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1

Fowler, Tom. Carolina journeys: Exploring the trails of the Carolinas--both real and imagined. Boone, NC: Parkway Publishers, 2004.

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2

Hossain, Sahadat, Golam Kibria, and Sadik Khan. Site Investigation using Resistivity Imaging. Leiden : CRC Press/Balkema, [2018] | “CRC Press/Balkema is an imprint of the Taylor & Francis Group, an informa business.”: CRC Press, 2018. http://dx.doi.org/10.1201/9781351047609.

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3

Tutton, Michael. Construction as Depicted in Western Art. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462982550.

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The Art of Building has captured the interest of artists from the Roman period to today. The process of construction appears in western art in all its details, trades, and operations. Michael Tutton investigates the representation of building processes and materials through an examination of paintings, illuminated manuscripts, watercolours, prints, drawings and sculpture. Technical terms are explained and detailed interpretations of each work are provided, with insights into the artists' inspiration and themes. Even paintings not wholly or principally devoted to construction sites may give tantalising glimpses of building activity. How do these images convey meaning? How much is imagined; how much is authentic? Fully referenced endnotes, bibliography, and glossary complement the text and captions, informing not only the architectural and construction historian, but also those simply interested in art.
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4

Cappellini, Vito, ed. Electronic Imaging & the Visual Arts. EVA 2015 Florence. Florence: Firenze University Press, 2015. http://dx.doi.org/10.36253/978-88-6655-759-3.

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Information Technologies of interest for Culture Heritage are presented: multimedia systems, data-bases, data protection, access to digital content, Virtual Galleries. Particular reference is reserved to digital images (Electronic Imaging & the Visual Arts), regarding Cultural Institutions (Museums, Libraries, Palace – Monuments, Archaeological Sites). The International Conference includes the following Sessions: Strategic Issues; New Technologies & Applications; New 2D-3D Technical Developments & Applications; Virtual Galleries – Museums and Related Initiatives; Access to the Culture Information. Two Workshops regard: International Cooperation; Innovation and Enterprise.
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Cappellini, Vito, ed. Electronic Imaging & the Visual Arts. EVA 2014 Florence. Florence: Firenze University Press, 2014. http://dx.doi.org/10.36253/978-88-6655-573-5.

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Information Technologies of interest for Culture Heritage are presented: multimedia systems, data-bases, data protection, access to digital content, Virtual Galleries. Particular reference is reserved to digital images (Electronic Imaging & the Visual Arts), regarding Cultural Institutions (Museums, Libraries, Palace - Monuments, Archaeological Sites). The International Conference includes the following Sessions: Strategic Issues; EC Projects and Related Networks & Initiatives; 2D - 3D Technologies and Applications; Virtual Galleries - Museums and Related Initiatives; Access to the Culture Information. Three Workshops regard: International Cooperation; Innovation and Enterprise; e.Culture Cloud.
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6

Cappellini, Vito, and Enrico Del Re, eds. Electronic Imaging & the Visual Arts. EVA 2016 Florence. Florence: Firenze University Press, 2016. http://dx.doi.org/10.36253/978-88-6655-974-0.

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Information Technologies of interest for Culture Heritage are presented: multimedia systems, data-bases, data protection, access to digital content, Virtual Galleries. Particular reference is reserved to digital images (Electronic Imaging & the Visual Arts), regarding Cultural Institutions (Museums, Libraries, Palace - Monuments, Archaeological Sites). The International Conference includes the following Sessions: Strategic Issues; New Science and Culture Developments & Applications; New Technical Developments and Applications; Museums - Virtual Galleries and Related Initiatives; Access to the Culture Information. An International Forum on “Culture & Technology” is enclosed. One Workshop regards: Innovation and Enterprise.
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7

Cappellini, Vito, ed. Electronic Imaging & the Visual Arts. EVA 2013 Florence. Florence: Firenze University Press, 2013. http://dx.doi.org/10.36253/978-88-6655-372-4.

