Journal articles on the topic 'Impianti storici'
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del Curto, Davide. "Dal mito dell'efficienza all'obiettivo della transizione energetica. Una sfida per gli edifici storici." TERRITORIO, no. 97 (February 2022): 113–18. http://dx.doi.org/10.3280/tr2021-097-supplementooa12934.
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Il DL ‘Rilancio' n. 34 del 19 maggio 2020 combina gli obiettivi della transizione energetica con il sostegno al settore delle costruzioni. Inoltre, promuovendo il recupero e il riuso degli edifici esistenti, contribuisce a contrastare lo spopolamento dei territori marginali. D'altra parte, migliorare l'efficienza energetica spesso richiede di aggiungere strati isolanti o impianti di generazionelocale, incompatibili con i caratteri tipologici e il valore culturale di un edificio storico.Partendo da una riflessione sul rapporto tra cultura della tutela e cultura della sostenibilità, questo articolo discute l'impatto atteso di queste misure sugli edifici storici e sui processi di marginalizzazione nei territori fragili.
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Toso, Francesco Carlo. "Paesaggi della cultura politecnica in Alta Valtellina: gli impianti storici AEM nel racconto dei cantieri idroelettrici." STORIA IN LOMBARDIA, no. 1 (March 2016): 55–80. http://dx.doi.org/10.3280/sil2015-001005.
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Magno, Andrea. "Testimonianze documentarie inedite. Usi e costumi tardomedievali a Troina e a Randazzo." ARCHIVIO STORICO PER LA SICILIA ORIENTALE, no. 2 (December 2021): 142–51. http://dx.doi.org/10.3280/asso2020-002009.
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Lo studio di due testamenti e relativi inventari redatti a Troina e Randazzo permette di conoscere talune vicende storico-economiche del monastero di S. Nicolò l'Arena di Catania e soprattutto di cogliere aspetti della vita quotidiana di persone intervenute a vario titolo al negozio giuridico: nomi, estrazione sociale, matrimoni o dettagli di cultura materiale come impianti edilizi, strutture urbane o paesaggio territoriale, ovvero case, strade, piazze, chiese, monasteri, e tant'altro, totalmente scomparsi, eppure risuscitati dalla odierna toponomastica. In particolare la documentazione mette in luce la figura femminile nella realtà di due "quasi città" della Sicilia centro-orientale. Rosa e Ysolda, entrambe con un ruolo importante nella propria famiglia: l'una in funzione di capo di casa in quanto vedova, l'altra con capacità tali da imporre il suo volere anche dopo il suo decesso ovvero al di là della sua esistenza terrena.
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Rismawati, Ima, Panca Pertiwi Hidayati, and Yeni Cania Puspita. "ANALISIS MIMETIK TERHADAP NILAI SOSIAL PADA KUMPULAN CERPEN KEJAR IMPIAN KALA PANDEMI KARYA OKTAVIANTI SEBAGAI ALTERNATIF BAHAN AJAR SASTRA SISWA SMA KELAS XI." Didaktik : Jurnal Ilmiah PGSD STKIP Subang 8, no. 2 (December 18, 2022): 1709–17. http://dx.doi.org/10.36989/didaktik.v8i2.477.
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This study aims to find social value in the collection of short stories Kejar Impian Kala Pandemi by analyzing it and utilizing the results of the analysis as an alternative teaching material for class XI high school students. This study uses descriptive qualitative research methods. Based on the results of the analysis, it shows that religious social values, kinship, mutual cooperation, caring for others, never giving up, being loyal and patient are studied using a mimetic approach. The mimetic approach means imitation in real life in the form of literary works, namely short stories. The number of social values contained in the short story collection Kejar Impian Kala Pandemi by Oktavianti is 63. The teaching materials made by the author are in the form of LKPD. The author hopes that this LKPD can help students and students in the teaching and learning process, especially in Indonesian subjects, especially short story material.
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Rahmawati, Mila Indah, and Sumarlam Sumarlam. "KAJIAN WACANA: PEMANFAATAN PRINSIP ANALOGI DALAM KUMPULAN CERKAK KEMBANG PASREN KARYA IMPIAN NOPITASARI (DISCOURSE ANALYSIS: THE APPLICATION OF THE ANALOGY CONCEPT IN SHORT STORIES SERIES KEMBANG PASREN BY IMPIAN NOPITASARI)." Metalingua: Jurnal Penelitian Bahasa 18, no. 1 (June 30, 2020): 75. http://dx.doi.org/10.26499/metalingua.v18i1.367.
