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Mdudumane, Khayalethu. "The historical productions of Cecil John Rhodes in 20th century Cape Town." Thesis, University of the Western Cape, 2005. http://etd.uwc.ac.za/index.php?module=etd&.
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This thesis analysed the historical productions of Rhodes in 20th century Cape Town. The critique of this study was that Cape Town embodies the history of imperialism in maintaining the memory of Rhodes. The thesis examined the following sites: Rhodes Cottage Museum, Rhodes Groote Schuur minor house, Rhodes Memorial and two statues, one in the Company Gardens at Cape Town and the other at the University of Cape Town.
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Sewell, William Shaw. "Japanese imperialism and civic construction in Manchuria, Changchun, 1905--1945." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ48709.pdf.
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Lin, Lidan. "The Rhetoric of Posthumanism in Four Twentieth-Century International Novels." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc278990/.
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The dissertation traces the trope of the incomplete character in four twentieth-century cosmopolitan novels that reflect European colonialism in a global context. I argue that, by creating characters sharply aware of the insufficiency of the Self and thus constantly seeking the constitutive participation of the Other, the four authors E. M. Forster, Samuel Beckett, J. M. Coetzee, and Congwen Shen all dramatize the incomplete character as an agent of postcolonial resistance to Western humanism that, tending to enforce the divide between the Self and the Other, provided the epistemological basis for the emergence of European colonialism. For example, Fielding's good-willed aspiration to forge cross-cultural friendship in A Passage to India; Murphy's dogged search for recognition of his Irish identity in Murphy; Susan's unfailing compassion to restore Friday's lost speech in Foe; and Changshun Teng, the Chinese orange-grower's warm-hearted generosity toward his customers in Long River--all these textual occasions dramatize the incomplete character's anxiety over the Other's rejection that will impair the fullness of his or her being, rendering it solitary and empty. I relate this anxiety to the theory of "posthumanism" advanced by such thinkers as Marx, Bakhtin, Sartre, and Lacan; in their texts the humanist view of the individual as an autonomous constitution has undergone a transformation marked by the emphasis on locating selfhood not in the insular and static Self but in the mutable middle space connecting the Self and the Other.
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Leake, Elisabeth Mariko. "The politics of the north-west frontier of the Indian subcontinent, 1936-65." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608199.
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Kenny, Tobias. ""Coming home to roost" : some reflections on moments of literary response to the paradoxes of empire." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0023/NQ50200.pdf.
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Cleland, Kat. "Disruptions in the Dream City: Unsettled Ideologies at the 1905 World's Fair in Portland, Oregon." PDXScholar, 2013. https://pdxscholar.library.pdx.edu/open_access_etds/1019.
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This thesis examines the experiences of fairgoers at the Lewis and Clark Centennial, American Pacific Exposition and Oriental Fair held in Portland, Oregon from June to October of 1905. Historians have framed world's fairs and international expositions as sites of legitimating narratives and restagings of empire and nationhood. This thesis focuses on women, Asian Americans, and Native Americans who interrupted and disrupted the performance and exhibition of U.S. imperialism in the specific case of Portland, Oregon. It considers who benefitted from or endured loss in the demonstrations of imperial culture at the Fair. Following the premises that metropolitan and colonial histories should be considered in the same analytical field and that the systemic power of domestic imperialism in the United States extended beyond Native Americans into the experiences of most nonwhite American communities, this thesis adds a metropolitan approach to Native-American history and, in turn, applies a more colonial approach to the study of African-American, Asian-American, and working-class women's histories. In three chapters, this study explores a range of disruptions at the 1905 Lewis and Clark Centennial - patched over by the Exposition's civic elites and overlooked by previous historians of the Fair - that shed light on the politics of race, class, and gender within the processes of empire and nation building in the turn-of-the-century West.
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Bell, Heather. "Frontiers of medicine in the Anglo-Eqyptian Sudan, 1899-1940 /." Oxford : New York : Clarendon Press ; Oxford University Press, 1999. http://www.h-net.org/review/hrev-a0c0m8-aa.
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Armstrong, Jeanne Marie. "Uncivilized women and erotic strategies of border zones or demythologizing the romance of conquest." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/187509.
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The contact of two different cultures in the colonization process produces a zone of cultural mingling that resembles Victor Turner's concept of "liminality" referring to states or persons that elude classification. This study considers the repercussions of colonization on the lives of women characters in novels about four different "post-colonial" contexts--Native American, Jamaican, Irish and Mexican American. These novels reflect both the unique historical circumstances of each context and common themes that occur due to colonization and transcend the specific cultures such as the mourning of personal and collective loss, liminal states of consciousness and mingling of cultures. The introductory chapter examines the particular historical contexts of each novel and the theories of Abdul JanMohamed and Frantz Fanon on colonization. This study also applies the work of Victor Turner, Mary Douglas, Julia Kristeva, Gloria Anzaldua, Homi Bhaba and others to an examination of the subversive cultural formations that evolve through the boundary dissolution of colonization. Chapter two considers Louise Erdrich's novel Tracks in which the decimation of the Anishinabe people is the context for the three primary characters who have experienced personal and collective loss and respond by resisting or adapting to colonization. Chapter three examines Erna Brodber's Myal and the impact of the manichean colonial ideology on a Jamaican woman who is literally half-black and half-white. Chapter four addresses Julia O'Faolain's No Country for Young Men, a novel about two women, one who lived through the early twentieth century movement for Irish independence and the other who is her great niece, that have both been silenced and sexually controlled by colonialism and Irish Catholicism. The fifth and final chapter examines Lucha Corpi's Delia's Song about a young Chicana activist who has suffered losses on several levels and recovers by writing an autobiographical novel that weaves the personal and political issues of her life. All four novels are concerned with the liminal states of consciousness in these women characters and their efforts to both find love and tell their stories, thus counteracting the colonizer's version of history.
