Relevant bibliographies by topics / Immaterial

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Immaterial'

Author: Grafiati
Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "Immaterial"

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Dabek. "Immaterial/Materiality." Journal of Asia-Pacific Pop Culture 2, no. 2 (2017): 220. http://dx.doi.org/10.5325/jasiapacipopcult.2.2.0220.

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Miller, Kristie. "Immaterial Beings." Monist 90, no. 3 (2007): 349–71. http://dx.doi.org/10.5840/monist200790324.

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Dabek, Ryszard. "Immaterial/Materiality." Journal of Asia-Pacific Pop Culture 2, no. 2 (December 1, 2017): 220–37. http://dx.doi.org/10.5325/jasiapacipopcult.2.2.220.

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Abstract This article explores the idea of “materiality” as it relates to contemporary experimental moving image practice. It argues that rather than effacing the role of materiality, the digitization of the moving image has heightened and complexified its ability to function as an engine of affect. Here, the idea of “material” is considered a specter that constantly returns to reinvent itself within the liquid domain of the digital. To illustrate these points, I will draw off a range of example artworks featured in the recent internationally focused curatorial project Re:Cinema. These works simultaneously engage the traditions and strategies of experimental art practice (flicker film, structuralist film, montage, experimental video) and popular culture (television, music video, vernacular video) to reassert the material underpinnings of the image itself.
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Li, Yun. "Immaterial spike." Nature Physics 14, no. 12 (December 2018): 1156. http://dx.doi.org/10.1038/s41567-018-0381-8.

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Frercks, Jan. "Immaterial Devices." Centaurus 49, no. 2 (May 2007): 81–113. http://dx.doi.org/10.1111/j.1600-0498.2007.00066.x.

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Teal, Randall. "Immaterial Structures." Journal of Architectural Education 62, no. 2 (November 2008): 14–23. http://dx.doi.org/10.1111/j.1531-314x.2008.00235.x.

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McQuire, Scott. "Immaterial Architectures." Space and Culture 8, no. 2 (May 2005): 126–40. http://dx.doi.org/10.1177/1206331204266372.

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Del Gandio, Jason. "Rethinking Immaterial Labor." Radical Philosophy Review 14, no. 2 (2011): 121–38. http://dx.doi.org/10.5840/radphilrev201114215.

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Harney, Stefano. "Programming Immaterial Labour." Social Semiotics 16, no. 1 (April 2006): 75–87. http://dx.doi.org/10.1080/10350330500487844.

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Philippopoulos-Mihalopoulos, Andreas, and Sharron FitzGerald. "From Space Immaterial." Griffith Law Review 17, no. 2 (January 2008): 438–53. http://dx.doi.org/10.1080/10383618.2008.10854618.

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Dissertations / Theses on the topic "Immaterial"

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Slavet, Eliza Farro. "Freud's Moses memory material and immaterial /." Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2007. http://wwwlib.umi.com/cr/ucsd/fullcit?p3252818.

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Thesis (Ph. D.)--University of California, San Diego, 2007.
Title from first page of PDF file (viewed April 19, 2007). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 302-325).
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Popa, John C. "Archi[tech]: Materializing Immaterial Data Streams." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1397734789.

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Infanger, Jared. "Dwelling the immaterial and the Internet /." Pullman, Wash. : Washington State University, 2009. http://www.dissertations.wsu.edu/Thesis/Fall2009/j_infanger_112409.pdf.

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Thesis (M.S. in architecture)--Washington State University, December 2009.
Title from PDF title page (viewed on Jan. 11, 2010). "School of Architecture and Construction Management." Includes bibliographical references (p. 55-58).
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Bauer, Bruce D. "Answering Mormonism the immaterial God of the Bible /." Theological Research Exchange Network (TREN), 1986. http://www.tren.com.

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Kellerman, Mikhalien. "The Constitutional Property Clause and Immaterial Property Interests." Thesis, Stellenbosch : University of Stellenbosch, 2011. http://hdl.handle.net/10019.1/6536.

