Academic literature on the topic 'Imagining Japan'

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Journal articles on the topic "Imagining Japan"

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Toby, Ronald P. "Imagining and Imaging "Anthropos" In Early-Modern Japan." Visual Anthropology Review 14, no. 1 (March 1998): 19–44. http://dx.doi.org/10.1525/var.1998.14.1.19.

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Meeks, Lori. "Imagining Rāhula in Medieval Japan." Japanese Journal of Religious Studies 43, no. 1 (June 27, 2016): 131–51. http://dx.doi.org/10.18874/jjrs.43.1.2016.131-151.

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slavick, elin o–Hara. "Re-imagining Hiroshima in Japan." Critical Military Studies 1, no. 2 (June 3, 2015): 175. http://dx.doi.org/10.1080/23337486.2015.1051825.

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Patessio, Mara. "Imagining Prostitution in Modern Japan, 1850-1913." Cultural and Social History 17, no. 4 (August 7, 2020): 577–79. http://dx.doi.org/10.1080/14780038.2020.1810953.

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Fujiwara, Kiichi. "Imagining the Past: Memory Wars in Japan." Policy and Society 25, no. 4 (January 2006): 143–53. http://dx.doi.org/10.1016/s1449-4035(06)70096-0.

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Bierle, Isabel, Julia C. Becker, Gen Nakao, and Steven J. Heine. "Shame and anger differentially predict disidentification between collectivistic and individualistic societies." PLOS ONE 18, no. 9 (September 6, 2023): e0289918. http://dx.doi.org/10.1371/journal.pone.0289918.

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In the present research we tested the differential effects of anger versus shame as emotional predictors of ingroup disidentification in one rather collectivistic (Japan) and two rather individualistic societies (Germany, Canada). We tested the idea that individuals cope with socially undesired emotions by disidentifying from their group. Specifically, we predicted that after a group conflict, anger, an undesired emotion in Japan, would elicit disidentification in Japan, whereas shame, an undesired emotion in Canada and Germany, would elicit disidentification in Germany and Canada. Study 1 (N = 378) found that anger, but not shame, was related to disidentification in Japan, whereas shame, but not anger, was related to disidentification in Canada and Germany. Study 2 (N = 171) shows that, after group conflict, Japanese disidentified more when imagining to feel angry, whereas Germans disidentified more when imagining to feel ashamed. Implications for these findings are discussed.
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Flores, Linda M. "Re-imagining Japan after Fukushima by Tamaki Mihic." Journal of Japanese Studies 48, no. 1 (2022): 199–202. http://dx.doi.org/10.1353/jjs.2022.0017.

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Tapia Silva, Nancy Alejandra. "Tamaki Mihic. 2020. <em>Re-imagining Japan after Fukushima</em>. Canberra: Australian National University Press. Ebook ISBN 9781760463540. https://doi.org/10.22459/RJF.2020." Estudios de Asia y África 57, no. 3 (July 29, 2022): 695–700. http://dx.doi.org/10.24201/eaa.v57i3.2851.

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Nefsky, Marilyn F., and Robert N. Bellah. "Imagining Japan: The Japanese Tradition and Its Modern Interpretation." Sociology of Religion 66, no. 1 (2005): 85. http://dx.doi.org/10.2307/4153118.

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Li, Jingyi. "The Master in the Clouds: Imagining Li Yu in Early Modern Japan." Japanese Language and Literature 56, no. 1 (March 18, 2022): 185–207. http://dx.doi.org/10.5195/jll.2022.213.