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Kenrick, David William. "Pioneers and progress : white Rhodesian nation-building, c.1964-1979." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:a9e3ff0d-dfca-4e19-8adc-788c3e7faf9f.
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The thesis explores the white Rhodesian nationalist project led by the Rhodesian Front (RF) government in the UDI-period of 1965 to 1979. It seeks to examine the character and content of RF nation-building, arguing that it is important to consider the context of wider global and regional trends of nationalism at the time. Thus, it places the white Rhodesia within wider 'British World' studies of settler societies within the British Empire, but also compares it to other African nationalist movements in the 1960s and 1970s. It studies white Rhodesian nationalism on its own terms as a sincere, albeit unrealistic, alternative to majority-rule independence, and considers how the RF adapted over the period in its continuing attempts to justify minority-rule in an era of global decolonisation. Two thematic sections examine the RF's nation-building project in systematic detail. The first section, on symbolism, considers Rhodesia's processes of 'symbolic decolonisation'. This involved white Rhodesians creating new national symbols not associated with Britain or the British Empire. Processes by which new national symbols were chosen are used as a lens to explore white Rhodesian debates about their 'new' nation after the Unilateral Declaration of Independence (UDI) was taken in 1965. They reveal the ambiguities and complexities at the heart of the RF's nation-building project; a project that was frequently exclusionary and hotly contested at every opportunity. The second section explores how history was used to help create and defend the nation, adding to studies of the use of history in nationalist projects. It considers a range of non-professional sites of history-making, demonstrating the complicated relationships between these different sites and the state's wider nationalist agenda. It also explores how history was invoked to justify and defend minority-rule independence both before and after UDI.
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Davies, Dominic. "Imperial infrastructure and spatial resistance in colonial literature (1880-1930)." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:369d5ffb-fea5-44ae-9b15-4087a28ead0a.
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Between 1880 and 1930, the British Empire's vast infrastructural developments facilitated the incorporation of large parts of the globe into what Immanuel Wallerstein and others have called the capitalist 'world-system'. Colonial literature written throughout this period, in recording this vast expansion, repeatedly cites imperial infrastructures to make sense of the various geographies in which it is set. Physical embodiments of empire proliferate in this writing. Railways and trains, telegraph wires and telegrams, roads and bridges, steamships and shipping lines, canals and other forms of irrigation, cantonments, the colonial bungalow and other kinds of colonial urban architecture - all of these infrastructural lines break up the landscape and give shape to the literature's depiction and production of colonial space. In order to analyse these physical embodiments of empire in colonial literature, this thesis develops a methodological reading practice called infrastructural reading. Rooted in a dualistic, yet connected use of the word 'infrastructure', this reading strategy works as a critical tool for analysing a mutually sustaining relationship embedded within these literary narratives. It focuses on the infrastructures in the text, both physical and symbolic, in order to excavate the infrastructures of the text, be they geographic, social or economic - namely, the material conditions of the world-system that underpinned Britain's imperial expansion. This methodology is applied to a number of colonial authors including H. Rider Haggard, Olive Schreiner, William Plomer and John Buchan in South Africa and Flora Annie Steel, E.M. Forster, Edmund Candler and Edward Thompson in India. The results show that the infrastructural networks that circulate through colonial fiction are almost always related to some form of anti-imperial resistance, manifestations that include ideological anxieties, limitations and silences, as well as more direct objections to and acts of violent defiance against imperial control and capitalist accumulation. In so doing, the thesis demonstrates how this literary-cultural terrain and the resistance embedded within it has been shaped by, and has in turn shaped, the infrastructure of the capitalist world-system.
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Fanstone, Ben Paul. "The pursuit of the 'good forest' in Kenya, c.1890-1963 : the history of the contested development of state forestry within a colonial settler state." Thesis, University of Stirling, 2016. http://hdl.handle.net/1893/25290.
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This is a study of the creation and evolution of state forestry within colonial Kenya in social, economic, and political terms. Spanning Kenya’s entire colonial period, it offers a chronological account of how forestry came to Kenya and grew to the extent of controlling almost two million hectares of land in the country, approximately 20 per cent of the most fertile and most populated upland (above 1,500 metres) region of central Kenya . The position of forestry within a colonial state apparatus that paradoxically sought to both ‘protect’ Africans from modernisation while exploiting them to establish Kenya as a ‘white man’s country’ is underexplored in the country’s historiography. This thesis therefore clarifies this role through an examination of the relationship between the Forest Department and its African workers, Kenya’s white settlers, and the colonial government. In essence, how each of these was engaged in a pursuit for their own idealised ‘good forest’. Kenya was the site of a strong conservationist argument for the establishment of forestry that typecast the country’s indigenous population as rapidly destroying the forests. This argument was bolstered against critics of the financial extravagance of forestry by the need to maintain and develop the forests of Kenya for the express purpose of supporting the Uganda railway. It was this argument that led the colony’s Forest Department along a path through the contradictions of colonial rule. The European settlers of Kenya are shown as being more than just a mere thorn in the side of the Forest Department, as their political power represented a very real threat to the department’s hegemony over the forests. Moreover, Kenya’s Forest Department deeply mistrusted private enterprise and constantly sought to control and limit the unsustainable exploitation of the forests. The department was seriously underfunded and understaffed until the second colonial occupation of the 1950s, a situation that resulted in a general ad hoc approach to forest policy. The department espoused the rhetoric of sustainable exploitation, but had no way of knowing whether the felling it authorised was actually sustainable, which was reflected in the underdevelopment of the sawmilling industry in Kenya. The agroforestry system, shamba, (previously unexplored in Kenya’s colonial historiography) is shown as being at the heart of forestry in Kenya and extremely significant as perhaps the most successful deployment of agroforestry by the British in colonial Africa. Shamba provided numerous opportunities to farm and receive education to landless Kikuyu in the colony, but also displayed very strong paternalistic aspects of control, with consequential African protest, as the Forest Department sought to create for itself a loyal and permanent forest workforce. Shamba was the keystone of forestry development in the 1950s, and its expansion cemented the position of forestry in Kenya as a top-down, state-centric agent of economic and social development.