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This article discusses the application of the analogy concepts in the short stories series of Kembang Pasren by Impian Nopitasari as a cultural discourse study. The aim is to find and describe the application of such analogies used by the author therein and their relations to the complexity of Javanese culture. This article uses a descriptive qualitative approach and the data were collected using literature study method and reading and writing techniques. The data were analyzed using discourse analysis theories of analogy concept related to Javanese culture. The result showsthat the analogy concepts applied in the short stories series are the analogy of similarity of traits, the analogy of symbol resemblance and the analogy of similarity of state of being.AbstrakArtikel ini membahas pemanfaatan prinsip analogi kumpulan cerkak Kembang Pasren karya Impian Nopitasari dalam tinjauan wacana budaya. Tujuan yang ingin dicapai adalah menemukan dan mendeskripsikan bagaimana pemanfaatan analogi yang diwacanakan dan direpresentasikan oleh Impian Nopitasari dalam kumpulan cerkak Kembang Pasren dan keterkaitannya dengan nuansa Jawa yang melekat dalam diri masyarakatnya. Penelitian ini adalah penelitian deskriptif kualitatif yangmenggunakan metode penyediaan data berupa metode pustaka dengan teknik simak dan catat. Teori yang digunakan adalah teori analisis wacana, khususnya merujuk pada pemanfaatan prinsip analogi yang kental dengan nilai dan nuansa budaya Jawa. Hasil penelitian menunjukkan bahwa prinsip analogi dalam kumpulan cerkak Kembang Pasren ini berupa analogi persamaan sifat, analogi persamaan simbol, dan analogi persamaan keadaan.
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Edy Siswanto, Haris Ihsanil Huda, and Eko Siswanto. "Sistem Akuntansi Penjualan Pada Toko Bangunan Impian Kaliwungu." Kompak :Jurnal Ilmiah Komputerisasi Akuntansi 13, no. 1 (June 26, 2020): 121–28. http://dx.doi.org/10.51903/kompak.v13i1.662.
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Kaliwungu Dream Building Shop is a business engaged in the sale of building materials and building-producing tools. This trading business sells various materials and tools for building buildings such as sand, cement, nails, paint, hammers and so on. The Dream Building Shop was founded by Mr. Zaenal, whose address is Jalan Raya Sekopek No. 10 Sarirejo Kaliwungu, Kendal Regency.
Kaliwungu Dream Building Shop in recording sales transactions, purchases and reports - reports still use the manual method by writing them into a book, this method still requires time which is relatively old and prone to calculation errors, as a result you have to work 2 times or even many times to recalculate transactions that occur. Factors that are generally controlled are human errors that occur in cooking data and storing & maintaining paper-shaped documents, where this is very difficult to overcome. In addition, the process of searching for data or inventory is also less effective and efficient. also affect customers, even though performance according to the store is needed to satisfy customers.
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Pessina, Adriano. "L’ermeneutica filosofica come sfondo teorico della bioetica." Medicina e Morale 45, no. 1 (February 28, 1996): 43–70. http://dx.doi.org/10.4081/mem.1996.918.
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L’articolo esamina il rapporto tra l’ermeneutica filosofica e la bioetica, discutendo criticamente alcune tesi al riguardo di Hans Georg Gadamer, e argomenta la possibilità di uno statuto epistemologico della bioetica.
L’Autore ritiene, infatti, che la verità nella ricerca di impianti teorici di bioetica che molti studiosi – soprattutto di formazione bioetica – tentano per fornire un quadro valutativo che si armonizzi con le concrete esigenze operative sollecitate dal progresso scientifico altro non riveli che una situazione di “fluidità” epistemologica della bioetica. Tale situazione, poi, viene enfatizzata dalla perdurante crisi dei modelli della razionalità occidentale e che coinvolge sia le discipline scientifiche sia la filosofia.
La prospettiva ermeneutica intende mostrare che 1. la fluidità e la storicità dlle valutazioni e delle procedure di intervento costituiscono una condizione insuperabile; 2; la fusione tra l’atto della comprensione e il momento dell’applicazione sono necessari. Tenuto conto di certe pretese riduzionistiche della stessa ermeneutica, allora la giustificazione della bioetica come episteme passa attraverso la confutazione di tali pretese.
L’articolo, intatti, sostiene la legittimità della bioetica non solo a livello pratico-valutativo, ma anche teorico-normativo.
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Yunita Puspitasari and Ira Eko Retnosari. "DEKONSTRUKSI PERAN TOKOH DALAM NOVEL PESANTREN IMPIAN KARYA ASMA NADIA." Buana Bastra 7, no. 2 (November 20, 2020): 53–60. http://dx.doi.org/10.36456/bastra.vol7.no2.a3283.
