Academic literature on the topic 'Image(s) de soi'

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Journal articles on the topic "Image(s) de soi":

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Leresche, Nicolas. "Image du globe/image de soi : la pratique du selfie comme s(t)imulation géographique." Annales de géographie 719, no. 1 (2018): 59. http://dx.doi.org/10.3917/ag.719.0059.

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Tang, Siqi, Jiang Yan, Jing Zhang, Shuhua Wei, Qingzhu Zhang, Junjie Li, Min Fang, et al. "Fabrication of Low Cost and Low Temperature Poly-Silicon Nanowire Sensor Arrays for Monolithic Three-Dimensional Integrated Circuits Applications." Nanomaterials 10, no. 12 (December 11, 2020): 2488. http://dx.doi.org/10.3390/nano10122488.

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In this paper, the poly-Si nanowire (NW) field-effect transistor (FET) sensor arrays were fabricated by adopting low-temperature annealing (600 °C/30 s) and feasible spacer image transfer (SIT) processes for future monolithic three-dimensional integrated circuits (3D-ICs) applications. Compared with other fabrication methods of poly-Si NW sensors, the SIT process exhibits the characteristics of highly uniform poly-Si NW arrays with well-controlled morphology (about 25 nm in width and 35 nm in length). Conventional metal silicide and implantation techniques were introduced to reduce the parasitic resistance of source and drain (SD) and improve the conductivity. Therefore, the obtained sensors exhibit >106 switching ratios and 965 mV/dec subthreshold swing (SS), which exhibits similar results compared with that of SOI Si NW sensors. However, the poly-Si NW FET sensors show the Vth shift as high as about 178 ± 1 mV/pH, which is five times larger than that of the SOI Si NW sensors. The fabricated poly-Si NW sensors with 600 °C/30 s processing temperature and good device performance provide feasibility for future monolithic three-dimensional integrated circuit (3D-IC) applications.
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Fitriyanto, Rachmad, Anton Yudhana, and Sunardi Sunardi. "Boyer-Moore String Matching Algorithm and SHA512 Implementation for Jpeg/exif File Fingerprint Compilation in DSA." JUITA: Jurnal Informatika 8, no. 1 (May 4, 2020): 1. http://dx.doi.org/10.30595/juita.v8i1.4413.

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The jpeg/exif is file’s format for image produced by digital camera such as in the smartphones. The security method for jpeg/exif usages in digital communication currently only full-fill prevention aspect from three aspects of information security, prevention, detection and response. Digital Signature Algorithm (DSA) is a cryptographic method that provide detection aspect of information security by using hash-value as fingerprint of digital documents. The purpose of this research is to compile jpeg/exif file data fingerprint using the hash-value from DSA. The research conducted in four stages. The first stages is the identification of jpeg/exif file structure using Boyer-Moore string matching algorithm to locate the position of file’s segments. The second stage is segment’s content acquisition. The third stage the image files modification experiments to select the suitable element of jpeg/exif file data fingerprint. The fourth stage is the compilation of hash-values to form data fingerprint. The Obtained result has shown that the jpeg/exif file fingerprint comprises three hash value from the SOI segment, APP1's segment, and the SOF0 segment. The jpeg/exif file fingerprint can use for modified image detection, include six types of image modification there are image resizing, text addition, metadata modification, image resizing, image cropping and file type conversion
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Segonne, Charlotte, Nathalie Huret, Sébastien Payan, Mathieu Gouhier, and Valéry Catoire. "A Spectra Classification Methodology of Hyperspectral Infrared Images for Near Real-Time Estimation of the SO2 Emission Flux from Mount Etna with LARA Radiative Transfer Retrieval Model." Remote Sensing 12, no. 24 (December 16, 2020): 4107. http://dx.doi.org/10.3390/rs12244107.

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Fast and accurate quantification of gas fluxes emitted by volcanoes is essential for the risk mitigation of explosive eruption, and for the fundamental understanding of shallow eruptive processes. Sulphur dioxide (SO2), in particular, is a reliable indicator to predict upcoming eruptions, and its systemic characterization allows the rapid assessment of sudden changes in eruptive dynamics. In this regard, infrared (IR) hyperspectral imaging is a promising new technology for accurately measure SO2 fluxes day and night at a frame rate down to 1 image per second. The thermal infrared region is not very sensitive to particle scattering, which is an asset for the study of volcanic plume. A ground based infrared hyperspectral imager was deployed during the IMAGETNA campaign in 2015 and provided high spectral resolution images of the Mount Etna (Sicily, Italy) plume from the North East Crater (NEC), mainly. The LongWave InfraRed (LWIR) hyperspectral imager, hereafter name Hyper-Cam, ranges between 850–1300 cm−1 (7.7–11.8 µm). The LATMOS (Laboratoire Atmosphères Milieux Observations Spatiales) Atmospheric Retrieval Algorithm (LARA), which is used to retrieve the slant column densities (SCD) of SO2, is a robust and a complete radiative transfer model, well adapted to the inversion of ground-based remote measurements. However, the calculation time to process the raw data and retrieve the infrared spectra, which is about seven days for the retrieval of one image of SO2 SCD, remains too high to infer near real-time (NRT) SO2 emission fluxes. A spectral image classification methodology based on two parameters extracting spectral features in the O3 and SO2 emission bands was developed to create a library. The relevance is evaluated in detail through tests. From data acquisition to the generation of SO2 SCD images, this method requires only ~40 s per image, which opens the possibility to infer NRT estimation of SO2 emission fluxes from IR hyperspectral imager measurements.
5

Le Mounier, Marie, and Alessandra Keller-Gerber. "Photographies d’auteurs en classe de langue : matrices pour se dire en langue-cible dans une nouvelle société-cible." Babylonia Journal of Language Education 3 (December 23, 2022): 34–39. http://dx.doi.org/10.55393/babylonia.v3i.214.

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Dans le cadre d’un dispositif d’accueil d’étudiants internationaux à l’Université de Fribourg (CH), nous avons conçu, en 2021, une formation en français langue étrangère autour de photographies d’auteurs. Le dispositif intitulé Mise(s) en mots – mise(s) en images de soi, incitait les étudiants à porter un regard personnel sur leur expérience de mobilité. Après avoir suivi une présentation par genre (portrait, autoportrait, photographie de rue, paysage, nature morte), rencontré des artistes et leurs œuvres, les apprenants ont produit des images et des textes dans leur nouveau cadre de vie et d’études.
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Xu, Ruiqi. "Evolution of the geographical image of the USSR in the presentation of Chinese writers (on example of Hu Shi and Chen Duxiu)." Pskov Journal of Regional Studies, no. 4 (2022): 53. http://dx.doi.org/10.37490/s221979310021909-2.

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Geographical images are systems of ideas, concepts and stereotypes that represent a particular territory in people's minds. Geographical image is one of the most important means of describing and understanding a country. The study of geographical images is of great practical importance and contributes to various aspects of foreign policy, regional politics, intercultural communication and tourism. The aim of this study is to analyze the image of the USSR of the 1920s and 1930s in the works of the writers of the New Culture Movement on the example of the leading representatives of the movement, Chen Duxiu and Hu Shi. Hu Shi and Chen Duxiu were more concerned with the political image of the Soviet Union, and that their views were closely linked to their own political positions and views. After the October Revolution, Marxism spread widely in China and during this period, Hu Shi and Chen Duxiu lauded the Soviet Union as a great political experiment that deserved praise and opened up new avenues for human society. However, as the shortcomings and problems of the Soviet system became apparent and Chen Duxiu and Hu Shi's rejection of Marxist ideas changed their views of the Soviet Union, they began to criticize its problems and attack the dictatorial rule of Stalin.
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신의선. "A study on Insightful Mental Image in Su-shi`s Poetry." Journal of Chinese Language and Literature ll, no. 66 (August 2014): 5–28. http://dx.doi.org/10.15792/clsyn..66.201408.5.