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The Chinese novelist and playwright Li Yu 李漁 (1610~1680) enjoyed great fame in Japan since the 1690s when he was introduced to Japanese readers of the Tokugawa period. Particularly important in the reception history of Li Yu in Japan was Jieziyuan huazhuan, the Mustard Seed Garden Manual of Painting. The reproduction and reinterpretation of Jieziyuan huazhuan in Tokugawa Japan shaped Li Yu’s reputation as a literatus ideal among his Japanese readers in spite of his obscure reputation among his Chinese contemporaries. Through a wide range of primary materials, this article examines the idolization of Li Yu in the middle and late Tokugawa period and argues that it was a result of the misrepresentation of Li Yu as a literati painting master, as well as a hermit fiction writer. The close connection established between him and Jieziyuan huazhuan led to the recognition of him in Tokugawa Japan as one of the greatest literati painting artists. Meanwhile, the imagination of him as a hermit further established his image as the ideal of literati spirit among his Japanese admirers. Such idolization in turn contributed to his reputation in early modern China when his works were re-introduced to Chinese readers in the 1930s.
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Dissertations / Theses on the topic "Imagining Japan"

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Sakamoto, Rumi. "Imagining Japan : national identity and the representation of the other in early Meiji discourse." Thesis, University of Essex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361174.

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Tamura, Azumi. "The Politics of Disaster and Their Role in Imagining an Outside. Understanding the Rise of the Post-Fukushima Anti-Nuclear Movements." Thesis, University of Bradford, 2015. http://hdl.handle.net/10454/14384.

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Political disillusionment is widespread in contemporary Japanese society, despite people’s struggles in the recession. Our social relationships become entangled, and we can no longer clearly identify our interest in politics. The search for the outside of stagnant reality sometimes leads marginalised young people to a disastrous imaginary for social change, such as war and death. The imaginary of disaster was actualised in March 2011. The huge earthquake and tsunami caused the meltdown of the Fukushima Daiichi nuclear plant, which triggered the largest wave of activism since the 1960s. Based on the author’s fieldwork on the post-Fukushima anti-nuclear movements in Tokyo, this thesis investigates how the disaster impacted people’s sense of agency and ethics, and ultimately explores the new political imaginary in postmodernity. The disaster revealed the interconnected nature of contemporary society. The thesis argues that their regret about their past indifference to politics motivated the protesters into social commitment without any totalising ideology or predetermined collective identity. They also found an ambiguity of the self, which is insufficient to know what should be done. Hence, they mobilise their bodies on to the streets, encountering others, and forcing themselves to feel and think. This is an ethical attitude, yet it simultaneously stems from the desire of each individual to make a difference to the self and society. The thesis concludes that the post-Fukushima anti-nuclear movements signify a new way of doing politics as endless experiments by collectively responding to an unexpected force from an outside in a creative way.
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Seya, Anne-Aurélie. "Des Françaises au Japon : les mécanismes de l'exotisme et de l'altérité dans les écrits de voyage (XIXe-XXe siècle)." Electronic Thesis or Diss., Lyon, 2021. http://www.theses.fr/2021LYSE3033.