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Schneider, Stefanie Maria. "Gegen-Stimmen/Gegen-Blicke : Zeitgenössische literarische (De-)Konstruktionen deutsch-afrikanischer Identitäten." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86404.
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Thesis (MA)--Stellenbosch University, 2014.ENGLISH ABSTRACT: This thesis investigates counter-voices, counter-gazes and (de-)constructions of German-African identities in contemporary German literature. In extended application of postcolonial concepts it examines the way in which post-colonial views and counter-views on Germany and Africaare produced and how in the process alternative identities are created and negotiated. Analyzing poetry, short stories and novels by Black German authors (May Ayim, Ika Hügel-Marshall, ManuEla Ritz and Olumide Popoola) as well as by African literary voices writing in German (El Loko, Daniel Mepin, Philomène Atyame and Luc Degla), the thesis looks at and evaluates strategies of literary hybridization, responses to and deconstructions of the colonial imaginary, transcultural positioning and world literary perspectives.
AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek enkele teenstemme, teenblikke en (de-)konstruksies van Duits-Afrika identiteite spruitend uit Duitsland en dié uit Afrika in hedendaagse Duitse literatuur. Deurʼn uitgebreide toepassing van postkoloniale konsepte,ondersoek die tesis die wysewaarop die post-koloniale sienings en teenstandpunte oor Duitsland en Afrika geproduseer word en hoe in die proses alternatiewe identiteite geskep en onderhandel word. Deur die ontleding van gedigte, kortverhale en romans deur swart Duitse skrywers (May Ayim, Ika Hügel-Marshall, ManuEla Ritz en Olumide Popoola) sowel as Duitse werke deur literêre stemme uit Afrika (El Loko, Daniel Mepin, Philomène Atyame en Luc Degla), bekyk en evalueer die tesis strategieë van literêre verbastering, antwoorde op en dekonstruksies van die koloniale denkbeeldige, transkulturele plasing en wêreld literêre perspektiewe.
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Breitenbach, Esther. "Empire, religion and national identity : Scottish Christian imperialism in the 19th and early 20th centuries." Thesis, University of Edinburgh, 2005. http://hdl.handle.net/1842/1726.
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This thesis examines the connection between participation in the British empire and constructions of Scottish national identity, through investigating the activities of civil society organisations in Scotland, in particular missionary societies and the Presbyterian churches in the 19th and early 20th centuries. Though empire is commonly thought to have had a significant impact on Scots' adoption of a British identity. The process of how representations of empire were transmitted and understood at home has been little explored. Similarly, religion is thought to have played an important role in supporting a sense of Scottish identity. but this theme has also been little explored. This thesis, then, examines evidence of civil society activity related to empire, including philanthropic and religious, learned and scientific, and imperial propagandist activities. In order to elucidate how empire was understood at home through the engagement with empire by civil society organisations. Of these forms of organisation. missionary societies and the churches were the most important in mediating an understanding of empire. The pattern of the growth and development of the movement in support of foreign missions is described and analysed, indicating its longevity, its typical functions and membership, and demonstrating both its middle class leadership and the active participation of women. Analysis of missionar) literature of a variety of types shows that dominant discourses of religion, race. gender and class produced iconic representations of the missionary experience which reflected the values of middle class Scots. The analysis also demonstrates both that representations of Scottish national identity were privileged over those of a British identity, but that these were complementary rather than being seen as in opposition to each other. Through examining the public profile of the missionary enterprise in the secular press it is shown that these representations were appropriated in the secular sphere to represent a specific Scottish contribution to empire. The thesis concludes that the missionary experience of empire. embedded as it was in the institutional life of the Presbyterian churches, had the capacity to generate representations and symbols of Scottish national identity which were widely endorsed in both religious and secular spheres in the age of high imperialism.
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Um, Ji-Young. "War without end : 20th century U.S. wars in Asia and empire structured in dominance /." Thesis, Connect to this title online; UW restricted, 2008. http://hdl.handle.net/1773/9359.
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Cao, T. Y. "The intellectual history of 20th century field theories." Thesis, University of Cambridge, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.383778.
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Hwang, Dong-Jhy. "Sport, imperialism and postcolonialism : a critical analysis of sport in China 1860-1993." Thesis, University of Stirling, 2002. http://hdl.handle.net/1893/1500.
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Over the last three decades or more, there has been a considerable interest in the sociological analysis of sport. While a number of Western sociologists and cultural critics have attempted to locate the development of sport in various societies within an analysis of their own culture, very few have made sociological accounts of the development of sport in China. This study examines the significance of sport within the broader context of social and political change in China during the period from 1860 to 1990. Primarly this work is concerned with: (i) providing a theoretical analysis of imperialism and postcolonialism; (ii) treating the analysis of sport as a tool of cultural imperialism; (iii) highlighting the development of Western sports and physical culture in modern China and (iv) contributing to the analysis of sport in China through the notion of imperialism and postcolonialism. Nonetheless, the relative strength and weakness of this thesis may be its attempt to address the interrelated nature of all of these concerns.
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Baumer, Andreas. "Urban rejuvenation : a contemporary urban topology for the information age." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1137647.
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A changing perception based on the appreciation for information in our era allows a broader idea and different understanding of life as a system driven by the flow of information. Simultaneously, our understanding of 'the' urban was broadened. It enabled us to perceive urban structures as living organisms beyond their physical manifestation and separated from human control. Like species, our cities are great products of evolutionary forces and contain invaluable information worth preserving.When writing about urban spaces, urban is understood as a system which is constituted not so much by built forms and infrastructures, but as a heterogeneous field that is constituted by intervention and lines of forces and action. These lines form the coordinates of an urban topology that is not based on the human body and its movements in space alone, but also on relational acts and events within the urban system. These relational acts can be economic, political, technological or tectonic processes, as well as acts of communication. The urban is therefore quite different from the physically defined spaces of events and movements.The focal point of this paper is to explore the relationship between the spaces of movement, the spaces of events and the relational systemic 'spaces'. It will be attempted to identify fundamental processes behind urban design. Rules are derived from connective principles in complexity theory, systems theory, pattern recognition, and artificial intelligence.Department of Architecture
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Braun, Ramona. "Laparoscopy as a neo-eugenic practice, 1940s-60s." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708461.
