in Figure 4.2. The basal ganglia includes the striatum, globus pallidus, subthalamic nucleus, and substantia nigra, as illustrated in Figure 4.2. Movement information is integrated and modulated in these basal ganglia nuclei and then transmitted down the brain stem to the spinal cord. At spinal cord levels the correct sequence of muscle activation that has been programmed is accomplished. Activated nerves from appropriate regions of the spinal cord relay the signals to the proper muscles. Sensory information from the periphery (limbs) travels in the opposite direction. How are these signals transmitted? Brain cells called neurons have long, wire-like extensions that interface with other neurons, effectively making up circuits that are slightly similar to computer circuits; this is illustrated in Figure 4.3. At the end of these wire-like extensions are tiny enlargements (terminals) that contain specific biological chemicals called neurotransmitters. Neurotransmitters are released when the electrical signal travels down that neuron to the end of that wire-like process.
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He, Qiliang. "Wu Yonggang." In Working the System, 90–113. Hong Kong University Press, 2023. http://dx.doi.org/10.5790/hongkong/9789888805600.003.0005.

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This chapter turns attention to the ups and downs of Wu Yonggang (1907-1982). Wu, who had earned one of the highest ranks among filmmakers shortly after the Liberation, was singled out as the black sheep during the Anti-Rightist Movement in 1957. The relatively relaxing political climate in the early 1960s permitted Wu to regain his status as a director, if only for opera films. Despite this, Wu’s The Jade Hairpin (1962), a coproduced opera film between a Shanghai-based film studio and a Hong Kong leftwing motion picture company, notched up phenomenal market success in Hong Kong. More importantly, Wu capitalized on this opportunity and took advantage of the unique cinematic Cold War environment to unleash his pent-up resentment and articulate this desire to conciliate with the Party, that is, his victimizer. In other words, while the Chinese Communist Party authorities weaponized opera films to wage a cultural war in the Hong Kong and overseas markets, those movies endowed Wu with an otherwise inaccessible means to express himself and attain a certain degree of artistic autonomy.
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Hee, Wai-Siam. "New Friend." In Remapping the Sinophone, 30–57. Hong Kong University Press, 2019. http://dx.doi.org/10.5790/hongkong/9789888528035.003.0002.

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The first chapter searches for evidence of the production of the first Singaporean and Malayan film New Friend in old periodicals from the 1920s held in the British Library. This corrects the common misconception that this film was never screened and confirms the historical significance and standing of New Friend as the first Singaporean and Malayan film. This chapter also describes the origins of, and public response to, the Nanyang Low Poey Kim Independent Motion Picture Company. It also gives an overview of Liu’s tragic life, from film company owner to his return to China to fight against the Japanese as a ‘Nanyang Volunteer Driver and Mechanic’. In addition, this chapter describes the New Friend production team and the debates the film sparked among audiences. It then further investigates the problems that the film confronted at the time of its production, including censorship imposed by the British colonial government during the 1920s, the oscillation found in New Friend’s screenplay between the Nanyang and Chinese styles of literature and art, and the way it handles entanglements between ‘new immigrants’ and Chinese Peranakan. This chapter also observes that New Friend features a Sinophone ‘linguistic creolisation’, inverting the hierarchical relationship between Chinese people and foreigners found in S.E. Asian reality. This reflects Liu’s optimistic hope that S.E. Asian Chinese society would unite under the banner of ‘Chineseness’ and resist colonial power. Liu Beijin and the case of New Friend represent pre–Cold War S.E. Asian Chinese cultural productions of Chinese historical identity, in which Chineseness and hybridity coexisted without a binary choice. This provides a historical dimension to reflections on Sinophone topics related to Chineseness and hybridity.
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Conference papers on the topic "In cold blood (Motion picture)"

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Balestra, Amanda Fernandes de Sousa Oliveira, Flávia Pascoal Teles, and Karine Felipe Martins. "Fetal surgery in the context of myelomeningocele: repercussions and prognosis." In XIII Congresso Paulista de Neurologia. Zeppelini Editorial e Comunicação, 2021. http://dx.doi.org/10.5327/1516-3180.055.

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Background: Myelomeningocele (MMC) is a congenital malformation of neural tube closure. The clinical picture comprises sensory and motor deficits at the point of spinal cord injury and below, in addition to ventriculomegaly, which requires ventriculo-peritoneal drains (DVP). Exposure of nervous tissue to amniotic fluid and trauma to the uterine wall, generates secondary damage. Intrauterine correction is the gold standard for MMC and aims to reduce organic and functional sequelae, improving the patient’s neurological prognosis. Objectives: The objective of this work is to identify the impact of fetal surgery against MMC. Methods: An integrative literature review was carried out based on articles selected from the Google Scholar and Scientific Eletronic Library Online databases. Results: The benefits of intrauterine neurosurgery outweigh the harm, based on maternal complications. Such maternal risks are: oligohydramnios, spontaneous rupture of the membrane, uterine dehiscence, premature birth, infections, blood transfusion, acute lung edema and contraindication for vaginal delivery due to uterine scarring. For the child, all the studies analyzed showed the same gains, extremely significant when compared to postnatal surgery: better cognitive development, greater probability of walking without using orthoses, less need for DVP. The gains from the fetal surgery technique go beyond the postnatal intervention. Conclusions: Therefore, the importance of early intrauterine treatment, in a properly equipped place and by qualified professionals, is reiterated, offering comprehensive care to pregnant women, preventing potential impasses and aiming at a better prognosis and quality of life for the child.
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