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1

Henry, Merryman John, ed. Imperialism, art and restitution. Cambridge: Cambridge University Press, 2006.

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2

1967-, Scott Sarah, and Webster Jane, eds. Roman imperialism and provincial art. Cambridge, UK: Cambridge University Press, 2003.

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3

Yorgun, İbrahim. The patronage of the mightier: Ankara's cross-Atlantic prescriptions from America in the 50s. Istanbul: Libra, 2019.

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4

Durakovic, Nermin, and Jeppe Wedel-Brandt. Hvidt støv: En antologi om 'busteaktionen' og det vi taler om, når vi taler om den. Aarhus: Antipyrine, 2021.

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5

Sung, Victoria, and Liv Porte. Candice Lin: Seeping, rotting, resting, weeping. Cambridge, MA: Carpenter Center for the Visual Arts, 2021.

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6

Martial, Jacques, and J. A. Mbembé. Sexe, race & colonies. Paris: La Découverte, 2018.

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7

Yūko, Kikuchi, ed. Refracted modernity: Visual culture and identity in colonial Taiwan. Honolulu: University of Hawaii Press, 2007.

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8

Soulages, François. Frontières & artistes: Espace public, mobilité, (post)colonialisme en Méditerranée. Paris: L'Harmattan, 2014.

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9

Sara, Friedrichsmeyer, Lennox Sara, and Zantop Susanne 1945-, eds. The imperialist imagination: German colonialism and its legacy. Ann Arbor: University of Michigan Press, 1998.

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10

(Gallery), São Roque. Portugal, the first global empire. Lisboa: São Roque, antiquités et galerie d'art, 2018.

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11

SALT Galata (Institution : Istanbul, Turkey), ed. Decolonising museums. [Ghent?]: L'Internationale Online, 2015.

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12

Romano, Silva, ed. The power of images, the images of power: Lucca as an imperial city : political iconography. Munich: Deutscher Kunstverlag, 2007.

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13

Siekmann, Andreas, and Max Hinderer. Principio Potosí: ¿cómo podemos cantar el canto del señor en tierra ajena? Edited by Museo Nacional Centro de Arte Reina Sofía, Haus der Kulturen der Welt, Museo Nacional de Arte (Bolivia), and Museo Nacional de Etnografía y Folklore (Bolivia). Madrid: Museo Nacional Centro de Arte Reina Sofía, 2010.

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14

Pereira, Teresa Matos. Uma travessia da colonialidade: Pintura, coleções e intervisualidades. Lisboa, Portugal: Caleidoscópio, 2019.

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15

Locke, Hew. Hew Locke. Walsall: New Art Gallery, 2005.

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16

Acquarelli, Luca. Il fascismo e l'immagine dell'Impero: Retoriche e culture visuali. Roma: Donzelli editore, 2022.

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17

Tiffin, Sarah. Southeast Asia in ruins: Art and empire in the early 19th century. Singapore: NUS Press, 2016.

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18

H, Bernstein Alvin, ed. Polybius on Roman imperialism: The histories of Polybius. Lake Bluff, Ill: Regnery Gateway, 1987.

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19

Gabaudan, Paulette. El mito imperial: Programa iconográfico de la Universidad de Salamanca. [Spain]: Junta de Castilla y León, Consejería de Educación y Cultura, 1998.

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20

McNeece, Lucy Stone. Art and politics in Duras' India cycle. Gainesville: University Press of Florida, 1996.

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21

Coetzee, Cyril. T'kama-Adamastor: Inventions of Africa in a South African painting. Johannesburg: University of the Witwatersrand, 2000.

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22

Geoff, Quilley, and Kriz Kay Dian 1945-, eds. An economy of colour: Visual culture and the Atlantic world, 1660-1830. Manchester: Manchester University Press, 2003.

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23

Mario, Proto. I due imperi: Ideologie della guerra tra modello prussiano e neoconservatorismo americano. Manduria (Taranto) [etc.]: P. Lacaita, 2005.

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24

Laederich, Pierre. Les limites de l'Empire: Les stratégies de l'impérialisme romain dans l'oeuvre de Tacite. Paris: Economica : CFHM (Commission Française d'Histoire Militaire) : ISC (Institut se Stratégie Comparée), 2001.

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25

Merryman, John Henry. Imperialism, Art and Restitution. Cambridge University Press, 2006.

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26

Merryman, John Henry. Imperialism, Art and Restitution. Cambridge University Press, 2009.

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27

Imperialism and Theatre. London: Taylor & Francis Group Plc, 2004.

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28

Roman Imperialism and Provincial Art. Cambridge University Press, 2003.

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29

Robert, Irwin. The Art of Orientalism. Allen Lane, 2009.

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30

Hirsch, Afua. Empire. Tate Publishing, Limited, 2021.

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31

King, Catherine. Views of Difference: Different Views of Art (Art and Its Histories Series). Yale University Press, 1999.

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32

King, Catherine. Views of Difference: Different Views of Art (Art and Its Histories Series). Yale University Press, 1999.

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33

Varnava, Andrekos, and Richard Scully. Comic Empires: Imperialism in Cartoons, Caricature, and Satirical Art. Manchester University Press, 2022.

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34

Lester, Alan, Andrekos Varnava, and Richard Scully. Comic Empires: Imperialism in Cartoons, Caricature, and Satirical Art. Manchester University Press, 2019.

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35

Lester, Alan, Andrekos Varnava, and Richard Scully. Comic Empires: Imperialism in Cartoons, Caricature, and Satirical Art. Manchester University Press, 2019.

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36

Art, Trade, and Imperialism in Early Modern French India. Amsterdam University Press, 2019.

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37

Seen and Unseen : Visual Cultures of Imperialism: Visual Cultures of Imperialism. BRILL, 2017.

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38

The Art of Resistance: On Theatre, Activism and Solidarity. Verbrecher Verlag, 2020.

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39

Illustrating Empire A Visual History Of British Imperialism. Bodleian Library, 2011.

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40

Views of difference: Different views of art. New Haven: Yale University Press in association with the Open University, 1999.

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41

Candice Lin: Pigs and Poison. Mousse Magazine and Publishing, 2023.

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42

Carter, Warren. Art after Empire: From Colonialism to Globalisation. Manchester University Press, 2018.

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43

Hixson, Walter L. Imperialism and War: The History Americans Need to Own. Institute for Research, 2021.

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44

The Potosí Principle: How Can We Sing the Song of the Lord in an Alien Land? Distributed Art Pub Inc, 2011.

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45

Paulo Nazareth: Melee. Hirmer Verlag GmbH, 2021.

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46

Kikuchi, Yuko. Refracted Modernity: Visual Culture and Identity in Colonial Taiwan. University of Hawaii Press, 2007.

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47

Refracted modernity: Visual culture and identity in colonial Taiwan. Honolulu, HI: University of Hawai'i Press, 2008.

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48

Hichberger, J. W. M. Images of the Army: The Military in British Art, 1815-1914 (Studies in Imperialism). Manchester Univ Pr, 1991.

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49

Sampson, Gary D., and Eleanor M. Hight. Colonialist Photography: Imaging Race and Place. Taylor & Francis Group, 2013.

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50

Sampson, Gary D., and Eleanor M. Hight. Colonialist Photography: Imaging Race and Place. Taylor & Francis Group, 2013.

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