Dissertations / Theses on the topic 'Imaginaires poétiques du langage'
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Arsich, Milena. "L'examen du langage : les questionnements métalinguistiques dans la poésie française, russe et nord-américaine (1970-2000)." Electronic Thesis or Diss., Strasbourg, 2024. http://www.theses.fr/2024STRAC010.
Full textThis dissertation examines the questionings of language in French, Russian, and North American poetry of the late 20th century (1970-2000). Engaging in a critical dialogue with the notion of “poetic language”, the thesis considers the relationship between poetry and its medium in terms of questionings or problematized conceptions of language, which circulate in the history of this genre as topoi and emerge in dialogues with other arts (such as painting) and fields of knowledge (philosophy, linguistics, semiotics). The international conference “Language — Consciousness — Society”, hosted in Leningrad in 1989, shapes the corpus as it brought together participants who were especially attentive to their medium: the US Language poets (Michael Davidson, Lyn Hejinian, Ron Silliman, Barrett Watten), the Russian unofficial writers Dmitri Prigov and Arkady Dragomoshchenko, and the French poet Emmanuel Hocquard. The thesis explores the reception of Wittgensteinian and post-Saussurean language theories by these authors and their collaborators. It identifies the legacies and deviations that characterize their questioning of the medium in relation to those affirmed by their (trans-)national literary predecessors. The comparative analysis is extended by a typological study correlating the metalinguistic writings of these poets with the formal and generic features of their works. Finally, the thesis reveals the conditions that favor poetic and metapoetic writing on the theme of language, scrutinizing the editorial foundations and literary sociability that enable authors to undertake reflective explorations of their medium
Larsonneur, Claire. "Imaginaire, mouvement, langage : une poétique de l'espace." Paris 10, 1997. http://www.theses.fr/1997PA100050.
Full textThe starting point being the issue raised by phenomenologists (mostly merleau-ponty) and some biologists - how does the body make sense ? - we tried to point out a few elementary patterns of spatial cognition so as to establish their relevance to the realm of language. Four "spatial structures" were found. The most general among them deals with the notion of place, that is the combination of a site and an activity, as the first step towards confering meaning unto a non-descript space. The three others correspond to couples of notions that describe the relation of man to space : horizon/position when he is standing still, border/journey when on the move, and network/ellipse if we focus on how he differenciates global sensory information. The linguistic and literary study of the corpus (le rivage des syrtes by julien gracq. Le livre des fuites by j. M. G. Le clezio, gravity's rainbow by thomas pynchon, the songlines by bruce chatwin) proceeds on the basis of those "spatial structures". Its fundamental principle states that if the patterns of spatial cognition expounded on are valid, they should be found at all levels constitutive of the text. The literary study reveals an analogy of processes between literary structures and patterns of spatial cognition, which gives us a grid for further readings of literary texts. It also shows that the production of meaning within language is not constrained by these cognitive patterns that are not to be found in every text. Since the imaginary is here defined as a meaning being worked through by desire, the focus was placed on the "deterritorialisation" of the dominant langage by this "rebel and subterranean language" (deleuze)
Pierre, Bretelle Marie-Gladys. "Poétique de l'espace chez Jacques Roumain : imaginaire et écriture." Paris 3, 1998. http://www.theses.fr/1998PA030198.
Full textJacques roumain's imageries are examined through the analysis of his polymorphous writings and social circles. His travels in america and in europe, his numerous occupations, his fictions about haiti have made him famous. The new generations find in jacques roumain's works images of the time (1907-1944) and even of a further past. Jacques roumain's poems contain various themes. His political and social ideas are in his essays and in his articles. His novels gouverneurs de la rosee and la montagne ensorcelee show the haitian country side, while the town and people of roumain's generation are in la proie et l'ombre and les fantoches. Relying on historical and cultural references, the author's fictional descriptions reflect many symbols, myths and images. Additionally, the combination of haitian creole and french is evidence of a unique coexistence of poetry and realism
Yefsah, Mohammed. "Histoires d’espaces : œuvres romanesques et poétiques de Tahar Djaout." Thesis, Lyon 2, 2014. http://www.theses.fr/2014LYO20126.