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Ng, Kin-yuen. "Constitutional developments in China and Japan from the mid 19th century to the early 20th century." [Hong Kong : University of Hong Kong], 1992. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13280181.
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Ng, Kin-yuen, and 吳健源. "Constitutional developments in China and Japan from the mid 19th century to the early 20th century." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1992. http://hub.hku.hk/bib/B31950395.
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Arthur, Brid Caitrin. "Envisioning Lhasa: 17-20th century paintings of Tibet's sacred city." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1437525195.
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蕭芬琪 and Fun-kee Siu. "The case of Wang Yiting (1867-1938): a uniquefigure in early twentieth century Chinese art history." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31223357.
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Costello, Paul. "The goals of the world historians : paradigms in world history in twentieth century." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74629.
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Following Nietzsche, Oswald Spengler posed the central problems of the cyclical history of civilization in the twentieth century. Subsequent world historical theorists have attempted to answer Spengler's nihilistic perspective on the destined rise and fall of all cultures by rescuing a progressive movement which transcended the downfall of civilizations. World history since Spengler has been written in pursuit of an answer to the crises of modernism: to the 'Death of God,' the problem of progress, the emergent technological order with its bureaucratic management of society, and the need sensed by the metahistorians for a new 'mythical' grounding to avert the fall of the West. The "Crisis of the West" dominates the perspectives of the world historians. Their goals for the solution of 'modernism,' through the religious transformation of society or political and cultural world unity, are central to their motivation as writers and to the formulation of their paradigms.
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葉翠蓮 and Chui-lin Yip. "Women's movement in Tianjin during the May Fourth Era=." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31641453.
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Yu, Xuying, and 郁旭映. "Alternative modernity discourse and intellectual politics in modern and contemporary China: a case study ofXueheng school." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B48079844.
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This thesis sets to sketch Chinese intellectuals’ sustained efforts to search for an alternative modernity to the Western model throughout the twentieth century, and uncover the interaction between intellectual politics and Chinese modernity discourse by historicizing and contextualizing Chinese modernity discourse.
This study starts with delineating the consistence and the inconsistence of Chinese modernity discourses by juxtaposing different historical conditions and examining reappeared trends of thoughts. Three intellectual currents, i.e., cultural conservatism, humanism, and professionalism, which emerged in the May Fourth period and remerged in the post-socialist condition, are examined to mirror the spiral dynamics and the locus of Chinese modernity. Their respective roles in reconstructing Chinese cultural, ethical and academic orders in response to Western model of modernity are highlighted in the research. Cultural conservatism attempts to legitimize the Chinese culture in the framework of global modernity by resetting or reinterpreting the dialectical relation between the whole and part, universalism, and essentialism. Humanism emphasizes the standard, the guidance of authority, and the self-perfection to resist the ethical disorder caused by the so-called “modern spirit”, which is embodied by individualism, romanticism, and the immoderate expansion of desire. Professionalism influences the pattern of producing and reproducing knowledge about modernity by re-standardizing the academic and the discursive fields and by remolding the identity of the agents.
After exposing how the “alternative modernity” in China, as a discursive-political device, has been produced and repackaged with various contents and meanings, this thesis proceeds to explore the intellectual pedestal of Chinese modernity discourses from two aspects. First, how do the intellectual strategies of self-positioning and position-taking influence knowledge production and reproduction of the Chinese modernity discourse; second, how articulation and re-articulation of modernity discourse reflect the self-adjustments of intellectual politics as well as identity shifts. Through the comparative and diachronic examinations, it poses that, as Chinese modernity discourse is increasingly served as a symbolic capital or a strategy of intellectual politics, it gradually loses its authenticity or even becomes a signifier without signified. Meanwhile, the state-led modernization practice is reversely becoming homogenous, stable, and less diverse, although the dominant ideology, namely, socialism with Chinese characteristics, is, in itself, hybrid, paradoxical, and strategically manufactured.published_or_final_version
Comparative Literature
Doctoral
Doctor of Philosophy
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Asbury, Michael. "Hélio Oiticica : politics and ambivalence in 20th century Brazilian art." Thesis, University of the Arts London, 2003. http://ualresearchonline.arts.ac.uk/8953/.
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This study investigates the presence of ambivalence as a strategy of cultural politics from modern to contemporary art in Brazil. It focuses on the development of modern art leading to the work of Hélio Oiticica, whose approach to avant-garde practice in Brazil was concurrent with intense articulations between the forces of social change and re-evaluations of the legacy of Modernism. The thesis has a strong historiographical emphasis and is organised in three parts: Part one attempts to view the emergence of Modernism in Brazil beyond the prevailing interpretations that emphasise its inadequacy compared to canonical paradigms. Part two discusses the development of abstraction in Brazil, particularly that associated with the constructivist tradition and its relationship with the prevailing positivism of a nation that saw modernity as its inevitable destiny. Such a relationship, between art and ideology, implicitly questions the purported autonomous nature of modern art. Again, what emerged were definite regional distinctions, themselves based on seemingly universal theoretical propositions. The context of Hélio Oiticica's emergence as a constructivist-oriented artist is discussed in order to establish the theoretical foundation for his subsequent articulations between notions of avant-garde and Brazilian popular culture. Part three deals with Oiticica's theoretical and artistic proposals. It centres on the artist's transition from a position concerned primarily with the aesthetic questions of art, to one in which art became engaged on a social, ethical and ultimately political level. Oiticica's relationship with concurrent developments in theatre and later in music and cinema is given particular attention. The artist's questioning of the divides between such fields of specialisation, socio-cultural borders or categories of creative production is argued to have arisen out of Oiticica's lessons from Neoconcretism as well as his individual creative approach to relations of friendship. The latter integrated the wider concept of participation that eventually drove the work through the apparent equivocation between national culture and avant-garde practice. The study concludes with an analysis of the artist's posthumous dissemination and its relation with today's contemporary Brazilian art.