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Important Information Technology topics are presented: multimedia systems, data-bases, protection of data, access to the content. Particular reference is reserved to digital images (2D, 3D) regarding Cultural Institutions (Museums, Libraries, Palace – Monuments, Archaeological Sites). The main parts of the Conference Proceedings regard: Strategic Issues, EC Projects and Related Networks & Initiatives, International Forum on “Culture & Technology”, 2D – 3D Technologies & Applications, Virtual Galleries – Museums and Related Initiatives, Access to the Culture Information. Three Workshops are related to: International Cooperation, Innovation and Enterprise, Creative Industries and Cultural Tourism.
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8

Cappellini, Vito, ed. Electronic Imaging & the Visual Arts. EVA 2019 Florence. Florence: Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-869-3.

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The Publication is following the yearly Editions of EVA FLORENCE. The State of Art is presented regarding the Application of Technologies (in particular of digital type) to Cultural Heritage. The more recent results of the Researches in the considered Area are presented. Information Technologies of interest for Culture Heritage are presented: multimedia systems, data-bases, data protection, access to digital content, Virtual Galleries. Particular reference is reserved to digital images (Electronic Imaging & the Visual Arts), regarding Cultural Institutions (Museums, Libraries, Palace - Monuments, Archaeological Sites). The International Conference includes the following Sessions: Strategic Issues; New Science and Culture Developments & Applications; New Technical Developments & Applications; Cultural Activities – Real and Virtual Galleries and Related Initiatives, Access to the Culture Information. One Workshop regards Innovation and Enterprise. The more recent results of the Researches at national and international level are reported in the Area of Technologies and Culture Heritage, also with experimental demonstrations of developed Activities.
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9

Cappellini, Vito, ed. Electronic Imaging & the Visual Arts. EVA 2017 Florence. Florence: Firenze University Press, 2017. http://dx.doi.org/10.36253/978-88-6453-502-9.

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The Publication is following the yearly Editions of EVA FLORENCE. The State of Art is presented regarding the Application of Technologies (in particular of digital type) to Cultural Heritage. The more recent results of the Researches in the considered Area are presented. Information Technologies of interest for Culture Heritage are presented: multimedia systems, data-bases, data protection, access to digital content, Virtual Galleries. Particular reference is reserved to digital images (Electronic Imaging & the Visual Arts), regarding Cultural Institutions (Museums, Libraries, Palace - Monuments, Archaeological Sites). The International Conference includes the following Sessions: Strategic Issues; New Sciences and Culture Developments and Applications; New Technical Developments & Applications; Museums - Virtual Galleries and Related Initiatives; Art and Humanities Ecosystem & Applications; Access to the Culture Information. Two Workshops regard: Innovation and Enterprise; the Cloud Systems connected to the Culture (eCulture Cloud) in the Smart Cities context. The more recent results of the Researches at national and international are reported in the Area of Technologies and Culture Heritage, also with experimental demonstrations of developed Activities.
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10

Cappellini, Vito, ed. Electronic Imaging & the Visual Arts. EVA 2018 Florence. Florence: Firenze University Press, 2018. http://dx.doi.org/10.36253/978-88-6453-707-8.

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The Publication is following the yearly Editions of EVA FLORENCE. The State of Art is presented regarding the Application of Technologies (in particular of digital type) to Cultural Heritage. The more recent results of the Researches in the considered Area are presented. Information Technologies of interest for Culture Heritage are presented: multimedia systems, data-bases, data protection, access to digital content, Virtual Galleries. Particular reference is reserved to digital images (Electronic Imaging & the Visual Arts), regarding Cultural Institutions (Museums, Libraries, Palace - Monuments, Archaeological Sites). The International Conference includes the following Sessions: Strategic Issues; New Sciences and Culture Developments and Applications; New Technical Developments & Applications; Museums - Virtual Galleries and Related Initiatives; Art and Humanities Ecosystem & Applications; Access to the Culture Information. Two Workshops regard: Innovation and Enterprise; the Cloud Systems connected to the Culture (eCulture Cloud) in the Smart Cities context. The more recent results of the Researches at national and international are reported in the Area of Technologies and Culture Heritage, also with experimental demonstrations of developed Activities.
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11

Tal, Daniel. Google SketchUp for Site Design. New York: John Wiley & Sons, Ltd., 2009.

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12

Google Sketchup for site design: A guide to modeling site plans, terrain, and architecture. Hoboken, N.J: J. Wiley, 2009.

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13

Lang, Stephen Anthony. An investigation of image processing techniques at Pincevent Habitation no. 1: A late Magdalenian site in northern France. Tempe, Ariz: Arizona State University, 1992.