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Gopal, M., and W. P. Jepson. "The Study of Dynamic Slug Flow Characteristics Using Digital Image Analysis—Part I: Flow Visualization." Journal of Energy Resources Technology 120, no. 2 (June 1, 1998): 97–101. http://dx.doi.org/10.1115/1.2795032.

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This paper reports the application of novel, digital image analysis techniques in the study of slug flow characteristics, under dynamic conditions in two-phase gas-liquid mixtures. Water and an oil of viscosity 18 cP were used for the liquid phase and carbon dioxide was used for the gas phase. Flow in a 75-mm i.d., 10-m long acrylic pipeline system was studied. Images of slugs were recorded on video by S-VHS cameras, using an audio-visual mixer. Each image was then digitized frame-by-frame and analyzed on a SGI™ workstation. Detailed slug characteristics, including liquid film heights, slug translational velocity, mixing length, and, slug length, were obtained.
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Gliß, Jonas, Kerstin Stebel, Arve Kylling, and Aasmund Sudbø. "Improved optical flow velocity analysis in SO<sub>2</sub> camera images of volcanic plumes – implications for emission-rate retrievals investigated at Mt Etna, Italy and Guallatiri, Chile." Atmospheric Measurement Techniques 11, no. 2 (February 8, 2018): 781–801. http://dx.doi.org/10.5194/amt-11-781-2018.

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Abstract. Accurate gas velocity measurements in emission plumes are highly desirable for various atmospheric remote sensing applications. The imaging technique of UV SO2 cameras is commonly used to monitor SO2 emissions from volcanoes and anthropogenic sources (e.g. power plants, ships). The camera systems capture the emission plumes at high spatial and temporal resolution. This allows the gas velocities in the plume to be retrieved directly from the images. The latter can be measured at a pixel level using optical flow (OF) algorithms. This is particularly advantageous under turbulent plume conditions. However, OF algorithms intrinsically rely on contrast in the images and often fail to detect motion in low-contrast image areas. We present a new method to identify ill-constrained OF motion vectors and replace them using the local average velocity vector. The latter is derived based on histograms of the retrieved OF motion fields. The new method is applied to two example data sets recorded at Mt Etna (Italy) and Guallatiri (Chile). We show that in many cases, the uncorrected OF yields significantly underestimated SO2 emission rates. We further show that our proposed correction can account for this and that it significantly improves the reliability of optical-flow-based gas velocity retrievals. In the case of Mt Etna, the SO2 emissions of the north-eastern crater are investigated. The corrected SO2 emission rates range between 4.8 and 10.7 kg s−1 (average of 7.1 ± 1.3 kg s−1) and are in good agreement with previously reported values. For the Guallatiri data, the emissions of the central crater and a fumarolic field are investigated. The retrieved SO2 emission rates are between 0.5 and 2.9 kg s−1 (average of 1.3 ± 0.5 kg s−1) and provide the first report of SO2 emissions from this remotely located and inaccessible volcano.
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Kucera, Martin. "Schlampigkeit kostet." kma - Klinik Management aktuell 15, no. 02 (February 2010): 56–59. http://dx.doi.org/10.1055/s-0036-1575513.

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Krankenhausinfektionen können Patienten töten und Image und Budget einer Klinik erheblich beschädigen. Trotzdem sei das Bewusstsein für Hygiene in vielen Führungsetagen unterentwickelt und die Ausstattung mit Fachpersonal häufig mangelhaft, meinen Experten. Die dafür angeführten wirtschaftlichen Gründe sprächen aber dafür, das Gegenteil zu tun.

Dissertations / Theses on the topic "Image(s) de soi":

1

Braizaz, Marion. "L'esthétique de soi : individu(s), corporéité(s) et apparence(s) genrée(s)." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCB229.

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Faire du rapport des individus à leur apparence corporelle une véritable question sociologique, telle fut l'ambition de cette thèse. Prenant appui sur un étonnement intellectuel - relatif à la difficile constitution du champ de la sociologie du corps et au décalage fort entre l'omniprésence des enjeux esthétiques dans le monde social (notamment médiatique) et leur modeste considération dans l'espace des sciences sociales - cette visée s'est matérialisée par la mise en oeuvre d'une enquête qualitative, menée entre 2013 et 2014, auprès de 60 individus (32 femmes et 28 hommes), âgés de 21 à 52 ans. Cette étude, dont le fil conducteur a été de mettre en exergue les modalités de l'expérience esthétique des individus (coûts, bénéfices, vécus, stratégies, dans le rapport à soi et à autrui), s'est appuyée sur l'outil analytique du genre, véritable catalyseur de l'injonction à l'autonomie et à la réflexivité esthétique à l'oeuvre depuis la seconde moitié du XXème siècle. Les deux axes analytiques qui orientent la trame de cette thèse sont ainsi les suivants : (1) quels sont les enjeux des dimensions « intra-genre », « inter-genre » dans la construction d'une identité esthétique, (2) dans quelles mesures la dialectique entre rapport à soi et rapport à autrui constitue-t-elle le socle de l'appropriation esthétique d'un soi genré ? Effectivement, en étudiant l'apparence comme une théâtralisation du genre des individus, nous avons notamment pu mettre en évidence combien la consistance des corps et les pratiques esthétiques représentaient des modalités essentielles de la recomposition contemporaine des existences genrées. Notre enquête nous a ainsi amenée à penser que la posture analytique la plus légitime pour une sociologie de l'apparence est celle qui envisage cet objet « apparence » avant tout comme une expérience réflexive à laquelle chacun se trouve confronté, le rapport au corps constituant un support identitaire central pour l'individu contemporain. En ce sens, l'étude du « bricolage esthétique de soi » des acteurs sociaux constitue à nos yeux une orientation pertinente pour les sociologues afin d'appréhender les contours de ce qu'être un individu (incarné) aujourd'hui dans notre société représente pour tout un chacun
Studying the relationship of individuals with their own body and appearance as a real sociological question, such was the aim of this thesis. Building on an intellectual astonishment - the difficult constitution that marked the field of the sociology of the body and the huge gap between the omnipresence of aesthetic issues in the social world (including media) and their modest consideration in the Social Sciences world - this aim has been materialized through the implementation of a qualitative survey, conducted between 2013 and 2014, with 60 individuals (32 women and 28 men), aged from 21 to 52 years. The common thread of this study was to outline the terms of the aesthetic experience of individuals (costs, benefits, experiences, relationship with oneself and with others) and we used the analytical tool of gender, real catalyst of the autonomy and aesthetic reflexivity injunctions ongoing in our society since the second half of the twentieth century. The two analytical axes that guide the frame of this thesis are as follows: (1) what are the issues of the two dimensions: "intra-gender", "cross-gender" in the construction of an aesthetic identity, (2) to what extent the dialectic between self-relation and relationships with others could be the base of the aesthetic appropriation of a gendered self? Indeed, studying the appearance as a dramatization of the gender of individuals, has enabled us to highlight how the consistency of the body and aesthetic practices represente essential modalities regarding the contemporary restructuring of gendered lives. Our investigation let us think that the most legitimate analytical posture for a sociology of appearance is the one considering this item "appearance" first and foremost as a reflexive experience to which each individual is faced, relationship with the body constituting a central identity support for the contemporary individual. In this sense, the study of "self-esthetics handiwork" of social actors is in our opinion a relevant guidance for sociologists to grasp the framework of what being an (embodied) individual today in our society represents for everyone
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Tchemako, Yongue Olivia. "Images de Soi et de l'Autre dans les discours européens et africains aux Nations Unies." Electronic Thesis or Diss., Toulon, 2021. http://www.theses.fr/2021TOUL3003.

