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Journal articles on the topic 'Imaginism'

Author: Grafiati

Published: 29 June 2021

Last updated: 1 February 2022

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1

Huttunen, Tomi. "Montage in Russian Imaginism: Poetry, theatre and theory." Sign Systems Studies 41, no. 2/3 (November 7, 2013): 219–29. http://dx.doi.org/10.12697/sss.2013.41.2-3.05.

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The article discusses the concept of montage as used by the Russian Imaginist poetic group: the montage principle in their poetry, theoretical writings and theatre articles. The leading Imaginist figures Vadim Shershenevich and Anatolij Mariengof were active both in theorizing and practising montage in their oeuvre at the beginning of the 1920s. Shershenevich’s application of the principle in poetry was called “image catalogue”, a radical poetic experiment in the spirit of both Walt Whitman and Sergei Eisenstein. Mariengof ’s main contribution to the montage poetics was his first fictional novel The Cynics (1928). The article also discusses the Imaginists’ writings on the essence of theatre as an autonomous art form – Shershenevich’s actitivy in the OGT (Experimental Heroic Theatre) and Mariengof ’s participation in the work of the MKT (Moscow Kamerny Theatre).

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2

Johnson, Luke Timothy. "Imagining The World Scripture Imagines." Modern Theology 14, no. 2 (April 1998): 165–80. http://dx.doi.org/10.1111/1468-0025.00061.

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3

Kostova-Panayotova, Magdalena. "RUSSIAN LITERARY MODERNISM AND ITS INFLUENCE ON BULGARIAN LITERATURE." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 58 (2020): 203–24. http://dx.doi.org/10.37816/2073-9567-2020-58-203-224.

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The paper discusses to what extent major currents and representatives of Russian modernism and the Avant-garde had influenced the works of prominent representatives of 20th-century Bulgarian literature such as L. Stoyanov, Liliev, Debelyanov, Trayanov, Sirak Skitnik, and many others. In addition to addressing the influence of Russian symbolism on Bulgarian writers, the article examines the impact of Acmeism on the work of El. Bagryanа and At. Dalchev; the one of Imaginism on the work of Bulgarian modernists from the 1920s such as Slavcho Krasinski, Geo Milev and others. The intertwining of features of the poetics from different avant-garde currents, both in the works of individual authors and in the works of a single writer appeared as a typical phenomenon in the life of the Bulgarian avant-garde. Such poets as N. Furnadzhiev, A. Raztsvetnikov, N. Marangozov and others, and fiction writers as Ch. Mutafov, A. Karaliychev, A. Strashimirov, J. Yovkov, repeatedly experienced the influence of contradictory modernist and avant-garde currents, however, in their works they managed to add the “European form” to the “Bulgarian content”. The study also involves Bulgarian avant-garde journals such as Crescendo, Libra/Vezni, etc. This paper argues that by going against the rules, the avant-garde writers created a productive artistic method, a kind of alternative classic.

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Gorelov, Oleg S. "THE SPECIFICS OF METAPHYSICAL DEFAMILIARISATION IN SIGIZMUND KRZHIZHANOVSKY’S PROSE." Vestnik of Kostroma State University, no. 2 (2020): 191–97. http://dx.doi.org/10.34216/1998-0817-2020-26-2-191-197.

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The article analyses the creative work of Sigizmund Krzhizhanovsky with the help of a surrealist code. Associations with magic realism, with imaginism and partly with the literary nonsense naturally arise when considering the elements of the fantastic, the miraculous, the imaginary, the oneiric in Sigizmund Krzhizhanovsky’s aesthetic and artistic system. The surrealistic is present in the work of Sigizmund Krzhizhanovsky implicitly. At the external levels of the structure, the most obvious signs of surrealist writing (nonlinear architectonics of the subject and the world, the representation of the desire of the unconscious, automatism, chains of «stupéfi ant images») either have a circumstantial nature or are not detected at all. However, as shown in the article, those signifi cant elements that appear and are almost obsessively repeated in Sigizmund Krzhizhanovsky’s writing (minimal metaphysic defamiliarisation, framing, contemplation of the invisible, metonymic parallax) can be called minimal surreal gestures. The article analyses the main features and specifi cs of the implementation of the metaphysic defamiliarisation, one of such gestures. This defamiliarisation is realised through complex work with space and time. The metaphysical is not beyond, but appears in this world, imperceptibly changing the perception of real objects, the atmosphere itself, drawing the subject into a strange mise-en-scène of nothingness, which does not violate the general specifi city and immanence of the landscape.

