Journal articles on the topic 'Image and meaning'
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Takagi, Tomohiro, Kazushi Kawase, and Kazuhiko Otsuka. "Image Retrieval using Conceptual Fuzzy Sets." Journal of Advanced Computational Intelligence and Intelligent Informatics 4, no. 6 (November 20, 2000): 450–56. http://dx.doi.org/10.20965/jaciii.2000.p0450.
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An algorithm is described that uses fuzzy sets to handle word ambiguity, the main cause of vagueness in the meaning of a word. It is based on conceptual fuzzy sets (CFSs), which represent the meaning of words by linking other related words. A trial application of this algorithm to image retrieval showed that it can retrieve images that conceptually fit the meanings of the entered keyword based on the context understood from the characteristics of images. Experimental results showed that the proposed algorithm works well to represent various meanings of a keyword by linking it to other words and to connect words directly to image data. In addition, image retrieval starting with a sample image also worked well. First, a selected sample image was translated into abstract concepts, and images fitting the concepts were chosen.
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Lopes, D. M. "Mindsight: Image, Dream, Meaning." Philosophical Review 115, no. 4 (October 1, 2006): 543–45. http://dx.doi.org/10.1215/00318108-2006-019.
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Pardo Ruiz, Ricardo, and Claudia Del Pilar Vélez De La Calle. "Imágenes y significación." Hermenéutica Intercultural, no. 24 (September 1, 2016): 131. http://dx.doi.org/10.29344/07196504.24.540.
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ResumenLa ciencia de carácter positivo desconoció a la imagen como fuente de significación de la realidad. El artículo recoge y analiza las distintas maneras en las que esta ruptura sobrevivió durante el siglo XX, y las formas como al mismo tiempo fue complejizándose el concepto de imagen, deviniendo en una serie de posturas que hoy lo vinculan con mayor fuerza a la búsqueda de significaciones y sentidos. En las conclusiones se puntualizan tres factores decisivos en el distanciamiento con la tradición y la configuración de un nuevo horizonte de comprensión sobre el vínculo imagen - significación, que se sugiere abierto a las Ciencias Sociales y Humanas.Palabras clave: imagen - significación - lenguaje - lógica - sentidos - realidad - conciencia. AbstractThe science of positive character ignored the image as a source of meaning of the reality. The article presents and analyzes the different ways in which this break survived in the twentieth century, and the ways the image concept was becoming complex emerging different kinds of postures that today most strongly linked to the search for meanings and senses. The conclusions point out three key factors in the distance with tradition and setting up a new horizon of understanding of the link image – meaning suggested to the social and human sciences.Keywords: image - meaning - language - logic - sense - reality - consciousness. ResumoA ciência de caráter positivo ignorou a imagem como uma fonte desentido da realidade. O artigo recolhe e analisa as diferentes formas emque esta ruptura sobreviveu durante o século XX, e as formas como aomesmo tempo, foi se complejizando o conceito de imagem, tornando-senuma série de posturas que hoje é vinculada com mais forca na procurade significados e sentidos. Nas conclusões apontam-se três fatores decisivosno distanciamento com a tradição e a configuração de um novohorizonte de compreensão sobre o vinculo imagem - significação, quese sugere aberta para as Ciências Sociais e Humanas.Palavras-chave: Imagem - significação - linguagem - lógica - sentidos, realidade - consciência.
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Lingga, Good Sumbayak, Siti Rahma Matondang, and Alemina Br. Perangin-angin. "MULTIMODALITY IN A PERFUME ADVERTISEMENT OF A FASHION MAGAZINE." Leksema: Jurnal Bahasa dan Sastra 6, no. 2 (December 31, 2021): 199–210. http://dx.doi.org/10.22515/ljbs.v6i2.4263.
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Getting information from magazine is the most favorite behavior of every people. Especially women want to know about many products such as perfume. On this occasion, the researcher tries to analyze the type of meaning contained in an advertising image, namely perfume products. Through analysis using multimodal, it will be found what meaning is contained in the image. The meaning content that will be examined are Representational, Interactive, and Composition. In an advertisement, of course, it will create attractive images or visuals in order to make buyers interested in the product. The product that will be analyzed in this research is perfume. Perfume is a product that both men and women are interested in. Because everyone wants to smell good at all times these days. In a conclusion, the many characteristics of the image will be summarized. What are the multimodal meanings included in the advertisement's product image?
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Ni Wayan Kasni, Asrofil, and Nur Afnita Asfar. "Texts and Images in Aquaman Movie (A Multimodal Discourse Analysis)." International Journal of Systemic Functional Linguistics 5, no. 1 (April 20, 2022): 23–33. http://dx.doi.org/10.55637/ijsfl.5.1.4917.23-33.
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This study discussed texts and images in Aquaman Movie using a multimodal discourse analysis by Kress and Van Leeuwen's (2006) theory. The objectives of this study are to find out how the texts and images modes are used in the movie and how is the meaning of the text related to the meaning of the image. This research used the descriptive qualitative method. The source of data in this study was taken from Aquaman Movie. The data was collected through downloading, reading the dialogue, watching, screenshotting, selecting and coding the data based on the theory Kress and Van Leeuwen (2006). The result found the text and image components are used to know and identify the meaning contained in the Aquaman movie, which aims to provide information to readers and viewers through the modes displayed in the movie. The texts and images mode explain each other’s meaning and show related and non-conflicting meanings so that, can be easily understood by the public.