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Cette thèse s’intéresse à la présentation de soi des États-membres dans et par leurs discours à l’Assemblée Générale des Nations Unies. S’inscrivant dans la tradition française d’Analyse du discours, elle interroge les modalités verbales de construction de l’image de soi eu égard aux circonstances dans lesquelles les discours à l’Onu sont prononcés. Comment l’image de soi de l’État-membre émerge-t-elle dans un contexte où la parole obéit en principe à de fortes restrictions liées aux impératifs de légitimation de l’institution ? Le corpus d’étude, textuel, est constitué des allocutions aux débats généraux qui introduisent chaque année la session ordinaire de l’Assemblée Générale : 150 allocutions prononcées en français par 10 États-membres francophones entre l’année 2000 et l’année 2014. La méthode d’analyse articule perspective qualitative et quantitative, s’appuyant d’une part sur une linguistique quantitative assistée par ordinateur et d’autre part sur une approche lexicale, pragma-énonciative et argumentative. La thèse est structurée en deux parties qui correspondent aux préoccupations sous-jacentes de la problématique. La première partie est consacrée à la détermination des invariants génériques, auxquels on accède grâce aux objets phraséologiques qui émanent des pratiques langagières de l’ensemble des locuteurs. La deuxième partie se rapporte aux images de soi des États-membres qui, elles, émanent des attributs lexicaux remarquables de leurs différents discours. L’on parvient ainsi à identifier, au-delà des déterminations discursives propres au genre, des stratégies générales de valorisation de l’image de soi dont les États-membres usent en discours, afin de cultiver la reconnaissance internationale. L’image de l’autre est appréhendée au prisme des communautés d’appartenance que les locuteurs construisent en discours, et dont ils se prévalent. On traite alors de la représentation qu’une communauté d’États se fait d’une autre, et de la manière dont cela infléchit les images de soi des communautés. La polémique se révèle éclairante pour nos analyses à ce stade, puisque, outre les situations d’inégalités entre acteurs qu’elle exhibe, elle attire résolument l’attention sur la capacité de l’Organisation des Nations Unies à rassembler autour de valeurs communes des acteurs défendant des intérêts divergents
This PhD thesis focuses on the self-presentation of member states in and through their speeches at the United Nations General Assembly. In keeping with the French tradition of Discourse Analysis, it questions the verbal modalities of self-image construction in light of the circumstances in which speeches at the UN are made. How does the self-image of the Member State emerge in a context where speech are submitted to strong restrictions linked to the imperatives of legitimating the institution? The textual corpus is made up of speeches at general debates which each year introduce the ordinary session of the General Assembly: 150 speeches delivered in French by 10 French-speaking member states between the year 2000 and the year 2014. The method of analysis combines qualitative and quantitative perspective, based on one hand on a computer-assisted quantitative linguistics, and on the other hand on lexical, enunciative, pragmatical and argumentative approach. The thesis is subdivided in two parts which correspond to the underlying concerns of the general issue. The first part is devoted to the determination of generic invariants, which are accessed through phraseological objects that emanate from the language practices of all speakers. The second part relates to the self-images of the member states which, in turn, emanate from the remarkable lexical attributes of their different discourses. We thus manage to identify, beyond discursive determinations specific to gender, general strategies used in discourse by the member state for enhancing the self-image, in order to cultivate international recognition. The image of the other is comprehended through the prism of the belonging communities developed in discourse by the speakers. We then observe the representation that a community of states has of another, and how this affects the self-images of the communities. The controversy turns out to be enlightening for our analyzes at this stage, since, in addition to the situations of inequalities between actors that it exhibits, it resolutely draws attention to the ability of the United Nations to unite around common values actors defending divergent stakes
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Hover, Eyre D. "The investigation of tube sampling disturbance using transparent soil and particle image velocimetry." Thesis, University of Warwick, 2014. http://wrap.warwick.ac.uk/65103/.

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A small-scale physical modelling system was developed and employed to investigate the effects of tube sampling. Amorphous silica and an oil blend of matching refractive index were mixed to form a transparent soil. Black glass beads were embedded within the soil body on the vertical central plane. After consolidation in a Perspex box, a glass model sampler was pushed into the transparent soil. Movements within the soil body were recorded using digital photography; these images were later analysed by Particle Image Velocimetry. The centreline strain path (CSP) of the sample during tube penetration was calculated and compared to existing analytical and numerical models’ strain predictions, and some degree of correlation was observed. However, it is shown that the CSP is not constant throughout the sample, but varies with depth below the base of the borehole. It was also noticed that after tube penetration, significant residual extensive strains remain for soil on the centreline of the specimen. Different tube geometries were tested and a correlation was found between strain magnitudes and the Area Ratio, Inside Clearance Ratio and the Outer Cutting Edge Taper Angle. It was also found that samples taken in normally consolidated soils were more heavily disturbed than those in lightly overconsolidated soils. After removal from the soil model, samples were stored for six months and volumetric strains within them, set up by a redistribution of pore fluid pressures, were found to be small, typically less than 1%. Soil at the edge of the sampler wall reduced in volume, while the centre swelled. Specimens were thereafter extruded from the sampling tube and the strain path created by this step was quantified. It was found that extrusion compresses the soil while still inside the tube, with soil closest to the extruder more significantly affected. All of these parts of the sampling process contribute to the overall sample disturbance and can therefore have an effect on the sample’s measured properties.
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Liaroutzos, Olivier. "L'identité professionnelle des agents administratifs : métier et image de soi." Paris 8, 1993. http://www.theses.fr/1993PA080889.