Full textAssassinated in 1993, Tahar Djaout is intimately linked to the Algerian tragedy of the end of last century and is one of the most celebrated writers in his country for his martyrdom. A writer, poet, short story writer and journalist, Tahar Djaout’s many biographical accounts led to mitigating and politicizing his literary work. In order to show the richness of his artistic creation, this study intends to explore the imaginary and the topographies of his works, fiction and poetry as well as the report they weave between the urban area and the rural area, the complex and nodal point of Algerian identity and the identity of the author himself. Instead of a rigid pairing that would determine the rurality-urbanity relation, Spaces Stories intends to examine the value systems that organize its meaning in the literary work not only by emphasizing the spacial configurations and their variations, but also by analyzing the respective temporalities of diegesis and enunciation. The various configurations of temporalities and spaces with their variations in Djaout’s literary production illuminate the popular imagination as well as the oral culture ; in this way, revealing his aesthetic vision’s constituent viewpoint. On another side, his work is spanned by the relation that the modern novel maintains – whatever the era and literary field – with rural imaginary in an ever-changing world since the industrial revolution. The urban mythology of modernity in the novel is then questioned to reveal ‘the specter’ of the rural imagination that haunts it where we least expect it
Gérard, Lojacono Florence. "Le roman de l'île : contribution à la poétique de l'île romanesque dans la fiction du XXe siècle de langue anglaise, espagnole, française et italienne." Mulhouse, 2006. http://www.theses.fr/2006MULH0834.
Full textMermat, Djamel. "Les imaginaires du changement dans les discours communistes : le cas du PCF : 1976-2004." Lille 2, 2005. http://www.theses.fr/2005LIL20032.
Full textAll along French Communist Party history, its leaders had to resolve a great ideology tension. They was trapped between a way of faithfulness to communist heritage and communism history and the other way is a need of evolution in order to follow the society and the world. Our Study consists in showing how a politic party tries to find a way out between these two ways. Our Study begins about 1976, the year of the 22nd communist convention which shows an ideology breaking off : we find here the will to move away from taking East society and Party as their models. We find here the first signs of leaving Marxism mind. 1976, is still an important year because of the ideologies changes and because it's the beginning of the end for the great Left Union. French Communist Party is obliged to get politically isolated, once again , and has to face the dilemma we propose to study. . . In electoral point of view, the fight in left becomes quite new (The separation between Communist Party and Socialist Party was significantly decreasing. From that time, we study the different speeches of leaders and members because we have to keep on mind that communist culture has always been oral speeches. That's why we study the components of these speeches, images and communists' ideas and the different changes of direction of this rhetoric during the last thirty years. We're interested in the symbols which keep the communist machine with questions that have been abandoned. We put the stress on concepts of loyalty, confidence, in other words, the social psychology mechanism and conformism inside a politic party. Here we find a contribution to the study of the collective affectivity and the imaginary changes
Reguig, Delphine. "Le corps des idées : pensées et poétiques du langage dans l'augustinisme du second Port-Royal." Saint-Etienne, 2003. http://www.theses.fr/2003STET2078.
Full textThanks to urgent argumentation caused by controversy, the "second" Port-Royal, led by Arnauld, made use of the Cartesian dualism of body and mind in order to renew Augustinian semiotics. Port-Royal was at the origin of reflections about meaning, which go beyond linguistic and grammatical matters in order to include the moral disposition of the speaker in his verbal experience. For speech to produce meaning, language must be used as a faculty suppressing the distance between body and soul, between expression and thought, between the world and inner life, between man and God. The necessity of effective and meaningful speech may account for Port-Royal’s influence on literary circles. The novel La Princesse de Clèves and Racine's tragedies, in particular, reflect Augustinian concerns about the value of speech, its relation with human inner life, and the relation it establishes between man and the world
Yao, Adjoua N'Guessan Alice. "La création poétique chez Henri Michaux : formes, langages et thèmes." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA140/document.
Full textThe writing of Michaux moves invariably in forms so diverse as contradictory. In prose or versified, the poetic writing at this author is total and keeps(preserves) in this suppleness a with difficulty perceptible stylistic unity(unit) at first sight so much he(it) is made contortionist of the shape ., Michaux realizes with perspicacity a hybrid poetic writing of a generic point of view. The report(relationship) of Michaux in the language(tongue) is also complex. The linguistic subversions are at his home multiple and taken away from the ungrammaticality even essential of the poetic genre. The words and the typographic signs build a language under the impulse of the various emotional routes(courses) of the poet, where from écarts and improper associations. The repetition, as elementary pit of the rhythm seems to it to coincide with a desire of exorcism or the development of the word stresses to say it in a timeless movement on returning to one and on returning to the world. Michaux registers the rhythm in the visual perception. And the graphics associated with the breath leads to consider certain poems communicating paintings. The poems of Michaux are frescoes in the unusual taste where strange creatures and comic intrigues mobilize to give free rein to his overflowing imagination which draws from the "space of inside" which echos the existential concerns
Moinzadeh, Irandokht Dina. "La voix incarnée : poétiques de la présence chez Charles Bukowski." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100033.
