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Books on the topic 'Improvisation (Music)'

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Author: Grafiati

Published: 4 June 2021

Last updated: 3 March 2023

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1

Uitti, Frances-Marie. Improvisation. Abingdon: Routledge, 2006.

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2

1930-, Nettl Bruno, and Russell Melinda, eds. In the course of performance: Studies in the world of musical improvisation. Chicago: University of Chicago Press, 1998.

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3

Heble, Ajay. Improvisation and Music Education. New York; London: Routledge, 2016.: Routledge, 2016. http://dx.doi.org/10.4324/9781315737393.

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4

Christiansen, Hans Henning. Arrangement, improvisation, komposition. Egtved: Edition Egtved, 1989.

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5

Shawn, Allen. Improvisation no. 3. New York: Galaxy Music, 1987.

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6

Lenz, Martin. Wege zur musiktherapeutischen Improvisation. Münster: Lit, 1998.

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7

Rothenberg, David. Sudden music: Improvisation, sound, nature. Athens: University of Georgia Press, 2002.

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8

Overduin, Jan. Making music: Improvisation for organists. New York: Oxford University Press, 1998.

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9

Peters, Gary. The philosophy of improvisation. Chicago: University of Chicago Press, 2009.

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10

Peters, Gary. The philosophy of improvisation. Chicago, Ill: University of Chicago Press, 2011.

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11

Weir, Michele. Vocal improvisation. [Rottenburg N., Germany]: Advance Music, 2001.

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12

Gustaffson, Mats. Solo improvisation & interpretation: Essays. Stockholm: Almlöf, 1992.

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13

Johns, Michele. Hymn improvisation. Minneapolis: Augsburg Pub. House, 1987.

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14

Derek, Bailey. Improvisation: Its nature and practice in music. New York: Da Capo Press, 1993.

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15

hAodha, Mícheál Ó., and Franziska Schroeder. Soundweaving: Writings on improvisation. Newcastle upon Tyne: Cambridge Scholars Publishing, 2014.

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16

Campbell, Laura. Sketches for improvisation. London: Stainer & Bell, 1986.

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17

Eric, Denut, Donin Nicolas, Hervé Jean-Luc, Observatoire musical français, and Centre de recherche en esthétique et théorie musicale., eds. Improvisations et composition: Une conciliation impensable? : réciprocités entre écriture et improvisation au XXe siècle. Paris: Observatoire musical français, 2002.

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18

Yoder, M. Daniel. Beginning jazz improvisation. Upper Saddle River, N.J: Prentice Hall, 1996.

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19

Taylor, Bob. The art of improvisation: Creating real-time music through jazz improvisation. American Fork, Utah: BRIDJJ Productions, 1998.

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20

Ruud, Even. Music therapy: Improvisation, communication, and culture. Gilsum, NH: Barcelona Publishers, 1998.

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21

Chase, Mildred Portney. Improvisation: Music from the inside out. Berkeley: Creative Arts Book Co., 1988.

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22

Reeves, Scott D. Creative jazz improvisation. 3rd ed. Upper Saddle River, N.J: Prentice Hall, 2001.

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23

Reeves, Scott D. Creative jazz improvisation. 2nd ed. Englewood Cliffs, N.J: Prentice Hall, 1995.

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24

Reeves, Scott D. Creative jazz improvisation. 4th ed. Upper Saddle River, N.J: Pearson Prentice Hall, 2007.

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25

Madura, Patrice D. Getting started with vocal improvisation. Reston, VA: MENC, 1999.

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26

Reeves, Scott D. Creative jazz improvisation. Englewood Cliffs, N.J: Prentice Hall, 1989.

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27

Italy) A partire da un'intesa (Conference) (2017 Rome. Free improvisation: History and perspectives. Edited by Sbordoni Alessandro editor, Rostagno Antonio editor, and Nuova consonanza (Association). Lucca: Libreria musicale italiana, 2018.