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Peut-on se satisfaire aujourd'hui d'un deficit de donnees objectives concernant une population aussi nombreuse en france que celle des agents administratifs? cette question renvoie au theme de la reconnaissance professionnelle traite ici a p de l'hypothese selon laquelle les agents administratifs ont un metier. Tout d'abord, un bref apercu historique des representations du travail administratif et de ceux qui l'exercent permet de constater, au regard notamment des genres litteraires et theatraux a succes du xixe siecle, que depuis que le proces de la bureaucratie est ouvert, l'employe de b n'a cesse d'etre vilipende par l'opinion publique se plaignant de la puissance excessive de l'administration. Or il appa qu'aujourdh'hui encore, les agents administratifs sont tributaires de ces representations sociales. Autre periode marqua abordee ici, celle des annees soixante et soixante dix ou la sociologie des organisations ainsi que le mouvement de refl sur les classes sociales se sont interroges sur la place dans la societe de cette categorie "montante". La premiere part cette recherche se termine par la presentation de demarches identitaires d'agents administratifs qui tentent aujourd'hui d'exterioriser leur vecu professionnel. Une immersion de trois ans dans un important organisme public a ete l'occasion d reconstituer le parcours professionnalisant suivi par une cinquantaine d'agents administratifs ; c'est le passage de l'e au metier dont la description constitue la partie centrale de cette these. La notion de metier est prise ici dans le sen noyau dur de competences, un referent commun aux secretaires et aux agents de bureau. La nature du travail administratif elle, est definie a partir des obstacles rencontres par les agents lorsqu'ils evoquent leurs activites : une matiere tra impalpable (l'information), une finalite (l'administration accompagne une production), un rapport incertain entre temps de travail ecoule et produit obtenu, une notion de specialite professionnelle peu operatoire dans son sens traditi etc. Cette methode propre aux specificites du travail administratif appelle une interrogation plus generale, aboprdee en troisieme partie, sur le mode d'intervention du sociologue a l'entreprise. A quels moments de son approche est-il ooport de distinguer le travail reel des representations du travail? quelles positions et precautions sont a prendre par l'inte devant contribuer a passer de la meconnaissance d'un metier a sa reconnaissance?
Can we content ourselves with the lack of objective data on a population as numerous in france as the administrative personnel? this is the issue of professional recognition which is here dealt with under the assumption that administrative personnel possesses craftsmanship. First, a brief historical sketch of the representations of administrat work and those that carry it out leads to the observation that, ever since the beginning of criticism against bureaucrac office clerks have always been disparaged by the public opinion complaining about the excessive power of administrations, for instance in popular literature and theater in the 19th century. As a matter of fact, even today, th administrative personnel remains tributary to this social representation. The 1960s and 70s are another important period of time, when the sociology of organizations and the movement of reflection on the social classes started to deal with t place of this rising category in the society. The first part of this research ends with a presentation of the administra personnel's search for an identity through the exteriorization of their professional experiences. A three-year field stu in a big public organization led to the reconstruction of the professionalcurriculum of abourt 50 office clerks ; the ce part of this thesis concerns the transformation of jobs into a crait. The concept of craft is here defined as a hard cor expertise, a common reference for secretaries and office clerks. As for the nature of administrative work, it is here defined through the obstacles encountered by the employes wehn describe their activity : an intangible material (information), indirect objectifes (the administration is a support for production), an uncertain ratio of work hours to yield, a definition of the professional specialty that is hardly operative in its traditional sense etc. This method, wh proper to the specificities of administrative work, leads to the more general issue of the sociologist's mode of intervention in an organization that is dealt with in the third part. At which stages of his approach is it necessary t0
5

Laharpe, Nicole de. "Les stereotypes nationaux dans les tischreden de luther. Image de l'autre et image de soi." Strasbourg 2, 1997. http://www.theses.fr/1997STR20076.

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Les tischreden de luther, vehicule important des conceptions du reformateur, ont souvent ete negligees par la critique. Pourtant la diversite des themes abordes offre un panorama de ses idees et de ses preoccupations dans la derniere partie de sa vie, marquee par les polemiques contre les turcs, les juifs et le pape. Le present travail etudie a partir de l'edition de weimar le regard porte par luther sur les allemands et les etrangers (italiens, juifs, turcs) et tente de mettre en evidence dans quelle mesure cette image est tributaire des stereotypes existants ou en cree de nouveaux. Si, en raison de l'antagonisme culturel entre l'allemagne et l'italie, on constate une symetrie pour un certain nombre de stereotypes (la simplicite, la naivete, l'amour de la verite des allemands opposes a l'habilite, la ruse et au mensonge des italiens), et si l'image de l'italie souffre de l'identification avec la papaute, on ne constate pas chez luther de glorification particuliere de l'allemagne: au contraire, les defauts des allemands en general et de chaque region en particulier sont fustiges sans pitie. L'antijudaisme chretien et les prejuges qu'il vehicule sont repris par luther, comme par la majorite de ses contemporains, sans pour autant que les tischreden, pourtant souvent tres hostiles, ne colportent les calomnies presentes dans ses derniers ecrits. Malgre sa mefiance viscerale, luther ne reste pas insensible au sort du peuple juif. L'image des turcs s'articule d'une part autour de la peur suscitee par les evenements politico-militaires, et autour de la religion musulmane d'autre part, que luther refuse de considerer autrement que comme un mensonge. La comparaison des qualites et surtout des defauts de chaque groupe avec ceux du monde montre que le propos de luther est avant tout religieux. Il ne s'agit pas de stigmatiser les defauts particuliers de chaque nation mais de denoncer partout les differentes formes du peche auquel l'homme ne peut echapper
Luther's tischreden (table talk), an important medium of the reformer's concepts, have often been overlooked by critics. Yet the diversity of the themes he tackled gives us an overall view of his ideas and concerns during the latter part of his life which was characterized by his polemics against the turks, the jews and the pope. Based on the weimar edition, the present study establishes luther's perception of the germans and foreigners (italians, jews, turks) and endeavours to bring to the fore the extent to which this image was dependent on existing stereotypes or created new ones. If due to the cultural antagonism between germany and italy, one notices a symmetry concerning a number of stereotypes (the simplicity, naivety, love of truth of the germans as opposed to the cleverness, cunning and mendacity of the italians), and if the image of italy suffers from its identification with the papacy, one is not aware in luther of any particular glorification of germany; on the contrary the faults of the germans in general and of each german region in particular are denounced without any pity. The christian anti-judaism and the prejudices it conveys are taken up by luther, as by the majority of his contemporaries; however the tischreden, often filled with hostility, do not peddle the calumny contained in his last writings. Despite his visceral suspicion, luther does not remain insentive to the fate of the jewish people. The image of the turks is centred on the fear raised by the political and military events on the one hand and on the muslim religion on the other; the latter lutter refuses to view any differently than as a lie. The comparison between the qualities and defects of each group with those of the world in general reveals that luther's arguments are essentially religious. His intention is not to stigmatize the particular defects of each nation but to denounce everywhere the different forms of sin from which man cannot escape
6

Shen, Chao. "Study of CMOS active pixel image sensor on SOI/SOS substrate /." View Abstract or Full-Text, 2003. http://library.ust.hk/cgi/db/thesis.pl?ELEC%202003%20SHEN.

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Thesis (M. Phil.)--Hong Kong University of Science and Technology, 2003.
Includes bibliographical references (leaves 67-69). Also available in electronic version. Access restricted to campus users.
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Tricoche-Rauline, Laurence. "Identité(s) libertines : l'écriture personnelle ou la création de soi /." Paris : H. Champion, 2009. http://catalogue.bnf.fr/ark:/12148/cb420266128.

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Texte remanié de: Thèse de doctorat--Littérature française--Saint-Étienne, 2006. Titre de soutenance : Le moi libertin : modalités d'expression de la subjectivité à l'âge classique.
Bibliogr. p. 719-750. Index.
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Calvignac, Jean-Pierre. "Les habitants d'Ile-de-France devant l'invasion étrangère, 1870-1871 : image de l'autre et image de soi." Paris 1, 2010. http://www.theses.fr/2010PA010634.

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Septembre 1870. La France subit une invasion militaire qui touche, entre autres, l'ensemble de la Région parisienne (entendons : Seine, Seine-et-Marne, Seine-et-Oise, c'est a dire le territoire de l'actuelle région Ile-de-France). Dans une région qui, hors la capitale, demeure majoritairement rurale, quelle image, quelle représentation de l'occupant les habitants, forts de l'expérience vécue, construisent-ils, puis lèguent-ils aux générations futures? En quoi cette vision diffère t-elle de celle existant auparavant ? Et présente t-elle, intrinsèquement, des différences suivant que l'on se situe avant l'arrivée de l'envahisseur, pendant l'occupation effective, ou après la fin de celle-ci ? En sens inverse, quelle image l'Allemand construit-i1 des populations soumises à sa loi ? Telles sont, pour l'essentiel, les questions auxquelles nous entendons chercher réponse. Si les habitants de la Région parisienne acquièrent une représentation nouvelle de l' Allemand, ils donnent sans doute aussi, dans ces circonstances, une nouvelle image d'eux-mêmes : montrent-i1s un refus de la situation - ou des complaisances marquées envers l'ennemi? Les normes morales ordinairement supposées admises par la population ne se modifient-elles pas à divers égards ?
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Lasserre, Henri. "Les ingenieurs francais dans la grande entreprise : image de soi et ideologie." Paris 8, 1985. http://www.theses.fr/1985PA080334.