Keywords: Aquaman Movie, Images, Multimodal Discourse Analysis, Texts
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Rensberger, Boyce. "Report: Image and Meaning Conference." Science Communication 23, no. 3 (March 2002): 342–47. http://dx.doi.org/10.1177/107554700202300308.
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Rubin, Daniel L. "Finding the Meaning in Images: Annotation and Image Markup." Philosophy, Psychiatry, & Psychology 18, no. 4 (2011): 311–18. http://dx.doi.org/10.1353/ppp.2011.0045.
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TOLUN, Elif Fatma. "MEANING THE TREE AS A CONTEMPORARY ART IMAGINE." IEDSR Association 6, no. 15 (September 20, 2021): 288–98. http://dx.doi.org/10.46872/pj.366.
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In the time period extending from the past to the present, the tree appears as both an object and an image not only Turkish culture but also in different cultures. In addition, the tree has taken its place in art and art history as an important asset in human life. The tree, which seems an ordinary object but exists imaginatively in the field of art, has been given deep meanings in history. The tree has sometimes become set into an expression as an object, as a form or as a legend. It has sometimes been the symbol of life and death as the tree of life, the genealogy as an indicator of personal history, or a wishing tree that expresses hopes for the future, and sometimes it has been the object of a political reaction. In this study, it is emphasized how the 'tree' image is valued, how it has experienced a historical change process and how it is interpreted in today's art. Besides, it is focused on creating different meanings artistically through images and reconstruction with changes in meaning also producing new meanings. In summary, in this study, a perspective that criticize the different meaning and change process of the tree image with examples from some contemporary artists is presented.
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Vachkov, I. V., and M. A. Sukhoruchenkov. "Special Aspects of Sensual Images During Imago Therapy Process." Клиническая и специальная психология 6, no. 4 (2017): 125–47. http://dx.doi.org/10.17759/cpse.2017060409.
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The article presents the results of the study performed on 27 adults who have completed five imago therapeutic sessions. The subjects were split in two groups: problem-solving group and problem-analysis group. The peculiarities of sensory images that arise during the sessions by Glezer grounded theory method were studied. It turned out that the subject sensual tissue of the psychosemiological tetrahedron (the term of F. Vasiljuk) of the imago therapeutic image is represented mainly by sensory imaginary events and less frequently by sensual objects and recalled events. The pole and sensory tissue of meaning are least expressed in the imago therapeutic image. The pole and sensory tissue of personal meaning are significantly expressed by the imago therapeutic image. Not only elements relating to the imagination are woven into the imago therapeutic image but also elements reflecting the process of imaginative psychotherapy as a whole, a separate session, the process of imagination. These elements are closely related to the elements of imaginary and remembered events, their feelings and comprehension.
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Siddharta, Regina. "Semiotic Analysis of Sampoerna a Mild Image Creation." K@ta Kita 7, no. 3 (December 16, 2019): 382–90. http://dx.doi.org/10.9744/katakita.7.3.382-390.
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This thesis mainly deals with the process of signification in order to find out what images are being built, how those images are represented, and what messages delivered in Sampoerna A Mild billboard advertisements through the use of semiotic resources. The focus of the writers’ analysis is the advertisements themselves, as the writer uses the process of signification that involves denotation, connotation, and myth. Those theories help the writers in analyzing the meaning of the advertisement first, and then figure out how meaning is created by the advertisement. Meaning in this research is an integrated form consisting the meaning from three level of signification process: denotative level, connotative level, and myth. This research uses qualitative content analysis method to describe the meaning of qualitative materials in a systematic way. At the end, those denotative meaning and connotative meaning build an image and create myth which naturalizes the image itself. Key Words: billboard advertisements, sampoerna a mild, semiotics, process of signification, connotation, denotation
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Tsaroucha, Efthymia. "The Conceptualization of English Phrasal Verbs by Greek Primary School Learners: An Empirical Cognitive Approach." Languages 4, no. 3 (July 2, 2019): 51. http://dx.doi.org/10.3390/languages4030051.
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This study investigates the way Greek EFL elementary students conceptualize English phrasal verbs of the form component verb (take) plus component particle (up, down, in, out, back, off, on, apart). It is suggested image schemas play a facilitatory role in the conceptualization and interpretation of the figurative meanings of English phrasal verbs. The study argues that within the phrasal verb construct, the component particle prompts for the extension from literal to figurative meanings since the particle designates image schematic experiences (bodily-kinesthetic). The study conducted two types of test: (1) meaning of the sentence and (2) image-matching from the sentence. In test 1, participants were asked to read sentences which contained the verb take plus particles and they had to select the most appropriate meaning of the phrasal verb that matched the overall meaning of the sentence. In test 2, participants were asked to read sentences wherein phrasal verbs of the form take plus particles were highlighted. They were asked to match the meaning of the phrasal verb with one image. Each image represented a different type of image schema such as container, front-back orientation and proximity-distance.
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Shammania, Sisca. "Citra Perempuan Pada Produk Rokok di Era Tahun 1930-1950." Jurnal Studi Sosial dan Politik 2, no. 2 (December 28, 2018): 122–35. http://dx.doi.org/10.19109/jssp.v2i2.4057.