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La présente étude se veut une analyse du voyage féminin français au Japon après la fin du Sakoku et jusqu’au lendemain de la Seconde Guerre mondiale. La présence des femmes françaises dans l’histoire du voyage et les écrits de voyage restent très peu analysés et tendent à être éclipsés par des pratiques de voyage et d’écriture viatique qui se déclinent principalement au masculin et qui dominent l’historiographie française. Les Françaises bien qu’identifiées pour certaines dans les études anglophones et japonaises sur le voyage occidental féminin au Japon, restent assez peu étudiées, faute de données suffisantes. Qui étaient les femmes françaises qui ont voyagé et vécu au Japon ? Pourquoi et comment ont-elles entrepris ce voyage ? Quelles traces écrites de leur voyage et de leur présence ont-elles laissé ? Mobilisant des investigations sur la présence féminine française au Japon à la fois dans les archives françaises et japonaises mais aussi une recherche des documents produits par les voyageuses identifiées dans différents fonds documentaires, il a été possible de dresser une typologie des Françaises au Japon mais aussi de leurs écrits (publiés et manuscrits) produits entre 1859 et 1949 présentés dans un catalogue raisonné. L’élaboration de ce panorama inédit a été complété par des entretiens avec des descendants et a aussi mobilisé de très nombreuses sources en main privée afin de comprendre les fonctionnements et les mécanismes de l’exotisme et l’imaginaire japonais en français produits par ces voyageuses. Cinq sources remarquables ont été traitées dans la seconde partie de l’étude, prolongeant les analyses des topoi de l’imaginaire japonais et questionnant à la fois l’expérience du voyage et les modalités d’écriture de celui-ci pour différentes périodes. Puisque la pratique du voyage au féminin implique des particularités, les discours des voyageuses en ont été impacté. Ces déclinaisons et variations d’images mentales associées au Japon, soulignées à la fois par le catalogue raisonné et l’étude d’un corpus spécifique, ont mis en exergue une écriture qui ne venaient pas s’opposer à un discours dominant et masculin, mais au contraire enrichir l’exotisme japonais en français
This study proposes an analysis of French women’s travels to Japan from the end of the Sakoku to the period just after the WWII. French women’s presence in History of travel and travel writing has been quite undervalued. Those subjects tend to be silenced in French historiography by the fact that main resources are dominated by male travelers. Even English-language and Japanese studies about Western Women’s travels in Japan, may have somehow muted them. Despite being identified for some, they aren’t studied, mostly because an apparent lack of resources. Who were those French women travelling to Japan and for some even settling there? Why and how did they travel? Did they leave their mark by writing about their experience or their settlement?By bringing together investigations in French and Japanese archives about the travelers and their possible writings (published, unpublished and personal handwritten papers) but also interviews with women travelers’ descendants it was possible to elaborate an overview of French women travelling situation in Japan (19th and 20th century) and build a resources database for their travel writings between 1859 and 1949. Because travelling as a women had specificities, how women travelers did write about their experiences has been impacted. Results of crossing the resources database and a corpus of 5 documents showed how women’s travel writings were not opposing to males ones but completing each other by bringing different representations of Japanese exoticism and alterity
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Bahari, Javan Sanaz [Verfasser], André [Akademischer Betreuer] Fischer, and Michael [Akademischer Betreuer] Hörner. "Epigenomic Imaging of Neuropsychiatric Diseases : The Role of Chromatin Plasticity in Schizophrenia and Anxiety Diseases / Sanaz Bahari Javan. Gutachter: André Fischer ; Michael Hörner. Betreuer: André Fischer." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2013. http://d-nb.info/1045776173/34.

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Biron, Carole. "Pigments et colorants dans l'art de l'estampe japonaise ukiyo-e (XVIIIe - XIXe siècles) : apports de l'imagerie hyperspectrale et de la spectroscopie infrarouge." Thesis, Bordeaux 3, 2019. http://www.theses.fr/2019BOR30032.

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Les ukiyo-e désignent les estampes produites au Japon entre le XVIIe et le XIXe siècle. Elles sont le reflet des changements sociaux et économiques de la société japonaise pendant la période d’Edo (1615-1868), ère de paix et de prospérité, et adoptent une nouvelle iconographie représentant des scènes de la vie quotidienne et des plaisirs de la vie. Les techniques et les matériaux employés par les artistes évoluent également. Les premières estampes colorées apparaissent au début du XVIIIe siècle et au XIXe siècle, avec l’ouverture économique du Japon, des pigments chimiques importés d’Occident enrichissent la palette chromatique disponible. La collection Torralba (Musée de Saragosse, Espagne) comprend un fonds d’estampes ukiyo-e représentatives du XVIIIe et XIXe siècle. L’accès à ce corpus nous donne l’opportunité d’étudier les matériaux utilisés grâce à des méthodes adaptées, non invasives et sans contact, afin de suivre l’évolution de la technique et/ou des matériaux (locaux ou importés) employés. Un développement méthodologique est impératif afin d’analyser et de caractériser ces matériaux (pigments, colorants, liants, support), notamment les colorants organiques, difficiles à identifier. Les techniques de spectroscopie de réflectance dans l’infrarouge et d’imagerie hyperspectrale sont théoriquement capables de discriminer les matériaux organiques et inorganiques. Cependant les œuvres analysées sont souvent des systèmes complexes et les données obtenues sont la plupart du temps difficiles à interpréter de manière certaine. Il est donc indispensable de mettre en place une stratégie multi analytique afin de croiser les données et d’obtenir un maximum d’informations pour permettre l’identification des matériaux. L’étude de l’évolution des matériaux au cours du temps permet ainsi d’obtenir des informations importantes du point de vue de l’histoire de l’art et des techniques, reflets notamment des évolutions culturelles et sociétales au Japon au cours du XIXe siècle
Ukiyo-e means the prints produced in Japan between the 17th and 19th centuries. They reflect the social and economic changes in Japanese society during the Edo period (1615-1868), era of peace and prosperity, and adopt a new iconography depicting scenes of everyday life and the pleasures of life. The techniques and materials used by artists are also changing. The first coloured prints appear in the early 18th century. From the 19th century, with Japan's economic opening, chemical pigments imported from the West enrich the available color palette. The Federico Torralba Collection (Museum of Zaragoza, Spain) includes ukiyo-e prints representative of the 18th and 19th centuries. Access to this corpus gives us the opportunity to study the materials used, through appropriate non-invasive and contactless methods, and to follow the evolution of technologies and/or materials (local or imported) used. A methodological development is imperative to analyse and characterise these materials (pigments, dyes, binders), including organic dyes which are difficult to identify. Reflectance spectroscopy techniques in the infrared (FORS) and Hyperspectral Imaging (HSI) are theoretically capable of distinguishing organic from inorganic materials. However, the analysed works are often complex systems and the data obtained are difficult to interpret with certainty for the most of the time. It is therefore essential to establish a multianalytical strategy to cross the data in order to get maximum information allowing the identification of materials. The study of the evolution of materials over time gives the opportunity to obtain important information in art history and history of technology, reflecting the cultural and societal evolution in 19th century Japan
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Yaginuma, Tomoko. "Imagining Japan from Far-West: social representations of Japan and the Japanese among Portuguese students." Doctoral thesis, 2021. http://hdl.handle.net/1822/75638.

