Dissertations / Theses on the topic 'Imagining nation'

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1

Mngomezulu, Nosipho Sthabiso Thandiwe. "Re-imagining the nation." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1019999.

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This thesis examines young people’s constructions of nationhood in Mauritius. In 2008, the Mauritian government instituted a Truth and Justice Commission (TJC), set up to investigate the consequences of slavery and indentured labour. Through the Truth and Justice Commission, the Mauritian government indicated its desire to achieve social justice and national unity. Drawing on developments in studies of national identification practices in the 21st Century, this thesis addresses the question of young Mauritian’s locally and globally informed identification practices and asks how their unofficial narratives of nationhood challenge, or divert, or relate to official state narratives of nationhood. The basis of the study emerges from data collected from 132 participants during fieldwork in multiple fieldsites from May to September 2010 as well as research on Mauritian youth on-line from 2011-2014. The advent of the TJC offers an ideal moment to evaluate the dynamics of post-colonial nation-building and nationhood in a selfstyled multi-cultural state. Nationhood, does not exist apriori to the constructions of narratives of the nation, thus the stories told about the nation, imagine the nation into being. By situating the Truth and Justice Commission and other official state narratives alongside young people’s narratives, I argue that contemporary narratives of nationhood in Mauritius represent an intergenerational struggle to define the meaning of the past in the present and consequently outline the future. Reflecting on the ideas and socio-economic and political processes that induce national consciousness, I argue that young people’s narratives of everyday lived experiences are vital for an interpretation of how nationhood is produced in everyday life. The cultural projects of young people – often rendered as liminal or marginal – offer a critical vantage point from where to read constructions of nationhood. Far from being growing pains or childish games, young people’s identity making practices are what Sherry B. Ortner has called “serious games.” This research suggests that official state government narratives of multicultural nationhood in Mauritius narrowly define national identification along communal loyalties, overlooking the dynamism of interculturality and transnationalism in daily practice on the island. Although communalism and rigid colonial interpretations of ethnicity attempt to police and limit the possibilities of alternative modes of being in Mauritius, young people’s identification practices question, challenge, and threaten to disrupt official discourses of ethnic identification in Mauritius Scholarly investigations of young peoples’ lived experiences of nationhood extend theoretical and methodological frames for the study of nationalized subjects and deepen the understanding of the construction of national consciousness. The construction of nationhood always involves narratives of some sort – scholarship on this area has usually focused on official state narratives from social theorists, state governments, and state elites. I argue for the importance of considering subjectivity and lived experience in conceptions of nationhood. In contemporary post-colonial societies, young people are the numerical majority, however, their voices are seldom represented in theories and narratives of nationhood. Whilst young people may appear in state policies (especially education) and official narratives about the future of the nation, their creative imagining and reimagining of narratives of selfhood is often ignored. I examine how young people increasingly are aware of their transnational connections, through participation in transnational youth cultures, and they are consequently increasingly multi-lingual and multicultural. Fixed notions of ethnic identification and discourses of trauma are not at the forefront of young people’s identification of selfhood, rather their ability to take advantage of their multiply situated identification processes allows them new means to evade and transform these narratives. Their identification of selfhood is characterised by a greater degree of dynamism than previous generations had access to, and thus they do not only identify themselves through officially sanctioned national forms of identification. Loyalty to nationhood is thus less predictable, and young people represent a potential threat to the continuation of older forms of nationhood. While official narratives of nationhood may manipulate ethnic and racial cleavages to secure old loyalties, not all young people are persuaded by these notions
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Jeong, Jaehyeon. "Imagining National Cuisine: Food, Media, and the Nation." Diss., Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/510291.

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Media & Communication
Ph.D.
By reading food television as a cultural text, through which the nation is narrated and envisioned, this dissertation examines the evolution of Korean food television and its articulation of Koreanness in contemporary globalization. Theoretically, I suggests understanding the nation as a discourse or a regime of truth from the Foucauldian perspective. In order to bring Foucault’s relativistic notion of truth into play, this dissertation employs Fairclough’s three-dimensional approach for critical discourse analysis (CDA). Through this multi-dimensional approach, I aimed to conduct a thick description of Korean food television’s discursive practice with regard to national cuisine and the Korean nation. My historical analysis of food television shows that an increased awareness of cultural others enhances a struggle for nation-ness. By unveiling the “Janus-faced” characteristic of the nation, which is constructed both against and through differences, this dissertation identifies the inextricable relationship between the nation and globalization, and the hierarchical integration processes inherent in cultural hybridization. Moreover, this research project reveals how the nation-state actively appropriates the banality of food and is involved in the production practices of the television industry in order to produce and disseminate hegemonic discourses on the nation, and to keep nationhood near the surface of everyday life. Through an investigation of the interplay between television texts and social conditions, my dissertation also explicates the socially-constructed and the socially-constitutive nature of media discourse, and enriches the discussion regarding the production cultures of the global television industries.
Temple University--Theses
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3

McDiarmid, Tracy. "Imagining the war / imagining the nation : British national identity and the postwar cinema, 1946-1957." University of Western Australia. School of Humanities, 2006. http://theses.library.uwa.edu.au/adt-WU2006.0054.