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14

Cyber-archaeology. Oxford, England: Archaeopress, 2010.

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15

Tardiveau, David. La vidéo dans Flash. Paris: Eyrolles, 2007.

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16

W, Olsen J., ed. Cascading style sheets complete. New York: McGraw-Hill, 1998.

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17

Andrieu, Olivier, and Oliver Abou. Imaginer son site Web. Dunod, 2001.

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18

Baxter, Katherine Isobel. Imagined States. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474420839.001.0001.

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Imagined States examines the significance of the law in colonial and postcolonial fiction from and about Nigeria between 1900 and 1966. The book argues that in the discrete period of the final half-century of British colonialism in Nigeria through into the early years of independence prior to the Biafran War, the law provided a key site for fiction’s negotiations with the increasingly complex realities of the colonial project. Attending to the representation of the law in that fiction provides important insights not only into the realities of the historical period but, equally importantly, into the dominant and emergent discourses and ideologies that shaped those realities. Imagined States explores a range of texts including popular, middle-brow and acclaimed postcolonial novels, as well as newspaper stories and memoirs, by both British and Nigerian authors (including Chinua Achebe, Joyce Carey, Cyprian Ekwensi and Edgar Wallace), focusing in particular on how the state of exception and ideas of civilisation were negotiated imaginatively in the law and fiction. These explorations are organised chronologically and thematically, moving from the law ‘upcountry’ (focusing on pre- and inter-war British representations of the District Commissioner), through the law in the city (focusing on late colonial and early postcolonial Nigerian fiction), to law and politics (focusing on postcolonial Nigerian representations of treason and violence).
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19

Kibria, Golam, Sahadat Hossain, and Sadik Khan. Site Investigation Using Resistivity Imaging. Taylor & Francis Group, 2018.

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20

Kibria, Golam, Sahadat Hossain, and Sadik Khan. Site Investigation Using Resistivity Imaging. Taylor & Francis Group, 2018.

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21

WEISSLEDER. Primer Diagnostic Imaging Site License. Mosby, 1995.

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22

WEISSLEDER. Primer Diagnostic Imaging Site License. Mosby, 1995.

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23

Kibria, Golam, Sahadat Hossain, and Sadik Khan. Site Investigation Using Resistivity Imaging. Taylor & Francis Group, 2018.

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24

Kibria, Golam, Sahadat Hossain, and Sadik Khan. Site Investigation Using Resistivity Imaging. Taylor & Francis Group, 2020.

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25

Site Investigation Using Resistivity Imaging. Taylor & Francis Group, 2018.

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26

Kibria, Golam, Sahadat Hossain, and Sadik Khan. Site Investigation Using Resistivity Imaging. Taylor & Francis Group, 2018.

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27

Onions, K. R., P. J. Jackson, and S. C. J. Dawson. Rapid Characterisation of Contaminated Sites Using Electrical Imaging. Construction Industry Research & Information Association (CIRIA), 1996.

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28

Donoho, Lanny. imagine...{Gods's Blogs} Insights from his site. Multnomah, 2005.

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29

Imagine... {God's Blogs} Insights from His Site. New York: The Doubleday Religious Publishing Group, 2008.

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30

Goldschmidt, Nora, and Barbara Graziosi, eds. Tombs of the Ancient Poets. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198826477.001.0001.

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This book explores the ways in which the tombs of the ancient poets—real and imagined—are crucial sites for the reception of Greek and Latin poetry. The volume makes a distinctive contribution to the study of literary reception by focusing on the materiality of the body and the tomb, and the ways in which they mediate the relationship between classical poetry and its readers. From the tomb of the boy poet Quintus Sulpicius Maximus, which preserves his prize-winning poetry carved on the tombstone itself, to the modern votive offerings left at the so-called ‘Tomb of Virgil’, from the doomed tomb-hunting of long-lost poets’ graves to the ‘graveyard of the imagination’ constructed in Hellenistic poetry collections, the essays in this volume demonstrate how the tombs of the ancient poets shape and in turn are shaped by literary history.
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31

Dalziell, Tanya. The Colonial Romance Novel to 1950. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199609932.003.0014.