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Vemeová, Daniela. "Analýza image značky PiM`s." Master's thesis, Vysoká škola ekonomická v Praze, 2010. http://www.nusl.cz/ntk/nusl-76000.

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PiM's is young brand on the market, that is interesting by its courageous modern strategy. Main aim of my master thesis is reveal perception of the brand PiM's by consumers and compare it with its identity. Thesis is devided to theoretical and practical part. In theoretical part I defined term brand and its basic characterictics. Also I defined PiM's history and brand identity. In methodological part I chose and defined methods suited for analysis of the image. In practical part I applied methods as analysis of secondary data and survey by on-line questionaire. On these basis, I enlisted important information about image of the brand PiM's. By comparison of identity and image I reach the whole analysis of the image and I gave recommendations, how to built image successfully in the future.

Books on the topic "Image(s) de soi":

1

Coordonné par Chandelier Michel et Isabelle Rousse. IMAGE(S) ET SOCIÉTÉS. Paris: Editions L'Harmattan, 2004.

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Belgium) Musée de la photographie (Charleroi. Image(s) d'une collection. Brussel: Musée de la Photographie à Charleroi & Fonds Mercato, 2010.

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Images internationales pour les droits de l'homme et du citoyen., ed. Pour les droits de l'homme: Histoire(s), image(s), parole(s). Paris: Artis 89, 1989.

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Marie, Gautheron, and Belorgey Jean-Michel, eds. L' Honneur: Image de soi ou don de soi un idéal équivoque. Paris: Editions Autrement, 1991.

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Legrand, Bernard. L' image de soi ou la communication réussie. Paris: Ellipses, 1990.

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Yves, Prêteur, and Léonardis Myriam de, eds. Education familiale, image de soi et compétences sociales. Bruxelles: De Boeck, 1995.

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Belot, Robert. Image(s) de l'industrie: XIXe-XXe siècles. Antony, France: E.T.A.I., 2011.

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Senneville, Elisabeth de. E. de Senneville: Arrêt sur image(s). Montreuil: Gourcuff Gradenigo, 2013.

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Colloque, Association parole bégaiement. Image de soi, regard de l'autre chez le sujet bègue. Paris: L'Harmattan, 2009.

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Colloque, Association parole bégaiement. Image de soi, regard de l'autre chez le sujet bègue. Paris: L'Harmattan, 2009.

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Book chapters on the topic "Image(s) de soi":

1

Fisher, R. B., T. P. Breckon, K. Dawson-Howe, A. Fitzgibbon, C. Robertson, E. Trucco, and C. K. I. Williams. "S." In Dictionary of Computer Vision and Image Processing, 245–85. Chichester, UK: John Wiley & Sons, Ltd, 2016. http://dx.doi.org/10.1002/9781119286462.ch20.

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Cummings, Simon. "Son e(s)t Lumière." In Sound and Image, 348–64. New York : Routledge, 2020. | Series: Sound design: Focal Press, 2020. http://dx.doi.org/10.4324/9780429295102-23.

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Zavidovique, Bertrand, and Vito Di Gesù. "The S-Kernel and a Symmetry Measure Based on Correlation." In Image Analysis, 184–94. Berlin, Heidelberg: Springer Berlin Heidelberg, 2005. http://dx.doi.org/10.1007/11499145_21.

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Albano, Caterina. "Mémoir(e) and Mémoire(s)." In Memory, Forgetting and the Moving Image, 43–82. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-36588-0_2.

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Ralević, Nebojša, Danijela Karaklić, Marija Paunović, and Dejan Ćebić. "Image Filtering Using Fuzzy $$S-$$metrics." In Intelligent and Fuzzy Techniques for Emerging Conditions and Digital Transformation, 741–48. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-85626-7_86.

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Teel, Karen. "Surrogacy and Survival: Delores S. Williams." In Racism and the Image of God, 77–98. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230114715_5.

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Angermeyer, M. C., and H. Matschinger. "The Public�s Attitude towards Drug Treatment of Schizophrenia." In The Image of Madness, 152–61. Basel: KARGER, 1999. http://dx.doi.org/10.1159/000062692.

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Brasse, David, and Frederic Boisson. "Instrumentation Challenges in (S)PE(C)T Systems." In Image Fusion in Preclinical Applications, 25–54. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-02973-9_2.

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Sun, Feng-rong, Paul Babyn, Yu-huan Luan, Shang-ling Song, and Gui-hua Yao. "Image Denoising Using Discrete Orthonormal S-Transform." In Proceedings of International Conference on Soft Computing Techniques and Engineering Application, 435–42. New Delhi: Springer India, 2013. http://dx.doi.org/10.1007/978-81-322-1695-7_50.

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Hovmöller, Sven. "Crystallographic Image Processing Applications for S-Layers." In Advances in Bacterial Paracrystalline Surface Layers, 13–21. Boston, MA: Springer US, 1993. http://dx.doi.org/10.1007/978-1-4757-9032-0_2.

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Conference papers on the topic "Image(s) de soi":

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Yoshida, Hiroshi, Kennosuke Uemura, Kenji Yoshida, and Isao Kataoka. "Visual Observation and Analysis of Hydrodynamic Structure of Water Jet in Application to Jet Grouting." In ASME/JSME 2007 5th Joint Fluids Engineering Conference. ASMEDC, 2007. http://dx.doi.org/10.1115/fedsm2007-37009.

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Water jet is utilized in various industrial application such as cutting carious materials and soil. In particular, jet grouting for soil improvement is one of the most important application of water jet under high pressure and high liquid flow rate. Such technology is already in practical use in civil engineering. In order to improve the efficiency and performance of jet grouting, it is quite important to clarify the hydrodynamic structure of water jet under high pressure and high flow rate. However, basic researches on this subject are quite insufficient both experimentally and analytically. Water jet utilized in jet grouting is usually very high speed ( up to 500 m/s) two-phase dispersed flow. Therefore, it is quite difficult to make visual observation of such water jet using conventional optical methods. In the present work, the authors utilized high sensitive CCD camera with image intensifier of which gate speed is 10 ns. Using this optical device, the authors obtained still image of high speed water jet for the first time. Visual observation revealed that high speed water jet is composed of very fine droplets and has complicated structures such as swirl and cluster of droplets. Velocity of water jet was also measured using two consecutive images taken between 10 microsecond. Such direct measurement of jet velocity of high speed water jet has not been carried out so far. The result indicated that jet speed (droplet speed) is even very high even at the boundary of water jet. Measure water jet velocity was reasonably correlated with jet velocity at the exit of nozzle.
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Senda, K., E. Fujii, Y. Hiroshima, and T. Takamura. "Smear-less SOI image sensor." In 1986 International Electron Devices Meeting. IRE, 1986. http://dx.doi.org/10.1109/iedm.1986.191194.

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Szymanska-Stulka, Katarzyna. "SPACE PERFORMS FOR SACRED AMONG MUSIC AND ARCHITECTURE. THE CASE OF STABAT MATER??S MOTIF IN POLISH CONTEMPORARY MUSICAL WORKS BY PAWEL LUKASZEWSKI AND IGNACY ZALEWSKI." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/vs08.09.