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Thesis (LLD)--University of Stellenbosch, 2011.
ENGLISH ABSTRACT: The question that this dissertation addresses is which immaterial property interests may be recognised and protected under the constitutional property clause and if so, under which circumstances. The question originated in the First Certification case 1 where the court held that the constitutional property clause is wide enough to include property interests that require protection according to international norms. The traditional immaterial property interests or intellectual property rights (patents, copyright, designs and trademarks) are protected as property in private law on a sui generis basis. Since it is generally accepted that the property concept in constitutional law includes at least property rights protected in private law, it is relatively unproblematic to include intellectual property rights under the constitutional property clause. In Laugh It Off v SAB International,2 the Constitutional Court explicitly balanced the right to a trademark with the right to freedom of expression, which is accepted as authority that at least trademarks may be recognised and protected as constitutional property. The other intellectual property rights may most likely be recognised and protected by analogy. Foreign law as well as international law also indicates that intellectual property should be recognised and protected as constitutional property. However, there are other, unconventional immaterial property interests that are not protected as property in private law. Some are protected in private law, but not as property; others originate in public law; and yet others are not protected yet at all. In terms of the Constitution, South African courts may consider foreign law, but must consider international law. This dissertation determines when these interests may be protected as constitutional property by reference to foreign cases from German, American, Australian and Irish law; regional international law, namely European Union cases; and international law. The conclusion is that unconventional immaterial property interests may generally be protected if they are vested and acquired in terms of normal law, have patrimonial value and serve the general purpose of constitutional property protection. Property theories are also useful to determine when immaterial property interests deserve constitutional protection, although other theories may be more useful for some of the unconventional interests. The German scaling approach and the balancing of competing interests is a useful approach for South African courts to help determine the appropriate level of protection for specific immaterial property interests without excluding some at the outset.
AFRIKAANSE OPSOMMING: Die vraag waarmee hierdie verhandeling handel is of belange in immateriële goedere erken en beskerm kan word in terme van die grondwetlike eiendomsklousule en indien wel, onder watter omstandighede. Die vraag het sy ontstaan in die First Certification saak,3 waar die Grondwetlike Hof beslis het dat die eiendomsklousule se omvang wyd genoeg is om belange in eiendom in te sluit wat volgens internasionale norme beskerming verg. Sekere regte in immateriële goedere word op ’n sui generis basis in die privaatreg beskerm, naamlik die regte in tradisionele immaterieelgoederereg kategorieë of intellektuele eiendom (patente, kopiereg, ontwerpe en handelsmerke). Dit is 'n algemene beginsel van grondwetlike eiendomsreg dat die konsep van eiendom minstens belange insluit wat as eiendom in die privaatreg beskerm word. In Laugh It Off v SAB International4 het die Grondwetlike Hof 'n handelsmerkreg opgeweeg teen die reg op vryheid van uitdrukking en hierdeur implisiet erken dat minstens handelsmerke en dalk ook ander intellektuele eindemsregte deur die eiendomsklousule erken en beskerm kan word. Buitelandse reg sowel as internasionale reg dui aan dat intellektuele eiendom grondwetlike beskerming behoort te ontvang. Buiten hierdie belange is daar ook immaterieelgoederereg belange wat nie onder eiendomsreg beskerm word in die privaatreg nie. Sommige van hierdie belange word wel in die privaatreg beskerm, maar dan onder ander areas van die reg as eiendom; ander het hul oorsprong in die publiekreg; en die res word tans glad nie beskerm nie. Die Grondwet bepaal dat howe buitelandse reg in ag kan neem en dat hulle internasionale reg moet oorweeg. Die verhandeling se vraag word beantwoord met verwysing na sake uit die Duitse, Amerikaanse, Australiese en Ierse grondwetlike reg; streeks-internasionale reg van die Europese Unie; en internasionale reg. Die onkonvensionele immaterieelgoederereg belange kan oor die algemeen beskerm word as eiendom indien daar 'n gevestigde reg is, die reg in terme van gewone reg verkry is en die belang die algemene oogmerke van die grondwetlike klousule bevorder. Die teorieë oor die beskerming van eiendom is van nut om te bepaal watter belange beskerm kan word, alhoewel sekere onkonvensionele belange beter geregverdig kan word deur ander tipes teorieë. Die Duitse metode om belange op te weeg kan van besonderse nut wees vir Suid Afrikaanse howe om te bepaal watter vlak van beskerming spesifieke belange in immaterieelgoedere behoort te geniet.
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Rotenberg, L. H. "Contemporary art's economy of immaterial production, 1990s-2000s." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1448847/.