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Cohen, Robin John. "British energy crisis management : a comparative study in the 20th century." Thesis, London School of Economics and Political Science (University of London), 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.301572.
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Kachnowski, Stanislaw. "A history of medical technology in post-colonial India : the development of technology in medicine from 1947-1991." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:a98170a0-f494-401e-9ad3-4483e89f6359.
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Over the past 60 years, India has undergone immense political, economic, and social changes, which have led to its emergence as a global economic power and regional military power. During this period, the population has surged, growing from 233 million to 1.2 billion people, making India the second most populous nation in the world. In the course of this change, there have been key indicators of medical progress, such as rising life expectancy and a falling infant mortality rate. Another striking indicator, specifically in the area of medical technology, is the fact that India in 2006 was a net exporter of HIV medications to dozens of countries around the globe, earning a reputation as the pharmacist of the developing world. Although many books and papers have been written about the emergence of the country's economy and military, little has been written on how it has been able to achieve its leadership in medical technology. This thesis, 'A History of Medical Technology in Postcolonial India: 1947-1991', is the first major study examining the development of medical technology in India in the period directly following colonial rule. The period covered in this research is crucial because it highlights the evolution and impact of medical technology in postcolonial India, leading up to, but excluding, the free-market reforms enacted by the Indian government in 1991. This thesis will also illustrate the impact diffusion had on the evolution of medical technology. Most importantly, this thesis introduces a new concept appropriate to understanding India's trajectory in this period: the medical technology complex. It will be shown that this complex consists of different groups working toward an aligned objective. It is not the point of this thesis to characterize the medical technology complex in a positive light or a negative one. Its primary concern is to demonstrate through historical evidence that this construct grew throughout the twentieth century and still exists today.
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Saks, Catherine Marie. ""Real Americanism" : resistance to the Oregon Compulsory School Bill, 1920-1925." PDXScholar, 2010. https://pdxscholar.library.pdx.edu/open_access_etds/4164.
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The early 1920s are generally described as a period of transition for American society. Many forces of change collided to create an unsettled atmosphere that appeared to threaten traditional American ideas and values. After World War I, the United States fostered a climate of anti-Catholicism and nativism out of fear that foreign ideas spelled the demise of traditional American values. These ideas were certainly not new to American culture as anti-Catholic sentiments figured prominently throughout the founding of the nation. During the early 1920s, however, a resurrected Ku Klux Klan promoted itself as the protector of American institutions. It won recruits with an identity as a secret society for white, Anglo-Saxon, Protestant citizens. The organization also exploited the political issues of the day to ingratiate itself within communities across the nation.
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Häusler, Clemens Albert Josef. "The transatlantic exchange between American liberals, British Labourites, and German social democrats from the mid-1950s to the mid-1970s." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609089.
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Hart, Bradley William. "British, German, and American eugenicists in transnational context, c. 1900-1939." Thesis, University of Cambridge, 2011. https://www.repository.cam.ac.uk/handle/1810/283886.
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Chapin, Charles Nicholas. "The turn to reading in twentieth-century literary criticism." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609859.
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Dughi, William Christian. "Shabashniks : a history of the USSR's dissenting protagonists of free enterprise." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36764.
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Shabashniks, as dissenting protagonists of free enterprise within the Soviet economic system did as much or more to undermine the political and economic security and control of the Communist Party of the Soviet Union (CPSU) than many of the more well known political dissidents of the Soviet era. While it was never the conscious or primary motivation of those Soviet citizens working as shabashniks to challenge the political primacy of the CPSU in their self proclaimed position as the vanguard of the development of communism in the Soviet Union, the scope and the scale of the private economic activities engaged in by shabashniks represented a significant source of the impetus for the eventual decline in the Party's monopoly on political and economic power.This study investigates the place of shabashniks within the Soviet system, their contributions to that system and their part in its eventual decline. The narrative created as a result of this study relied primarily on Soviet newspaper, journal and magazine articles to describe the lifestyles of shabashniks. There were no Russian language monographs available on the subject at the time of this study. This study then combined the existing Soviet discussions concerning the private economic activities of shabashniks and the effects of those activities on the Soviet system, as reflected in the Soviet press, with the information gleaned from conversations the author had while working with and interviewing former shabashniks and Soviet citizens in Russia during the fall of 1994 and the winter 1997.
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Feng, Huanian, and 馮華年. "The reception of western art history in Republican China." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31227326.
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Burkhardt, Alex. "Democrats into Nazis? : the radicalisation of the Bürgertum in Hof-an-der-Saale, 1918-1924." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/16029.
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This thesis analyses the radicalisation of the bürgertum in a single Bavarian town, Hof-an-der-Saale, in the five years after the First World War. It is bookended by two important and enormously different elections. In the first of these – the January 1919 elections to the National Assembly – the bürgerliche districts of Hof voted almost entirely for the German Democratic Party, a left-liberal, pro-Republican party that called for a parliamentary democracy, the separation of church and state, rights for women, a renunciation of German militarism and a close collaboration with the Social Democrats. But just five years later, in the Reichstag elections of May 1924, these very same districts cast their votes for the Völkisch Block, a cover organisation for the then-banned Nazi Party. Within half a decade, then, Hof's bürgerliche milieu had switched its allegiance from a party of left-liberal democrats to the most radical nationalists in German history. Why did this dramatic and disturbing electoral turnaround occur? In an effort to answer this question, this thesis offers a detailed study of the narratives and discourses that circulated within Hof's bürgerliche milieu during this five-year period. It uses newspaper editorials, the minutes of political meetings, electoral propaganda, the documents of civic associations and commercial organisations, the Protestant newsletter and a range of other sources in an effort to reconstruct what Hof's Burghers thought, said and wrote between these two elections. What happened between January 1919 and May 1924 to transform Hof's bürgerliche inhabitants from Democrat into Nazi voters, and how did this startling change manifest itself at the level of discourse and political culture?