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Lindeman Allen, Amy. "Babies and Building Blocks: A Re-constructive Reading of God’s Household in 1 Peter in light of the Absent Child." Biblical Interpretation 28, no. 3 (June 4, 2020): 347–70. http://dx.doi.org/10.1163/15685152-00283p04.

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Abstract This essay re-reads 1 Peter’s Haustafel from a childist perspective, concerned with children both absent and present. It re-imagines 1 Peter’s Haustafel as a model for the Christian family based on growth and interdependence, rather than power and submission. In this model, God is paterfamilias, mimicking patriarchy in order to bring about a reversal in which elders imitate infants. This is argued in three parts: (1) attending to children and the ideologies that govern their relationships; (2) uniting the metaphors of infants and building blocks; and (3) re-imagining an alternate model of household relationships.

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6

Feldman, Shelley. "Ein neuer Blick auf die Vergangenheit, Visionen der Zukunft." PERIPHERIE – Politik • Ökonomie • Kultur 39, no. 1-2019 (April 30, 2019): 26–45. http://dx.doi.org/10.3224/peripherie.v39i1.03.

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24 Jahre nach der Entkolonisierung wurde im damaligen Ostpakistan ein zweiter Kampf für Unabhängigkeit ausgefochten, diese Mal gegen Pakistan. Es dauerte weitere 25 Jahre, bis es einem Zusammenschluss von in der Öffentlichkeit stehenden Bürgern gelang, ein Nationalmuseum zum Gedenken des Freiheitskampfes (Muktijuddo Jadughar) zu bauen. Dieser Artikel begreift das Museum als Ort der Zurückerlangung und Aushandlung einer bestimmten Lesart der Geschichte. Hierbei steht die Anerkennung der Bedeutung der Unabhängigkeit für die (Re-)Konstruktion nationaler Zugehörigkeit im Mittelpunkt. Anhand von Debatten um Staat und Nation, Museum und Erinnerung wird gezeigt, wie Öffentlichkeiten „die Geschichte vor der Nation retten“ und die Exklusionspraktiken hegemonialer nationalistischer Lesarten in Frage stellen. Die durch Militärherrschaften und fragile Demokratie hervorgerufenen Krisen verweisen dabei auf fortwährende Spannungen zwischen religiösen und säkularen Staatsformen und Forderungen, die vermeintlichen Kollaborateure zur Rechenschaft zu ziehen. Um die Herausforderungen für die aktuelle Geschichtsschreibung anhand des Wiederstands gegen die Exklusion von Ereignissen nachzuzeichnen, wird in dem Museum und seinem Archiv gesammeltes Datenmaterial verwendet.

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7

Nosenok, B. E. "DECADENCE-LITERATURE: THE IMAGERY SPECIFICITY." UKRAINIAN CULTURAL STUDIES, no. 1 (2017): 34–39. http://dx.doi.org/10.17721/ucs.2017.1.08.

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This article is devoted to the imagery problem of the decadence-literature (as a general phenomenon that periodically repeats itself) and of the literature of the decadency (as an oeuvre of crisis developments in art of the late 19th and early 20th century). The decadence-literatureis a manifestation of the irreducibility. It is proposed to analyze the imagery based on the context of the modernist interpretation of the image / icon. Before the image was considered together with its mimetic foundation – as an imitation of the external world. But here the image is freed from its mimetism, and it turns into a kind of "immediate ontology" (it is the Gaston Bachelard’s term). The classical structure of the image (plot, storyline, composition) ceases to play a leading role, and gives way to a writing. The decadence-literature image lets visual elements into literature. Therefore,there is a displacement from the ontology of the image to the image as an ontology in the research of imagery. It is also important to use the methodology proposed by Georges Didi-Huberman and Paul Virilio: the combination of the hermeneutic approach in the philosophy of image with elements of psychoanalysis, and the method of dromology, which is the connection of special aspects of the physics, mathematics and philosophy. The methodology of the School of Sociology of Imagination is also appropriate. The image of the decadence-literature is marked by symbolism, imaginism (it isalso known the same direction in literature – with the same name). There is also the "genres-werewolves" when a work is called, for example, poetry in prose. A personality of the writer-author plays a great role here: the decadence-literature is saturated with a psychology and a biography that is turned insideout. It is the expression of the world of unforgiven, restless personalities, which is explained by the principle of creation from an absence, emptiness, depressive and melancholic states (nostalgia, fatigue, sweet melancholy). It's interesting that decadent moods contribute to creation here. Distinctive features of the authors of decadence-literature: soreness, tenderness, hypersensitivity, a difficult life path and an unstable world. The imagery that is generated by creativity of these individuals is marked by a special attitude to time and space, it is also directed to the past in an attempt to find a lost paradise - that existed before the crash.