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This thesis aims to offer an unprecedented in-depth analysis of contemporary art and “immaterial labour,” a body of theory emerging from Italian Operaismo in the 1960s that argues for a new conception of labour as abstracted, or “immaterial” as it is no longer based on earlier forms of industrial manufacture. My research investigates how artists might embody the qualities of “immaterial labour” and act as innovators in new forms of exchanges, knowledge, and communication, creating the valued symbolic content of commodities in a post-industrial, service-oriented and knowledge-based global economy. The alignment of art with this new standard of production poses a challenge for today’s artistic praxis that, in the 20th century, found much of its raison d’être in defending art’s autonomy and critiquing art’s status as a commodity. Addressing the notion of art ‘work’ as both a process of making and a good produced by artists, my central research question asks how artists adopt and contest the precarious and flexible working conditions of the immaterial economy. This research offers case-studies of Thai artist Rirkrit Tiravanija, French artist Pierre Huyghe, American artistscollective Temporary Services, and Cuban artist Tania Bruguera, as well as brings together aesthetics, economic and political philosophy to foreground the ways in which immaterial labour might conceptualise and impact both the development of new aesthetic forms, values and uses of art, and the potential for today’s art to resist and critique the dominant forms of exchange and social conditions produced by advanced capitalism.
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Solanilla, Demestre Laura. "En primera persona: memòria oral, patrimoni immaterial i internet." Doctoral thesis, Universitat Oberta de Catalunya, 2009. http://hdl.handle.net/10803/9122.

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Aquesta tesi neix de l'interès per analitzar la relació que s'estableix entre tres àmbits de coneixement aparentment dispars: la memòria oral autobiográfica, el patrimoni inmaterial i la sev apresència i dinàmica a Internet.
El primer àmbit de coneixement, la memòria oral autobiogràfica o narració en primera persona de records personals, presenta una dimensió col·lectiva evident no solament per la forma en què es construeix sinó perquè afecta el comportament i la forma de veure el món de comunitats senceres i es converteix en un senyal d'identitat molt potent per als grups socials. Els records comuns d'un grup social són la base en la qual es fonamenta la seva identitat compartida i es constitueixen com element legitimador o diferenciador respecte de les altres persones que no pertanyen al mateix.
El segon àmbit de coneixement, el patrimoni immaterial, es defineix a partir del reconeixement del concepte de Patrimoni cultural immaterial per la UNESCO l'any 2003. Aquest fet, juntament amb les transformacions sofertes en el món del Patrimoni cultural i dels museus des de la dècada dels 70 del segle XX, ha provocat grans canvis i en diferents nivells en la manera de gestionar el Patrimoni, canvis que abasten des de la transformació dels models institucionals i l'aparició de noves tipologies de centres fins la nova definició dels rols socials de les institucions patrimonials contemporànies.
I el tercer i darrer àmbit de coneixement està relacionat amb l'estudi i anàlisi de la consolidació d'Internet en el món del Patrimoni cultural i com aquest fet ha transformat el funcionament dels museus en línia i ha obert noves perspectives museològiques i museogràfiques.
L'estudi proposa les bases per a l'establiment d'una museologia i museografia específica per al tractament de la memòria oral autobiogràfica a Internet, i per extensió, per al patrimoni cultural immaterial en general.
This thesis originates from an interest in analysing the relationship established between three apparently disparate areas of knowledge: autobiographical oral memory, Intangible Heritage, and their presence and dynamics on the Internet.
The first area of knowledge, autobiographical oral memory or narration in the first person of personal remembrances, shows an evident collective dimension, not only due to the way in which it is constructed, but also because it affects the behaviour and way of seeing the world of whole communities, and becomes a very powerful signal of identity for social groups. The common remembrances of a social group are the basis on which their shared identity is founded, and form the element that legitimates or makes them different from other persons who do not belong to the same group.
The second area of knowledge, Intangible Heritage, is defined following the recognition of the concept of Intangible Cultural Heritage by UNESCO in 2003. This fact, together with the transformations undergone by the world of cultural heritage and museums since the 1970s, has caused great changes at different levels in the way of managing heritage. These changes range from the transformation of institutional models and the appearance of new types of centre to the new definition of the social roles of contemporary heritage institutions.
The third and last area of knowledge is related to the study and analysis of the consolidation of the Internet in the world of cultural Heritage, and how this fact has modified the way that on-line museums work and opened new museology and museography perspectives.
The study proposes the bases for the establishment of a specific museology and museography for the treatment of autobiographical oral memory on the Internet and, by extension, for Intangible Cultural Heritage in general.
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Berthon, Jean-Paul. "Immaterial matters : strategic mode and the management of intangibles /." Luleå : Division of business administration and management, Industrial marketing and e-Commerce, Department of business administration and social sciences, 2007. http://epubl.ltu.se/1402-1544/2007/58/.

