Relevant bibliographies by topics / Imperialism in motion pictures

Academic literature on the topic 'Imperialism in motion pictures'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 February 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Imperialism in motion pictures.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Journal articles on the topic "Imperialism in motion pictures":

1

Nangimah, Musrifatun. "The cultural repertoire of recontextualized superhero in the Avengers sequels." EduLite: Journal of English Education, Literature and Culture 6, no. 2 (August 31, 2021): 353. http://dx.doi.org/10.30659/e.6.2.353-368.

Full text
APA, Harvard, Vancouver, ISO, and other styles
Abstract:
This research presents content analysis to the cultural repertoire of Marvel Cinematic Universe�s superhero motion pictures. It investigates the content, theme, and core ideas of Avengers sequels: The Avengers (2012), Avengers: Age of Ultron (2015), Avengers: Infinity War (2018), and Avengers: Endgame (2019). It explores how the Avengers sequels portrays recontextualization of superhero characters and whether as well as to what extent it provides US cultural monomyth. The finding shows that each character of the Avengers has flaws and vulnerabilities as common human beings that leave them from traditional superhero monomyth. Nevertheless, it still illustrates US cultural imperialism, pharmakon portrayal, hegemonic masculinity, and sovereignty. These motion pictures still serve US heroism and patriotism interest as well as binary interplay: order-chaos, law-violence and villain-superhero that occurs among superheroes, extra-terrestrial race, robots and Titans despite its recontextualized characters. Moreover, it depicts the traditional masculine ideal valorisation where men are more likely powerful, intelligent, and equipped by sophisticated technology whereas women are seen as supportive superheroes with implied beauty standards. The recommendation for future research is discussed.
2

Geiger, Jeffrey. "Exquisite wonder: Colour film, realism and the Yankee voyage, 1936–38." Journal of New Zealand & Pacific Studies 8, no. 1 (May 1, 2020): 57–79. http://dx.doi.org/10.1386/nzps_00015_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
Abstract:
This article looks at rare Kodachrome film taken across Oceania, mostly shot by a skilled amateur filmmaker, Edmund Zacher, to document the circumnavigation of the famous clipper Yankee. There are three intertwined lines of inquiry traced here. The first explores relations between US imperialism, moving image media and a popular imaginary, considering how experiences of virtual travel engage with cultural ideology. The second examines how this footage may be interpreted: how might critical frameworks brought to bear on amateur non-fiction differ from those commonly applied to professional and narrative fiction film? A key reference point is the theory of cinematic gesture developed by Giorgio Agamben, who expands on the work of Gilles Deleuze and his notion of the movement image. This stress on gesture and on the mediality of moving images leads towards a third key area under consideration: colour and the (then) new medium of Kodachrome. Homing in on relations between colour stock and motion picture realism, this study explores the ways that Kodachrome colour might have affected broader perceptions of the world itself.
3

Young, Linda. "Motion Pictures." SMPTE Journal 105, no. 4 (April 1996): 177–78. http://dx.doi.org/10.5594/j15829.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Masson, Alan J. "Motion Pictures." SMPTE Journal 108, no. 2 (February 1999): 75–78. http://dx.doi.org/10.5594/j17112.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Masson, Alan J. "Motion Pictures." SMPTE Journal 107, no. 1 (January 1998): 11–13. http://dx.doi.org/10.5594/j17616.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Bonnaud, Irène, Suzanne Doppelt, Christophe Triau, and Sacha Zilberfarb. "Motion pictures." Vacarme 15, no. 2 (2001): 60. http://dx.doi.org/10.3917/vaca.015.0060.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Burns, Edward J. "Motion Pictures." SMPTE Journal 97, no. 4 (April 1988): 268–74. http://dx.doi.org/10.5594/j00667.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Young, Linda. "Motion Pictures." SMPTE Journal 106, no. 1 (January 1997): 9–11. http://dx.doi.org/10.5594/j09530.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Ricotta, Frank J. "Motion Pictures." SMPTE Journal 104, no. 4 (April 1995): 186–88. http://dx.doi.org/10.5594/j09609.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Ricotta, Frank J. "Motion Pictures." SMPTE Journal 103, no. 4 (April 1994): 211–15. http://dx.doi.org/10.5594/j09688.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources
You might also be interested in the extended bibliographies on the topic 'Imperialism in motion pictures' for particular source types:
Journal articles Dissertations / Theses Books

Dissertations / Theses on the topic "Imperialism in motion pictures":

1

Li, Chun-hoi Benjamin, and 李俊海. "Madame butterfly and orientalism." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952732.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Bae, Juyeon. "The representation of Asian others in Korean cinema since 2003 : multiculturalism, nationalism and sub-imperialism." Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/33610/.