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[Truncated abstract] Many historical accounts acknowledge the ‘reverberations’ of the Second World War that are still with the British today, whether in terms of Britain’s relationships with Europe, the Commonwealth, or America; its myths of consensus politics and national unity; or its conceptions of national character. The term ‘reverberations’, however, implies a disruptive, unsettling influence whereas today’s popular accounts and public debates regarding national identity, more often than not concerned with ‘Englishness’ as a category distinctive from ‘Britishness’, instead view the Second World War as a time when the nation knew what it was and had a clear understanding of the national values it embodied a time of stability and consensus. This thesis demonstrates that, in the postwar period, ‘British’ was not a homogeneous political category, ‘Britishness’ was not a uniformly adopted identity, and representations of the nation in popular cinema were not uncontested. British national identity in the postwar 1940s and 1950s was founded upon re-presentations of the war, and yet it was an identity transacted by class, gender, race and region. Understandings of national identity ‘mirrored’ by British films were influenced by the social and political context of their creation and reception, and were also a reflection of the cinema industry and its relationship to the state. Both ‘national cinema’ and ‘national identity’ are demonstrated to be fluctuating concepts dominant myths of the war were undermined and reinforced in response to the demands of the postwar present.
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4

Harvey, Kathryn Nancy. "David Ross McCord (1844-1930) : imagining a self, imagining a nation." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100618.

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This thesis is about the life of David McCord and the contribution he made to Canadian public memory as founder of the McCord Museum of National History. In his McGilI-sponsored museum, founded in 1921, McCord sought to promote a myth of Canadian origins with narration provided by the objects of his personal collection. Integral to this history was the story of the McCord family, their arrival on this continent and their rise to social prominence. In McCord's version of Canadian history, family and personal myth were conflated with that of nation. Viewed through the prism of his collecting and museum work, McCord's life does not easily fit the Carlylean frame adopted by most biographers. In Canadian biographical writing by historians, the 'truth' about a person's life is revealed by following the modernist recipe of painstakingly recreating a detailed chronology of the individual's life. The approach followed here is an important departure from traditional political biography. Entry into McCord's life does not occur at his biological birth date, but at the moment of his own self-fashioned 'birthing', with the opening of the museum realized near the end of his life. In this biographical strategy, McCord's museum acts as a theatre of memory, where fragments of his life story are reassembled to create a narrative of national origins and of personal redemption. In his selection of objects and their display, and in the creation of an archive and the museum itself, McCord left a very elaborate and lasting record of his response to a set of changes associated with industrialization, a process which, in his lifetime, radically transformed the Montreal of his parents' generation. This thesis traces the connection between the creation of a public museum, founded to promote a collective vision of the Canadian past, and the private world of one collector whose collecting practice was defined as much by his own desire to remember and be remembered as it was by the kinds of objects he collected. What makes David McCord's life and collection so compelling is the opportunity it provides from understanding national history from the intimate perspective of one individual.
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Bokhorst-Heng, Wendy D. "Language and imagining the nation in Singapore." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0010/NQ35114.pdf.

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Moran, Anthony F. "Imagining the Australian nation settler- nationalism and Aboriginality /." Click here for electronic access to document, 1999. http://dtl.unimelb.edu.au/R/U1L2H28HB18MC24L4CL743PII8DUPUQSDYN9NGAGLBXL8YA8BU-00451?func=results-jump-full&set_entry=000013.

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Pierre, Hazel A. "Auto-biographing Caribbeanness : re-imagining diasporic nation and identity." Thesis, University of Warwick, 2007. http://wrap.warwick.ac.uk/2397/.

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This thesis undertakes a multidisciplinary study of the construction of nation and identity in the context of the Caribbean and its diaspora in Britain. Taking Trinidad and Tobago, Guyana and Britain as the countries for comparative analysis two primary research questions are addressed: How can Caribbean nation and identity be re-conceptualised to represent its complex, heterogeneous societies? How have Caribbean identities resisted, metamorphosed and been re-constituted in the diasporic context of Britain? While current scholarship on nation and identity is interrogated, the principle guiding the methodology has been to engage with the specificities of the region's history and culture with a view to arriving at new interpretations that reflect the contemporary Caribbean situation. It is argued that Caribbean auto-biographical practice, prevalent in much of its artistic production, provides a conceptual tool for interpreting the Caribbean nation. As a site of resistance to received knowledges, Caribbean autolbiography has facilitated inter alia the re-inscription of histories and the imagining of nation spaces. Since as a genre it IS inherently democratic, multiple imaginings of nation emerge and coalesce from the wider range of voices accommodated by auto-biographical practice. The prismatic creolisation model is proposed as a re-visioning of Caribbean identity. This model modifies and augments Kamau Brathwaite's creolisation thesis with relevant scholarship from Stuart Hall and the artistic philosophy of the painter Dunstan St Orner, Prismism. Prismatic creolisation suggests a polycentric, more inclusive perspective from which Caribbean identity, culture and language might be interpreted. These theoretical tools - auto-biographical practice and prismatic creolisation - are applied to the examination of how Caribbean identity and culture are translated and re-constructed in the diaspora situation. The Windrush generation, it is argued, began negotiating Britishness by auto-biographing Caribbean transitional identities into the national imagination. Succeeding generations have been renegotiating these terms by creating new cultural forms and ways ofbeing that resist and inflect Britishness.
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McCleese, Nicole L. "The Unconsoled a masochistic imagining of narrative and nation /." Diss., Connect to online resource - MSU authorized users, 2007.

