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1

Immaterial architecture. New York: Routledge, 2006.

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2

Jonathan, Hill. Immaterial architecture. London: Routledge, 2006.

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3

Art Gallery of New South Wales., ed. Material immaterial. Sydney: Art Gallery of New South Wales, 1997.

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4

Gillen, Kieron. Phonogram: The Immaterial girl. Berkeley, CA: Image Comics Inc., 2016.

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5

Reyes, Cid. Immaterial: The art of Augusto Albor. Mandaluyong City, Philippines: Artinformal, 2010.

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6

1951-, Mori Toshiko, ed. Immaterial/ultramaterial: Architecture, design, and materials. Cambridge, Mass: Harvard Design School in association with George Braziller, 2002.

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7

Nilsson, Christian. Immaterial- och marknadsrätt: Rättsfall med inledande kommentarer. Stockholm: Norstedts Juridik, 2003.

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8

Syson, Luke. Size immaterial: Hand-held scultpure of the 1990s. London: British Art Medal Society, 1999.

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9

1954-, Kuma Kengo, ed. Material/immaterial: The new work of Kengo Kuma. New York: Princeton Architectural Press, 2009.

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10

Materializing the immaterial: The architecture of Wallace Cunningham. New Haven, CT: Yale University Press, 2007.

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11

El-Moawen, Amir. Material and immaterial motivational instruments: A future-orientated analysis. London: LSE, 1999.

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12

The immaterial book: Reading and romance in early modern England. Ann Arbor: The University of Michigan Press, 2013.

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13

Immaterial transcendences: Colonial subjectivity as process in Brazil's Letter of discovery (1500). New York: P. Lang, 2001.

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14

Immaterial facts: Freud's discovery of psychic reality and Klein's development of his work. London: Routledge, 2000.

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15

Caper, Robert. Immaterial facts: Freud's discovery of psychic reality and Klein's development of his work. Northvale, N.J: Aronson, 1988.

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16

The immaterial self: A defence of the Cartesian dualist conception of the mind. London: Routledge, 1991.

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17

Irvin, Sherri. Immaterial. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780199688210.001.0001.

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Abstract:
Contemporary art can seem chaotic: it may be made of toilet paper, or candies you can eat, or meat that is thrown out after each exhibition. Some works fill a room with obsessively fabricated objects, while others purport to include only concepts, thoughts or language. I argue, through many examples, that disparate developments in installation art, conceptual art, time-based media art, and participatory art can be understood in terms of custom rules. Many artists articulate custom rules governing artwork display, preservation of material elements, and interactivity or audience participation. Rules are established through the artist’s sanction: the creative act of designating the material elements and rules that constitute the work’s structure. Rules serve as medium: they are part of the work’s structure and help to constitute its meanings. Rules are meaningful in themselves, and they help to activate the expressive potential of material objects. Museum practice should include providing information about the rules; otherwise, audiences can’t fully appreciate the work. Contemporary art conservation involves preserving information: loss of information about the rules, like loss of a chunk of marble, can seriously damage the work. Rules are trickier to pin down than material objects and are subject to violation, so we’ll examine the effects on the work’s integrity and authenticity when things go wrong in various ways. Is the emergence of custom rules a positive development? Some artists have used rules to powerful effect. But rules aren’t always used well: bad art can take any form.
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18

Stewart, Lauren. Immaterial Defense. Off the Hook Publishing, 2018.

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19

Hill, Jonathan. Immaterial Architecture. Taylor & Francis Group, 2006.

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20

Due, Mike. Immaterial: Recovery. CreateSpace Independent Publishing Platform, 2013.

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21

Hill, Jonathan. Immaterial Architecture. Taylor & Francis Group, 2006.

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22

Hill, Jonathan. Immaterial Architecture. Taylor & Francis Group, 2006.

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23

Caper, Robert. Immaterial Facts. Routledge, 2014. http://dx.doi.org/10.4324/9781315812236.

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24

Hill, Jonathan. Immaterial Architecture. Routledge, 2006. http://dx.doi.org/10.4324/9780203013618.

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25

Hill, Jonathan. Immaterial Architecture. Taylor & Francis Group, 2006.

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26

Foster, John. The Immaterial Self. Routledge, 2002. http://dx.doi.org/10.4324/9780203004081.

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27

The Immaterial Photograph. Lap Lambert Academic Publishing, 2010.

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28

Symons, Julian. The Immaterial Murder Case. House of Stratus, 2001.

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29

Buchli, Victor. Archaeology of the Immaterial. Taylor & Francis Group, 2015.

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30

van Dijk, Niels. Grounds of the Immaterial. Edward Elgar Publishing, 2017. http://dx.doi.org/10.4337/9781786432506.

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31

Archaeology of the Immaterial. Taylor & Francis Group, 2015.

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32

Campiglio, Paolo, Lucio Fontana, and Paolo Bonacina. Immaterial: Lucio Fontana Ceramics. Skira Editore, 2020.

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33

DuVall, Sarah, Beau Gumm, and Janice Jobey. Immaterial Children: Edition 2. Independently Published, 2019.

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34

Buchli, Victor. Archaeology of the Immaterial. Taylor & Francis Group, 2015.

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35

Sancho, Josep A. Carrégalo. Mont-roig.: El patrimoni immaterial. Associació Cultural del Matarranya, 2007.

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36

Yves Klein: Expressing the Immaterial. Dilecta, Editions, 2011.

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37

Leitao, Jose. Immaterial Book of St. Cyprian. Revelore Press, 2017.

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38

Klason, Linda. Immaterial Bodies: Affect, Embodiment, Mediation. Scitus Academics LLC, 2018.

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39

Immaterial Bodies Affect Embodiment Mediation. Sage Publications (CA), 2012.

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40

Immaterial Bodies Affect Embodiment Mediation. Sage Publications (CA), 2012.

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41

Gallery, Kettle's Yard, and Southampton City Art Gallery, eds. Immaterial: Brancusi, Gabo, Moholy-Nagy. Cambridge: Kettle's Yard, 2004.

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42

Immaterial World: Transparency in Architecture. The Monacelli Press, 2011.

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43

Buchli, Victor. An Archaeology of the Immaterial. Routledge, 2015. http://dx.doi.org/10.4324/9781315714813.

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44

Immaterial: Rules in Contemporary Art. Oxford University Press, 2022.

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45

Blackman, Lisa. Immaterial Bodies: Affect, Embodiment, Mediation. SAGE Publications, Incorporated, 2012.

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46

Blackman, Lisa. Immaterial Bodies: Affect, Embodiment, Mediation. SAGE Publications, Limited, 2012.

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47

Somerville, Ethan. Nocturnal Academy 3 - Immaterial Girl. Independently Published, 2016.

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48

Hood, Robert. Immaterial (Ghost Stories By Robert Hood). MirrorDanse Books, 2002.

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49

Yves Klein : Long Live the Immaterial. Delano Greenridge Editions, 2000.

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50

Ioannidis, Konstantinos. Digital and Immaterial Museums of Architecture. Taylor & Francis Group, 2018.

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