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Analysing cigarette advertisements that existed in ancient times, is an interesting study. Not only because the study is a study of the past, but the adverts in which make the figure of a woman become one of the most important icons in the process of marketing cigarette products. Starting from exposing women's bodies, to the brands of cigarettes taken from women's names. Photos or pictures contained therein have meaning and signs on the sheet, so this is the main object seen by a reader in interpreting the photo. it means that each photo has important points to study. Research entitled: Image of Women in Cigarette Products in the 1930-1950 Era in Indonesia. Aims to read the meaning that is written in it by describing the socio-cultural situation, maybe the politics around it or the ideological meanings contained therein. The methodology used in this research is descriptive, with a qualitative approach. The meaning referred to in this study is the meaning based on analysis using Roland Batrhes's Theory of Semiotics which is the meaning of denotation, connotation and myth. The meanings will appear on every sign that is captured by the reader through the five senses that are interpreted based on knowledge, and also the existing history of this study focuses on the past. The number of photos to be analyzed consists of three photos, which will be divided into several sections. With one photo to be broken down into objects, it aims to make it easier to read the meanings and meanings of denotations, the myths that are in it. As well as knowing the intention of the cigarette ad image maker, so that it can contain the formation of the image formed. There are 3 images formed from the results of a study of the advertisement photos of cigarette products, these are: image frames, imagery of fusion, and social imagery.
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Wang, Peng. "On the English Translation of Cultural Image Words in the Poem Chun Jiang Hua Yue Ye From the Perspective of Leech’s Conceptual Meaning and Connotative Meaning." Theory and Practice in Language Studies 11, no. 5 (May 1, 2021): 533–38. http://dx.doi.org/10.17507/tpls.1105.11.
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Semantic translation is an important link in the translation process, starting with semantic selection. Among various semantic classification systems, Leech’s seven linguistic meanings are very reasonable and suitable for translation practice, research and teaching. His conceptual meaning and connotative meaning of the seven types of linguistic meanings can provide guidance for the translation of cultural image words, such as cultural image words in the two English versions of Chun Jiang Hua Yue Ye.
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أ.د. ناصر بن فرحان الحريّص, أ. د. ناصر بن فرحان الحريّص. "A Linguistic Comparative Approach to the Internal Language Structure of Advertising Discourse." journal of King Abdulaziz University Arts And Humanities 28, no. 15 (June 9, 2020): 190–210. http://dx.doi.org/10.4197/art.28-15.9.
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within a theoretical and applied framework, the current study discusses the linguistic structure of advertising discourse in its linguistic pattern, explaining its most significant features in all its linguistic levels that reveal its ability to intensify linguistic itensity and its role in controlling the semantics of the iconic pattern, the second important component of advertising discourse. This controlling can be seen in two possible functions. (i) Anchorage – images are prone to multiple meanings and interpretations. Anchorage occurs when text is used to focus on one of these meanings, or at least to direct the viewer through the maze of possible meanings in some way. (ii) Relay – the text adds meaning and both text and image work together to convey intended meaning. Both functions pay attention to the role of linguistic pattern in identifying the semantic dimensions of image in the iconic pattern so that the message of advertising discourse is being successful.
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Kartika Cahyani, Fransisca Putri, Dwi Rukmini, and Sri Wuli Fitriati. "The Role of Representational Meaning of Images in Supporting Ideational Meaning in English in Mind: Students’ Book." English Education Journal 11, no. 1 (March 15, 2021): 74–104. http://dx.doi.org/10.15294/eej.v11i1.43115.
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Textbooks have an essential function to guide students’ activities in learning English language and also to provide the materials for teachers in teaching English language. In a textbook, a text is also accompanied by images which can be used to explain the content of the text, or the function of the image is to make the text understandable for the readers. This study investigated visual metafunctions of the images in supporting linguistics metafunction of the texts in students’ textbook. The objectives of this study were to explain the representation of representational meanings of the images in supporting the ideational meanings of the texts. Using the framework of Grammar of Visual Design by Kress and Van Leeuwen (2006) and Systemic Functional Linguistics by Halliday (1994) and Eggins (2004), this study used discourse analysis as the research approach. The source was reading texts in English in Mind: Students’ Book on Culture in Mind sections. The objects of this study was reading texts which were supported by images. The units were clauses in reading texts and visual items, including vectors, colours, image acts, gazes, size of frames and social distance of the images.The findings revealed that the representational meanings of the images supported the ideational meanings of the texts because the images tried to give depiction of the verbal texts to make the readers could comprehend the texts easily. The presence of narrative representational meaning and the presence of material process inform the situation happened in the stories.
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Mykhailov, Dmytro. "Postphenomenological variation of instrumental realism on the "problem of representation"." Prometeica - Revista de Filosofía y Ciencias, Especial (August 11, 2022): 64–78. http://dx.doi.org/10.34024/prometeica.2022.especial.13520.
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In the present paper, I take findings from the postphenomenological variation of instrumental realism to develop an ‘environmental framework’ to provide a philosophical answer to the ‘problem of representation.’ The framework focuses on three elements of the representational environment, image-making technology, image as a representational device, and scientific hermeneutic strategies occurring within the image interpretation process in the laboratory set-up. The central idea in this regard is that scientific images do not produce meanings without their instrumental environment or that an image becomes representational through the interplay between three framework elements. In the second part of the paper, I apply the framework to contemporary debates on fMRI imaging. I show that fMRI images receive meaning not in isolation but within a complex instrumental environment.
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Nasrowi, Bagas Mukti. "أنواع وقياس المعنى." Studi Arab 9, no. 2 (January 7, 2019): 223–36. http://dx.doi.org/10.35891/sa.v9i2.1302.
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Although the scholars differ in the enumeration of the types of meaning, we see that the five types of the most important are: the basic meaning, the additional meaning, the stylistic meaning, the psychological meaning and the meaning of inspiration. Linguists and psychologists used the measure of meaning to achieve several purposes: measuring the basic meaning of contrasting words, measuring differences and differences in internal psychological meanings in individuals, measuring physiological responses, and measuring the meanings of events. It is also a measure of meaning: participation is what united its image and its meaning is different. Contradiction is the signification of the word on two equally opposites. The synonym is the single word that indicates one thing as one.