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Tese de doutoramento em Estudos Culturais
In the educational and academic field related to Japanese language and culture in Portugal, there is a need to understand how to approach “Other/Oriental” bearing in mind socio-cultural phenomena and human perception. The principal objective of this study is to analyze how Japan, the Japanese and Japanese culture are socially represented among Portuguese students, more specifically in Japanese as a Foreign Language (JFL) context. Two empirical studies were conducted after articulating the several concepts developed in different disciplines such as Cultural Studies, Japanese Studies, Media and Communication, and Social Psychology. For the first study, we have conducted a questionnaire survey (N=545) to JFL and non-JFL students and have examined Japan’s representation and social stereotypes about the Japanese. We were thus able to identify the centrality of popular culture in social representations of Japan. Through a factor analysis, five factors related to the Japanese characteristics were identified, “Politeness”, “Diligence”, “Shyness”, Conservativeness” and “Innovativeness”. Then, seven focus groups were organized and seven themes came up by examining the students’ discussion about a transnational cultural object, anime (Japanese animation). The results suggest that the students represent old and new aspects of Japan, which may correspond to Orientalized and Techno-Orientalized perceptions of Japan. It was also observed that there are stereotypes of the Japanese that are cross-culturally shared by Portuguese students, such as diligence, which may underline the persistence of some images that were probably constructed in the period of Japan’s rapid economic growth in the 60s and 70s. However, as the JFL group has indicated more variability in the traits ascription than the non-JFL group, familiarization with Japanese culture through human communication may contribute to reconstruct the representations of Japan. These findings lead us to acknowledge the importance of intercultural dialogues. Considering today’s easy and rapid transnational circulation of information, it is essential for the researchers and educators who engage in mediating knowledge production and intercultural teaching to be aware of the continuity and discontinuity of cultural and social norms and values.
No domínio pedagógico e académico relacionado com a língua e cultura japonesa em Portugal, é necessário compreender como abordar o “Outro/Oriental” tendo em conta os fenómenos socioculturais e a percepção humana. O objetivo principal do presente estudo é analisar como o Japão, os japoneses e a cultura japonesa são socialmente representados entre estudantes portugueses, em particular no contexto do Japonês como Língua Estrangeira (JLE). Tendo em conta a articulação de vários conceitos desenvolvidos em diferentes áreas de estudo, tais como os Estudos Culturais, Estudos Japoneses, Media e Comunicação e Psicologia Social, foram realizados dois estudos empíricos. No primeiro estudo, foi realizado um questionário (N = 545) dirigido a alunos JLE e não JLE e foram examinadas as representações do Japão e os estereótipos sociais dos japoneses. Neste estudo, foi identificada a centralidade da cultura popular nas representações sociais do Japão. Por intermédio de uma análise fatorial, foram identificados cinco fatores para as características dos japoneses, a saber, “Polidez”, “Diligência”, “Timidez”, “Conservadorismo” e “Inovação”. Numa segunda fase, foram organizados sete grupos focais e foram identificados sete temas após análise da discussão dos alunos sobre um objeto cultural transnacional, o anime (animação japonesa). Os resultados deste estudo sugerem que os alunos representam aspetos antigos e novos do Japão, o que corresponde a imagens Orientalizadas e Tecno-Orientalizadas do Japão. Também se verificou que existem estereótipos dos japoneses transculturalmente partilhados entre os estudantes portugueses, como por exemplo a diligência, o que pode sublinhar a persistência de algumas das imagens que provavelmente foram construídas no período do rápido crescimento económico do Japão nos anos 60 e 70. No entanto, como o grupo JLE mostrou mais variabilidade na atribuição de características do que o grupo não JLE, a familiarização com a cultura japonesa pela comunicação humana pode ser um fator relevante para a reconstrução das representações do Japão. Estes resultados sugerem a importância de reconhecer os diálogos interculturais. Tendo em conta a fácil e rápida circulação transnacional de informações hoje em dia, é essencial que os investigadores e educadores envolvidos na produção de conhecimento e no ensino intercultural, tenham em consideração a continuidade e descontinuidade das normas e valores culturais e sociais.
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Lee, Wen Ching, and 李文卿. "Imagining Co-Prosperity:Imperial Japan and the Literary Sphere of Great East Asia,1937-1945." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/60813906052179232522.