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Kaneva, Nadezhda (Nadia). "Re-imagining nation as brand: Globalization and national identity in post-communist Bulgaria." Connect to online resource, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3273677.

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Dahl, Tracy A. "Lake Wobegon nation : imagining a community of Norwegian bachelor farmers /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1421129.

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Butterlin, Julien F. "Imagining the Japanese nation : the politics of Mt. Fuji, 1760-1825." Thesis, University of British Columbia, 2011. http://hdl.handle.net/2429/35696.

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The Edo period (1603-1868) saw the dawn of commercial publishing and the appearance of a Japanese mass market. Amidst these developments, a growing number of intellectuals, from all walks of life, started a cultural and political debate seeking to define the boundaries and center of their nation. A wide variety of schools of thought contributed their particular views to the question but two scholars of Dutch studies, or rangaku, offered one of the most drastic and creative solutions to define “Japaneseness.” The writer-scientist Hiraga Gennai (1728-1779) and the painter-geographer Shiba Kôkan (1747-1818) attempted to articulate Mt. Fuji as the symbol of a culturally and politically integrated Japan through their written and visual works. This thesis attempts to show the various forces contributing to and the process by which these two polymaths came to conceive and then propagate the idea of Mt. Fuji as a national symbol of their country. In order to do so, we will first focus on the life of Hiraga Gennai and the ideas contained in his most famous work of fiction, the Fûryû Shidôken Den (published in 1763), then move to the visual and scholarly output of his spiritual successor, Shiba Kôkan.
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Nathan, Robert C. Pérez Louis A. "Imagining Antonio Maceo memory, mythology and nation in Cuba, 1896-1959 /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,1317.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2007.
Title from electronic title page (viewed Apr. 25, 2008). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History." Discipline: History; Department/School: History.
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Habib, Jasmin. "Imagining Israel, belonging in diaspora, North American Jews' reflections on Israel as homeland, nation, and nation-state." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0035/NQ66269.pdf.

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Budiman, Manneke. "Re-imagining the archipelago : the nation in post-Suharto Indonesian women's fiction." Thesis, University of British Columbia, 2011. http://hdl.handle.net/2429/33945.

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This study sets out to investigate the ways in which some fiction by Indonesian women authors produced since the downfall of President Suharto in 1998 explores the notion of ‘nation’ that was established by the New Order during its thirty-two-year rule, and offers alternative perspectives. The New Order’s ideology of the unitary state of Indonesia required, as its foremost prerequisite, the construction of a sense of Indonesianness that was neither fragmented nor centrifugal. The result, however, was not only a Java-centric perspective of a vast archipelago that consists of more than 13,000 islands, but even more narrowly, a Jakarta-centric envisioning of the entire nation. In 1998 the Reformasi started and these women authors, who are situated at the intersection of authoritarianism and democracy, attempted to redefine the nation from diverse perspectives as women, while at the same time struggling against the pull to reinscribe the New Order’s discourse of a monolithic national identity. Different authors offer a range of viewpoints: from spatial angles that encompass urban, archipelagic, and cosmopolitan outlooks, to cultural dimensions that include Islam, adat, and ethnicity. These strategies of representation are analyzed using various feminist theories and approaches, especially those which are concerned with the notion of “symbolic space” as a “para-site” located in the margin of the dominant power, as proposed by scholars such as Ien Ang (2001), Rey Chow (1993), and bell hooks (1990). This study not only opens up a new approach to reading post-1998 Indonesian women’s fiction in the context of constructions of Indonesianness, but also furthers understanding of how cultural production in present-day Indonesia struggles to distance itself from the cultural and political legacy of the New Order, and at the same time is influenced by the long-lasting effects of that legacy.
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Tangelder, Mary L. R. "Imagining the nation, a textual analysis of Canadian and Australian history education materials." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ58783.pdf.

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Shaw, Jonathan Edwards. "Mobutu and Nyerere, 1960-1979: Trajectories and Creativity in Re-Imagining the Nation." W&M ScholarWorks, 2011. https://scholarworks.wm.edu/etd/1539626658.

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Dickinson, Renee. "The corporeum: Re-imagining body, land, nation and text in Virginia Woolf and Olive Moore." Diss., Connect to online resource, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3207690.

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Staniforth, Martin John. "Re-imagining the convicts : history, myth and nation in contemporary Australian fictions of early convictism." Thesis, University of Leeds, 2015. http://etheses.whiterose.ac.uk/10463/.