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Mitani, Yusuke, Takuya Kubo, Yuya Chiba, Yoshiko Maruyama, Kenji Moriya, and Masahiro Nakagawa. "Brain Activity During Listening to And Imagining Music: Does Imagining Music Provide a Similar Effect as Listening to Music?" Journal of the Institute of Industrial Applications Engineers 7, no. 4 (October 25, 2019): 127–31. http://dx.doi.org/10.12792/jiiae.7.127.

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Quinlan, Andrea. "Imagining a Feminist Actor-Network Theory." International Journal of Actor-Network Theory and Technological Innovation 4, no. 2 (April 2012): 1–9. http://dx.doi.org/10.4018/jantti.2012040101.

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Feminism and Actor-Network Theory (ANT) have often been considered opposing theoretical and intellectual traditions. This paper imagines a meeting between these seemingly divergent fields and considers the theoretical and methodological challenges that ANT and feminism raise for one another. This paper examines an empirical project that calls for an engagement with both ANT and feminism. Through the lens of this empirical project, three methodological questions that an alliance between ANT and feminism would raise for any research project are considered: 1) Where does the analysis start? 2) What can be seen once the research has begun? 3) What about politics? The potential places where ANT and feminism can meet and mutually shape research on scientific practice and technological innovation are explored. In doing so, this paper moves toward an imagining of a feminist ANT.

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Rüpke, Jörg. "Triumphator and Ancestor Rituals Between Symbolic Anthropology and Magic." Numen 53, no. 3 (2006): 251–89. http://dx.doi.org/10.1163/156852706778544997.

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AbstractThis article argues that the Roman triumph with the figure of the triumphator and the burial of Roman nobles with the pompa imaginum should be interpreted within the framework of the prestige and practices related to honori fic statues. Using the red colour of the triumphator's skin as the main argument, the figure of the triumphator is interpreted as a temporary statue, and the triumph as an attempt on part of the senate to regulate the prestige of honori fic statues by tying it to a public ritual. Likewise, the bearers of imagines are interpreted as representing the ensemble of all legitimate — i.e. as based on public positions — statues used to construct a family. Both rituals, as known from late republican sources, developed from the fourth century BC onwards.

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Goranson, Amelia, Ryan S. Ritter, Adam Waytz, Michael I. Norton, and Kurt Gray. "Dying Is Unexpectedly Positive." Psychological Science 28, no. 7 (June 1, 2017): 988–99. http://dx.doi.org/10.1177/0956797617701186.

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In people’s imagination, dying seems dreadful; however, these perceptions may not reflect reality. In two studies, we compared the affective experience of people facing imminent death with that of people imagining imminent death. Study 1 revealed that blog posts of near-death patients with cancer and amyotrophic lateral sclerosis were more positive and less negative than the simulated blog posts of nonpatients—and also that the patients’ blog posts became more positive as death neared. Study 2 revealed that the last words of death-row inmates were more positive and less negative than the simulated last words of noninmates—and also that these last words were less negative than poetry written by death-row inmates. Together, these results suggest that the experience of dying—even because of terminal illness or execution—may be more pleasant than one imagines.

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Balasubramanian, Harshadha. "Embodying Difference: Introducing ‘Contact Movement’ as an Ethnographic Method." Teaching Anthropology 10, no. 1 (August 3, 2021): 37–44. http://dx.doi.org/10.22582/ta.v10i1.590.