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Lai, C. I. "Materialising the immaterial : the crafting of Taiwanese bamboo design." Thesis, University College London (University of London), 2016. http://discovery.ucl.ac.uk/1478140/.

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A common and affordable material such as Bamboo can be mundane, but may be remarkable in many ways for Taiwanese people. Investigating the ways Taiwanese people see, treat, apply and work with bamboo in their everyday lives reveals its significance in Taiwanese culture, and also its role in crafting and reinventing Taiwanese tradition as represented in the new bamboo designs of recent years. Design is seen here as a hinge between the intangible human domain of creativity and the tangible materials that allow the efficacious techniques to be practiced in order to transform concepts into real objects. This research is a material culture study which scrutinises the mutual relations among ‘cultural techniques,’ ‘self-making,’ and ‘creativity’ focusing on the domain of contemporary bamboo design in Taiwan. It is not only a research of the designs made with bamboo but a study of how bamboo shapes and displays people in the society. I would argue that the cultural significance embodied in its materiality transforms bamboo from a worthless, cheap, and alternative material into a priceless one. Moreover, the technical knowledge developed through the history of making can be a bond into creative design to be built upon, but can also act as a barrier for creativity. Being able to do original design requires various techniques, especially the skills to conceptualise ideas; the ability to draw and to read a drawing are evidently influential. Making is not only a physical act and the exercise of internalities but also the practice of efficacious techniques that allow the process of making an object to transform the people who make it.
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Bareikytė, Miglė. "Migration as Becoming: the Experience of Immaterial Laborers from Lithuania in Berlin." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120607_134117-21294.