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"Novel" Pesantren Impian is a novel that tells the promiscuity of middle and upper class that emphasize their moral behavior. The interesting thing about this novel is to raise stories about religion and lifestyle issues, and was chosen to be featured in an adaptation to the theater performance in Iowa.The purpose of the research with the title of the Deconstruction the role of the characters in novels a Pesantren Impian of Asma Nadia. For the firsy describes some of the characters that could describe. The theory used in research the theory of deconstruction. The Derrida’s said that deconstruction can be reviewed from the aspect of characters. Therefore, the purposes of research is to know characterization and deconstruction the role of the characters novels. The approach used in this study is descriptive a qualitative. The data used in research in the form of words, sentences, and discourses related to the object of research contained in the novel Pesantren Impian works Asma Nadia. The source of data used in this research is the novel Pesantren Impian works by Asma Nadia published in January 2016, 300 pages. Data collection techniques used in this study are the techniques of reading, notes, and investigator techniques. The results of this presentation are presented in the form of descriptive exposure. Based on the results of descriptive analysis of novel Pesantren Impian of Asma Nadia's work in the following results. There are 18 characters have been described to know the existing characterizations, namely Santi, Sinta, Rini, Ita, Iin, Sisy, Inong, Evi, Butet, Ipung, Sri, Yanti, Tanti, Umar, Mas Good, Teungku Budiman, Mrs. Rini, Lik Kusno. Two antagonists or black character and sixteen protagonists or white character. While in the deconstruction role of the characters in the novel Pesantren Impian works Asma Nadia only a few figures that can be deconstructed, namely Teungku Budiman, Rini, Mas Good, Sisy, and Mr. Lik Kusno. because in general the reader assumes that the antagonist can not turn into a protagonist. However, in this deconstruction the antagonist becomes the protagonist, while the protagonist becomes an antagonist.
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Shahul Hamid, Mohamed Nazreen, Muhammad Izzat Md Isa, and Md Salleh Yaapar. "Penghijrahan dan Pencarian Identiti Melayu Patani Diaspora dalam Cerpen Isma Ae Mohamad." Malay Literature 30, no. 2 (December 1, 2017): 258–76. http://dx.doi.org/10.37052/ml.30(2)no4.
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Pengarang Melayu Patani yang berhijrah ke Malaysia membentuk identiti mereka berasaskan keadaan diaspora. Kebanyakan karya mereka tertumpu pada genre sajak dan cerpen. Antara pengarang yang menonjol ialah Isma Ae Mohamad yang banyak menghasilkan cerpen. Makalah ini bertujuan menganalisis cerpen terpilih Isma Ae Mohamad dengan tumpuan pada krisis budaya dan pencarian identiti wataknya. Cerpen yang dimaksudkan ialah “Ke Negeri Impian”, “Perjalanan ke Sebelah Sana”, “Gadis Tomyam” dan “Rindu Cerita Nenek”. Karya pengarang diaspora ini dikaji berpandukan kerangka konseptual kajian diaspora oleh Regina Lee. Kajian ini mendapati karya Isma Ae Mohamad memenuhi tiga pola diaspora, iaitu sanjungan terhadap tanah air, manifestasi butik multibudaya, dan politik identiti transisi. Malah, karya beliau juga jelas menonjolkan krisis budaya dan pencarian identiti. Pelbagai pengalaman masyarakat diaspora diungkapkan terutama tentang masalah pendidikan dan kerakyatan. Secara keseluruhan, cerpen ini memperlihatkan pandangan orang Patani yang berdiaspora tentang masa lalu dan masa kini dalam kehidupan mereka. Penemuan kajian ini adalah penting kerana hasilnya dapat menyumbang ke arah memahami nasib diaspora Patani dan krisis identiti yang mereka hadapi. Kata kunci: Melayu Patani, diaspora, penghijrahan, pencarian, identiti Abstract Malay Patani authors who have migrated to Malaysia form their identities based on diasporic conditions. Most of their works focus on the genre of novels and short stories. Among the prominent authors is Isma Ae Mohamad who has produced many short stories. This paper aims to analyse the short stories of Isma Ae Mohamad by focusing on the cultural crisis and the search for identity faced by his characters. The short stories comprise “Cerita Dari Sempadan”, “Ke Negeri Impian”, “Perjalanan Ke Sebelah Sana”, “Gadis Tomyam”, and “Rindu Cerita Nenek”. The diasporic author`s works are analysed based on the conceptual framework of diaspora studies proposed by Regina Lee. This study finds that the works of Isma Ae Mohamad fulfil the three proposed diaspora patterns, namely, the idealisation of the homeland, manifestation of boutique multiculturalism, and identity politics in transition. In fact, his works also clearly illustrate the phenomena of cultural crisis and the search for identity. Various experiences of the diasporic community are expressed primarily on issues pertaining to education and citizenship. Overall, these short stories reflect the views of the diasporic community of Patani towards their past and the present of their lives. Findings of this study are important as the results can contribute towards the understanding of the fate of the diasporic Patanis and the crisis of identity that they face. Keywords: Malay Patani, diaspora, migration, search for identity
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Minutoli, Fabio. "Innovative technologies, certification and assessment tools for a sustainable building heritage." VITRUVIO - International Journal of Architectural Technology and Sustainability 6, no. 2 (December 31, 2021): 102–15. http://dx.doi.org/10.4995/vitruvio-ijats.2021.16530.