Full textIf Charles Bukowski never formulated a theory presiding over his work, nor made explicit metrical research, and never claimed any literary school, this rejection of any form of literary elitism is, in fact, a paradoxical poetics, which seeks to break down the barriers between writing and orality, between the work and the body that produced it, between the work and the life of its author. A poetics of presence is carried by a utopia where the boundary between world and language disappears, to put the poet's body at the center of the literary process. The poetic writing refuses its share of absence, that of the body and the voice, that of the moment of writing, to become almost a performance. The result is a deceptive transparency, the clarity of which is so dazzling that, rather than exposing it, it conceals its depth between the lines of the text
Gonzalez, Marc. "Nominations ethnonymiques en Louisiane francophone. Production d'identités et subjectivités poétiques." Thesis, Montpellier 3, 2011. http://www.theses.fr/2011MON30094.
Full textThe study relates to an essential act of re-designation, to give a new proper name to people in a minority situation. This French-speaking community of Louisiana is indicated by an ethnonymic paradigm of a score of spelling variants which can be reduced to four concurrent series: Cajun, Cadien, Acadian, Cadjin, then with the problematical ethnonymic pair Cajun/Cadien. It is this denominational fluctuation which we will examine because each ethnonymic meaning is associated with specific representations which build ethno-linguistic identities of the group which are different and even competing. This process of redenomination which is supposed to revalorize the community’s image is certainly legitimate in a context of a withering language and culture but this nominative Babel, this “disease of the proper name” called “ethnonymic dystropia” has a double cost, meta-psychological and sociological, subjective and identity. We are witnessing a “symbolical forcing” because a “re-naming of one’s self” must be subjective and not imposed, it should rather have an effect as a reference designator, an indication of a community recognition and of an identity recognition, and also an indication of a subjective meaning which belongs to what Jacques Lacan calls “lalangue” which is the subject of the subconscious and desire that is speaking. It is by an operation of subjectification that the cajun/cadjin subject will be able to identify itself as a cadien subject and this process seems to be energized today in Louisiana by the rebirth of a poetic writing which promotes the ethnonym Cadien by the means of a system of inter-subjective enunciation full of affect, which opens the reader to a possible ethnonymic identification
Schlaifer, Clara. "L’imaginaire des langues chez Charles-Albert Cingria : un parcours poétique, politique et rhétorique." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA058.
Full textCharles-Albert Cingria (1883-1954), a Swiss francophone writer, was a long-time columnist for La NRF. He wrote and lived in Paris as well as in his native Switzerland, but has been little studied in France. As a traveller and polyglot, he makes the observation of languages central to a constellation of poetic, aesthetic, and rhetorical considerations in his distinctive, unclassifiable work. In the political context of the beginning of the 20th century, studied here from the history of ideas’ perspective, his ideas about languages set him in the Anti-Enlightenment tradition. His labyrinthine work has never before been studied as a whole, perhaps because it refuses ordinary categorizations. On the level of genre, theme, and form, as well as on an ideological level, Cingria’s work thwarts conventional understanding, while letting the reader feel the echoes and resonances that fill the text. The author chooses to consider this work as coherent, and opts to view Cingria’s work through the lens of a main theme: its representations of language and languages within a discourse freed from scientific pretensions. This journey through Cingria’s thought begins with examining his early diatribe against Esperanto, then moves to a broader discussion of his work, showing that his representation of languages concerns above all an aesthetic conception of the world perceived as cosmos. The imaginary of languages ultimately rests on the same principles as his argumentative strategy: in the name of nature and the natural, obviousness takes precedence over demonstrating. These principles give rise to texts whose obscurity results, paradoxically, from the desire to make them more embodied and more concrete
Riomar, Sandra. "« Moi d’ici, moi de là-bas » : La géographie imaginaire du roman Le Ventre de l’Atlantique de Fatou Diome." Thesis, Högskolan Dalarna, Franska, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:du-18402.
Full textThe object of this study is to explore the « imaginative geography » in the novel Le ventre de l’Atlantique, written by Fatou Diome. The concept of « imaginative geography » describes relations of spatial domination and the construction of the « Other », entirely different from « us » (Saïd, 1978). The two countries in the novel, France and Senegal, are analysed as two irreconcilable spheres, associated with oppositions such as we – the Other, individualism – collectivism, rationality – superstition. Two spatial images are discussed in this study: the island of Niodior in Senegal and the Atlantic Ocean. The isolation of Niodior reinforces the separation into two opposed spheres, while the Atlantic Ocean constitutes an element charged with magical forces, connected to life and death. Referring to the idea of hybridity, the novel also presents alternative spaces and identities, transgressing the colonial structure.