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Kan, Hobae. "Sensibility Images in Gu Yeon-sik’Poetry." Korean Society of Culture and Convergence 44, no. 6 (June 30, 2022): 395–416. http://dx.doi.org/10.33645/cnc.2022.6.44.6.395.
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Gu Yeon-sik’s second collection of poems, Senses , creates unique and diverse images by combining lyrical and emotional images with surreal techniques. In particular, this collection of poems is an important resource in that it shows the process of transformation from Korean surrealist poetry to lyrical poetry in various ways since the 1970s. Nevertheless, until now, it has received little attention from academia due to the limitations of regional literature. Therefore, the purpose of this study is to examine an aspect of Korean modern poetry since the 1970s through the poetic world of Gu Yeon-sik’s. The characteristic of this collection of poems is sensibility images, which are clearly expressed through the visual images of typography, surreal transformation, and the extensibility and transcendence of images. First of all, typography, a visually unique form of expression, is a form of ‘dada’, which visually arranges the structure of a poem or uses language as a sign, such as pun, to create meaning and content sensibly. And the languages of sensibility images are being transformed into abstract images by making the poetic flow difficult or deconstructing the symbols or meanings inherent in language through methods such as objects, dépaysement, and automatic description methods. In other words, in the process of concrete situations or objects being shaped into poetry, abstract images are created by combining with surreal methodologies, which ‘create’ and ‘deconstruct’ another image or meaning at the same time. In other words, the attitude to become infinitely free from the fixed meaning of the idea of objects or characters is creating an abstract image. Lastly, in the ‘Top (17)’ series, the lyrical and symbolic image of the tower is embodied by a surreal technique, thereby creating expanded and transcendent images. In other words, the lyrical images of waiting and longing, which are the symbolic meanings of the tower, merge with the surreal technique to create a grotesque and new form of poetry. Therefore, the sensibility image that appeared in Gu Yeon-sik’s poetry was created by adding surreal techniques to lyrical images, and this study could not only confirm the characteristics of Gu Yeon-sik’s poetry, but also examine the unique poetic form of Korean modernist poetry after the 1970s.
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Barrett, Marc. "Moving beyond the ‘shot-type list’ towards the ‘Meaning Model’: Placing meaning at the centre of film education." Film Education Journal 3, no. 2 (November 26, 2020): 218–30. http://dx.doi.org/10.14324/fej.03.2.08.
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In 1990 Kress and Van Leeuwen’s Reading Images began a conversation based upon the practice of teaching image-orientated texts in Australian classrooms. Since then, however, little of this important conversation has been translated into meaningful pedagogical change for the teaching of kineikonic (moving image) texts in Australia. From state-run primary schools to national postgraduate film education institutions, the primary tool used to initiate students into the potential to create meaning through film – the shot-type list – has remained relatively unchanged. This article proposes an updated pedagogical tool – identified as the ‘Meaning Model’ – which draws from contemporary discourses around how films make meaning in seeking to bring understandings of the kineikonic mode into the classroom, in a practical and accessible way.
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Jiang, Yaqian, and Camilla Vásquez. "Exploring local meaning-making resources." Pragmatics of Internet Memes 3, no. 2 (November 19, 2019): 260–82. http://dx.doi.org/10.1075/ip.00042.jia.
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Abstract This study examines various combinations of visual and textual meaning-making resources in a popular Chinese meme. The meme features an exogenous image – the grinning facial expression of a U.S. wrestler, D’Angelo Dinero – that has been recontextualized into numerous other visual texts, to create semiotic ensembles with local meanings, which are then distributed across Chinese social media platforms. We analyzed 60 of these image macros, and our findings show that local meanings are created when Dinero’s facial expression is blended with visual references to Chinese digital culture, Chinese popular culture, Chinese social class issues, Chinese politics, and Chinese institutions. The majority of textual elements in the image macros are Chinese; however, the handful of examples that also include other languages typically involve multilingual wordplay and carnivalesque themes. We argue that although the multivalency of the wrestlers’ facial expression invites interpretations of a wide range of affective meanings, an overarching rebellious or transgressive stance is consistent across individual texts.
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Schmale, Günter. "Zur Interaktion von materiellem und idiomatischem Bild in deutschen Printwerbungen." tekst i dyskurs - text und diskurs, no. 13 (2020) (December 30, 2020): 235–51. http://dx.doi.org/10.7311/tid.13.2020.12.
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Print advertising very frequently refers to idioms containing verbal expressions of images conveying a figurative meaning. “Material” idiom's (photos, drawings, cartoons, etc.) in print adverts, in one way or another, depict the idioms’ literal meaning. Advertising plays on numerous forms of interaction between the idiomatic and material image (representation of literal meaning, implicit relation between visual element and verbal idiom, etc.). Following preliminary considerations on figurativeness and metaphoricity, 14 German print adverts are analysed with a focus on the role of the material image. Based on these analyses, reflections on the interpretability of the relation between idiomatic and material image by native speakers and foreign language learners are discussed.
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Epanchintsev, R. V., and E. E. Zabusova. "ANIMAL IMAGES IN GEORG TRACKL’S POETRY." Juvenis Scientia, no. 5 (2019): 30–33. http://dx.doi.org/10.32415/jscientia.2019.05.07.