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E' evidente che buoni risultati nel campo della sostenibilità ambientale si possono ottenere da politiche di efficienza energetica per gli edifici - per lo più realizzati o in itinere - costruiti per oltre il 50% prima della disattesa legge 373/76 che prevedeva, nel periodo del petrolio europeo crisi, vincoli per la progettazione, installazione, esercizio e manutenzione degli impianti termici e requisiti per l'isolamento termico degli edifici per il contenimento dei consumi.Meno chiara è invece la parte di fabbricato oggetto di conservazione (ai sensi del D.Lgs. 42/2004 o previgenti normative in materia) o di immobili vincolati ope legis (art. 12 D.Lgs. 42/2004, asset appartenenti allo Stato, alle regioni, agli enti pubblici territoriali, nonché ad ogni altro ente ed istituto pubblico e soggetti giuridici privati senza scopo di lucro e che siano opera di autore non più in vita e la cui esecuzione risalga a più di settant'anni ), per i quali non sarebbe possibile applicare le limitazioni dei decreti 192/2005 e 311/2006, che esonerano gli edifici "il cui rispetto dei requisiti comporterebbe un'alterazione inaccettabile della loro natura o aspetto, con particolare riferimento ai o caratteristiche artistiche"degli obblighi di efficienza energetica.In questo lavoro si vogliono giustificare e illustrare alcune scelte fatte da istituti di ricerca internazionali in merito alla difficoltà di conciliare le nuove richieste di sostenibilità legate alla necessità di ridurre i consumi (soprattutto da combustibili fossili) con quelle del valore storico degli edifici oggetto di intervento , presentando criteri di valutazione che possano fornire un metodo oggettivo per quantificare la compatibilità tra nuovo ed esistente, criteri che – per avere capacità predittiva e quindi poter guidare le scelte ex ante e non misurarle ex post – utilizzino strumenti di progettazione digitale (BIM , GIS, ecc.).
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Gasperini, Massimo. "Pisae Forma Urbis. Digital drawing and ‘reading’ of the city." ZARCH, no. 8 (October 2, 2017): 200. http://dx.doi.org/10.26754/ojs_zarch/zarch.201782156.
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Se il territorio costituisce il supporto materiale sul quale si sono impressi e sovrapposti i segni lasciati dall’uomo attraverso i secoli, la città può essere a ragione considerata la massima manifestazione dell’intervento dell’uomo su di esso. I processi urbani che determinano un impianto con tutte le sue modificazioni dinamiche sono interconnessi senza soluzione di continuità storica tanto da essere riassunti e rinvenuti nella trama stessa della città. Possedere gli strumenti per cercare di comprenderne i contenuti costituisce un primo atto cognitivo di fondamentale importanza qualora si intenda partecipare consapevolmente all’accumulazione di nuove proposte all’interno del tessuto storicizzato.La fase analitica della lettura conduce alla comprensione di questi processi dinamici che hanno determinato storicamente gli assetti insediativi e infrastrutturali del territorio. In analogia con la letteratura possiamo asserire che il palinsesto territoriale corrisponde al testo della storia dell’uomo e per essere compreso deve essere letto con la logica del progetto, lo strumento eletto della disciplina dell’architettura. Il documento principale per la lettura è il rilievo. Sottoporre la forma urbana di Pisa all’indagine sperimentale della lettura mediante l’adozione di nuovi strumenti digitali costituisce un momento di approfondimento e di sintesi delle conoscenze acquisite oltre ad esperire nuove metodologie analitiche sia nel campo degli studi storico-archeologici che in quelli dell’urbanistica e dell’architettura. I modelli tridimensionali digitali di Pisa e del suo territorio entrano per la prima volta a far parte di tale apparato strumentale, potenzialmente aperto verso nuovi possibili modi di utilizzazione. In particolare la Pianta della città si pone come supporto tecnico per molteplici e multiformi applicazioni.If the territory is the material support on where the marks left by man through the centuries are impressed and superimposed, the city could be rightly considerated as the greatest manifestation of the human intervention on it. The process that determine an urban system with all its dynamic changes are interconnected in a historical continuum so as to be summarized and found in the same interlaced city. To have the means in such a way as to try to understand its contents is primary importance if one intends to participate with good knowledge of a case in proposing new plans within the historical tissue. The analytical phase of reading leads to understand these dynamic process that have historically caused the settling down order and the territorial structure. On the analogy of the literature we can assert that the territorial palimpsest accords with the man history text and to be understood should be read with the logic of the plan, the elect instrument of the architectonic discipline. The main document for reading is the survey. To submit the urban form of Pisa to the experimental research of the reading by using new digital instruments is an opportunity of search and synthesis of the acquired knowledges besides to test new analithical methodologies both in the field of historical and archaeologic studies and in those of the town-planning and architecture. For the first time the digital threedimensional models of Pisa and its territory take part of this instrumental system, potentially open to new modes of use. Particularly the 3D representation of the town is a technical support for many and multiform applications. However, these new instruments of representation need to be connected with new methods of ‘reading’ and interpretation.KEYWORDS: 3D city model, G.I.S., territory and town, reading and typological interpretation
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Rosemary, Rizanna, Novi Susilawati, and Annisa Hanifah. "Pengungkapan Diri Selebgram Aceh melalui Instagram Story." Jurnal Komunikasi Global 11, no. 1 (June 28, 2022): 88–111. http://dx.doi.org/10.24815/jkg.v11i1.24964.