Le, Colleter Thomas. "« La matière ensorcelée » : poétiques et représentations de la musique au XXe siècle (Federico García Lorca, Pierre Jean Jouve, Giorgio Caproni)." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040175.
Full textThis thesis aims at studying the impact of musical imagination on the writing of three major poets of the XXth century : Federico García Lorca (1898-1936), Pierre Jean Jouve (1887-1976) and Giorgio Caproni (1912-1990). It starts from a simple observation : not only do these poets have an intimate knowledge of music, but, let us risk the term, a real obsession for it, that often verges on an irrational and enchanting fascination for what Jouve, in a thoughtful expression, calls “the bewitched matter” – ie the disarming power of the musical charm.All three of them thus enable the elaboration, through comparison, of a reflection on the esthetical and ideological positionings of poetry in front of music in Europe, in a time both post-wagnerian and post-mallarmean. They make possible a meditation on the dream once stated by Vladimir Jankélévitch in Somewhere in the unfinished, calling for “writing not on music, but with music”, to “remain accomplice of its mystery”.To answer this questioning, the thesis first tackles the search for identity enabled by the authors’ musical impregnation; it then explores the way music comes within the scope of their respective poetics; it finally observes the evolutions in their perception of the musical referent as time goes by. Thus will be underlined the imaginary and fantastical dimension of this art which kept calling for them all their lives
Sramski, Sandra. "Des représentations interculturelles dans la presse écrite française sur l'Argentine, le Brésil et le Mexique : imaginaires collectifs et identités collectives." Montpellier 3, 2001. http://www.theses.fr/2001MON30052.
Full textThe media, by telling the world what is going on, turn themselves into places of collective memoryand of expression of interculturality. By speading a collective way of thinking, they give information about the social relationships, the way people think, the system of values and the representations which govern the different cultural communities. The intercultural representations express, often implicity, collective imaginaries, which constitute the bases of the collective identities of these different communities. Thus, the representations -process to acquire knownledge- contibute to the building up of social groups, of their interrelations and of their identities. Understanding the way they function and the part they play, by studying their wordings in the media, allows to better understand these processes of social and individual organization and structuring. The comparative analysis of the language used in french newspapers Libération and le Figaro, in 1984, focussing on the information related to economics and sport event, shed light both on the intercultural representations France has of Argentina, Brazil and Mexico, and on the discursive processes which convey them. The integration of an identitary speech into the language used by the media takes place through the choice of the events dealt with and through the way the information is tackled, thanks to strategies of expression of subjectivity. Becoming aware of the activ role of the representations in the constitution of the culture and of the influence of these representations over the behaviours and speeches can lead to an evolution of the social relationships. This awareness of a better understanding of the other can be applied to the teaching of languages and cultures, since the intercultural representations constitute a subject which, by giving access to the implicite references of the native speackers which codify their own way of speacking, can lead to a better intercultural communication
Duchatelez, Stéphane. "La communication poétique. Vers une approche linguistique de l'effet poétique." Electronic Thesis or Diss., Toulon, 2019. http://www.theses.fr/2019TOUL3002.
Full textThis research aims to propose a unified conception of poetic modality, whether it appears in verse or prose texts. The approach followed belongs to pragmatics. Renouncing the generic category of poetry, this study redefines poeticity by means of the notion of effects, which our investigation proposes to define. We first show limits and problems of some notions used in (post-)Jakobsonian, enunciative and evocative approaches, then we specify our hypotheses by conducting corpus analyses on Michaux and Roubaud texts. From this first step of our investigation, it appears that the poetic effects are accompanied by parallel interpretative paths of different status. To propose a linguistic formulation of these phenomena, we develop arguments justifying the choice of speech acts theory as a general descriptive framework. Re-examined into this conceptual framework, the gathered data allow us to define poetic effects as anticipated perlocutionary effects, concomitant to the main illocutionary act. Finally, through a series of corpus studies covering a wide range of language facts, we evaluate the robustness of our definition: syntactic phenomena (parallelisms), enunciative (polyphony, values of present simple) or textual (allegory) facts are thereby examined. These analyses confirm the plausibility of our explanation. In addition, our hypotheses about poeticity take into account its manifestations in contemporary poems and some kinds of novels
Duraffourg, Céline. "Une mise à l'écoute de la langue. L'image du chevet dans l'écriture de Julien Gracq." Thesis, Paris 3, 2012. http://www.theses.fr/2012PA030036.