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This contribution to the special issue advances an ethnographic method which directs the critical project of re-imagining diversity towards studies of how difference emerges in fieldwork encounters. Drawing on my experiences of researching without eyesight, I urge students and teachers of anthropology to acknowledge the value of embodied research methods for examining social and corporeal differences in researcher-participant relationships. Firstly, I call attention to moments when embodied fieldwork may be resisted and how these are expressed as naturalised differences between researchers and participants. To deconstruct such naturalisations, I devise contact movement as a method which allows researchers to embody how these ethnographic tensions, or indeed differences, are negotiated between researchers and their participants. Ultimately, contact movement eagerly re-imagines diversity through a methodological rethink that permits ethnographers to embody and explore the collaborative production of difference in their intersubjective relationships, within the field and beyond.

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13

Sepp, Hans Rainer. "Crisis imaginis." Studia Phaenomenologica 3, no. 9999 (2003): 249–68. http://dx.doi.org/10.7761/sp.3.s1.249.

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Roark, Kendall, Ashlyn Sparrow, Johnny Mack, Ava Romberg, Kiernynn Grantham-Crum, Monica Ann Arrambide, and Shannon McMullen. "Group Roundtable: Queer Tech Futures, Social Justice, and Community-Based Technology Education." Practicing Anthropology 43, no. 1 (January 1, 2021): 11–17. http://dx.doi.org/10.17730/0888-4552.43.1.11.

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Abstract This essay describes a year-long community-based collaboration between faculty at Purdue University, a game designer at University of Chicago, and MAVEN Youth. Project partners sought to develop a community technology curriculum that centers the lives of LGBTQ and non-binary youth and imagines queer bodies as central to any future we wish to inhabit. Over the year-long project, the partners developed a series of social justice game design workshops for LGBTQ youth and a speculative design Hack-4-Queer Youth Futures. These types of collaborations and “making-and-telling” practices are vital to imagining inclusive and livable futures. This collaboration is an outgrowth of stakeholder engagement for the Big Data Ethics project at Purdue University supported by the Andrew W. Mellon Foundation. The goal of the group roundtable format is to gain better insight into the potential for embedding critical science and technology studies (STS) and social justice pedagogy into community-based tech diversity initiatives.

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Plourde, Aubrey. "George MacDonald's Doors: Suspended Telos and the Child Believer." Victorian Literature and Culture 49, no. 2 (2021): 231–58. http://dx.doi.org/10.1017/s106015031900024x.

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George MacDonald's The Princess and the Goblin (1872) is frequently read as a reflection of the scandalous theological doctrine conventionally attached to the author's name, the principle of universalism. But if the fairy tale seems to serve up an optimistic teleology of faith—belief triumphant, no matter the long odds—it also undermines its own project. The very overwrought Christian symbols that most seem to depict MacDonald's universalism in fact suggest its opposite, imagining spiritual progress and individual growth as contingent, indeterminate, and perpetually in process. Recognizing that representations of progress in MacDonald's Princess books are compromised at best and deliberately diverted, more likely, reveals a surprisingly inconsistent treatment of childhood, which he imagines not—or not just—as the telos of spiritual growth but also as a state of suspended development. In this way, The Princess and the Goblin endorses the concept of terminal spirituality while theorizing religious subjectivity as an intermittent temporal process.

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KARIMI, P. "Imagining Warfare, Imagining Welfare." Persica 22 (December 31, 2008): 47–63. http://dx.doi.org/10.2143/pers.22.0.2034400.

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Acero-Ferrer, Héctor A. "Imagining Borders, Imagining Relationships." Interdisciplinary Journal for Religion and Transformation in Contemporary Society 5, no. 2 (January 21, 2020): 447–68. http://dx.doi.org/10.30965/23642807-00502008.