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博士
國立政治大學
中國文學研究所
97
This dissertation examines the entanglement of memory, history and cultural experience within the Greater East Asia Co-Prosperity Sphere during the Second Sino-Japanese War or Greater East Asia War between 1937 and 1945. From a comprehensive perspective of boundary crossing, this dissertation intends to study the conceptualization and formation of a unified East Asian literary ideal and its literary and cultural institutions by examining the discourse of a Greater East Asia Co-Prosperity Sphere in the context of Japanese Imperialism. It further explores the reception and transformation of knowledge, power, and cultural struggles shaped by this literary construction within the cultural sphere. Through the observation of the process of wartime mobilization and the development of imperial ideology, this dissertation reveals that the Japanese Empire intended to implant the image of an imagined community in Japan, the Japanese colonies, and occupied areas. By enlisting this imagined community, the Japanese Imperial would forge a cooperative institution, the Greater East Asia Co-Prosperity Sphere, within which “Asia is One.” On the other hand, intellectuals in different parts of Japanese East Asia adopted different positions in response to the imposition of this imagined Co-Prosperity Sphere. By scrutinizing their responses, we will discern these writers’ shifting positions and diverse strategies of “collaboration” under different types of rule and across various regions. The dissertation traces the progress of Japanese Imperialism as the discursive center of the East Asia Literary Sphere. Five regions from the Chinese character-using portions of the empire were chosen as case studies: Japanese colonies such as Taiwan, Korea, as well as puppet regimes like those in Manchukuo, and occupied North and Central China. By surveying the literary performances in these East Asian regions that were under the influenced of the discourse of Great East Asia, we could get past the surface and scrutinize the reality of the ideology of the Japanese Literary Co-Prosperity Sphere. The Greater East Asian Literary Movement was a byproduct of the development of Japanese nationalism. All literary activities were manipulated by the Japanese state apparatus, including the establishment of writers’ alliance, the dispatching of the Pen Writers’ Brigade, the writing of Patriotic Literature, as well as the reportage from Conscript Writers. The discourse of Hakkō ichiu (All the world under one roof) became the core of Japanese national ideology. Japanese became the sole language taught in schools throughout the Japanese empire in an attempt to replace ties of blood and ethnicity with a linguistic affiliation. Through this linguistiunity, Imperial Japan fostered the unity of an “East Asian ethnicity.” Writing in diverse genres such as War Literature, Labor Literature, Increasing Production Literature and National Literature, Japanese writers in different parts of East Asia manifested the imperialist dream of a Greater East Asia. Moreover, through the establishment of organizations such as the Association of Literary Patriotism, writers in the Greater East Asia Literary Sphere gained a legitimate channel to communicate and exchange their ideas on literature. In other words, East Asian writers constructed and developed their own discourses of “Literary Co-Prosperity” within this context.
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Carland, Patrick. "IMAGINING A HOME FOR US: REPRESENTATIONS OF QUEER FAMILIES IN CONTEMPORARY JAPANESE LITERATURE." 2019. https://scholarworks.umass.edu/masters_theses_2/761.