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Bayar, Yesim. "Turkish nation-building process : an analysis of language, education, and citizenship policies during the early Republic (1920-1938)." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115601.
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This study seeks to analyze the Turkish nation-building process during the early Republican period (1920-1938). In doing this, the substantive focus will be on three main dimensions --language, education, and citizenship -- with particular emphasis on the rhetoric and actions of the political elite.By looking at language, education, and citizenship policies, and their formulations, the present analysis will make three main propositions: First, and in contrast to the existing literature on nations and nation-building, it will be demonstrated that the process of Turkish nation-building was neither a smooth nor an automatic process. Moreover, during the period under analysis, there were competing definitions of nationhood which were taken up, and discussed by the political elite. The final conceptualization of nationhood --which took an assimilationist form with an ethnic understanding attached to it -- was formed over time. At times, the process was wrought with tensions as illustrated by the heated debates among the political elite.
Second, the present analysis will seek to bring together two different ways of looking at nation formation. More specifically, the analysis will attempt to bridge the gap between those works which only underline the role of ideas in the formation of nations, and those which emphasize the role of structural forces. By paying attention to the "voices" (and actions) of the political elite, this study will demonstrate that it is not only ideas, nor is it only structural forces that matter. Rather, the crystallization of the contents of Turkish nationhood illustrates the interplay of ideological as well as geopolitical and political forces.
Third, a detailed analysis of the trajectory of Turkish nation-building and the formulation of Turkish nationhood reveals the complexity of this process. The existing literature on Turkey tends to treat the Kemalist era as an undifferentiated whole. The present work will remain critical to such an outlook. Instead, and by looking at the shifting conceptualizations of nationhood, it will seek to demonstrate the complexity and contingent nature of the Turkish nation-building process.
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Martyn, Elizabeth 1968. "Gender and nation in a new democracy : Indonesian women's organisations in the 1950s." Monash University, Dept. of Politics, 2001. http://arrow.monash.edu.au/hdl/1959.1/9112.
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Poulson, Stephen Chastain. "Confronting the West: Social Movement Frames in 20th Century Iran." Diss., Virginia Tech, 2002. http://hdl.handle.net/10919/30008.
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The Iranian Revolution of 1979 received considerable attention from modern social scientists who study collective action and revolution because it allowed them to apply their different perspectives to an ongoing social event. Likewise, this work used the Iranian experience as an exemplar, focusing on a sequence of related social movement frames that were negotiated by Iranian groups from the late 19th through the 20th century. Snow and Benford (1992) have proposed that cycles of protest are associated with the development of a movement master frame. This frame is a broad collective orientation that enables people to interpret an event in a more or less uniform manner. This study investigated how movement groups in Iran developed master frames of mobilization during periodic cycles of protests from 1890 to the present. By investigating how master frames were negotiated by social movement actors over time, this work examined both the continuity and change of movement messages during periods of heightened social protest in Iran.Ph. D.
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Bangham, Jenny. "Blood groups and the rise of human genetics in mid-twentieth century Britain." Thesis, University of Cambridge, 2014. https://www.repository.cam.ac.uk/handle/1810/265573.
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This dissertation reconstructs how blood groups were made into pre-eminent objects of human genetic research and powerful markers for producing human biological difference. By tracing the ways in which three British laboratories became international centres for blood-group genetic research, it also offers an expanded history of postwar human genetics. In early 1930s Britain a community of geneticists, including R.A. Fisher and B.S. Haldane, promoted blood groups as having the potential to give the study of human heredity 'a solidly objective foundation, under strict statistical control'. Fisher and colleagues at the Cambridge Galton Serum Unit- especially Robert Race and Arthur Mourant- implemented this vision, the dissertation shows, using the arrangements for large-scale blood transfusion set up early in the Second World War. In 1946, Mourant became director of the Blood Group Reference Laboratory and Race of the Blood Group Research Unit, both at London's Lister Institute. As well as standardising blood-grouping reagents and investigating serological problems for the World Health Organization, these laboratories collected, analysed and published vast quantities of genetic data, making the Lister the global centre for blood-group genetics. During this period, human genetics changed from a marginal research field to an established discipline, partly, the dissertation argues, as a result of this blood-group research. By the 1950s a third of all human genetics publications were on blood groups: as one of the few human traits with simple Mendelian inheritance, they formed the basis for linkage studies and association surveys, and underpinned innovation in theoretical population genetics. Against a backdrop of intense international discussion about the meaning and scope of race science, blood groups were also made into tools for a supposedly 'obj ective' and 'unprejudiced' anthropology. This first history of how blood groups became scientific objects follows their collection in Britain and overseas, the grouping of samples, their transformation into data, and their presentation as credible genetic knowledge. It also offers the first sustained analysis of the functions of genetic nomenclatures. I argue that mid-century human genetics was profoundly influenced by the questions and practices of physical anthropology, by clinical practice, and by international infrastructures for medical research.
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Komarower, Patricia 1950. "The development of vertebrate palaeontology in China during the first half of the twentieth century." Monash University, School of Geosciences, 2002. http://arrow.monash.edu.au/hdl/1959.1/9337.
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Saleh, Fauzan. "The development of Islamic theological discourse in Indonesia : a critical survey of Muslim reformist attempts to sustain orthodoxy in the twentieth century." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37830.