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Abstract Conceptualizations of human borders will often refer to narratives of encounters, exchanges, and/or interactions that take place in two different but interrelated settings: one internal, between individuals or groups belonging to the space defined by the border; and one external, between such individuals or collectives and everything that is foreign to them. This integrating/distinguishing role of narratives underscores the imaginative process through which borders emerge, expressed with great poignancy in the fluidity and complexity of border-setting practices in late-modern societies. Paul Ricœur’s take on collective imagination and human action can be a tool to unearth some of the key conceptual features of such integration-distinction tension, by pointing to ways in which social imaginaries shape the liquidity and modality of borders in increasingly diverse communities. Ricœur’s analysis of the development of cultural imaginaries through the opposed yet complementary forces of ideology and utopia, and his exploration of the multi-layered character of mutual recognition, come together in an understanding of human persons – and communities – capable of imagining enlarged spaces of recognition. Richard Kearney complements this analysis with an account of narrative imagination that allows one to articulate the narrative origins of concrete human realities and practices, such as borders and border-setting. In this article, I make use of the contributions of Ricœur and Kearney to argue that a clear understanding social imagination is needed in order to account for the cultural matrix set by human borders, as well as to provide answers to the practical questions raised by concrete historical examples of borders and border-setting.

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Keller, Lynn. "Beyond Imagining, Imagining Beyond." PMLA/Publications of the Modern Language Association of America 127, no. 3 (May 2012): 579–85. http://dx.doi.org/10.1632/pmla.2012.127.3.579.

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Particularly because the mla lacks a division on environmental literature, it is gratifying that the organization is turning attention to environmental studies through forums such as this one. Many more in the profession than the fourteen hundred members of the Association for Study of Literature and the Environment take some interest in environmental literature and would like to foster sustainability through their teaching or research. Yet the term is problematic: a popular buzzword, its parameters are vague, and consequently the more difficult questions underlying the concept are too easily evaded. Sustainability of what and for whom? we might ask. Are people talking about sustaining complicated, interwoven biotic communities, sustaining humankind, or sustaining a comfortable lifestyle currently enjoyed by the privileged classes around the globe? What are the term's qualitative implications? What constitute appropriate standards for sustainability, and who decides? What political and economic policies will be necessary? Where will we get the motivation, the will to institute them? Where does sustainability intersect with issues of environmental and social justice, and how will we address the many ethical questions it raises?

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Salerno, Roger A. "Imagining Lacan Imagining Marx." Critical Sociology 44, no. 2 (August 2, 2016): 259–66. http://dx.doi.org/10.1177/0896920516658942.

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This critical review proposes that Lacan’s concept of alienation has little relevance to Marx’s notion of estrangement of labor and in fact depoliticizes it. Proceeding from a position that is not unsympathetic to poststructuralist theory, the author finds fault with Lacanian structuralism and particularly enlisting the help of Durkheim in attempting to enrich Marx’s psychology. While the author credits professors Worrell and Krier for attempting to take their critique of Marx to a more contemporary theoretical level, one which can potentially have value, he nevertheless sees the use of Lacan and Durkheim to rescue Marx as inappropriate, problematic, and a rejection of Marx’s humanistic understanding of human relations as well as an unsupported dismissal of his notion of alienation based on human and material commodification.

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Sajeva, Maurizio, Andrew Mitchell, and Mark Lemon. "Reconfiguring Household Management in Times of Discontinuity as an Open System." International Journal of Food and Beverage Manufacturing and Business Models 4, no. 1 (January 2019): 1–19. http://dx.doi.org/10.4018/ijfbmbm.2019010101.

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This article is based upon a heterodox approach to economics that rejects the oversimplification made by closed economic models and the mainstream concept of ‘externality.' This approach re-imagines economics as a holistic evaluation of resources versus human needs, which requires judgement based on understanding of the complexity generated by the dynamic relations between different systems. One re-imagining of the economic model is as a holistic and systemic evaluation of agri-food systems' sustainability that was performed through the multi-dimensional Governance Assessment Matrix Exercise (GAME). This is based on the five capitals model of sustainability, and the translation of qualitative evaluations into quantitative scores. This is based on the triangulation of big data from a variety of sources. To represent quantitative interactions, this article proposes a provisional translation of GAME's qualitative evaluation into a quantitative form through the identification of measurement units that can reflect the different capital dimensions. For instance, a post-normal, ecological accounting method, Emergy is proposed to evaluate the natural capital. The revised GAME re-imagines economics not as the ‘dismal science,' but as one that has potential leverage for positive, adaptive and sustainable ecosystemic analyses and global ‘household' management. This article proposes an explicit recognition of economics nested within the social spheres of human and social capital which are in turn nested within the ecological capital upon which all life rests and is truly the bottom line. In this article, the authors make reference to an on-line retailer of local food and drink to illustrate the methods for evaluation of the five capitals model.