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This thesis examines the way in which a number of contemporary Australian novels use the contested figure of the early convict to reflect on, and participate in, the recent heated debates over Australian history and culture. It argues that while these novels represent an attempt to challenge the traditional narrative of the nation’s past promulgated by the Anglo-Celtic settler population, they predominantly reproduce rather than overturn the myths and stories that have been the hallmark of settler Australia. I examine the novels in three overlapping contexts: in relation to the way in which Australia’s convict history has shaped and influenced contemporary perceptions of nation and belonging; in relation to the tradition of convict fiction from Marcus Clarke onwards; and in relation to contemporary debates about Australian identity and history. I start with two contextual chapters: the first considers the foundational role of early convictism in creating the myths and stories that Anglo-Celtic Australians use to order their lives and how the convict legacy has left its mark on contemporary Australian society; the second examines the way in which early convict fiction established key aspects of settler history and identity, before considering how the genre of convict fiction responded to challenges to the nature of Australian society in the 1960s and 1970s. I then go on to examine critically the response of contemporary convict novels to the more fundamental challenges to traditional representations of Australian history and identity posed in the period immediately following the Bicentenary of British settlement, considering them in the contexts of Aboriginal dispossession, myths of exile and settler relationships to the land. I conclude that while these novels seek to reconceptualize the past they mostly fail to imagine an alternative vision for the country and consequently endorse rather than undermine the narratives they seek to challenge.
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al-Yasin, Nayef. "Imagining the aristocracy : the idea of the nation in the novels of Edward Bulwer-Lytton." Thesis, University of East Anglia, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.338054.

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Urbano, Annalisa. "Imagining the Nation, crafting the State : the politics of nationalism and decolonisation in Somalia (1940-60)." Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7756.

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The thesis offers a first-hand historically informed research on the trajectory of the making of the post-colonial state in Somalia (1940-60). It does so by investigating the interplay between the emergence and diffusion of national movements following the defeat of the Italians in 1941 and the establishment of a British Military Administration, and the process of decolonisation through a 10-year UN trusteeship to Italy in 1950. It examines the extent to which the features of Somali nationalism were affected/shaped by the institutional framework established by the UN mandate. The central argument of the thesis is that the imposition of the UN trusteeship, rather than enabling democratization, led to a ‘verticalisation’ of Somali nationalism and created a highly restrictive political space. Based on a combination of archival and oral sources, the thesis explores the socioeconomic context and possibilities of the wartime. It argues that Somali nationalism developed an efficient and inclusive message that successfully engaged in dialogue with the masses in the 1940s. However, the protraction of the UN debate and the extension of the military administration caused the radicalisation of conflicts among different groups. The imposition of self-government and democratization through the trusteeship system led to the establishment of a highly centralised and fixed institutional framework. Within this context, not only nationalism came to lose its original horizontal and inclusive political line, but national politics were reduced to zero-sum competition to access power and power structures. Ultimately, this exclusive, autocratic and distorted version of the nation-state negatively affected the process of unification of Somalia and Somaliland. By exploring the political trajectory leading to independence and unification, the thesis enhances a broader understanding of the development of post-colonial politics in Somalia. It contributes to specific discussions that centred on the features of the colonial legacy, on the effects of state and nation building, and on the consolidation of a clan-based discourse in post-colonial politics.
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Ter-Ghazaryan, Diana K. "Re-Imagining Yerevan in the Post-Soviet Era: Urban Symbolism and Narratives of the Nation in the Landscape of Armenia's Capital." FIU Digital Commons, 2010. http://digitalcommons.fiu.edu/etd/261.

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The urban landscape of Yerevan has experienced tremendous changes since the collapse of the Soviet Union and Armenia’s independence in 1991. Domestic and foreign investments have poured into Yerevan’s building sector, converting many downtown neighborhoods into sleek modern districts that now cater to foreign investors, tourists, and the newly rich Armenian nationals. Large portions of the city’s green parks and other public spaces have been commercialized for private and exclusive use, creating zones that are accessible only to the affluent. In this dissertation I explore the rapidly transforming landscape of Yerevan and its connections to the development of contemporary Armenian national identity. This research was guided by principles of ethnographic inquiry, and I employed diverse methods, including document and archival research, structured and semi-structured interviews and content analysis of news media. I also used geographic information systems (GIS) and satellite images to represent and visualize the stark transformations of spaces in Yerevan. Informed by and contributing to three literatures—on the relationship between landscape and identity formation, on the construction of national identity, and on Soviet and post-Soviet cities—this dissertation investigates how messages about contemporary Armenian national identity are being expressed via the transforming landscape of Armenia’s national capital. In it I describe the ways in which abrupt transformations have resulted in the physical and symbolic eviction of residents, introducing fierce public debates about belonging and exclusion within the changing urban context. I demonstrate that the new additions to Yerevan’s landscape and the symbolic messages that they carry are hotly contested by many long-time residents, who struggle for inclusion of their opinions and interests in the process of re-imagining their national capital. This dissertation illustrates many of the trends that are apparent in post-Soviet and post-Socialist space, while at the same time exposing some unique characteristics of the Armenian case.
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Brock, Stephen James Thomas, and brock stephen@saugov sa gov au. "A Travelling Colonial Architecture: Home and Nation in Selected Works by Patrick White, Peter Carey, Xavier Herbert and James Bardon." Flinders University. Australian Studies, 2003. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20070424.101150.