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This thesis addresses popular works of fiction written or produced near or after 1989 in Japan and examines the roles that sexual orientation, gender and 20th century social and discursive history have had on the conceptualization of familial relations in postwar Japan. This thesis will analyze the means by which writers and artists during the 1980s and 1990s have engaged discourses of family in their works and will argue that these writers explicitly use queer (hereby defined as non-heterosexual and/or non-gender conforming) individuals and narratives to question, reshape and propose alternatives to culturally received images of heterosexual marriage and the nuclear family model. In Japan, the earliest legal model of family was the ie or house system, which codified earlier social structures that had existed amongst the samurai class of the Edo period (1600-1868) and enshrined the concept of male primogeniture into law. This was changed after World War II, when the Ie system was abolished and replaced by a model of conjugal (nuclear) familial relations. This new model of household organization was promoted by the Allied Occupation, major businesses and corporations, and the postwar Japanese government, and its attendant gendered division of labor was the foundation upon which Japan recovered economically in the postwar period and remade itself as an export-driven, capitalist country in the 1960s and 1970s. This model of family, however, has come under increased socioeconomic pressure as a result of the 1990 real estate market bubble bursting and subsequent economic contraction, as well as by continuing demographic trends that indicate a long-term, decreasing population. This thesis will argue that the model of familial relations propagated during the postwar period, particularly during the 1960s and 1970s is ideologically rooted in a historically contingent model of sanctioned heterosexual relations, and that through examining depictions of those precluded from these sanctioned relations, a better understanding of the operation of gender, sexuality and familial relations as they operate in the Japanese popular and cultural spheres can be achieved.
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Tung, Hue-Jen, and 童華仁. "From A Source of Wisdom to a Consumed Other--Imaging China in Modern Japan''s Evolving Narratives on the "Records of the Three Kingdoms"." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/78420221905840575632.

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碩士
國立中山大學
中國與亞太區域研究所
99
In the history of Japanese society spread of the Three Kingdoms story, mainly the integration of China''s " Records of Three Kingdoms" and " Romance of the Three Kingdoms" the two different meanings of the text.Prior to the Meiji Restoration in Japan, the "Records of Three Kingdoms" is the record of the past history of China Ministry of history books, "Romance of the Three Kingdoms" is the "Three Kingdoms" and popular version, to explain the "Three Kingdoms" in content.Both in terms of Chinese society may be different meaning of the text, but Japanese society is concerned, the difference may be only a difference in narrative to convey the message and meaning are the same, is the story of the history of recorded foreign text.The purpose of this study is to explore Japanese society in a different era, the "Romance of the Three Kingdoms", after the translation or interpretation, they demonstrate the significance of changes in China''s image. Edo period of Japanese society has entered the peace, the general public began to have the ability to make contact with the consumer culture of the goods, "Three Kingdoms" in the space environment, such as the Japanese study Chinese history and culture of reference. When the Meiji Restoration, Japan was the impact of Western culture, a change in the past the Chinese learning attitude. "Three Kingdoms" has become the object of Japanese society, one study of Chinese. After World War I''s high economic growth in Japan, the Japanese appear to read popular, and the commercialization of culture phenomenon. Mr Eiichi Yoshikawa Lynch''s "Three Kingdoms" that reflects Japanese society, the rise of popular culture and Japanese society as a whole into the era of mass consumption. At this time the "Three Kingdoms" is regarded as China''s history textbooks from the thinking, culture change has become a popular consumer goods. Japanese popular culture after World War II, the content, although generally extend the pre-war American popular culture with this combination of traditional Japanese social and moral of the model, and then updated by the development of the media, while for a number of performance, that is, Japanese comics one of them. 1970s, Yokoyama "Three Kingdoms" a Japanese comic book which, on behalf of a Chinese theme of the works. Further developed with China''s image and culture related creation.
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Books on the topic "Imagining Japan"