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Fitur Instagram Story banyak digunakan oleh pengguna Instagram sebagai media pengungkapan diri kepada pengikutnya. Penelitian ini bertujuan mengetahui pengungkapan diri selebgram melalui Instagram Story yang dianalisis berdasarkan Teori Jendela Johari. Data penelitian diperoleh melalui wawancara dan pengamatan pengungkapan diri dengan memaparkan dan menjelaskan kegiatan atau interaksi selebgram Aceh, @Khalidamakmoer dan @Ririnputrianjani dengan pengikutnya di Instagram. Hasil penelitian menunjukkan bahwa pengungkapan diri selebgram dalam penelitian ini termasuk dalam kategori dua Jendela Johari, yaitu daerah terbuka dan daerah tersembunyi. Kedua selebgram melalui Instagram Story membagikan informasi terkait diri dan kegiatan sehari-hari mereka, hobi, pengalaman, pendidikan, pekerjaan, impian, perasaan, dan hal-hal yang disukai. Dampak positif yang dirasakan dari pengungkapan diri tersebut berupa pembentukan hubungan baru, peningkatan kualitas pertemanan, dan menjadi sumber penghasilan para selebgram melalui unggahan mereka di Instagram Story. Dampak negatif yang dirasakan dari pengungkapan diri tersebut adalah mendapatkan perlakuan yang kurang baik seperti komentar kebencian, hingga menjadi korban kejahatan pada media sosial di mana foto dan video yang mereka unggah dimanfaatkan oleh orang yang tidak bertanggung jawab untuk menipu orang lain. The feature of Instagram Story has been used widely by Instagram users as a medium of selfdisclosure to their followers. This study aims to explore self-disclosure of celebgrams through Instagram Story, analyzed based on the Johari Window Model. The research data was obtained through interviews and observations of Aceh celebgrams, @Khalidamakmoer and @Ririnputrianjani by describing and explaining their posts or interactions with their followers. The results showed that celebgram's self-disclosure in this study was included in the two Johari Window categories, namely open areas and hidden areas. Both celebgrams, through Instagram Stories, shared information regarding themselves and their daily activities, hobbies, experiences, education, work, dreams, feelings, and things they like. The positive impacts of the self-disclosure were forming new relationships, improving the quality of friendship, and becoming a source of income for celebgrams through their posts on Instagram Stories. Meanwhile, the negative impacts of self-disclosure were getting unfavourable experiences, such as hate comments, and becoming victims of crime on social media when irresponsible people use the photos and videos they uploaded to deceive others.
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Sutanto, Shienny Megawati. "Dekonstruksi Representasi Perempuan pada Poster Film Pahlawan Super Produksi Hollywood." ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia 6, no. 1 (March 20, 2020): 1–17. http://dx.doi.org/10.33633/andharupa.v6i1.3234.