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The article analyzes the images of animals in lyrical works of the famous Austrian expressionist poet Georg Trakl. Animals are the representatives of the biological kingdom of the same name. The images of mammals, as well as the images of insects, birds, and a worm are sequentially considered. There are twelve representatives. The images of animals are analyzed as elements of the artistic world of the works of the poet, which determines the novelty of the conclusions of this article. Each of the animals, according to the hypothesis, has a symbolic meaning, and the meaning is very stable, it moves from one poetic work to another. The symbolic meanings of the images of the animal kingdom in the poems of Georg Trakl are generally consistent with those established in common European culture, as evidenced by reference to the dictionaries of symbols (four authoritative sources are used). The authors reveal the semantic content of the image of each animal in specific texts, and compare it with the interpretation of its symbolic meaning in culture. As a result, conclusions are drawn about the coincidence of the full or partial semantic meaning of images in European culture (literature) and in Trakl's poems.
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Alsoud, Mohammad. "The Effect of Multiple Quranic Recitations on the Rhetorical Image about Cyber Security from their Point of View and its Relationship with Some Variables." Dirasat: Human and Social Sciences 49, no. 5 (December 29, 2022): 206–127. http://dx.doi.org/10.35516/hum.v49i5.3469.
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This study aims at identifying the effect of multiple Quranic recitations on the rhetorical image through a collection of Quranic verses, showing such an effect on the expansion of meaning and significance. As the rhetorical image changes from one reading to another, creating a great impact on the recipient, and on understanding and interpreting these verses. The general meaning of the verses does not change; however, it is clarified through rhetorical images that affect the different readings. Descriptive and analytical were used in this study. Besides, this study discussed the definition of the Quranic recitation, the reason for their multiplicity, and their aspects. It also introduces the image of rhetoric in literature, the rhetoric image in the Holy Quran, and its readings. Further, the study demonstrates the effect of the change in readings on meaning and significance. It also shows that the rhetorical image in the Quranic recitations makes the reader of the Holy Quran picture its images deeply, seeing them as vivid scenes that he lives and thinks about, which helps in the interpretation of the Holy Quran.
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Oktaviantina, Adek Dwi. "CITRAAN DALAM KUMPULAN PUISI ABDUL SALAM HS “MALAIKAT WARINGIN”." BEBASAN Jurnal Ilmiah Kebahasaan dan Kesastraan 6, no. 2 (March 9, 2020): 137. http://dx.doi.org/10.26499/bebasan.v6i2.118.
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Poetry is arranged beautiful words and understood by the readers. Therefore, poetry is inseparable from the accuracy of the language which is arranged aesthetically and creatively so that the meaning of poetry can be conveyed properly. Interpretive descriptive of images is used as the technique of this research. Image, as a way of looking at the meaning, is identified through the human senses. The method used is interpretative qualitative research method. The formulation of the problem is how the image in the poetru collection of Abdul Salam HS entitled "Malaikat Waringin". The purpose of this research is to describe the image in Abdul Salam HS‟ Poetry Collection. The results from analyzing fifty poems contained in the poetry collection entitled "Malaikat Waringin", it showed that there are 17 visual image data, 9 auditory image data, 4 smell and taste image images, and 6 visualization image data.
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Smets, Alexis, and Christoph Lüthy. "Words, Lines, Diagrams, Images: Towards a History of Scientific Imagery." Early Science and Medicine 14, no. 1-3 (2009): 398–439. http://dx.doi.org/10.1163/157338209x425632.
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AbstractThis essay examines the problems encountered in contemporary attempts to establish a typology of medieval and early modern scientific images, and to associate apparent types with certain standard meanings. Five particular issues are addressed here: (i) the unclear boundary between words and images; (ii) the problem of morphologically similar images possessing incompatible meanings; (iii) the converse problem of comparable objects or processes being expressed by extremely dissimilar visual means; (iv) the impossibility of matching modern with historical iconographical terminologies; and (v) the fact that the meaning of a given image can only be grasped in the context of the epistemological, metaphysical and social assumptions within which it is embedded. The essay ends by concluding that no scientific image can ever be understood apart from its philosophical preconditions, and that these preconditions are often explained during disputes between the protagonists of different iconographical types.
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Yerdanova, Gulshirin, Aidyn Doshybekov, and Aygul Ulukbekova. "The Concept and Meaning of the "Image"." Теория и методика физической культуры, no. 1 (2020): 6–10. http://dx.doi.org/10.48114/2306-5540_2020_1_6.
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Hoel, Nikolas O. "The Good Shepherd: Image, Meaning, and Power." Journal of Medieval Religious Cultures 49, no. 1 (January 2023): 140–43. http://dx.doi.org/10.5325/jmedirelicult.49.1.0140.
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BOUZIDA, Fethi, and Ali ELLOUMI. "This is not banal or the image as poetic of the banal." Advances in Social Sciences Research Journal 8, no. 5 (May 20, 2021): 129–36. http://dx.doi.org/10.14738/assrj.85.10173.
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Our objective in this article is to ask the question of the conceptual contribution of René Magritte's work through its relationship with meaning. Beyond trying to express the meaning of his images. Rather, it is to infringe the notion of the "banal" that Magritte has certainly articulated in his work. What is at stake in Magritte's work escapes meaning. So we are faced with an image in itself, in its poetic dimension ; thought-out production of visibility which calls for a view uncluttered from all eyes. In short, an image that sends us back to a pure visual perception.
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Cohen, Andrew R. "Extracting meaning from biological imaging data." Molecular Biology of the Cell 25, no. 22 (November 5, 2014): 3470–73. http://dx.doi.org/10.1091/mbc.e14-04-0946.