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Worringer, Renée. Ottomans Imagining Japan. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137384607.

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Buruma, Ian. Re-imagining Japan: The quest for a future that works. San Francisco: VIZ Media LLC, 2011.

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Phyllis, Brooks, ed. Visions of power: Imagining medieval Japanese Buddhism. Princeton, N.J: Princeton University Press, 2000.

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Visions of power: Imagining medieval Japanese Buddhism. Princeton, N.J: Princeton University Press, 1996.

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Unita, Sachidanand, Sakata Teiji, University of Delhi. Dept. of East Asian Studies., and Kokusai Kōryū Kikin, eds. Imaging India, imaging Japan: A chronicle of reflections on mutual literature. Delhi: Published for Dept. of East Asian Studies, University of Delhi & Japan Foundation in association with Manak Publications, 2004.

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1946-, Imamura Anne E., ed. Re-imaging Japanese women. Berkeley: University of California Press, 1996.

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Japan) International Workshop on X-ray and Neutron Phase Imaging with Gratings (1st 2012 Tokyo. International Workshop on X-Ray and Neutron Phase Imaging with Gratings: Tokyo, Japan, 5-7 March 2012 : XNPIG Tokyo, 2012. Edited by Momose Atsushi 1962- and Yashiro Wataru. Melville, N.Y: American Institute of Physics, 2012.

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T, Moroji, and Yamamoto K, eds. The biology of schizophrenia: Proceedings of the 7th International Symposium of the Tokyo Institute of Psychiatry, Tokyo, Japan, October 19-20, 1992. Amsterdam: Elsevier, 1994.

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David, Hutchison. Medical Imaging and Augmented Reality: 4th International Workshop Tokyo, Japan, August 1-2, 2008 Proceedings. Berlin, Heidelberg: Springer-Verlag Berlin Heidelberg, 2008.

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Japan) CCIW 2013 (2013 Chiba-Shi. Computational color imaging: 4th international workshop, CCIW 2013, Chiba, Japan, March 3-5, 2013 : proceedings. Berlin: Springer, 2013.

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Book chapters on the topic "Imagining Japan"

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Worringer, Renée. "Introduction." In Ottomans Imagining Japan, 1–22. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137384607_1.

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Worringer, Renée. "Framing Power and the Need to Reverse." In Ottomans Imagining Japan, 25–42. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137384607_2.

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Worringer, Renée. "The Ottoman Empire between Europe and Asia." In Ottomans Imagining Japan, 43–78. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137384607_3.

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Worringer, Renée. "Asia in Danger: Ottoman-Japanese Diplomacy and Failures." In Ottomans Imagining Japan, 79–107. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137384607_4.

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Worringer, Renée. "Ottoman Politics and the Japanese Model." In Ottomans Imagining Japan, 111–51. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137384607_5.

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Worringer, Renée. "The Young Turk Regime and the Japanese Model after 1908: “Eastern” Essence, “Western” Science, Ottoman Notions of “Terakkî” and “Medeniyet” (Progress and Civilization)." In Ottomans Imagining Japan, 153–82. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137384607_6.

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Worringer, Renée. "Politics, Cultural Identity, and the Japanese Example." In Ottomans Imagining Japan, 183–217. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137384607_7.

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Worringer, Renée. "Ottoman Egypt Demands Independence: Egyptian Identity, East and West, Christian and Muslim." In Ottomans Imagining Japan, 219–50. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137384607_8.