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This thesis is a study of constructions of home and nation in selected works by Patrick White, Peter Carey, Xavier Herbert and James Bardon. Drawing on the work of postcolonial theorists, it examines ways in which the selected texts engage with national mythologies in the imagining of the Australian nation. It notes the deployment of racial discourses informing constructions of national identity that work to marginalise Indigenous Australians and other cultural minority groups. The texts are arranged in thematic rather than chronological order. White’s treatment of the overland journey, and his representations of Aboriginality, discussed in Chapter One, are contrasted with Carey’s revisiting of the overland journey motif in Oscar and Lucinda in Chapter Two. Whereas White’s representations of Indigenous culture in Voss are static and essentialised, as is the case in Riders in the Chariot and A Fringe of Leaves, Carey’s representation of Australia’s contact history is characterised by a cultural hybridity. In White’s texts, Indigenous culture is depicted as an anachronism in the contemporary Australian nation, while in Carey’s, the words of the coloniser are appropriated and employed to subvert the ideological colonial paradigm. Carey’s use of heteroglossia is examined further in the analysis of Illywhacker in Chapter Three. Whereas Carey treats Australian types ironically in Illywhacker’s pet emporium, the protagonist of Xavier Herbert’s Poor Fellow My Country, Jeremy Delacy, is depicted as an expert on Australian types. The intertextuality between Herbert’s novel and the work of social Darwinist anthropologists in the 1930s and 1940s is discussed in Chapter Four, providing a historical context to appreciate a shift from modernist to postmodernist narrative strategies in Carey’s fiction. James Bardon’s fictional treatment of the Papunya Tula painting movement in Revolution by Night is seen to continue to frame Indigenous culture in a modernist grammar of representation through its portrayal of the work of Papunya Tula artists in the terms of ‘the fourth dimension’. Bardon’s novel is nevertheless a fascinating postcolonial engagement with Sturt’s architectural construction of landscape in his maps and journals, a discussion of which leads to Tony Birch’s analysis of the politics of name reclamation in contemporary tourism discourses.
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Kim, Hyowon. "Adopted colors identity, race, and the passion for other people's nationalism ; George Eliot, Elizabeth Barrett Browning, and imagining kinship in 19th century nation-building." Saarbrücken VDM Verlag Dr. Müller, 2007. http://d-nb.info/991276604/04.

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Rengifo, Carpio David Carlos. "Le théâtre historique et la construction de la nation : essor, crise et résurgence : Lima 1848-1924." Thesis, Rennes 2, 2018. http://www.theses.fr/2018REN20057/document.

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Cette thèse analyse le rôle du théâtre historique dans le processus de construction de la nation au Pérou entre la moitié du XIXe siècle et le début du XXe siècle. Elle propose l’étude des dynamiques du théâtre historique, de son développement dans la société péruvienne comme expression du développement de ce processus de construction nationale. La période étudiée est d'une complexité particulière pour le Pérou et décisive pour comprendre les difficultés de la construction de la nation et de l'identité nationale. La thèse privilégie Lima, la capitale, et souhaite démontrer que les drames historiques de cette période- représentés ou non- révélaient une image du passé – imaginaire ou non - qui exprimait les aspirations nationales ou les idéaux des classes moyennes ou des élites du pays. Il s’agissait pour la plupart de libéraux, secteur auquel appartenait la majorité des dramaturges et du public. La thèse souhaite démontrer aussi que le théâtre historique n’a pu pleinement se développer que dans les jointures d'enthousiasme nationaliste et dans un contexte d’optimisme à l’égard du présent et de l’avenir du pays que pouvaient avoir les élites péruviennes
This doctoral dissertation explores the role that historical theatre played in the process of nation-building in Peru between the mid-nineteenth and the early twentieth centuries. Local theatre’s dynamics mirrored the development of nation-building in this country. The period under study is of particular complexity in Peruvian history, and it allows us to understand the difficulties arising between the construction of the nation and the development of a Peruvian national identity. This research focuses on Lima, Peru’s capital city. It demonstrates that the historical dramas written in this period, even when not all of them were set on stage, sometimes conveyed a realistic image of the past whereas other times that representation was fictitious. These plays expressed the middle and/or upper classes’ national aspirations and ideals. Most play writers and the audiences that attended the plays belonged to the middle and/or upper classes and considered themselves as liberals. This dissertation also argues that Peruvian historical theatre only evolved in circumstances in which the local elites were filled by nationalist enthusiasm and optimism about Peru’s contemporary present and future
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Kennedy, Tim. "Cinema Regarding Nations Re-imagining Armenian, Kurdish, and Palestinian national identity in film." Thesis, University of Reading, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.486343.