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Biological imaging continues to improve, capturing continually longer-term, richer, and more complex data, penetrating deeper into live tissue. How do we gain insight into the dynamic processes of disease and development from terabytes of multidimensional image data? Here I describe a collaborative approach to extracting meaning from biological imaging data. The collaboration consists of teams of biologists and engineers working together. Custom computational tools are built to best exploit application-specific knowledge in order to visualize and analyze large and complex data sets. The image data are summarized, extracting and modeling the features that capture the objects and relationships in the data. The summarization is validated, the results visualized, and errors corrected as needed. Finally, the customized analysis and visualization tools together with the image data and the summarization results are shared. This Perspective provides a brief guide to the mathematical ideas that rigorously quantify the notion of extracting meaning from biological image, and to the practical approaches that have been used to apply these ideas to a wide range of applications in cell and tissue optical imaging.
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Stucky-Abbott, Leona. "The Impact of Male God Imagery on Female Identity Meaning." Journal of Pastoral Care 47, no. 3 (September 1993): 240–51. http://dx.doi.org/10.1177/002234099304700307.
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Asks the question, If traditional male God imagery can impair female identity meaning, why is it that so many women continue religious practices? Contends that diety image and definitions of maleness are derived from mothering. Explores–utilizing an object relations perspective–how the transfer of mothering characteristics into the image of maleness affect female identity meanings, and offers hints about dealing with this transfer process in both therapeutic and theological contexts.
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Brijs, Kris, Josée Bloemer, and Hans Kasper. "Country-image discourse model: Unraveling meaning, structure, and function of country images." Journal of Business Research 64, no. 12 (December 2011): 1259–69. http://dx.doi.org/10.1016/j.jbusres.2011.01.017.
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Ketola, Anne. "Visual explicitation in intersemiotic translation." STRIDON: Studies in Translation and Interpreting 1, no. 1 (July 7, 2021): 103–22. http://dx.doi.org/10.4312/stridon.1.1.103-122.
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In Translation Studies, explicitation generally refers to an interlingual process where something that is implicit in the source text is made explicit in the target text. This article analyses the concept in an intersemiotic context, focusing on word-to-image translation, with the aim of determining whether word-to-image translation includes meaning construction that could be described as explicitation. The empirical data of the article is a comic contract, a verbal-only document that has been intersemiotically translated into a visual form, i.e. a comic. The analysis concluded that while some of the characteristics described for interlingual explicitation operate with verbal language-specific concepts and cannot be applied to word-to-image translation, other characteristics of explicitation – such as the specification of meaning in translation – seem well-suited for this type of intersemiotic analysis. The analysis also emphasized that distinguishing types of explicitation in word-to-image translation is complicated by the inherent differences of words and images as meaning making resources.
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Bolat, Nursel. "A Semiotic Approach Through Panofsky's Image Text." International Journal of Semiotics and Visual Rhetoric 4, no. 2 (July 2020): 33–46. http://dx.doi.org/10.4018/ijsvr.2020070103.
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While visual emerges as a concept based on seeing in a narrow sense, it defines everything that can be seen with a broader meaning. The idea of seeing is not limited to taking images only by the eye, but also includes the interpretation of images by the brain. Mansions that are used in a television series shot in Turkey are presented to the viewer as a visual narrative text. In this context, these mansions are intended to be read semiotically. In the study, the placement of the mansion building style, which has an important place in Turkish culture, as a visual space and the meanings attributed to it are examined. Based on Panofsy's method of semiotic iconographic analysis, the use of these mansions is discussed in the context of the semiotic narrative. The narratives that exist through the meaning and visual narrative in which Turkish society has positioned the traditional living environments, as well as the narratives that it tries to place in the audience, are tried to be evaluated.
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Alp, Kafiye Ozlem. "Migration of visual images in contemporary art experiences." New Trends and Issues Proceedings on Humanities and Social Sciences 5, no. 6 (September 14, 2018): 85–90. http://dx.doi.org/10.18844/prosoc.v5i6.3842.
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The meaning mode of every era changes depending on social dynamics and ruling discourse of mentioned era. Meaning is also one of the basic problems of art. While modern art produces the meaning based on artwork, contemporary art makes it based on viewer and artwork. In this process, an infinite sign mechanism is established in between viewer and artwork by considering it within the problematic of meaning and comment. This mechanism takes artwork as a meaning-producing device, and the hyperactive meaning in the artwork turns to a game of meanings by degrading itself. Eroding migration of meaning has been made possible by migration and manipulation of reality. Artwork that lost its reality has obtained the system and image of display as a new area of power and hegemony by undressing the content of the artwork. Thus, the artwork is transformed to a pure visual show and sign position by demolishing the content that itself produced it.
Keywords: Contemporary art, migration of meaning, reality.
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Winter, Susan J., Elizabeth Sharer, Hari K. Rajagopalan, and Connie Marie Gaglio. "ICT and Corporate Image." International Journal of E-Business Research 15, no. 2 (April 2019): 22–43. http://dx.doi.org/10.4018/ijebr.2019040102.
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As new ICT products appear on the market, many managers choose to adopt them without clear evidence of the productivity benefits often claimed by vendors. Some may trust or hope that the promised benefits do eventually materialize, but others may adopt them because of ICT's symbolic meaning. This article investigates the links between ICT, corporate image, and purchase decisions or other forms of support among prospective customers, a previously neglected external stakeholder group. This article presents an experiment testing the links between IT, corporate image, and support behavior among customers. The results show that there is a strong link between conspicuous use of IT artifacts and corporate image leading to support behavior among customers. Social meaning of IT indirectly affects customer support and firm survival. This explains why savvy managers adopt new IT products that are consistent with their desired corporate images without clear evidence of the productivity benefits. Implications for theory, practice and future research are discussed.