Full textThe chevet was chosen as a tool for this study because it represents for us the very writing of Gracq : observation, memory retrieval, transmutation, all these steps not only involve the concept of chevet, but they are also fully Gracq’s writing. From the outset, we say it is not to hunt the individual, but always to look how intimacy close seeps into the language. For the chevet or rather the image of the chevet symbolizes the intimate of Gracq. This image is plural and guides us through our three focal areas. First of all, listening inside the writer leaves appear the chevet of the world that is perceived with great clarity of perception. This inner listening will also reveal an intense set at the chevet of the self : Gracq listens to himself, recalls, ties a pact of close intimacy with himself. Which tends to exclude the reader but the reader nonetheless manages to resonate with the language. Finally, if we still listen to the writing, we see a strong permanence of the imaginary in spite of an evolution of writing
Pecqueux, Anthony. "La politique incarnée du rap : socio-anthropologie de la communication et de l'appropriation chansonnières." Phd thesis, Ecole des Hautes Etudes en Sciences Sociales (EHESS), 2003. http://tel.archives-ouvertes.fr/tel-00126138.
Full textLa mise à l'épreuve de deux outils, l'interénonciativité et l'écoute-en-action, met en évidence une éthique incarnée de la voix, dans la mesure où les actions vocales rendent présents sur une même scène auditeurs et rappers. Mais les énonciations de contestations instancient, contre un Eux, un Nous ; et ouvrent sur un régime particulier d'amour/haine.
Pour en rendre compte il faut prendre acte de la centralité du langage dans les paroles : les violences verbales prennent place dans une conception plus générale du langage. Celle-ci forme une réhabilitation de l'institution du langage, afin d'établir un lien social avec Nous. Le rap utilise à ce titre les ressources de l'institution phatique du langage et réalise une politique incarnée de la voix adressée.
Pecqueux, Anthony. "La politique incarnée du rap : socio-anthropologie de la communication et de l'appropriation chansonnières." Phd thesis, Paris, EHESS, 2003. http://www.theses.fr/2003EHES0009.
Full textConsidering a rap as an auditive and relational entity, the study embraces a pragmatical point of view in order to answer to the social request with reference to it, which concerns an excess of violence and a lack of citizenship. Putting into the test two tools, interenunciativity and listening-in-action, brings to light the embodied ethics of voice, insofar as the vocal actions make present on the same scene both listeners and singers. But the enunciations of protests make emerge, against a Them, a We; and open on a particular regime, the love-hate. To account for it we have to note the importance of language in the lyrics: verbal violances take place in a larger conception of language. This one forms a rehabilitation of the institution of language, in order to establish a social tie with Us. Rap uses by this way the resources of the phatic institution of language and realizes an embodied politics of addressed voice
Cherkaoui, Messin Kenza. "Le discours politique relatif à l'aménagement linguistique en France (1997-2002)." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030156/document.
Full textFrench history is influenced, since the 16th century, by language standardisation. The French Republic has started its era through political Terror that was completed by language Terror. Since, France and French have been intertwined in terms of politics as well as in terms of collective representations. However, in recent years, during the mandate of L. Jospin as a Prime Minister [1997-2002], France debated about the possibility of acknowledging its language diversity. Although, for mere demographic reasons, this diversity is fading away, it meets a strong social support. In 1999, with the opportunity of signing the European Charter for Regional or Minority Languages and in 2001 at the time where a possible new status was debated for Corsica, a language debate finally took place in France. From this debate, we built a corpus constructed to take into account all accessible discourse produced by French political personnel, seen as a discursive community. The consequence of such a project is a highly heterogeneous corpus, where Parliament debates, reports, law propositions etc. adjoin excerpts from written and audiovisual media. This heterogeneity commanded to approach the data differently: the vast corpus gathered from the Parliament [250,000 words approx.] underwent statistical treatment through Lexico3. This lexico-semantic analysis was hinged on manual analysis of the somewhat numerically smaller media corpus thanks to the lexical categorisation phenomena that were put into light via statistics. This lexico-semantic approach was completed by the analysis of the arguments deployed by different sides of the discursive community, as well as by an exploration of their collective representations of language management. Ideology about both the Nation and its future emerge from the debate, on a much wider scale than for languages [country’s unity, human rights, diversity, etc.]