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Worringer, Renée. "Conclusion: Competing Narratives, Ottoman Successor States, and “Non-Western” Modernity." In Ottomans Imagining Japan, 251–62. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137384607_9.

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Compton, Robert W. "Construction, Deconstruction, and Reconstruction of State Legitimacy in South Africa and Japan." In Imagining Globalization, 185–207. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230101586_11.

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Conference papers on the topic "Imagining Japan"

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Miyata, Masashi. "Optical metasurfaces for advanced imaging." In Photomask Japan 2022, edited by Yosuke Kojima. SPIE, 2022. http://dx.doi.org/10.1117/12.2656133.

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Davydova, Natalia, Eelco van Setten, Robert de Kruif, Brid Connolly, Norihito Fukugami, Yutaka Kodera, Hiroaki Morimoto, et al. "Achievements and challenges of EUV mask imaging." In Photomask Japan 2014, edited by Kokoro Kato. SPIE, 2014. http://dx.doi.org/10.1117/12.2072945.

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Uchida, Hitoshi, Masaya Ando, Kenji Ohta, Hirokazu Shimizu, Yoshio Hayashi, Yasuyo G. Ichihara, and Ryoji Yamazaki. "Research and improving web accessibility in Japan." In Electronic Imaging 2002, edited by Giordano B. Beretta and Raimondo Schettini. SPIE, 2001. http://dx.doi.org/10.1117/12.452687.

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Pawlowski, Michal E., and Tomasz S. Tkaczyk. "Recent Progress in Hyperspectral Imaging Spectrometry." In Optics and Photonics Japan. Washington, D.C.: OSA, 2018. http://dx.doi.org/10.1364/opj.2018.30abj1.

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Castillejos, Y., Geminiano Martínez-Ponce, Azael Mora-Nuñez, and R. Castro-Sanchez. "Multispectral Stokes polarimetry for dermatoscopic imaging." In SPIE/OSJ Biophotonics Japan, edited by Takashige Omatsu, Yoshio Hayasaki, Yusuke Ogura, Yasuyuki Ozeki, and Seigo Ohno. SPIE, 2015. http://dx.doi.org/10.1117/12.2205123.

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Saito, Takashi. "Nonimpact printing technology in Japan." In Electronic Imaging '90, Santa Clara, 11-16 Feb'97, edited by Victor A. Files and David Kessler. SPIE, 1990. http://dx.doi.org/10.1117/12.19863.

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Matsumoto, Toshio. "Space infrared mission in Japan." In SPIE's 1994 International Symposium on Optics, Imaging, and Instrumentation, edited by Marija S. Scholl. SPIE, 1994. http://dx.doi.org/10.1117/12.185822.

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Masaharu, Hiroshi, Mamoru Koarai, and Hiroyuki Hasegawa. "Utilization of airborne laser scanning in Japan." In Photonics West 2001 - Electronic Imaging, edited by Sabry F. El-Hakim and Armin Gruen. SPIE, 2000. http://dx.doi.org/10.1117/12.410899.

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Vinu, R. V., Ziyang Chen, Jixiong Pu, Yukitoshi Otani, and Rakesh Kumar Singh. "Polarization holographic imaging using speckle pattern illumination." In Optics and Photonics Japan. Washington, D.C.: OSA, 2018. http://dx.doi.org/10.1364/opj.2018.30abj4.

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Kumar, Manoj, Xiangyu Quan, Yasuhiro Awatsuji, and Osamu Matoba. "Single-shot simultaneous 3D multi-plane imaging." In Optics and Photonics Japan. Washington, D.C.: OSA, 2018. http://dx.doi.org/10.1364/opj.2018.30paj3.

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Reports on the topic "Imagining Japan"

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Riedel, M., M. M. Côté, P. J. Neelands, K. Obana, R. Wania, A. Price, and S. Taylor. Report on Cruise 2010007PGC, C.C.G. Vessel John P. Tully, 30 June - 10 July 2010, SeaJade-I Seafloor Earthquake Array - Japan Canada Cascadia Experiment, Ocean bottom seismometer recovery, methane gas-plume acoustic imaging, and CTD-water sampling program. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2014. http://dx.doi.org/10.4095/295545.

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