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International migration is a significant issue in many contemporary societies. It is often analysed through the frame of different representational models. This thesis argues the need for a conceptualization of the migrant through the Deleuzian philosophy of immanence, and immaterial labor practice. The first part of the thesis discloses the problematic aspect of representation and places the figure of the migrant in the Deleuzian philosophy of immanence. The second part of the thesis is devoted to the analysis of the dominant mode of economy in contemporary capitalist societies – post-Fordism. Deleuzian angle of the migrant, which is based on desire, change, deterritorialization, and affect is deeply connected with post-Fordist economy and one of its practises – immaterial labor. With immaterial labor, which is based on the intellectual capabilities of human beings build a relation through communication and affect, being the dominant work practise nowadays, this practise as well as the figure of migrant is placed in the field of immanence. This field is based on the refusal of any kind of representation. It places the being in the material world, which finds itself in continuous process of becoming through the creation of relations. Thus, the figure of the migrant, whose life is based on the intensified creation of relations is the paradigmatic form of all subjectivity under post-Fordist logic and conditions, which is based on intensified creation of relations for the... [to full text]
Šiuolaikinėse visuomenėse tarptautinė migracija tampa vis aktualesniu reiškiniu. Akademinėje literatūroje migracija dažniausiai nagrinėjama pasitelkiant įvairius reprezentacinius modelius. Šis magistro darbas skirtas migracijos konceptualizavimui per imanentiškos Gilles Deleuzo filosofijos prizmę bei nemateriaulaus darbo praktiką. Pirma darbo dalis pristato bei analizuoja reprezentacijos, kaip reiškinio, problematiką ir diskutuoja migranto figūros priklausomybę imanentinei Deliozo filosofijos terpei. Antroji darbo dalis skirta dominuojančios šiuolaikinio kapitalizmo ekonomikos rūšies – post-Fordizmo – analizei. Migranto konceptas, aptariamas per Deliozo imamentiškos filosofijos prizmę yra pagrįstas šiai filosofijai priklausančiais konceptais: troškimu, pokyčiu, deteritorializacija, afektu, kurie yra tampriai susiję su post-Fordizmo ekonomika bei viena iš jos praktikų – nematerialiu darbu. Kadangi tiek nematerialaus darbo logika, tiek migranto būtis remiasi žmogiškuoju gebėjimais mąstyti, užmegzti ryšį per komunikacijos aktą bei sukelti afektą, abu konceptai yra patalpinami į imanentišką lauką. Imanencija paremta bet kokios reprezentacijos, kuria remiamas transcendcijos kūrimas, atmetimu bei būties patalpinimu į materialų pasaulį, kuriamą iš intensyvumų mainais paremtų ryšių. Tokiu būdu migrantas, kurio būtis paremta intensyviu ryšių kūrimu bei perkūrimu, tampa paradigmatišku viso post-Fordizmo ekonomikos, kuriai būdingas intensyvus ryšių kūrimas siekiant sukurti vis... [toliau žr. visą tekstą]
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Books on the topic "Immaterial"

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Immaterial architecture. New York: Routledge, 2006.

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Jonathan, Hill. Immaterial architecture. London: Routledge, 2006.

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Art Gallery of New South Wales., ed. Material immaterial. Sydney: Art Gallery of New South Wales, 1997.

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Gillen, Kieron. Phonogram: The Immaterial girl. Berkeley, CA: Image Comics Inc., 2016.

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Reyes, Cid. Immaterial: The art of Augusto Albor. Mandaluyong City, Philippines: Artinformal, 2010.

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1951-, Mori Toshiko, ed. Immaterial/ultramaterial: Architecture, design, and materials. Cambridge, Mass: Harvard Design School in association with George Braziller, 2002.

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Nilsson, Christian. Immaterial- och marknadsrätt: Rättsfall med inledande kommentarer. Stockholm: Norstedts Juridik, 2003.

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Syson, Luke. Size immaterial: Hand-held scultpure of the 1990s. London: British Art Medal Society, 1999.

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1954-, Kuma Kengo, ed. Material/immaterial: The new work of Kengo Kuma. New York: Princeton Architectural Press, 2009.

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Materializing the immaterial: The architecture of Wallace Cunningham. New Haven, CT: Yale University Press, 2007.

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Book chapters on the topic "Immaterial"

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Sanchez, Jose. "Immaterial Architectures." In Architecture for the Commons, 86–109. New York: Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429432118-5.

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Keating, Steven, and Neri Oxman. "Robotic Immaterial Fabrication." In Rob | Arch 2012, 256–66. Vienna: Springer Vienna, 2013. http://dx.doi.org/10.1007/978-3-7091-1465-0_30.

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Battin, Justin Michael. "The Immaterial as Traversable." In Mobile Media Technologies and Poiēsis, 79–106. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-59797-3_4.