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AbstrakDekonstruksi representasi perempuan dalam film, sebagai bentuk ekspresi sosial budaya, merupakan sebuah upaya untuk membongkar tradisi yang didominasi nilai-nilai patriaki baik yang digambarkan secara terang-terangan maupun tersamar. Tujuan dari upaya tersebut untuk memperlihatkan bagaimana hegemoni dari nilai patriarki yang selalu menempatkan perempuan pada posisi marginal, dieksploitasi, dan diobjekkan oleh laki-laki. Beberapa perilaku perempuan dalam film direpresentasikan untuk dikonstruksikan secara normatif oleh masyarakat daripada perilaku lainnya. Representasi perempuan dalam film bergenre superhero baru mengalami perbaikan sejak akhir dekade lalu. Superhero perempuan mulai ditampilkan karakternya dan direpresentasikan sebagai individu yang mandiri berkepribadian kuat, mereka memiliki impian, cita-cita dan keinginan sendiri yang tidak berhubungan dengan menjadi objek afeksi karakter laki-laki. Cerita dan penokohan dalam film terefleksikan jelas pada visualisasi karakter dan materi promosi film berupa poster. Kata Kunci: dekonstruksi patriarki, gender, semiotik, film Hollywood, poster AbstractThe deconstruction of the representation of women in film, as a form of socio-cultural expression, is an attempt to dismantle traditions that are dominated by patriarchal values either explicitly or disguised. The purpose of these efforts is to show the hegemony of patriarchal value that always puts women in a marginal position, exploited and objectified by men. Some women's behaviors in the film represented to construed normatively by society instead of other attitudes. Representation of woman characters in the superhero film genre started to improve since the last decade. Female superheroes begin showing character and represented as independent individuals strong personalities, have dreams, have goals, have desires of their own that are unrelated to become the object of affection of a male character. Stories and characterizations in films are cleary reflected in the visualization of the characters and promotional material in the form of posters. Keywords: gender, Hollywood movie, patriarchy deconstruction, poster, semiotic
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Tjipto R, Sudjadi. "PERJALANAN FANTASI MENEMBUS RUANG DAN WAKTU (Analisis Semiotika Film The Time Machine)." REKAM: Jurnal Fotografi, Televisi, dan Animasi 11, no. 1 (March 16, 2016): 11. http://dx.doi.org/10.24821/rekam.v11i1.1292.
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Cerita klasik usaha manusia untuk menaklukkan ruang dan waktu sudah menjadi impian sejak dahulu. Novel fiksi ilmiah terkenal The Time Machine (1895) karya H.G. Wells merupakan salah satu cerita klasik fantasi ilmiah manusia menembus batasan ruang dan waktu. Film sebagai hasil kreativitas insan menjadi media hiburan yang digemari karena mampu mewujudkan imajinasi mengarungi waktu. Hal ihwal yang belum dapat tercapai saat ini, lewat media film terwujudkan. Film fiksi ilmiah (science fiction) adalah genre film yang muncul sebagai medium realisasi imajinasi. Pada tahun 2002 industri film Hollywood memproduksi kembali cerita klasik populer The Time Machine. Dengan menggunakan metode analisis semiotika penelitian ini berkeinginan mengkaji film fiksi ilmiah The Time Machine untuk membongkar kepalsuan pencapaian teknologi yang dilakukan Hollywood sebagai kapanjangan tangan negara adidaya. Dari hasil penelitian diharapkan muncul kesadaran kritis penonton untuk tidak secara langsung mempercayai apa yang ditontonnya dan menyadari bahwa yang dilihatnya adalah sebuah imajinasi palsu.Fantasy Trip Entering the Space and Time (Semiotics Analysis on Film The Time Machine). Classic stories about human’s dreams to conquer space and time have been existing since long time ago. One of the most known science fiction novel about space and time wanderers is The Time Machine (1895) by H.G. Wells. This novel was than adapted in the movie with the same title (2002) by movie industry in Hollywood. This movie is both a form of a creative work and on the other hand is entertaining. This movie was very popular at the time because it could express the human imagination of time wanderers and the technology used and at the same time could realize it although only in a movie form. The technology of the time wandering itself is impossible at the time, even nowaday. Science fiction is then known as a genre of movie which could realize human imaginations. Using semiotic analysis, this study is trying to review this movie to show the fake thruths that Hollywood is than just a part of super power state (US) statements. The result of the study is trying to give references to audience that the movie they might watch might be just a fake imagination.
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Rahman, Ari, Ariyanti Sarwono, I. Wayan Koko Suryawan, Muhammad Ridho Marsono, Wira Aulia, A'qotrunnada Khalishah Ismaini, Eka Vindriani, et al. "Penyuluhan di Sekolah Luar Biasa Yayasan Amal Mulia Indonesia untuk Meraih Mimpi Membangun Prestasi Bersama." Lumbung Inovasi: Jurnal Pengabdian kepada Masyarakat 7, no. 2 (June 17, 2022): 148–52. http://dx.doi.org/10.36312/linov.v7i2.681.