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28

Poulter, Zachary B. Teaching improvisation in jazz ensemble: Connecting improvisation with jazz ensemble charts. Lanham, [Md.]: Rowman & Littlefield Education, 2008.

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29

Henry, Martin. Charlie Parkerand thematic improvisation. Rutgers: Institute of Jazz Studies, Rutgers, The State University of New Jersey, 1996.

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30

Rasch, Rudolf. Beyond notes: Improvisation in Western music of the eighteenth and nineteenth centuries. Turnhout: Brepols, 2011.

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31

Stauffer, Sandra. Improvisation. Pearson Education, Limited, 2014.

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32

Gagel, Reinhard. Improvisation Erforschen Improvisierend Forschen / Researching Improvisation Researching by Improvisation: Beiträge Zur Exploration Musikalischer Improvisation / Essays about the Exploration of Musical Improvisation. Transcript Verlag, 2016.

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33

Schwabe, Matthias, and Reinhard Gagel. Improvisation Erforschen - Improvisierend Forschen / Researching Improvisation - Researching by Improvisation: Beiträge Zur Exploration Musikalischer Improvisation / Essays about the Exploration of Musical Improvisation. Transcript Verlag, 2016.

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34

In the Course of Performance: Studies in the World of Musical Improvisation (Chicago Studies in Ethnomusicology). University Of Chicago Press, 1998.

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35

(Editor), Bruno Nettl, and Melinda Russell (Editor), eds. In the Course of Performance: Studies in the World of Musical Improvisation (Chicago Studies in Ethnomusicology). University Of Chicago Press, 1998.

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36

Friedland, Ed. Bass Improvisation. Hal Leonard Corporation, 1997.

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37

Sarath, Ed. Music Theory Through Improvisation. Routledge, 2013. http://dx.doi.org/10.4324/9780203873472.

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38

Nelson, Oliver. Patterns for Improvisation. Aebersold Jazz, Jamey, 2015.

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39

Peters, Gary. Philosophy of Improvisation. University of Chicago Press, 2009.

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40

Improvisation and Social Aesthetics. Duke University Press Books, 2017.

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41

Weiskopf, Walt. Intervallic Improvisation: The Modern Sound -- a Step Beyond Linear Improvisation. Aebersold Jazz, Jamey, 2015.

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42

Azzara, Christopher D., and Alden H. Snell, II. Assessment of Improvisation in Music. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199935321.013.103.

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Abstract:

This article provides an overview of research on assessment of improvisation in music and offers suggestions for increasing its centrality in music teaching and learning. With listening, improvising, reading, and composing as context for music teaching and learning, it covers historical and philosophical foundations for, and research on, creativity and improvisation. The article’s synthesis of the literature focuses on assessment of ability to interact, group, compare, and anticipate and predict music while improvising. Six elements (repertoire, vocabulary, intuition, reason, reflection, and exemplars) contribute to a holistic and comprehensive creative process that inspires spontaneous and meaningful music making. The article concludes with recommendations for replication and extension of research to provide insight for improvisation assessment.

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43

Fein, Michael. Teaching Music Improvisation with Technology. Oxford University Press, Incorporated, 2017.

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44

Gordon, Edwin. Improvisation In The Music Classroom. G I a Pubns, 2003.

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45

Jazz and Improvisation (Music Magic). Silver Burdett Ginn, 1991.

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46

Debeaumont, Wilton. Feel the Music: Electroacoustic Improvisation. Lulu Press, Inc., 2015.

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47

Rothenberg, David. Sudden Music: Improvisation, Sound, Nature. University of Georgia Press, 2016.

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48

Improvisation in Cantonese operatic music. 1987.

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49

Rothenberg, David. Sudden Music: Improvisation, Sound, Nature. University of Georgia Press, 2016.

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50

Bodley, Mildred. Jazz Improvisation : a Comprehensive Method for All: Jazz Music Improvisation. Independently Published, 2021.

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