Full text
APA, Harvard, Vancouver, ISO, and other styles
Abstract:
This thesis elucidates current industrial and representational tendencies in South Korean films that depict Asian others. Asian others such as migrant workers, marriage migrants, overseas ethnic Koreans and North Korean defectors have become increasingly important in South Korean filmic discourse and practice since 2003. This thesis examines how contemporary Korean cinema has responded to the multicultural society and how it seeks to articulate Korean nationalism in the globalised era through the appropriation of Asian others. Such films are intertwined with governmental policies of multiculturalism and discourses on globalisation and thus reflect historical formations both inside and outside South Korean cinema. In particular, this thesis places the celebration of multicultural identity in Korean cinema into dialogue with existing debates on nationalism and sub-imperialism. Through case studies of selected films, this thesis investigates the tension between a changing society and emerging sub-imperial perspectives. The specific interest of this thesis lies in the examination of historical, geopolitical and socio-cultural trajectory in the representation of Asian others, since this discursive structure has been formed around Asia and its regional socio-political history. In doing so, this thesis aims to shift the discursive sphere of these films, which is limited to the discussion of multiculturalism and globalisation, to an expanded sphere which embraces historical and regional perspectives.
3

Lam, Sui-kwong Sunny. "The impact of translated Japanese comics on Hong Kong cinematic production : cultural imperialism or local redeployment? /." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18598389.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Li, Chun-hoi Benjamin. "Madame butterfly and orientalism." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B22535305.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Lam, Sui-kwong Sunny, and 林萃光. "The impact of translated Japanese comics on Hong Kong cinematic production: cultural imperialism or localredeployment?" Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B29902289.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Emerson, John. "The representation of the colonial past in French and Australian cinema, from 1970 to 2000 /." Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09PH/09phe536.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Cazdyn, Eric M. "Problem cinema : culture, capital and form in Japan /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9908497.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Chan, Kim-mui Eileen. "Postmodernity and recent Hong Kong cinema /." Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18539191.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Carbonaro, Joseph. "Enabling church members to evaluate the moral content of feature films." Theological Research Exchange Network (TREN), 1997. http://www.tren.com.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Tam, Siu-yan Xavier. "Between penumbrae and shadow contextualizing transnational queer Chinese cinemas /." Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B44142663.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Imperialism in motion pictures":

1

James, Chapman. Projecting empire: Imperialism and popular cinema. London: I.B. Tauris, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Chapman, James. Projecting empire: Imperialism and popular cinema. London: I.B. Tauris, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Anderson, Mark Cronlund. Cowboy imperialism and Hollywood movies. New York: P. Lang, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Stollery, Martin. Alternative empires: Soviet montage cinema, the British documentary movement & colonialism. [s.l.]: typescript, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Sherzer, Dina. Cinema, colonialism, postcolonialism: Perspectives from the French and francophone world. Austin: University of Texas Press, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Eades, Caroline. Le cinéma post-colonial français. Paris: Éditions du Cerf, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Izhar, Dror. Quit India: The image of the Indian patriot on the commercial British film and television, 1956-1985. Newcastle upon Tyne, UK: Cambridge Scholars Pub., 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Limbrick, Peter. Making settler cinemas: Film and colonial encounters in the United States, Australia, and New Zealand. New York: Palgrave Macmillan, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Adolfo, Colombres, ed. Cine, antropología y colonialismo. 2nd ed. Buenos Aires: Ediciones Del Sol, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Grieveson, Lee, and Colin MacCabe. Empire and film. London: Palgrave Macmillan on behalf of the British Film Institute, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Imperialism in motion pictures":