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This thesis examines how film contributes to the collection of visual images and narratives that enable a community to imagine itself as a nation. It· focuses on three such communities, the Armenians, the Kurds, and the Palestinians, who have been, or remain, stateless. It argues that, in the face of external threats, stateless nations and their diasporas require repeated re-imagining to ensure their continued existence. A starting point for the study is that cinema is an important site for this reimagining in the way that it continually highlights concerns with national identity. Using a diverse collection of film in each case, the analysis identifies national themes, key symbols, and formal structures employed by film-makers to depict these nations. The films are categorised by means of the concept of 'cinema regarding nations', that is they are specifically about the respective nations. Through this categorisation, the thesis contributes to national cinema studies by facilitating the critical examination of a body of work which otherwise is fragmented. The study is comparative and uses a combination of textual and contextual analysis that enables the films from each case to be related to their political and social circumstances. The cases represent nations with arguably widely different origins, from the 'historic' Armenians to the more 'modem' Palestinians. Thus, the thesis also contributes to the debate in studies of national identity and nationalism between those who argue the nation is a modem political invention and those who argue that cultural roots are essential for the formation and persistence of nations. It reveals the relationship of the historical processes of nation formation and the persistence of national identity over time to their representation in film.
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Spencer, Alexander. "Re-Imagining the National Park Experience." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1535372504337022.

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McDiarmid, Tracy. "Imagining the war /." Connect to this title, 2005. http://theses.library.uwa.edu.au/adt-WU2006.0054.

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Pickles, Eve V. "The politics of imagining nations : a comparative analysis of the Scottish National Party and the Parti quebecois since the 1960s." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32938.

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In nationalism studies, there has been insignificant analysis of the politics of imagining nations. This thesis addresses this lacuna in an examination of the form and design of imagined nations in Scotland and Quebec. I argue that the Scottish National Party and the Parti Quebecois have, since their advent in the 1960s, created a political-civic image of the nation that breaks with previous cultural conceptions. However, cultural images of the nation, propagated by centralist institutions, remain entrenched in contemporary Scotland and Quebec. The juxtaposition of centralist cultural images and nationalist political images of the nation have led to a dualistic, or what I have termed a 'Jekyll and Hyde', national consciousness in both countries. This exercise indicates that images of the nation are subject to multitudinous interpretations and (re)construction by various actors in the competitive state-nation political arena.
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McFarlane-Alvarez, Susan Lillian. "Imaging and the National Imagining: Theorizing Visual Sovereignty in Trinidad and Tobago Moving Image Media through Analysis of Television Advertising." Digital Archive @ GSU, 2006. http://digitalarchive.gsu.edu/communication_diss/3.

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Academic and popular discourse frequently positions postcolonial countries as receivers of visual culture rather than as producers and transmitters. These countries are often deemed as being subject to hegemonic forces of global media flows, the influx of foreign programming into their media landscapes hindering any significant development of distinct national identity through visual media. Since independence from British rule in 1962, government, media practitioners and viewers in the postcolonial Caribbean nation of Trinidad and Tobago have sought ways to build a national visual culture despite the inundation of non-local visual texts into the country. This study positions postcolonial Trinidad and Tobago as actively productive of its own identity, and through a cultural studies analysis of television advertising, examines the central role that this industry (including personnel, economic structure, equipment and texts) plays in the construction of a national visual culture. This process of collective imagining takes place within the visual imaging of the advertising industry, and ultimately charts the undoing of colonial, hegemonic discourses within the broader mediascape. Ultimately the advertising industry facilitates the active negotiation of national identity, catalyzing the process of visual sovereignty.
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McFarlane-Alvarez, Susan L. "Imaging and the national imagining theorizing visual sovereignty in Trinidad and Tobago moving image media through analysis of television advertising /." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-04112006-221032/.

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Thesis (Ph. D.)--Georgia State University, 2006.
Title from title screen. Gregory Smith,committee chair; Angelo Restivo, Ted Friedman, Kathryn Fuller-Seeley, Emanuela Guano, committee members. Electronic text (310 p. : ill. (some col.)) : digital, PDF file. Description based on contents viewed July 13, 2007. Includes bibliographical references (p. 303-310).
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Shields, Rachel. "(Re)imagining history and subjectivity : (dis)incar-nations of racialised citizenship." Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of Sociology, c2012, 2012. http://hdl.handle.net/10133/3249.

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This thesis explores the ways in which modern history-writing practices reiterate race-based categories of citizenship. To investigate these practices across time, I have examined discourses produced by the United Farm Women of Alberta (UFWA) in 1925, and discourses produced by the contemporary magazine American Renaissance (AR). The UFWA were concerned with the promotion and definition of citizenship, and in so doing laid race as a foundation of Canadian identity. AR is a magazine that concerns itself with white nationalism in the contemporary United States. Drawing upon Avery Gordon and Wendy Brown’s theories of history and haunting, I have situated these discourses in imaginative relation to one another, illuminating the “past” in the present. I have also critically examined how I am complicit in reproducing the historical practices under study; as an architecture of history, haunting helps to imagine alternatives for the study of history and social life, particularly our own.
vii, 160 leaves : ill. ; 29 cm
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Gruenhagen, Jason Alan. "Bioanalytical Applications of Real-Time ATP Imaging Via Bioluminescence." Washington, D.C. : Oak Ridge, Tenn. : United States. Dept. of Energy. Office of Science ; distributed by the Office of Scientific and Technical Information, U.S. Dept. of Energy, 2003. http://www.osti.gov/servlets/purl/822057-FTilZ3/native/.