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In sacred musical works we find structures and composing solutions that introduce a specific action, similar to visual elements. What are the means for the architectural and sound space that create a sacred space? Are there playing in common? I answer this question on the basis of contemporary architecture (e.g. Church of Light by Tadao Ando in Ibaraki/Japan, Fritz Hoger�s Kirke in Berlin/Germany, Basilica Sanctuary of Our Lady of Tears by Stephane Aboudaram in Syracuse/Italy) confronted with music dedicated to the sacred sphere. In accordance with the currently developed cognitive interpretation, I will guide towards the sphere of experience and define a sacred place as an area where you can feel safe, surrounded by somewhat mysterious; calm down, focused on, forget about reality. At this place you can also be moved, sublimed and touched by presence of eternity, and share or express the fullness of life emotions. I present a musical analysis of sacred elements on the examples of works by contemporary Polish composers focused on the image of the suffering Mother of God under the cross of her son: Luctus Mariae by Pawel Lukaszewski from 2010 based on the Latin version of the Stabat Mater sequence, referring to the convention of the Italian madrigal theater from the 18th century and representing a severe beauty of the contemporary vision of meditation, and Stabat Mater by Ignacy Zalewski from 2018 making the suffering of the Mother of God more �real� basing on the contemporary version of a medieval sequence in a current experience of symbolic performative and vivid image that can be shared by the recipient.
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Chunshan Yin, Chan, and Chan. "Raised S/D gate-all-around CMOS using MILC." In 2002 IEEE International SOI Conference. IEEE, 2002. http://dx.doi.org/10.1109/soi.2002.1044407.

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Terenzi, Benedetta, Valeria Menchetelli, Giacomo Pagnotta, and Ludovica Avallone. "Connection between AI and product design - Potentials and critical issues in the text-to-image software-assisted design experience." In Intelligent Human Systems Integration (IHSI 2024) Integrating People and Intelligent Systems. AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004511.

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Driven by the demand for innovation, design is constantly evolving and is increasingly focused on integrating new technologies into design processes. Technological innovations have proven to be of fundamental importance, both in speeding up and improving production processes and managing and enriching the ideational process.We are now surrounded by software in which the participation of artificial intelligence is constant, but although it has become pervasive, we often do not even notice its presence. In the field of product design, several software exploiting artificial intelligence have been diffused to provide us with virtual products at the two-dimensional level. These software are capable of transforming the ideational stages of a project, as they generate original idea proposals in a matter of minutes. One of the most popular software is Midjourney, which is based on the key text-to-image concept, and can create images from prompts, and descriptive keywords provided by the designer. There are also interesting examples in this regard. Think of the work done by Filippo Nassetti, a British architect and designer, who came up with a series of sunglasses and eyeglasses by going through Midjourney, to obtain zoomorphic-inspired products that recall the textures of biological and mineral microstructures. The surreal collection of biomorphically shaped glasses is an example of the exploration of the creative potential of Midjourney software.Another interesting project is the one tackled by the Oio company for the Spawns spoon collection, in collaboration with Giosanpietro Jewelry. According to Simone Rebaudengo, director and co-founder together with Matteo Loglio of the Oio company, the products in the Spawns collection derive from an ongoing dialogue between different skills that has led to the collaboration between man and algorithm, resulting in an expansion of the handmade, merging the ancient world of craftsmanship with that of advanced technology, defining what they call 'craft intelligence.The paper aims to explore the relationships, potentials and limitations of integrating artificial intelligence into the design process through a design experience that tests the innovative potential of text-to-image software in product ideation and reflects on the redefinition of the designer's role in this rapidly and continuous changing scenario.The case study presented therefore experiments with a design process in which the ideation phase is supported by AI, particularly by text-to-image software, which allows textual descriptions to be translated into visual representations, generating highly detailed images and offering new creative possibilities. The work addressed outlines perspectives and critical issues, which deserve further investigation. On the one hand, one potential that is being outlined is the possibility of visualizing even complex ideas by entrusting the imaginative component to the software, having a multiplicity of alternatives and expanding the ideational range with novel solutions from which to make more informed design choices. Text-to-image software also simulates effective virtual prototyping, allowing a concept to be prefigured and visualized in a three-dimensional context before committing to physical production.On the other hand, text-to-image software has some significant limitations, for example in the poor correspondence of generated images with design intentions and the designer's need to acquire technical skills to effectively use text-to-image software, going on to delineate the possibility of a figure such as that of the prompt designer.Therefore, the presented project aims to contribute to the contemporary debate on the integration of AI into design processes with the collaboration of text-to-image software as another avenue for innovation in product design. The scenario sketched out defines an area in which the role of the designer and human creativities proves irreplaceable, leaving one to understand how more and more a process of understanding and collaboration with AI technologies is needed, and how the skills required of future designers are going to vary and expand.Nozaki, N., Konno, E., Sato, M., Sakairi, M., Shibuya, T., Kanazawa, Y., & Georgescu, S., 2017, Application of artificial intelligence technology in product design. Fujitsu Sci. Tech. J, 53(4), 43-51.F. Morace, Design più umano. Quello che l’intelligenza artificiale non potrà mai darci. Egea, 2018S. Quintarelli, Intelligenza artificiale: cos'è davvero, come funziona, che effetti avrà. Bollati Boringhieri, Torino, 2020G. E. Valori, Intelligenza artificiale tra mito e realtà. Motore di sviluppo o pericolo imminente? Rubbettino, 2021L. Keeheon, A Systematic Review on Social Sustainability of Artificial Intelligence in Product Design. Sustainability 2021, 13(5), 2668; https://doi.org/10.3390/su13052668M. Mitchell, L'intelligenza artificiale: una guida per esseri umani pensanti. Einaudi, 2022
6

Hai, Mohammed Shafiqul, and Odile Liboiron-Ladouceur. "Thermally stable 50 Gb/s SOI DPSK demodulator." In 2011 IEEE Photonics Conference (IPC). IEEE, 2011. http://dx.doi.org/10.1109/pho.2011.6110565.

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Arai, Yasuo, Toshinobu Miyoshi, Ryo Ichimiya, Kazuhiko Hara, and Yoshiyuki Onuki. "Integrated radiation image sensors with SOI technology." In 2010 IEEE International SOI Conference. IEEE, 2010. http://dx.doi.org/10.1109/soi.2010.5641403.

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8

Arai, Y. "Advanced Radiation Image Sensors with SOI Tech." In 2012 International Conference on Solid State Devices and Materials. The Japan Society of Applied Physics, 2012. http://dx.doi.org/10.7567/ssdm.2012.j-1-1.

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9

Kroh, M., G. Unterbörsch, G. Tsianos, R. Ziegler, A. G. Steffan, H. G. Bach, J. Kreissl, et al. "Hybrid Integrated 40 Gb/s DPSK Receiver on SOI." In Optical Fiber Communication Conference. Washington, D.C.: OSA, 2009. http://dx.doi.org/10.1364/ofc.2009.omk3.

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Suh, Ho Hyung, Chong Hoon Kwak, and Jong Sool Jeong. "Design and fabrication of a binary phase grating for a selective-order-missing spot array." In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1993. http://dx.doi.org/10.1364/oam.1993.thu.7.