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Anak berkebutuhan khusus (ABK) merupakan anak yang secara signifikan mengalami perbedaan dalam pertumbuhan dan perkembangannya baik dalam bentuk kekurangan ataupun kelebihan yang dapat diketahui secara psikis, emosional, fisik, intelektual maupun sosial. Permasalahan yang sering terjadi pada anak berkebutuhan khusus (ABK) adalah kurangnya motivasi serta semangat untuk mengejar impian. Program Studi Teknik Lingkungan bekerjasama dengan Departemen Sosial Masyarakat Himpunan Mahasiswa Teknik Lingkungan Universitas Pertamina terpanggil untuk ikut berperan aktif dalam meningkatkan semangat bagi anak berkebutuhan khusus. Tujuan kegiatan ini adalah mengembangkan potensi dan semangat anak-anak berkebutuhan khusus di sekolah luar biasa (SLB) dalam mengejar mimpi, meningkatkan semangat mewujudkan mimpi anak berkebutuhan khusus melalui pengajaran yang inovatif dan menyenangkan, serta edukasi lingkungan dan kesehatan. Kegiatan dilaksanakan melalui diskusi kelompok yang diisi lewat berbagi cerita dan pengetahuan tentang cita-cita Selain itu, dilakukan juga pembiasaan hidup sehat seperti bagaimana mencuci tangan, menggosok gigi dengan baik, dan senam pagi untuk meningkatkan kebugaran tubuh. Kegiatan diakhiri dengan mewarnai yang hasilnya dipajang di kelas Counseling at Special Schools (SLB) Yayasan Amal Mulia Indonesia to Achieve Dreams Building Achievements Together Children with special needs (ABK) are children who experience significant differences in their growth and development either in the form of deficiencies or advantages that can be identified psychologically, emotionally, physically, intellectually and socially. The problem that often occurs in children with special needs (ABK) is the lack of motivation and enthusiasm to pursue dreams. The Environmental Engineering Study Program in collaboration with the Department of Social Community Environmental Engineering Student Association of Pertamina University is called to take an active role in increasing enthusiasm for children with special needs. The purpose of this activity is to develop the potential and enthusiasm of children with special needs in special schools (SLB) in pursuing their dreams, to increase the spirit of realizing the dreams of children with special needs through innovative and fun teaching, as well as environmental and health education. The activity was carried out through group discussions filled with sharing stories and knowledge about goals. In addition, healthy living habits were also carried out such as how to wash hands, brushing teeth well, and doing morning exercises to improve body fitness. The activity ended with coloring, the results of which were displayed in class.
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., Dewa Made Johana, I. Wayan Sudiarta, S. Pd ,. M. Si ., and Drs I. Gusti Ngurah Sura Ardana,M Sn . "KISAH KESENIMANAN RAKA SUWASTA DI DALAM PENJARA." Jurnal Pendidikan Seni Rupa Undiksha 8, no. 2 (February 21, 2018): 113. http://dx.doi.org/10.23887/jjpsp.v8i2.13358.
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Penelitian ini bertujuan untuk mendeskripsikan: (1) riwayat/perjalan berkesenian Raka Suwasta. (2) proses berkesenian Raka Suwasta dalam penjara (3) kisah yang tersimpan di balik karya-karya yang dihasilkan Raka Suwasta di dalam penjara. Pengumpulan data dalam penelitian ini dilakukan dengan teknik (1) observasi, (2) wawancara,(3) dokumentasi, (4) life history, dan (5) kepustakaan. Instrumen yang digunakan adalah (1) instrumen observasi, instrumen wawancara, instrumen dokumentasi, instrumen life history dan instrumen kepustakaan. Analisis data yang digunakan adalah analisa interaktif. Hasil penelitian ini adalah: (1) riwayat kesenimanan Raka Suwasta yaitu Raka suwasta lahir di Denpasar tahun 1940, Raka Suwasta belajar melukis secara ototidak (2) Proses Berkesenian Raka Suwasta dalam penjara berawal dari tekanan batin yang beliau rasakan ketika menjalani masa tahanan pada tahun 1965, yang kemudian melahirkan ide berupa karya-karya yang bertemakan suasana di lingkungan penjara, karya-karya tesebut berupa sketsa yang menggunakan media pensil dan tinta di atas kertas (3) Kisah yang tersimpan di balik karya-karya yang dihasilkan Raka Suwasta di dalam penjara. (1) Potret sipir, (2) Impian Raka Suwasta (3) Kampung di luar lapas (4) Kehancuran (5) Potret Sudiana (6) Suasana di luar lapas, (7) Kak Lingkuh.