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Thesis (Ph.D.); Submitted to Iowa State Univ., Ames, IA (US); 12 Dec 2003.
Published through the Information Bridge: DOE Scientific and Technical Information. "IS-T 2604" Jason Alan Gruenhagen. 12/12/2003. Report is also available in paper and microfiche from NTIS.
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Murphy, Thomas W. "Imagining Lamanites : Native Americans and the Book of Mormon /." Thesis, Connect to this title online; UW restricted, 2003. http://hdl.handle.net/1773/6517.

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Small, Stephen W. ""A national imaging arts museum"." Thesis, Virginia Polytechnic Institute and State University, 1990. http://hdl.handle.net/10919/53275.

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In designing a National Museum for the Imaging Arts, a dual obligation is created. It is to provide an intimate place for the cherishing of manifestations of the individual, while also creating, at the scale of the nation, a symbol of the civilization. Architecture accepts this obligation through the hierarchical scaling of the referents of order, material, space, and light.
Master of Architecture
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35

Parr, Nora E. H. "Inter-textual nation : novel imaginings of Palestinian community in the works of Ibrāhīm Naṣrallāh." Thesis, SOAS, University of London, 2016. http://eprints.soas.ac.uk/23652/.

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Slater, Wendy Nicola. "Imagining Russia : the ideology of Russia's national patriotic opposition, 1985-1995." Thesis, University of Cambridge, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.289609.

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Shuck, Gail Ellen. "Imagining the native speaker: The poetics of complaint in university student discourse." Diss., The University of Arizona, 2001. http://hdl.handle.net/10150/280264.

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This study outlines relationships between ideological construction and conversational performances, or utterances during casual conversation whose aesthetic quality is highlighted. I identify a distinction between native and nonnative English speakers that is imagined in predictable ways and expressed in regularized discourse patterns. The ideology of nativeness is rooted in a monolingualist view of the world--an association of one language with one nation--and intersects with ideologies of race and education. The regularity of patterns associated with this ideology provides resources for performances by white, middle-class U.S. university students about incomprehensible accents, bad teachers, lazy or angry foreigners, and rude code-switching or uses of non-English languages. Speakers use performative strategies such as rhythm, dialogue, and emphatic stress, to frame performances as worthy of special attention. Utterances are interpreted as more or less performative depending on the density and intensity of those strategies. The notion of the discourse frame accounts for speakers' desire to complete performances and for listeners' understanding that they are expected to respond positively. Performance and ideology are reciprocally related, such that performances index and depend on the stability of ideological models while providing opportunities for sudden shifts in ideological position as well as for transformations of those models. As speakers frame performances, they simultaneously create social truths, such as exaggerated hierarchical relationships between linguistic in-groups and out-groups, in ways that become memorable and at least momentarily acceptable. Because performances are bounded and memorable, they are decontextualizable, which enables them to be re-performed by the same speakers or by their listeners in other contexts. Performances thus contribute to the pervasiveness of the ideological discourse patterns that form the basis of those performances. Because of many speakers' drive to establish social solidarity with their listeners, performances can coincide with a dramatic shift in ideological position. Such shifts are also understandable if we recognize that dominant ideologies are embedded in highly regularized discursive patterns, readily available to any speaker who wishes to employ them.
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Shevin, Michelle G. "Re-imagining the American community: myth, metaphor, and narrative in national security." Thesis, Monterey, California: Naval Postgraduate School, 2014. http://hdl.handle.net/10945/44001.

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Approved for public release; distribution is unlimited
In 2011, two defense strategists premiered their argument for a new national strategic narrative. Geared toward national security but intended to guide policymaking across government, this narrative has yet to receive official endorsement by the Defense Department or at the executive level. This thesis will explore if/why a new narrative is necessary, using an interdisciplinary historical and analytic approach. Consulting scholarship from ecology, sociology, economics, chaos theory, cybernetics, and other fields, the author will attempt to elucidate unobvious shifts occurring at multiple levels of the U.S. strategic realm. Shifting paradigms provide a good lens through which to view the narrative fragmentation that has arguably rendered much of U.S. strategy and policymaking ineffective over the last two decades. Ultimately, the author will argue that the U.S. government (and population) would reap long-term security and prosperity benefits from a revamped overall national strategic narrative to guide whole-of-government strategy in the coming decades.
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Adams, Matthew. "Imagining Britain : the formation of British national identity during the eighteenth century." Thesis, University of Warwick, 2002. http://wrap.warwick.ac.uk/3975/.

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This thesis explores the supposed development of an 'imagined community' of the British during the eighteenth century. Responding in particular to Linda Colley, it aims to show that her use of Benedict Anderson's well-known definition of the nation is both inappropriate and misleading. Taking as its evidence the substantial genre of contemporary historical writing about pre-Norman Britain, it attempts to develop an account of that genre's relationship to the growing reading public in Britain, its capacity to provide the imaginative terrain in which that public might consider itself to possess a shared identity, and the limits and obstacles to such a project. In doing so, it also explores the nature of the historical genre in this period, and finds its development to be tightly bound up with developments in print culture more generally, but especially with the rise of the novel and of the newspaper (the very genres lying at the heart of Anderson's account of nationalism). Later chapters concern themselves with developing the arguments brought out in the first half of the thesis, using different forms of evidence: histories of the common law, the debate on population, and the debate over the French Revolution. Here I deal variously with issues of custom, tradition, commerce and improvement, and their purchase upon notions of truth, as well as with the position of marginal figures - women, 'the mob' - in the supposedly national imagination. I conclude by arguing that the nation represented by Anderson is fundamentally utopian in character, that it did not and does not meet the essentially elitist 'imagined community' which my thesis uncovers, and should not be used to describe it.
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Zietsma, David. "IMAGINING HEAVEN AND HELL: RELIGION, NATIONAL IDENTITY, AND U.S. FOREIGN RELATIONS, 1930-1953." Akron, OH : University of Akron, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=akron1185381373.