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This chapter discusses the colonial romance novel. For an author such as Scottish-born Hume Nisbet, who was living in London during the late nineteenth and early twentieth centuries, desperately trying to ward off crushing poverty, writing romance fiction was one means to generate a modest income. Having toured Australia and the Pacific in 1886, Nisbet tapped into what was a growing literary market: the colonial romance novel. The colonies not only lent themselves as exotic locales for ‘old’ stories; they were also envisioned as the sites at which values of empire—sexual, economic, epistemological, racial—were, at times, not entirely secure, and romance could be re-imagined. Developments in printing and distribution of the written word and the shift away from the lending libraries that promoted and relied upon the triple-decker novel structure of the Victorian romance were also important in the formation of the colonial romance novel.
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32

Greyser, Naomi. Between Intimacy and Distance, a “Neutral Territory”. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190460983.003.0004.

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This chapter examines masculine individualism’s push–pull relationship with sympathy, beginning in The Scarlet Letter’s Custom-House. There, Hawthorne’s narrator sympathetically presses Hester Prynne’s dusty, scarlet A against his heart, feeling a burning tingle as he places himself in her position. Sections read touch and untouchability in The Scarlet Letter, exploring what encouraged male readers to overcome what Henry Thoreau referred to as masculinity’s “gulf of feeling” to experience sentimental connection. Writing through alienation and writer’s block, Hawthorne’s tingling connection with Hester in the Custom-House propelled him to complete the novel in just five weeks, after being fired from his position as surveyor. His imagined intimacy with Prynne emerges against myths of the self-made man and the untouchable citizen-subject. Readings of tactility reveal alphabetic print and textual space as sites of flux and flow, intimacy and distance, as writers and readers sympathetically lean into and recoil from page and print.
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33

CAIM, YALE. Atlas Of Myocardial Perfusion Imaging Multi-site. Mosby, 1996.

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34

CAIM, YALE. Atlas Of Myocardial Perfusion Imaging Single Site. Mosby, 1996.

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35

Juergensmeyer, Mark. The Imagined War between Secularism and Religion. Edited by Phil Zuckerman and John R. Shook. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199988457.013.5.

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The case of the 2015 attack on the offices of the Charlie Hebdo satirical magazine in Paris illustrates the imagined war between secularism and religion that is in the background of many incidents of violence at the turn of the twenty-first century. The Enlightenment idea that there are two different worldviews—two distinctly different spheres of understanding about reality, one of them secular and the other religious—is inherently problematic. This dichotomy creates an arena of discord that is easily exploited by people who feel isolated and marginalized for whatever reason and look for someone to blame and some battle to join. It is a false conflict that extremists on both sides, religious and secular, have exacerbated.
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36

Cheng, Ron Ron, and Abhay K. Varma. Ulnar Neuropathy—Cubital Tunnel Syndrome. Edited by Meghan E. Lark, Nasa Fujihara, and Kevin C. Chung. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780190617127.003.0004.

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The chapter presents the typical scenario of ulnar nerve entrapment at the elbow. The clinical picture can mimic pathology of nerve roots, of the brachial plexus, or of the ulnar nerve at different sites. Electrodiagnostic study helps to differentiate ulnar nerve entrapment from radiculopathy and to localize the site of compression, while imaging (ultrasound and MR imaging) are useful adjuncts to clinical examination. Conservative management is recommended for intermittent symptoms and absence of motor involvement. Surgical procedures include in situ, open, or endoscopic decompression and nerve transposition. Subluxation of the nerve over the medial epicondyle and recurrent or persistent neuropathy after in situ decompression are indications for transposition.
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37

Tal, Daniel. SketchUp for Site Design: A Guide to Modeling Site Plans, Terrain, and Architecture. Wiley & Sons, Incorporated, John, 2016.

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38

Tal, Daniel. SketchUp for Site Design: A Guide to Modeling Site Plans, Terrain, and Architecture. Wiley & Sons, Incorporated, John, 2016.

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39

Drug Delivery Applications Of Noninvasive Imaging Validation From Biodistribution To Sites Of Action. John Wiley & Sons, 2013.

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40

Li, Chun, and Mei Tian. Drug Delivery Applications of Noninvasive Imaging: Validation from Biodistribution to Sites of Action. Wiley & Sons, Incorporated, John, 2013.

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41

Li, Chun, and Mei Tian. Drug Delivery Applications of Noninvasive Imaging: Validation from Biodistribution to Sites of Action. Wiley & Sons, Incorporated, John, 2013.