Kata Kunci : kisah kesenimanan, penjara, raka suwasta This study aims to describe: (1) History / journey of art Raka Suwasta. (2) The Raka Suwasta Arts Process In Prison (3) The story kept behind the works produced by Raka Suwasta In Prison. Data collection in this research was done by technique (1) observation, (2) interview, (3) documentation, (4) life history, and (5) bibliography. The instruments used are (1) observation instruments, interview instruments, documentation instruments and literature instruments. Analysis of the data used is interactive analysis. The results of this research are: (1) History of Raka Suwasta Kesenimanan namely Raka suwasta born in Denpasar 1940, Raka Suwasta learned to paint muscularly (2) Raka Suwasta Arts Process In Prison originated from the inner pressure he felt when serving in prison in 1965 , which then gave birth to the idea of works with the theme of atmosphere in the prison environment, the works tesebut in the form of sketches that use pencil and ink media on paper (3) The story is stored behind the works produced by Raka Suwasta In Prison. (1) Portrait of warden, (2) Raka Suwasta dream (3) Village outside prison (4) Destruction (5) Sudiana Portrait (6) Atmosphere outside prison, (7) Kak Lingkuh.keyword : stories of art, prisons, raka suwasta
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ABDULAH, DUDUNG. "NILAI MORAL DALAM TOKOH CERITA BUAYA LEARISA KAYELI: KAJIAN SASTRA ANAK [Moral Value in Character of Learisa Kayeli's Crocodile Story: A Study of Children's Literature]." TOTOBUANG 9, no. 2 (December 22, 2021): 315–29. http://dx.doi.org/10.26499/ttbng.v9i2.327.
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This study aims to discover the moral value in character of Learisa Kayeli's Crocodile story written and developed by Asrif. Literary studies talking about children's literature through Maluku folklore are still not found in scientific journals. Therefore, the theory used in this study is the children’s literature theory of Burhan Nurgiyantoro. The research method used descriptive method of content analysis. This study describes the qualifications and disclosure of the character from the story as an introduction in interpreting the moral values. This story was chosen because (1) it has never been examined using children's literature theory; (2) the important characters are played by animal characters and result in more readers’ imagination compared to stories with human characters; (3) this story is intended for children especially for the fourth, fifth, and sixth graders; (4) it has a complete storyline; and (5) it is printed Maluku folklore written in Indonesian and went through digitalization process. This study concludes that there are seven moral values conveyed by the author in character of Learisa Kayeli's Crocodile story, namely: (1) do not be afraid to defend the truth or to quell tyranny even though life is at stake in order to create a harmonious and peaceful life; (2) appreciate the one who has contributed in (saving) your life in order to establish eternal brotherhood until the end of life; (3) do not disturb the peace of other people's lives so that your lives remain fortune; (4) never give up in trying to do something so that your dreams can be achieved; (5) make good friends with others so that you may be accepted by anyone and anywhere including in any new environment; (6) be patient in solving any obstacles in life so you can cherish other people; and (7) be wise to the surrounding environment in order to create a healthy natural balance so that it can provide benefits for mankind. Kajian ini bertujuan menelusuri nilai moral dalam tokoh cerita rakyat Maluku berjudul Buaya Learisa Kayeli yang ditulis dan dikembangkan oleh Asrif. Kajian sastra yang mengangkat tentang sastra anak melalui cerita rakyat Maluku masih belum ditemukan dalam karya ilmiah. Teori yang digunakan dalam kajian ini adalah teori sastra anak. Metode penelitian yang digunakan adalah metode deskriptif analisis. Kajian ini mendeskripsikan kualifikasi dan pengungkapan watak tokoh cerita sebagai pengantar dalam menafsirkan nilai moral yang terkandung di dalamnya. Cerita ini dipilih karena (1) belum pernah dikaji melalui kajian sastra anak; (2) para tokoh penting diperankan oleh karakter binatang sehingga nilai fantasinya lebih tinggi daripada cerita dengan tokoh manusia; (3) cerita ini diperuntukkan bagi anak-anak terutama kelas 4, 5, dan 6; (4) memiliki cerita yang utuh; dan (5) merupakan cerita rakyat Maluku yang sudah dibukukan dan sudah berbahasa Indonesia bahkan sudah mengalami proses digitalisasi. Hasil kajian menunjukkan bahwa ada tujuh nilai moral yang disampaikan pengarang dalam tokoh cerita Buaya Learisa Kayeli, yaitu (1) janganlah takut membela kebenaran/menumpas kezaliman meskipun nyawa menjadi taruhannya supaya tercipta kehidupan yang harmonis dan tenteram; (2) hargailah orang yang telah berjasa dalam (menyelamatkan) hidupmu supaya terjalin persaudaraan yang abadi sampai akhir hayat; (3) janganlah suka mengganggu ketenangan hidup orang lain supaya tidak bernasib buruk di kemudian hari; (4) jangan pernah menyerah dalam berusaha supaya impianmu bisa tercapai; (5) berperangailah dengan baik terhadap orang lain supaya kamu bisa diterima oleh siapa pun dan di mana pun termasuk di lingkungan baru sekali pun; (6) bersabarlah dalam menghadapi rintangan kehidupan supaya buah dari kesabaran itu bisa bermanfaat bagi orang lain; dan (7) bersikap bijaklah terhadap lingkungan sekitar supaya tercipta keseimbangan alam yang sehat sehingga bisa memberikan keuntungan bagi umat manusia.