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Dissertation (Ph. D.)--University of Akron, Dept. of History, 2007.
"August, 2007." Title from electronic dissertation title page (viewed 04/24/2008) Advisor, Walter L. Hixson; Committee members, T. J. Boisseau, Mary Ann Heiss, Brant T. Lee, Elizabeth Mancke; Department Chair, Walter L. Hixson; Dean of the College, Ronald F. Levant; Dean of the Graduate School, George R. Newkome. Includes bibliographical references.
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Mackey, Eva. "Managing and imagining diversity : multiculturalism and the construction of national identity in Canada." Thesis, University of Sussex, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361647.

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Sakamoto, Rumi. "Imagining Japan : national identity and the representation of the other in early Meiji discourse." Thesis, University of Essex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361174.

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Pajkovic, Boris. ""Patriots, Traitors and Globalisers : Cultural Identities and National Imaginings in Montenegro." Thesis, University of Newcastle upon Tyne, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.525017.

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44

Andrews, Gabriel M. "William Apess and Sherman Alexie: Imagining Indianness in (Non)Fiction." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/97.

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This paper proposes the notion that early Native American autobiographical writings from such authors as William Apess provide rich sources for understanding syncretic authors and their engagement with dominant Anglo-Christian culture. Authors like William Apess construct an understanding of what constitutes Indianness in similar and different ways to the master narratives produced for Native peoples. By studying this nonfiction, critics can gain a broader understanding of contemporary Indian fiction like that of Sherman Alexie. The similarities and differences between the strategies of these two authors reveal entrenched stereotypes lasting centuries as well as instances of bold re-signification, a re-definition of Indianness. In analyzing these instances of re-signification, this paper focuses on the performance of re-membering, the controversy of assimilation/authenticity, accessing audience, the discourse of Indians as orphans, and journeys to the metropolis.
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Grego, Caroline. "Imagining a community-oriented "national park nature" : conflict, management, and conservation in the proposed South Okanagan - Lower Similkameen National Park Reserve." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44932.

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This project is about the process of making a national park reserve in the South Okanagan - Lower Similkameen region of British Columbia, as reflected in the perspectives of people who live within the community or who are connected to the Parks Canada decision-making process. For all its local focus, this thesis rests upon extensive background research: research into the process of making national park nature in Canada; research into land and wildlife management practices; and research on indigenous epistemologies about nature, and the progression of white settler culture in the British Columbia. Still, this project makes its primary contribution through its focus on debates about the proposed national park reserve in the South Okanagan – Lower Similkameen Valley. The thesis rests on both historical research into the area and interviews with current residents of the valley. Its purpose is to determine how stakeholders feel connected to the land on which they live and how they think that a national park reserve would change their relationship with the land. Ultimately, the project sheds light on and helps to understand the attitudes and opinions towards land management held by stakeholders of those areas being targeted for federal conservation, as well as the conflicts and collusions between residents and Parks Canada policies during such processes.
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Carey, M. Clay. "A Plain Circle: Imagining Amish and Mennonite Community Through the National Edition of The Budget." Ohio University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1337286843.

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Murakami, Daisuke. "National imaginings, ethnic tourism and contested Tibetan identities in contemporary Lhasa, Tibet (PRC)." Thesis, SOAS, University of London, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.439748.

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Stuart-Richard, Gina D. "Re-Imagining the Landscape: Persistent Ideologies and Indelible Marks Upon the Land." Thesis, The University of Arizona, 2012. http://hdl.handle.net/10150/228163.

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Land is a critical element in the formation of, maintenance and continuance of Native identity to tribes in North America. Since time immemorial, Native people have occupied these landscapes in a manner than can perhaps be best described as "persistent." Native views of the land can differ significantly from those of a Western, or Anglo-American tradition. And when managers of these lands come from a Western tradition, dissimilar views on how these lands should be used can become very problematic for Native people. This research examines how five tribes (Pueblo of Acoma, the Hopi Tribe, Pueblo of Laguna, Navajo Nation and Pueblo of Zuni) view their identity and future cultural continuity as their ancestral homelands are inundated by competing uranium mining interests that threaten to destroy the Mount Taylor landscape of northern New Mexico.
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Bremner, George Alexander. "Imagining London : five studies on architecture, national identity, and Britain's first city of empire, 1856-1911." Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.615735.

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Sherwell, Tina. "Imaging the homeland : representations of Palestine in Palestinian art and popular culture." Thesis, University of Kent, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.269144.

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