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Noordhof, Paul. "Imagining Objects and Imagining Experiences." Mind and Language 17, no. 4 (September 2002): 426–55. http://dx.doi.org/10.1111/1468-0017.00206.

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Huttunen, Tomi. "От "словообразов" к "главокадрам": имажинистский монтаж Анатолия Мариенгрофа [From "word-images' to "chapter-shots": The imaginist montage of Anatolij Mariengof]." Sign Systems Studies 28 (December 31, 2000): 181–98. http://dx.doi.org/10.12697/sss.2000.28.10.

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From "word-images' to "chapter-shots": The imaginist montage of Anatolij Mariengof. The article discusses the three dominant imaginist principles of Anatolij Mariengofs (1897-1962) poetic technique, as they are translated into prose in his first fictional novel Cynics (1928). These principles include the "catalogue of images", a genre introduced by Vadim Shershenevich, i.e. poetry formed of nouns, which Mariengof makes use of in his longer imaginist poems. Another dominant imaginist principle, to which Mariengof referred in his theoretic articles and poetic texts, is similar to the creating of shocking images typical of Russian futurism. Mariengofs application is the juxtaposition of "pure" (chistyj) and "impure" (nechistyj), either a conflict between the vehicle and the object within a metaphor or a conflict between metaphors. This is an essential poetic feature in both Mariengofs poetry and prose. The third, maybe the most Mariengofian imaginist principle, relevant to the study of Cynics, is the poetics of transition (poetika sdviga), i.e. a certain fragmented structure of the text, which is related to Mariengors use of heteroaccentual rhyme. All these principles can be treated as fundamental elements in Mariengofs use of montage technique in his fictional prose.

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Moore, M. R. "Imagining." Labor: Studies in Working-Class History of the Americas 5, no. 3 (September 1, 2008): 7. http://dx.doi.org/10.1215/15476715-2008-003.

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Duncanson-Hales, Christopher. "Re-Imagining Text - Re-Imagining Hermeneutics." Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts 7, no. 1 (January 13, 2014): 87–122. http://dx.doi.org/10.1558/post.v7i1.87.

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With the advent of the digital age and new mediums of communication, it is becoming increasingly important for those interested in the interpretation of religious text to look beyond traditional ideas of text and textuality to find the sacred in unlikely places. Philosophical and theological hermeneutics have been invigorated by a de-regionalization of the interpretation of texts that corresponds with this journal’s mandate to “cross traditional boundaries, bringing different disciplinary tools to the process of analysis and opening up a sustained dialogue between and among scholars and others who are interested in religion, textuality, media, and mediation and the contemporary world.” Paul Ricoeur’s phenomenological reorientation of classical hermeneutics from romanticized notions of authorial intent and psychological divinations to a serious engagement with the “science of the text” is a hermeneutical tool that opens up an important dialogue between the interpreter, the world of the text, and the contemporary world in front of the text. This article examines three significant insights that Paul Ricoeur contributes to our expanding understanding of text. First under scrutiny will be Ricoeur’s de-regionalization of classic hermeneutics culminating in his understanding of Dasein (Being) as “being-in-the-world,” allowing meaning to transcend the physical boundaries of the text. Next, Ricoeur’s threefold under-standing of traditionality/Traditions/tradition as the “chain of interpretations” through which religious language transcends the temporal boundary of historicity will be explored. The final section will focus on Ricoeur’s understanding of the productive imagination and metaphoric truth as the under-appreciated yet key insight around which Ricoeur’s philosophical investigation into the metaphoric transfer from text to life revolves.

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Takamura, Kenzi. "Changes in sex ratio of chironomid imagines from rice field waters." Archiv für Hydrobiologie 135, no. 3 (January 22, 1996): 413–21. http://dx.doi.org/10.1127/archiv-hydrobiol/135/1996/413.

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Conway, Martin A., Catherine Loveday, and Scott N. Cole. "The remembering–imagining system." Memory Studies 9, no. 3 (July 2016): 256–65. http://dx.doi.org/10.1177/1750698016645231.