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Kolpenova, А. К., and E. Zh Omirbayev. "The Semantic Transformation: Secret of Numbers in Kazakh and Turkish Phraseological Units." Iasaýı ýnıversıtetіnіń habarshysy 126, no. 4 (December 15, 2022): 52–63. http://dx.doi.org/10.47526/2022-4/2664-0686.05.
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The article studies meanings of phraseological units with digit components in Kazakh and Turkish languages. It states that in the background value which is to be a prototype of phraseological meaning, there lays emic truth, and meanings of «holiness» and «sacredness» are one of the characteristics of this truth. Taking this theory into account, the article aims to discover the sacral and symbolic meaning of numbers in numeric units, and introduce phraseological units as cultural and semantical structures distinguishing their comparative features which appear out of traversal of number and value, also to define commonality, peculiarity and uniqness in common Turkic semantic environment. The object of research are mainly figurative phraseological units since the peculiar features of phraseological units are defined through inner form of image. There are not any phraseological units with image of «zero» in Kazakh language, and only 2–3 phrases in Turkish. Interpreting their meanings it can be concluded that «zero» has typical characteristics of latency and potentiality. Analyzing phraseological units with digit components in two languages it was discovered that there are a lot of phrases with number «one» in Turkish language. Phraseological units in two languages with one or different images, but which have the same meaning are compared. It was concluded that comparative semantics − the synthesis of value and number, is formed in phraseological units with number «two». These structures which have qualitative semantics are inferred to be main linguistic indicators carrying out all three uses of language, showing the characteristics of Turkic semantic environment, and ethnocultural unit which collects information.
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Long, Do Tuan, and Vu Thi Huyen Trang. "THE MEANING TRANSFERENCE FROM SPATIAL TO NON-SPATIAL MEANINGS OF BELOW." VNU Journal of Foreign Studies 38, no. 3 (June 30, 2022): 88. http://dx.doi.org/10.25073/2525-2445/vnufs.4845.
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This paper analyses the transference from spatial to non-spatial meanings of below as a preposition, an adverb, and a particle within the 2017 Corpus of Contemporary American English, genre: fiction. In light of the Multimodal Image Theory and Extended Conceptual Metaphor Theory, the data analysis shows that the prototypical meaning of below has two variants in its Visual space, and two non-spatial meanings namely Less and Inferior. The mechanism of meaning transference is mappings in which salient aspects of absence of contact, force, and occlusion between the Trajector (TR) and Landmark (LM) are retained in construing the non-spatial scenes associated with the word.
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Di Napoli Pastore, Marina. "“Vamos te levar no ponto mais alto daqui”: conhecendo ações da terapia ocupacional com crianças/"We'll take you to the highest point here": knowing occupational therapy actions with children." Revista Interinstitucional Brasileira de Terapia Ocupacional - REVISBRATO 5, no. 4 (November 8, 2021): 475–83. http://dx.doi.org/10.47222/2526-3544.rbto44499.
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Objetivo: Este ensaio fotográfico propõe pensarmos as práticas com as crianças nos mais diversos territórios, em diálogos constantes com suas realidades e contextos. Descrição da imagem: é trazida uma imagem de duas crianças numa comunidade urbana e a interlocução com a terapeuta ocupacional, em que mostram seus espaços de significado e de sentidos, em meio ao território, e nos fazem repensar, juntamente com as demais imagens ao longo do texto, as ações territoriais e práticas com crianças a partir e em diálogo com suas realidades e a produção das imagens por elas como apropriação do espaço.Palavras-chave: Criança. Fotografia. Terapia Ocupacional AbstractObjective: this photo essay proposes to think about the practices with children in the most diverse territories, in constant dialogues with their realities and contexts. Image description: An image of two children in an urban community is brought and the dialogue with the occupational therapist, in which they show their spaces of meaning and meanings in the middle of the territory and make us rethink, together with the other images throughout the text, the territorial and practical actions with children from and in dialogue with their realities and the production of images by them as appropriation of space.Keywords: Children. Photography. Occupational Therapy ResumenObjetivo: este ensayo fotográfico propone pensar las prácticas con los niños en los más diversos territorios, en diálogos constantes con sus realidades y contextos. Descripción de la imagen: se trae una imagen de dos niños en una comunidad urbana y el diálogo con el terapeuta ocupacional, en el que muestran sus espacios de significado y significados en medio del territorio y nos hacen repensar, junto con las otras imágenes a lo largo del texto, las acciones territoriales y prácticas con los niños desde y en diálogo con sus realidades y la producción de imágenes por ellos como apropiación del espacio.Palavras Clave: Niños y Niñas. Fotografía. Terapia Ocupacional
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Al-Zuhayre, Mahmoud Hussein Ahmad. "The effect of sound and rhythm in highlighting the Quranic image." Journal of Social Sciences (COES&RJ-JSS) 10, no. 1 (January 1, 2021): 95. http://dx.doi.org/10.25255/jss.2021.10.1.95.118.