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This study aims to trace the development of Islamic theological discourse in Indonesia, from the early 1900s to the end of the twentieth century. It will focus on how modernist Muslims have constructed their theological thought throughout the century, which, in turn, reflects their religious understanding in response to the particular demands of their age. The modernist theological thought constructed so far signifies a continuum of progress, developing from one stage to the next. Implicitly, this progress also indicates the improvement of Indonesian Muslims' understanding of their own religion, which may suggest the betterment of their commitment to doctrinal beliefs and religious practices. Therefore, this study will also examine the ways in which Indonesian Islam noticeably grows more orthodox through these forms of religious commitment. Drawing upon an Indonesian term, the growth of orthodox Islam is known as the santri cultural expansion, which, at least since the last two decades of the century, has been characterized by the vertical (and horizontal) mobility of devoted Muslims in political, cultural and economic enterprises. As well, this study will include a discussion of the theological thought underlying that santri cultural expansion.
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Grohmann, Carolyn. "The problems of integrating annexed Lorraine into France, 1918-1925." Thesis, University of Stirling, 1999. http://hdl.handle.net/1893/3540.
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In 1918, the signing of the armistice at the end of the First World War, brought about the return of the region known as Elsaß-Lothringen, Alsace-Lorraine, to France after 47 years of German rule. This thesis examines the problems which the integration process created for the heterogeneous population of the Moselle (annexed Lorraine), a population which included those who were indigenous to the region, Germans from all over the German Reich, and immigrants from elsewhere in Europe. In this integration process, the French authorities attempted to undo the effects of Germanisation on all levels: linguistic, cultural, political, economic, administrative, and demographic. However, the manner in which they attempted to achieve francisation, soon alienated large sections of the indigenous population. This sense of unease and dissatisfaction manifested itself within weeks of the entry of French troops to the region and became known as the malaise lorrain. Sacrifices forced upon the region by integration included a disappointingly sluggish economic recovery. Equally, whilst a process of epuration, or ethnic cleansing, deported three quarters of the Moselle's German community, many among the indigenous population were obliged to prove their loyalty to France at specially created tribunals to allow them to remain in the region. This thesis brings to light the region's experience which the historiography has hitherto treated as less controversial and less problematic than that of its neighbour, Alsace. Mosellan particularisme, which sought a middle ground between separatist regionalism and complete assimilation into France, was not as radical, reactionary, or well publicized as Alsatian autonomism. However, it was, in the long-term, far more successful.
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Gaudenzi, Bianca. "Commercial advertising in Germany and Italy, 1918-1943." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609367.
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Cueva, Samuel. "Partnership in mission in creative tension : an analysis of the relationships in mission within the Evangelical Movement with special reference to Peru and Britain 1987-2006." Thesis, University of Wales Trinity Saint David, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683024.
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WITKOWSKI, Victoria Margaret. "Remembering fascism and empire : the public representation and myth of Rodolfo Graziani in 20th-century Italy." Doctoral thesis, European University Institute, 2021. https://hdl.handle.net/1814/72739.
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Defence date: 24 September 2021; Examining Board: Professor Lucy Riall (European University Institute); Professor Alexander Etkind (European University Institute); Professor John Foot (University of Bristol); Professor Marla Stone (Occidental College)My PhD has utilised the cultural representation of Italy’s most popular military figure from the Fascist period to account for the myth-making and warped remembrance of Rodolfo Graziani in Modern-day Italy. By proving himself to Mussolini with his brutal tactics, namely, mass hangings, the erection of concentration camps, and utilisation of poison gas during the Italian ‘pacification’ of Libya in the 1920’s and the Fascist conquest of Ethiopia in 1936, my project highlights that Graziani was chosen by the Fascist government to be a national imperial war hero. Facilitated by the dawn of totalitarianism and mass consumption, the propaganda campaign to promote the Fascist Empire utilised Graziani as a modern-day celebrity, through many mediums, which became the source base for my research. Images of Graziani filtered back to Italy in the 1930s through postcards, books, magazines, film, radio, busts and the like. During the Second World War, collaboration with the Nazis under the Salò Republic led to his trial in 1948, but his colonial crimes remained unquestioned, testament to the effect of heroisation for his previous colonial career. Since then, this manipulation of historical consciousness has continued to pervade Italian society as the state searched for a collective ‘usable’ past from the remnants of the Fascist dictatorship. As Mussolini’s most popular enterprise, colonial ambition remained a shared goal across the political spectrum in the immediate post-war period. By countering national insecurities through the utilisation of male symbols, men like Graziani provided an opportunity to promote such ideals through untainted virtues of masculinity. Institutionally therefore, the role of individuals in bringing ‘civilisation’ to its African colonies continued to be revered in post-fascist and post-colonial Italy. Moreover, most recently, a regionally funded monument that was built in Graziani’s honour near Rome in 2012 only led to public outcry abroad and from interested national parties with almost no negative response from the Italian public. Graziani’s memory thus remains a fervent, multifaceted one and signifies tension in popular attitudes to Italy fascist and colonial history. It is with this timely and noteworthy case-study that I aim to shed light on the persistently neglected darker aspects of Italy’s recent past.
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Hanekom, Wouter Pierre. "A history of tourism, leisure and adventure in the Antarctic and Sub-Antarctic, c.1895 to present." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86454.