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Remembering and imagining are intricately related, particularly in imagining the future: episodic future thinking. It is proposed that remembering the recent past and imagining the near future take place in what we term the remembering–imagining system. The remembering–imagining system renders recently formed episodic memories and episodic imagined near-future events highly accessible. We suggest that this serves the purpose of integrating past, current, and future goal-related activities. When the remembering–imagining system is compromised, following brain damage and in psychological illnesses, the future cannot be effectively imagined and episodic future thinking may become dominated by dysfunctional images of the future.

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Shay, Jonathan. "Comment: Imagining the Citizen, Imagining the Enemy." Literature and Medicine 15, no. 2 (1996): 211–23. http://dx.doi.org/10.1353/lm.1996.0026.

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Cruz, Anne J., and María Cristina Quintero. "Garcilaso/Góngora: Imagining the Self, Imagining Empire." Bulletin of Spanish Studies 93, no. 7-8 (September 13, 2016): 1205–42. http://dx.doi.org/10.1080/14753820.2016.1224051.

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Hutto, Daniel D. "Overly Enactive Imagination? Radically Re-Imagining Imagining." Southern Journal of Philosophy 53 (September 2015): 68–89. http://dx.doi.org/10.1111/sjp.12122.

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Corso, Simona, Florian Mussgnug, and Virginia Sanchini. "Imagining Human Reproduction. Introduction: Imagining Human Reproduction." Phenomenology and Mind 19 (2020): 12. http://dx.doi.org/10.17454/pam-1901.

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31

Chaplin, Jane D. "IMAGINES." Classical Review 48, no. 2 (October 1998): 411–12. http://dx.doi.org/10.1017/s0009840x98490024.

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Miller, Eric D. "IMAGINING PARTNER LOSS AND MORTALITY SALIENCE: CONSEQUENCES FOR ROMANTIC-RELATIONSHIP SATISFACTION." Social Behavior and Personality: an international journal 31, no. 2 (January 1, 2003): 167–80. http://dx.doi.org/10.2224/sbp.2003.31.2.167.

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As hypothesized, imagining the death of one's romantic partner (for those currently involved in a romantic relationship for at least one continuous year) enhanced relationship satisfaction; unexpectedly, imagining one's own death did not markedly affect relationship satisfaction (Experiment 1). Experiment 2 found that imagining the death of one's partner has an impact similar to imagining a positive experience with one's partner regarding relationship satisfaction. Furthermore, imagining the death of one's romantic partner causes the individual to favorably change his/her perceptions of certain personality characteristics of the partner. Experiment 3 examined the interactive effects that certain personality traits had on imagining either the death of oneself or of one's romantic partner with respect to self-reported relation-ship satisfaction. The applied and theoretical implications of this research are extensively discussed.

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Myers, Joanne E. "Enthusiastic Improvement: Mary Astell and Damaris Masham on Sociability." Hypatia 28, no. 3 (2013): 533–50. http://dx.doi.org/10.1111/j.1527-2001.2012.01294.x.

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Many commentators have contrasted the way that sociability is theorized in the writings of Mary Astell and Damaris Masham, emphasizing the extent to which Masham is more interested in embodied, worldly existence. I argue, by contrast, that Astell's own interest in imagining a constitutively relational individual emerges once we pay attention to her use of religious texts and tropes. To explore the relevance of Astell's Christianity, I emphasize both how Astell's Christianity shapes her view of the individual's relation to society and how Masham's contrasting views can be analyzed through the lens of her charge that Astell is an “enthusiast.” In late seventeenth‐century England, “enthusiasm” was a term of abuse that, commentators have recently argued, could function polemically to dismiss those deemed either excessively social or antisocial. By accusing Astell of enthusiasm, I claim, Masham seeks to marginalize the relational self that Astell imagines and to promote a more instrumental view of social ties. I suggest some aspects of Astell's thought that may have struck contemporaries as “enthusiastic” and contrast her vision of the self with Masham's more hedonistic subject. I conclude that, although each woman differently configures the relation between self and society, they share a desire to imagine autonomy within a relational framework.

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Macrae, A. "Imagining Differently." Anglistik 31, no. 1 (2020): 155–81. http://dx.doi.org/10.33675/angl/2020/1/11.

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Woodling, Casey. "Imagining Zombies." Disputatio 6, no. 38 (May 1, 2014): 107–16. http://dx.doi.org/10.2478/disp-2014-0006.