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The binary phase gratings (BPGs) for generating multispot array1 (called Dammann grating) are promising optical fan-out elements for applications including fiber-optic star couplers, free-space optical interconnections, and multiple image arrays. The conventional BPGs, however, have been so far mainly developed for odd numbered spot array generation because of its simplicity of design algorithm.2 We present a novel method of designing the BPGs for generating selective order missing (SOM) spot arrays including odd numbered, even numbered3, and irregularly spaced spot array. Gradient descent rule with variable target values in the merit function is introduced as a nonlinear optimization algorithm. The uniformity of the SOM array is very high such that the standard deviation of the beam array intensity is less than 10−6. It is also found that when the structure of the grating is symmetric in a period, it should be anti-symmetric in each half period in order to get an even numbered spot array, and vice versa. The designed BPGs are also experimentally demonstrated using the conventional e-beam lithographic technique on a quartz substrate. The SOM spot array may be applicable to the digital optical processing systems using S-SEED and smart pixel devices.

Reports on the topic "Image(s) de soi":

1

Malmquist, Louise, and Jennie Barron. Högfrekvent vattenföringsmätning i Braån, Loftaån, Örsundaån och Ösan år 2022 till 2023. Department of Soil and Environment, Swedish University of Agricultural Sciences, 2024. http://dx.doi.org/10.54612/a.103r5g5o99.

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Flertalet extrema väderhändelser de senaste åren har blottlagt sårbarheter inom svenskt lantbruk gällande vattenretention, dränering och avrinning i odlingslandskapen. För utvärdering och långsiktig sammanhängande planering av klimatanpassningsåtgärder finns emellertid luckor mellan analysverktyg som modeller och satellitdata med tillhörande bearbetningsprodukter, och in situ observationer med god spatial och temporal upplösning för verifiering av storskalig data. Som ett led i att utvärdera vattenbalansen och retentionskapacitet under inverkan av extremväder inom fyra svenska jordbruksdominerade avrinningsområden (Ösan, Loftaån, Örsundaån och Braån) utfördes vattenföringsmätningar i huvudvattendragen i respektive avrinningsområde. Syftet var att erhålla kalibrerings- och valideringsdata över vattenföring inkluderande extrema hög och lågflöden med tätare tidsintervall för att komplettera avrinningsdata som finns tillgängligt lokalt och från SMHI för avrinningsområdena idag. Vattennivå mättes under våren 2022 till våren 2023 med 10-minutersintervall i Loftaån, Örsundaån och Braån med TD-Diver® modell 11.11.04.02. Lokala avbördningskurvor beräknades från manuella mätningar vid 5 tillfällen fördelade efter säsong och flödesregim. Mätningarna i Örsundaån kompletterades med flödesmätning genom Large-Scale Particle Image Velocimetry (LSPIV teknik) och bearbetning till vattenföring i programvaran Fudaa-LSPIV version.1.9.2. Mätningarna i Ösan utfördes var 15e minut automatiskt med akustisk mätare (SonTEK IQ +). Avbördningskurvorna för Loftaån (R2 = 0.96) och Braån (R2 = 0.95)visar relativt bra samband trots fåtal manuella mätningar.- Örsundaån gav ett gott samband (R2 = 0.86). Men med största sannolikhet underskattade lågflöden. Tillförlitligheten hos de manuellt uppmätta flödesresultaten visade på störst relativ standardavvikelse för Örsundaån (4.3 till 15.1 %). Mätningarna i Loftaån och Braån resulterade i lägst relativ standardavvikelse (2.9 till 3.7 % för Loftaån respektive 3.6 till 6.2 % för Braån). I jämförelse med SMHI modellerade data visar observerade data för Loftaån och Ösan lägre högflöden och högre lågflöden. För Örsundaån var lågflöden högre för SMHIs modellerade värden jämfört med observerade. För Braån å andra sidan var observerade data genomgående högre jämfört med modellerad vattenföring. medianavvikelsen mellan SMHI modellerad data och observerad data varierade mellan -0.39 m3 s-1 (Ösan, Stdev 4.19 m3 s-1) och +0.5 m3 s-1 (Örsundaån Stdev 0.69 m3 s-1). Vattenföring är vidare en signifikant indikator av kväve- och fosforladdning i svenska avrinningsområden och avvikelser mellan modellerad- och observerad vattenföring har visat sig påverka utslaget vid beräkning av näringsbelastning i svenska vattendrag. Nationellt finns emellertid en större databas av vattenkvalitetsmätningar än vattenkvantitet varav osäkerheten i manuell beräkning och vid modellering av vattenkvalitet kan minskas, men med risk för överkompensation av parametrar kopplade till vattenkvantitet. Sammanfattningsvis är osäkerheten i extrapolering av avbördningskurvorna till låg- och högflöden en begränsning av observerad data för användning för kalibrering/validering av extrema väderförhållanden. För en nationell överblick finns ett behov av ökad insamling av högupplöst data på både spatial och temporal data som fångar både hög- och lågflöden för att korrekt motivera och dimensionera åtgärder mot både översvämningsrisk och torka/vattenbrist i odlingslandskapet.
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Bentz, Dale P., Jonathan W. Martin, Mary E. McKnight, Edward J. Embree, and Martin E. Batts. User's manual for Division 746's image processing system. Gaithersburg, MD: National Bureau of Standards, 1985. http://dx.doi.org/10.6028/nbs.ir.85-3207.

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Jiménez-Marín, G., I. García Medina, and E. Bellido-Pérez. Advertising at the point of sale: influence on children´s body image. Revista Latina de Comunicación Social, September 2017. http://dx.doi.org/10.4185/rlcs-2017-1202en.

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Whitus, B. R., J. S. Goddard, W. B. Jatko, W. W. Manges, and D. A. Treece. Low-Speed Fingerprint Image Capture System User`s Guide, June 1, 1993. Office of Scientific and Technical Information (OSTI), June 1993. http://dx.doi.org/10.2172/10179252.

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Hanson, Andrew J. Installing a Copy of the ARPA/DMA Image Understanding Testbed at the U. S. Army Engineer Topographic Laboratories. Fort Belvoir, VA: Defense Technical Information Center, June 1985. http://dx.doi.org/10.21236/ada158395.

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Gruber, Verena, Ingrid Peignier, and Charlotte Dubuc. Pratiques et tactiques de vente des concessionnaires automobiles au Québec. CIRANO, October 2023. http://dx.doi.org/10.54932/bryk4403.