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Jacobus, Frank. "Toward the immaterial interior." In The Interior Architecture Theory Reader, 224–33. New York : Routledge, 2017.: Routledge, 2018. http://dx.doi.org/10.4324/9781315693002-27.

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Carter, David. "Accounting for the immaterial." In The Routledge Companion to Performance Management and Control, 236–57. Title: The Routledge companion to performance management and control / edited by Elaine Harris. Description: Abingdon, Oxon; New York, NY: Routledge, 2017. | Series: Routledge companions in business, management and accounting: Routledge, 2017. http://dx.doi.org/10.4324/9781315691374-13.

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Arena, Marinella. "Irrelevant Cities: Immaterial Surveys." In Lecture Notes in Civil Engineering, 1049–65. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-59743-6_49.

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Forge, Louis. "Everything which Thinks is Immaterial." In Treatise on the Human Mind (1664), 38–43. Dordrecht: Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-017-3590-2_3.

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Paver, Chloe. "Between the Material and the Immaterial." In Exhibiting the Nazi Past, 25–63. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77084-0_2.

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Kuhnert, Nikolaus, and Wolfgang Wagener. "From Good Design to Immaterial Goods." In Berlinmodell Industriekultur, 14–19. Boston, MA: Birkhäuser Boston, 1989. http://dx.doi.org/10.1007/978-1-4615-9810-7_2.

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Schmid, Susanne. "Introduction: Immaterial Angel or Material Poet?" In Shelley's German Afterlives, 1–20. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604230_1.

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Conference papers on the topic "Immaterial"

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Belenguer, Jordi Solsona, Marcus Lundén, Jarmo Laaksolhati, and Petra Sundström. "Immaterial materials." In TEI'12: Sixth International Conference on Tangible, Embedded, and Embodied Interaction. New York, NY, USA: ACM, 2012. http://dx.doi.org/10.1145/2148131.2148177.

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Cai, Yuqi. "Virtually Physical Immaterial." In Design Computation Input/Output 2022. Design Computation, 2022. http://dx.doi.org/10.47330/dcio.2022.mqmz7444.

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van Berkel, Ben, Astrid Piber, and Filippo Lodi. "Designing with the immaterial." In the 2nd Media Architecture Biennale Conference. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2682884.2682897.

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Herbet, Aurélie. "Immaterial art stock project." In VRIC '14: Virtual Reality International Conference - Laval Virtual 2014. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2617841.2617846.

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Levashova, Tatiana, and Michael Pashkin. "Personalized configuration of immaterial products." In 2017 20th Conference of Open Innovations Association (FRUCT). IEEE, 2017. http://dx.doi.org/10.23919/fruct.2017.8071316.

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Rakkolainen, Ismo, and Antti Sand. "A movable immaterial volumetric display." In SIGGRAPH Asia 2013 Posters. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2542302.2542305.

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Rakkolainen, Ismo K., and Artur K. Lugmayr. "Immaterial display for interactive advertisements." In the international conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1255047.1255066.

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Ceravolo, Paolo, Ernesto Damiani, Daisy Fasoli, and Gabriele Gianini. "Representing Immaterial Value in Business Model." In 2010 14th IEEE International Enterprise Distributed Object Computing Conference Workshops (EDOCW). IEEE, 2010. http://dx.doi.org/10.1109/edocw.2010.51.

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Palovuori, Karri, Ismo Rakkolainen, and Antti Sand. "Bidirectional touch interaction for immaterial displays." In the 18th International Academic MindTrek Conference. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2676467.2676503.

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Sand, Antti, and Ismo Rakkolainen. "A hand-held immaterial volumetric display." In IS&T/SPIE Electronic Imaging, edited by Andrew J. Woods, Nicolas S. Holliman, and Gregg E. Favalora. SPIE, 2014. http://dx.doi.org/10.1117/12.2035280.

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Reports on the topic "Immaterial"

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Island Ark Project Team, Island Ark Project Team. Digital preservation of immaterial island culture in the face of climate change. Experiment, April 2014. http://dx.doi.org/10.18258/2415.

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