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Abstract Philosophers have argued that the conceivability of philosophical zombies creates problems for physicalism. In response, it has been argued that zombies are not conceivable. Eric Marcus (2004), for example, challenges the conceivability claim. Torin Alter (2007) argues that Marcus’s argument rests on an overly restrictive principle of imagination. I agree that the argument relies on an overly restrictive principle of imagination, but argue that Alter has not put his finger on the right one. In short, Marcus’s argument fails, but not for the reasons Alter gives.

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Sangeeta Ray. "Imagining Otherwise:." Comparative Literature Studies 50, no. 2 (2013): 236. http://dx.doi.org/10.5325/complitstudies.50.2.0236.

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Kopf, David, and Ronald Inden. "Imagining India." Journal of the American Oriental Society 112, no. 4 (October 1992): 674. http://dx.doi.org/10.2307/604496.

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Powell, William. "Imagining Harmony." Families in Society: The Journal of Contemporary Social Services 85, no. 2 (April 2004): 153–54. http://dx.doi.org/10.1606/1044-3894.312.

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Setiya, Kieran. "Imagining reality." Philosophers' Magazine, no. 36 (2006): 89. http://dx.doi.org/10.5840/tpm20063628.

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Morton, Adam. "Imagining Evil." Dossier : Imagination et éthique 5, no. 1 (April 6, 2018): 26–33. http://dx.doi.org/10.7202/1044413ar.

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It is in a way easier to imagine evil actions than we often suppose, but what it is thus relatively easy to do is not what we want to understand about evil. To argue for this conclusion I distinguish between imagining why someone did something and imagining how they could have done it, and I try to grasp partial understanding, in part by distinguishing different imaginative perspectives we can have on an act. When we do this we see an often unnoticed asymmetry: we do not put the same demands on our understanding of wrongdoing as on that of most everyday, morally acceptable, actions.

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Maibom, Heidi L. "Imagining Others." Dossier : Imagination et éthique 5, no. 1 (April 6, 2018): 34–49. http://dx.doi.org/10.7202/1044414ar.

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It is often argued that the ability to imagine what others think and feel is central to moral functioning. In this paper, I consider to what extent this is true. I argue that neither the ability to think of others as having representational mental states, nor the ability to imagine being in their position, is necessary for moral understanding or moral motivation. I go on to argue that the area in which thinking about others’ thoughts and feelings appears to play the largest role is that of supererogatory actions. Being able to get on well with others seems to be importantly predicated on our ability to think about their thoughts and feelings and being able to take up their perspective. However, when it comes to grosser moral norms and restrictions, such as harm norms, there is little reason to think that thinking about others’ thoughts and feelings plays a central role in understanding such norms or being motivated by them.

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Ghasarian, Christian, and Ronald Inden. "Imagining India." Revue Française de Sociologie 35, no. 4 (October 1994): 701. http://dx.doi.org/10.2307/3322200.

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Murphy, Darryl. "Imagining Bodies." Symposium 11, no. 1 (2007): 179–80. http://dx.doi.org/10.5840/symposium200711111.

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Josh Pearson. "Imagining Alternatives." Science Fiction Studies 41, no. 2 (2014): 464. http://dx.doi.org/10.5621/sciefictstud.41.2.0464.

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Jalondra Davis Brown. "Imagining Africa." Science Fiction Studies 41, no. 3 (2014): 650. http://dx.doi.org/10.5621/sciefictstud.41.3.0650.

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Stone, Michael E. "Imagining Creation." Journal of Jewish Studies 61, no. 2 (October 1, 2010): 334–35. http://dx.doi.org/10.18647/2975/jjs-2010.

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King, Bruce, and Richard Cronin. "Imagining India." World Literature Today 64, no. 3 (1990): 527. http://dx.doi.org/10.2307/40146831.

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Rocher, Rosane, and Ronald Inden. "Imagining India." Journal of the American Oriental Society 123, no. 1 (January 2003): 267. http://dx.doi.org/10.2307/3217912.

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Prakash, Gyan, and Ronald Inden. "Imagining India." American Historical Review 97, no. 2 (April 1992): 601. http://dx.doi.org/10.2307/2165851.

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Deverell, William, and Victor Masayesva. "Imagining Indians." American Historical Review 98, no. 4 (October 1993): 1189. http://dx.doi.org/10.2307/2166620.

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