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Le présent rapport s’inscrit dans la continuité d’une vaste étude débutée en 2020 qui a pour objectif de mieux comprendre la préférence croissante de la population canadienne pour les véhicules énergivores ainsi que les facteurs (politiques, économiques, sociaux, etc.) qui contribuent à l’augmentation des ventes de ce type de véhicules. Le CIRANO a déjà contribué à travers plusieurs rapports publiés depuis 2020 et plus récemment par le biais d’une analyse des motivations d’achat de camions légers au Québec (Gruber, Peignier et Pentcheva, 2023). Le présent rapport complète les connaissances sur les consommateur(-trice)s en se concentrant plutôt sur l’environnement des concessionnaires automobiles et sur la manière dont il peut influencer le choix des consommateur(-trice)s. La littérature scientifique en marketing, et plus spécifiquement celle centrée sur le comportement des consommateur(-trice)s, montre que toute décision est prise dans un environnement qui exerce automatiquement une influence sur le choix d’un produit particulier. Les consommateur(-trice)s sont influencé(e)s par l’ordre dans lequel les produits sont présentés, par les images qui les accompagnent et par la manière dont les informations sur ces produits sont encadrées (Ungemach et coll., 2018). La décision d’acheter ou de ne pas acheter un véhicule donné est encore principalement prise chez les concessionnaires automobiles. Il est donc très important d’étudier la manière dont cet environnement particulier façonne les décisions des consommateur(-trice)s. À cette fin, nous avons eu recours à des observations sous la forme d’une enquête mystère, afin d’étudier l’environnement des concessionnaires automobiles (Wilson, 2011). Plus précisément, ce rapport présente l’approche méthodologique et les résultats des visites mystères effectuées chez trente concessionnaires automobiles ruraux, suburbains et urbains du Québec. Toutes les visites ont eu lieu entre septembre et décembre 2022. Les testeur(-euse)s ont été formés pour observer et noter le discours et les pratiques des vendeur(-euse)s. Les résultats montrent que les personnes chargées de la vente chez les concessionnaires automobiles ne poussent pas systématiquement la clientèle potentielle vers les gros véhicules. Elles façonnent plutôt, subtilement, sa perception en lui présentant un plus grand nombre d’arguments en faveur des gros véhicules. En outre, elles semblent moins bien connaître les arguments en défaveur des véhicules de plus grande taille. Par exemple, aucune d’entre elles n’a été capable de parler des différences d’émissions entre les différents types de véhicules sans avoir cherché au préalable cette information. De plus, les gros véhicules sont plus susceptibles d’être exposés à l’extérieur ou à l’intérieur du concessionnaire, ce qui constitue un point d’ancrage mental pour la clientèle potentielle qui entre dans un concessionnaire avec différentes options en tête. Conformément aux conclusions de Brazeau et Denoncourt (2021), ces images montrent souvent de gros véhicules dans la nature, ce qui les rend encore plus attrayants pour une hypothétique clientèle, même si celle-ci ne les utiliserait pas (ou ne pourrait pas les utiliser) dans un tel environnement. L’impact environnemental des différents types de véhicules et les implications en ce qui concerne la sécurité pour les autres usager(-ère)s de la route sont pratiquement absents du discours. Enfin, plusieurs de nos testeur(-euse)s ont noté que l’équipe des ventes est parfois incapable de justifier la raison pour laquelle la taille des véhicules continue d’augmenter sans que la clientèle en retire un avantage clair. Les résultats montrent qu’il est important de mieux former les équipes de ventes pour qu’elles puissent parler des implications en matière de sécurité et de l’impact sur l’environnement des différents véhicules.
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Удріс, Ірина Миколаївна, and Наталя Сергіївна Удріс-Бородавко. Design of the Franco-Belgian Exhibition Poster of the 1890-s in the Context of the Art Nouveau Style Formation. КНУКіМ, 2019. http://dx.doi.org/10.31812/123456789/5087.

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The purpose of the article is to determine the artistic and graphic peculiarities of the Franco-Belgian exhibition poster of the 1890s in the context of the formation of the Art Nouveau style. The research methodology of the work is based on the use of traditional art methods: historical and cultural, reconstructive and model, historical and attributive, which contributed to the revealing of artistic and graphic transformations in the field of Franco-Belgian spectacular poster. The scientific novelty of the article lies in the author’s artistic interpretation of the stylistic manner of the creators of the spectacular poster in “style floreale” as one of the leading directions of the development of the artistic style of that period. The distinctive features of this type of the artistic work are outlined on the basis of the review of the stylistic and image transformations of exhibition posters of the famous artists – J. Chéret, A. Toulouse-Lautrec, E. Grasset, A. Mucha, A. Privat-Livemont and others. Attention is focused on the identification of the presentation features of the advertised exhibition events as an important cultural events of that time. Means of artistic visualization of information are studied taking into consideration the specific nature of the poster. Conclusions. In the general cultural and historical context of that time, the poster has become a significant component of the formation of national trends in the artistic style of the day, in particular - the Franco-Belgian Art Nouveau style. The exhibition poster, reflecting the stylistic landmarks of the time, contributed to the formation of the artistic vision as a manifestation of the cultural and artistic landmarks of the studied period.
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Sharpe, D. R., G. Leduc, C. S. Smart, and J. Shaw. Georgian Bay bedrock erosion: evidence for regional floods, Ontario. Natural Resources Canada/CMSS/Information Management, 2023. http://dx.doi.org/10.4095/331409.

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We provide an updated presentation of the spectacular erosion forms at French River Ontario (Kor et al. 1991) based on new methods of data collection and wider observations. This work includes ~ 10 more detailed study sites, documentation of the range of forms over a larger area, the use of extensive drone image capture and ground surveys, as well as a detailed inventory of forms. Key sites are illustrated using video images. The update extends the conclusions of the Kor paper regarding the significance and scale of subglacial meltwater erosion with some novel findings. We document the importance of plucking (including hydraulic plucking) and, the control of structure on s-forms, which were not highlighted in the Kor study. Apparent cavitation erosion forms are prominent across the study area and provide support for inferred high-velocity meltwater flow. A growing interpretative framework includes discussion of evidence to test a theorized hydraulic sequence of sheet-channel-distributed flow, followed by re-grounding of glacial ice as meltwater flow waned. This hydraulic sequence may also be complementary to observations in thick sediment terrain down flow.
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Poloboc, Alina. Fancy Lollipop. Intellectual Archive, December 2023. http://dx.doi.org/10.32370/iaj.2997.

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"Fancy Lollipop" is a vibrant and energetic artwork featuring a blend of bold and bright colors. The color palette, which includes shades of blue, pink, and black, creates a sense of drama and theatricality in the piece. The colors are strategically placed in the composition to emphasize key elements of the image, such as the main character, Fancy Lollipop. Speaking of the main character, Fancy Lollipop is depicted as an extravagant and self-assured individual. Their presence in the artwork is unmistakable, and their confident and assured stance reflects their bold and attention-grabbing personality. The use of quick, expressive brushstrokes in their figure creates a sense of movement and energy, further enhancing the feeling of spectacle and showmanship in the piece. Overall, "Fancy Lollipop" is an impressive example of contemporary art that draws on real-life characters encountered by the artist during their stay in Miami. The artwork offers an immersive visual experience that captures the viewer`s attention with its colorful and energetic composition, and is sure to leave a lasting impression on those who encounter it.
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Shamonia, Volodymyr H., Olena V. Semenikhina, Volodymyr V. Proshkin, Olha V. Lebid, Serhii Ya Kharchenko, and Oksana S. Lytvyn. Using the Proteus virtual environment to train future IT professionals. [б. в.], February 2020. http://dx.doi.org/10.31812/123456789/3760.

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Based on literature review it was established that the use of augmented reality as an innovative technology of student training occurs in following directions: 3D image rendering; recognition and marking of real objects; interaction of a virtual object with a person in real time. The main advantages of using AR and VR in the educational process are highlighted: clarity, ability to simulate processes and phenomena, integration of educational disciplines, building an open education system, increasing motivation for learning, etc. It has been found that in the field of physical process modelling the Proteus Physics Laboratory is a popular example of augmented reality. Using the Proteus environment allows to visualize the functioning of the functional nodes of the computing system at the micro level. This is especially important for programming systems with limited resources, such as microcontrollers in the process of training future IT professionals. Experiment took place at Borys Grinchenko Kyiv University and Sumy State Pedagogical University named after A. S. Makarenko with students majoring in Computer Science (field of knowledge is Secondary Education (Informatics)). It was found that computer modelling has a positive effect on mastering the basics of microelectronics. The ways of further scientific researches for grounding, development and experimental verification of forms, methods and augmented reality, and can be used in the professional training of future IT specialists are outlined in the article.

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