1

Germann, Christophe. "Chapter 7. Content Industries and Cultural Diversity: The Case of Motion Pictures." In Cultural Imperialism, edited by Bernd Hamm and Russell Smandych, 93–113. Toronto: University of Toronto Press, 2005. http://dx.doi.org/10.3138/9781442602090-014.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

kydd, Elspeth. "Motion Pictures." In The Critical Practice of Film, 17–37. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34527-0_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Kamada, Seiichi. "Motion Pictures." In Springer Monographs in Mathematics, 39–73. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-4091-7_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Kamada, Seiichi. "Motion pictures." In Mathematical Surveys and Monographs, 63–70. Providence, Rhode Island: American Mathematical Society, 2002. http://dx.doi.org/10.1090/surv/095/09.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Walters, James. "Perpetual motion pictures." In The Routledge Companion to World Cinema, 382–92. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315688251-32.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Czitrom, Daniel. "Early Motion Pictures." In Communication in History, 175–83. Seventh edition. | New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315189840-26.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Prinz, Jesse. "Affect and Motion Pictures." In The Palgrave Handbook of the Philosophy of Film and Motion Pictures, 893–921. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19601-1_38.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Walls, W. David. "Motion Pictures, Economics of." In The New Palgrave Dictionary of Economics, 1–7. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/978-1-349-95121-5_1942-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Walls, W. David. "Motion Pictures, Economics of." In The New Palgrave Dictionary of Economics, 9164–70. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_1942.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Sigal, Leonid, and Michael J. Black. "Predicting 3D People from 2D Pictures." In Articulated Motion and Deformable Objects, 185–95. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11789239_19.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Imperialism in motion pictures":

1

Lagendijk, R. L., and M. I. Sezan. "Motion compensated frame rate conversion of motion pictures." In [Proceedings] ICASSP-92: 1992 IEEE International Conference on Acoustics, Speech, and Signal Processing. IEEE, 1992. http://dx.doi.org/10.1109/icassp.1992.226178.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Karaki, Koichi, Hiroko Sasaki, and Masaharu Mitsunaga. "Holographic motion pictures by hole burning." In International Conferences on Optical Fabrication and Testing and Applications of Optical Holography, edited by Toshio Honda. SPIE, 1995. http://dx.doi.org/10.1117/12.215315.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Alexander, P. "Development of integral holographic motion pictures." In Display Holography: Fifth International Symposium, edited by Tung H. Jeong. SPIE, 1995. http://dx.doi.org/10.1117/12.201899.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Chuang, Yung-Yu, Dan B. Goldman, Ke Colin Zheng, Brian Curless, David H. Salesin, and Richard Szeliski. "Animating pictures with stochastic motion textures." In ACM SIGGRAPH 2005 Papers. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1186822.1073273.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Holynski, Aleksander, Brian Curless, Steven M. Seitz, and Richard Szeliski. "Animating Pictures with Eulerian Motion Fields." In 2021 IEEE/CVF Conference on Computer Vision and Pattern Recognition (CVPR). IEEE, 2021. http://dx.doi.org/10.1109/cvpr46437.2021.00575.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Baecker, Ronald, Alan J. Rosenthal, Naomi Friedlander, Eric Smith, and Andrew Cohen. "A multimedia system for authoring motion pictures." In the fourth ACM international conference. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/244130.244142.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Mayhew, Christopher A. "True Three-Dimensional Animation In Motion Pictures." In OE LASE'87 and EO Imaging Symp (January 1987, Los Angeles), edited by David F. McAllister and Woodrow E. Robbins. SPIE, 1987. http://dx.doi.org/10.1117/12.940133.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Abdulsamet, Hasiloglu, and Tosun Olcay. "Identification system from motion pictures: LBPH application." In 2017 International Conference on Computer Science and Engineering (UBMK). IEEE, 2017. http://dx.doi.org/10.1109/ubmk.2017.8093546.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Awatsuji, Yasuhiro, Aya Komatsu, Masatomo Yamagiwa, and Toshihiro Kubota. "Motion pictures of propagating ultrashort laser pulses." In 26th International Congress on High-Speed Photography and Photonics, edited by Dennis L. Paisley, Stuart Kleinfelder, Donald R. Snyder, and Brian J. Thompson. SPIE, 2005. http://dx.doi.org/10.1117/12.567035.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

MAEDA, Toshiyuki, Masumi YAJIMA, and Akiyoshi WAKATANI. "Frequency-based Skill Analysis for Motion Pictures." In 2018 12th France-Japan and 10th Europe-Asia Congress on Mechatronics. IEEE, 2018. http://dx.doi.org/10.1109/mecatronics.2018.8495892.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Imperialism in motion pictures":

1

Koschmann, Anthony, and Yi Qian. Latent Estimation of Piracy Quality and its Effect on Revenues and Distribution: The Case of Motion Pictures. Cambridge, MA: National Bureau of Economic Research, August 2020. http://dx.doi.org/10.3386/w27649.

Full text
APA, Harvard, Vancouver, ISO, and other styles

To the bibliography