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42

Li, Chun, and Mei Tian. Drug Delivery Applications of Noninvasive Imaging: Validation from Biodistribution to Sites of Action. Wiley & Sons, Incorporated, John, 2013.

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43

Just Imagine & Play! on the Site: Sticker & Press-Out Activity Book. Quarto Publishing Group USA, 2017.

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44

Macromedia Fireworks MX: Digital Imaging for the Web. Prentice Hall, 2003.

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45

McLarney, Ellen Anne. Soft Force. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691158488.001.0001.

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In the decades leading up to the Arab Spring in 2011, when Hosni Mubarak's authoritarian regime was swept from power in Egypt, Muslim women took a leading role in developing a robust Islamist presence in the country's public sphere. This book examines the writings and activism of these women—including scholars, preachers, journalists, critics, actors, and public intellectuals—who envisioned an Islamic awakening in which women's rights and the family, equality, and emancipation were at the center. Challenging Western conceptions of Muslim women as being oppressed by Islam, this book shows how women used “soft force”—a women's jihad characterized by nonviolent protest—to oppose secular dictatorship and articulate a public sphere that was both Islamic and democratic. The book draws on memoirs, political essays, sermons, newspaper articles, and other writings to explore how these women imagined the home and the family as sites of the free practice of religion in a climate where Islamists were under siege by the secular state. While they seem to reinforce women's traditional roles in a male-dominated society, these Islamist writers also reoriented Islamist politics in domains coded as feminine, putting women at the very forefront in imagining an Islamic polity. The book transforms our understanding of women's rights, women's liberation, and women's equality in Egypt's Islamic revival.
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46

Schantz, Herbert F. Site planning for electronic imaging systems (EIS) (AIIM resource report). Distributed by Avedon Associates, 1992.

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47

Michael, Torresan, and Geological Survey (U.S.), eds. Final report: Acoustic mapping of dredged material disposal sites and deposits in Mamala Bay, Honolulu, Hawaii. [Menlo Park, CA]: U.S. Geological Survey, 1995.

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48

Gattringer, Thomas, Christian Enzinger, Stefan Ropele, and Franz Fazekas. Brain imaging (CT/MRI). Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780198722366.003.0007.

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In the acute phase of a suspected stroke, timely brain imaging with rapid and qualified interpretation is a crucial diagnostic step to inform patient management. While brain computed tomography is usually sufficient to indicate thrombolysis within the approved time window (by rapidly excluding intracranial haemorrhage), it often fails to show the actual site and extent of infarction as well as other pathologies, which may mimic a stroke. Magnetic resonance imaging (MRI) has a much higher sensitivity and specificity for ischaemic vascular brain changes and thus allows direct demonstration of the area(s) of acute ischaemic damage. This helps in the diagnosis of clinically uncertain cases, may give aetiological clues, and can also provide pathophysiologic insights into stroke evolution with respective consequences for patient treatment. The capability to rule out many other disorders that may mimic stroke is also an important asset of MRI. All these advantages make MRI the preferred tool in the workup of young individuals with suspected stroke. However, this needs ready availability and adequately tailored and short imaging protocols in order not to delay treatment.
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49

Goodman, Lawrence R. Imaging the respiratory system in the critically ill. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780199600830.003.0078.

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Routine radiographs are not cost effective in the intensive care unit (ICU) setting. Most published guidelines agree that radiographs are worthwhile after insertion of tubes or catheters, and in patients receiving mechanical ventilation. Otherwise, they are required only for change in the patient’s clinical status. Picture archiving and communication systems utilize digital imaging technology. They provide superior quality images, rapid image availability at multiple sites, and fewer repeat examinations, reducing both cost and patient radiation. Disadvantages of picture archiving and communication systems include expensive equipment and personnel required to keep them functioning. The majority of chest X-ray abnormalities in the ICU are best understood by paying careful attention to the initial appearance of the X-ray in relation to the patient’s onset of symptoms and the progression of abnormalities over the next few days.
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50

The Round Lake logging dam: Walk back in time-- to the Round Lake Logging Dam and imagine yourself as a logger in the 1870's. [Washington, D.C.?]: Forest Service, U.S. Dept. of Agriculture, 2001.

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