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Thesis (MA)--Stellenbosch University, 2014.ENGLISH ABSTRACT: This thesis deals with the nature and historical development of tourism and leisure activities that have been conducted within the Antarctic and sub-Antarctic regions from 1895 to present. First, it traces the brief history of human involvement with the Antarctic continent, which culminated in a surge of ostensibly scientific exploration with jingoistic overtones which has become widely known as the ‘Heroic Age’ of Antarctic exploration. These explorers’ adventures, taken up by the popular press and promoted by jingoistic governments, popularised a particular conception of the continent to the point where people imagined going to see it for themselves, vicariously reliving their heroes’ adventures in the form of tourism. The rise of formal governance on the Antarctic is then traced and used to explain how this provided for regular tourist activities to commence since the mid-1960s. The changing nature of tourism to the region is surveyed, as well as its impact on the environment. Finally, Marion Island, South Africa’s Sub-Antarctic Island, is discussed through the lens of tourism and leisure. Tourism has not been permitted on the island, so it offers a useful comparison with other sub-Antarctic islands that do allow tourists to visit. The thesis also deals with masculinity, as the Antarctic and sub-Antarctic were male dominated environments for the majority of human interaction with these regions. The thesis argues that the accumulation of knowledge in these areas by scientists has (perhaps counter-intuitively) led to the creation of the tourism industry, which would not have been able to flourish without the constant human presence secured by the scientific bases scattered around the Antarctic. Finally, this thesis offers a form of autoethnographic historical investigation, as an insider/outsider dichotomy (between “scientist” and “tourist”) was explored through embedded research, where scientists and support personnel are viewed as insiders on the one hand, and tourists are regarded as outsiders on the other.
AFRIKAANSE OPSOMMING: Hierdie tesis handel oor die aard en historiese ontwikkeling van toerisme en ontspannings aktiwiteite wat binne die Antarktiese en sub-Antarktiese gebiede onderneem is vanaf 1895 tot die hede. Dit behandel eerstens die kort geskiedenis van menslike betrokkenheid op die Antarktiese vasteland, wat uitgeloop het op 'n oplewing van oënskynlik wetenskaplike eksplorasie met nasionalistiese konnotasies wat wyd bekend geword het as die ‘Helde Era’ van Antarktiese verkenning. Hierdie ontdekkingsreisigers se avonture, soos weerspieël in die populêre pers en bevorder deur nasionalistiese regerings, het 'n bepaalde opvatting van die vasteland gewild gemaak. Soveel so dat dit mense beweeg het om as toeriste die gebied te besoek en op die wyse hul helde se avonture te herleef in die vorm van toerisme. Die opkoms van die formele beheer van die Antarktiese vasteland word dan nagespeur en gebruik om aan te dui hoe dit teen die middel 1960’s tot aktiewe toerisme in die gebied aanleiding gegee het. Die veranderende aard van toerisme na die streek, sowel as die impak daarvan op die omgewing word ondersoek. Ten slotte, word Marion Island, Suid-Afrika se Sub-Antarktiese eiland bespreek deur die lens van toerisme en ontspanning. Toerisme word nie op die eiland toegelaat nie, wat hom leun tot 'n nuttige vergelyking met ander sub-Antarktiese eilande wat wel toerisme toelaat. Aangesien die meerderheid van die menslike interaksie met Antarktieka en die sub- Antarktiese eilande deur mans gedomineer is, handel die tesis ook oor manlikheid. Die tesis argumenteer dat die opbou van kennis in hierdie gebiede deur wetenskaplikes (miskien teenintuïtief) gelei het tot die skepping van die toerisme-bedryf, wat nie in staat sou gewees het om te floreer sonder die konstante menslike teenwoordigheid, wat deur die wetenskaplike basisse versprei oor die Antarktieka verskaf is nie. Ten slotte, bied hierdie tesis 'n vorm van ń etnografiese historiese ondersoek in die vorm van ń binnestaander / buitestaander teenstelling (tussen "wetenskaplike" en "toeris"), waar wetenskaplikes en ondersteunings personeel as binnestaanders, en toeriste, as buitestaanders beskou word.
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Sims, Stella Corinne. "Retro, history and nostalgia : rethinking popular memory and the 1950s." Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/54472/.
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This thesis examines how and why we remember the 1950s in Britain in particular ways. The 1950s have become a popular and visible decade in the culture of 'retro' since the late-1960s; there is a stylistic fascination with iconic symbols that have become shorthand for the post-war era. Popular memory is the everyday sense of a past which circulates in a particular culture through the interaction of past and present, public and private, which is expressed and experienced through memory, media and commodities. I interrogate how popular memory is expressed nostalgically through 'Fifties' retro and heritage in Britain, revealing the tensions between past and present in the politics of remembering. In the main, studies of popular representations of the past through nostalgia and retro have largely remained within the boundaries of academic disciplines such as subcultural studies, design/art history and collective memory theory. I use this scholarship in combination to analyse our popular historical culture because a popular sense of the past is created and experienced by an interaction of many different cultural expressions, experiences and representations. Using an interdisciplinary approach, this project blends interviews with fans of Fifties revival culture with other sources such as memories from the Mass Observation Archive, period dramas on film and television, retro in popular music, as well as press reception on retro and nostalgia. This innovative methodology foregrounds the tensions and politics of representing the past, challenging the notion of popular memory of the 1950s as merely 'retro' consumerism and manipulated history. Recent academic thought has emphasised the 'presentness' of nostalgia; that this emotional, rose-tinted view of the past is actually a response to the present. This project suggests nostalgia can be used with agency - individuals and communities use nostalgic images for a wide range of personal and political meanings; nostalgia can also be dynamic and pleasurable. We remember the past through family albums and personal memory, but these interact with mediated pasts in retro popular culture, favourite films and period dramas. My research calls for a more democratic approach to historical study which considers not just 'what happened' in the past but the politics of how we imagine and re-imagine the past.
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Frantz, Susanne K. "ARTISTS AND GLASS: A HISTORY OF INTERNATIONAL STUDIO GLASS (SCULPTURE)." Thesis, The University of Arizona, 1987. http://hdl.handle.net/10150/291668.
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Carotenuto, Matthew Paul. "Cultivating an African community the Luo Union in 20th century East Africa /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3238502.
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Thesis (Ph.D.)--Indiana University, Dept. of History, 2006."Title from dissertation home page (viewed July 12, 2007)." Source: Dissertation Abstracts International, Volume: 67-10, Section: A, page: 3939. Adviser: John H. Hanson.
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O'Brien, Carolyn 1957. "Immigrant integration, European integration : the Front national and the manipulation of French nationhood." Monash University, Centre for European Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/8548.
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