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This research was studied on the effect of sound in highlighting the Qur’anic image, so it took a descriptive approach to analysis. Without a performance, then the search for the description with words to represent the performance was to approximate the meaning and the image and approximate the oral Quranic performance. The research concluded that the sound showed the image and meaning previously in that lexical meaning, and it was noticed that the image came from many words and vocabulary in order to clearly highlight the image and the meaning, and that the sound sometimes overcomes the dictionary meaning and precedes it among the recipients in understanding, as much of the phonemic performance was not mentioned in the dictionaries due to Because of its lack of form in words, the research noticed that any movement, sound, or rhythm in the Holy Qur’an is not devoid of the meaning of a goal or an intended goal, so the sound lies behind the meaning and moves the image and makes it clear.
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Nur Abidah, Amelia, and Aprillia Firmonasari. "REPRESENTASI NILAI MOTIVASI PADA BUKU "I HATE DIET" KARYA YULIA BALTSCHUN." MIMESIS 3, no. 2 (July 29, 2022): 121–36. http://dx.doi.org/10.12928/mms.v3i2.6239.
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Verbal language is vital in communication and is the most important means of interaction. By the significant role of verbal language, visuals are often less considered unnecessary, even though they could help to understand communication better. Verbal and visual language are interconnected and simultaneously build a strong, complete, structured text. This research focused on how a book writer communicates using two or more modes simultaneously, namely text and images, which is called multimodal discourse analysis, particularly social semiotics. This study analyzes the illustrated book "I Hate Diet" by Yulia Baltschun. Using a descriptive qualitative method that refers to the theory of reading images, Kress & Leeuwen's (2006) analysis relates to the existence of representational and interactive meanings with images divided into three aspects: information value, salience, and framing. In connection with the data analysis in the form of text or verbal, it is analyzed using the theory of seven development tasks by Gee (2011). The results indicated the meanings of the image or visual illustrations supported by verbal or text analysis. There are several representations of meaning in it, namely the meaning of motivational invitations and warnings or meanings that remind.
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Rehab AbdUlmohsen Al- Qurashi, Rehab AbdUlmohsen Al Qurashi. "The influence of Islam on forming images in the Umayyad poetry: أثر الإسلام في تشكيل الصور ومقاصد الشعر الأموي." المجلة العربية للعلوم و نشر الأبحاث 7, no. 2 (June 29, 2021): 53–41. http://dx.doi.org/10.26389/ajsrp.r070121.
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The research deals with the image in the Umayyad poetry and how these images embodied the Islamic spirit and how Islam influenced it. The inclusion of images in several topics and areas of the Umayyad poetry whether these topics were concerned with the traditional topics of the Arabic poetry that exist in the Pre- Islamic and Islamic poetry or the topics that clearly appeared in such literature such as polite love, political, religious sects and parties. I'll point out some samples of the Umayyad poetry with the Islamic image and the objectives of poetry and how these images can illustrate the content of the poem that implies the meaning of the poem and its meaning.
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Hasanah, Nindya, and Didin Nuruddin Hidayat. "A semiotic analysis of political cartoons on the first 100 days of Anies Baswedan government." EduLite: Journal of English Education, Literature and Culture 5, no. 2 (August 31, 2020): 322. http://dx.doi.org/10.30659/e.5.2.322-333.
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Nowadays, information can be conveyed not only through words, but also through images. An image is also a form of one-way communication because, through an image, people can convey the meaning. This study aimed to describe Anies Baswedan�s political cartoons on his first 100 days as a governor. This study employed a qualitative research approach, and the content or document analysis as the research design. The researchers collected and analyzed the data dealing with the relationship between the utterances and Anies� cartoons on his first 100 days as Jakarta�s governor. In analyzing the data, some steps were taken: first, categorizing the sign into icon, symbol, index using a typology of signs; second, interpreting the meaning of the political cartoons; last, drawing conclusions based on the result of the analysis. The study found that the signs in those political cartoons had powerful meanings to convey the aspiration of Indonesian people freely towards Anies� government. Also, the fact that the cartoons were in the forms of images eased the readers in understanding the meanings behind them, and the political cartoons deal with the relationship between visual and verbal signs of cartoons because it will be helpful for the researchers to know about events depicted in those cartoons.The study also offers some potential use of cartoons for language teaching, even though the challenges of employing them are evident.
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Shvidkovsky, Dmitry O., and Yulia E. Revzina. "Tradition and contemporary architecture of Orthodox churches: Image and meaning." Issues of Theology 3, no. 4 (2021): 478–94. http://dx.doi.org/10.21638/spbu28.2021.402.
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The article is devoted to one of the most striking problems of contemporary church construction in Russia — the formation of artistic images of newly erected churches and determination of meaning in their architecture. Today, the mentality of architects, patrons and the parish is primarily determined by the traditional approaches to the creation of new churches. Simultaneously, many architects are longing to find innovative meaning and artistic structures, noting that only these attempts are able to express the present-day emotions of believers. It is also essential to define the features of the cultural code of modern architecture for the Russian Orthodox church. The church hierarchy, believers and scholars, including foreigners, proceed from the idea of Russian Orthodox architecture’s unique identity. The recognizable image of the churches is determined by the constant interest in late medieval decoration from the time of Tsar Alexei Mikhailovich as the main artistic source and its interpretation by masters of the Neo-Russian style of the 19th — beginning of 20th centuries. The article emphasizes that national identity in Russian Orthodox church architecture is not a combination of immanent features, but a historical process of treasuring artistic character and the formation of meaning over several centuries. At the current time, it is vital to turn to all the creative and meaningful wealth in the development of Russian Orthodox churches, and it is better to seek innovation from within traditional images and meanings, based on the sacred experience of our church. This will support the creation of new churches, which are comparable to the standards of the Russian Orthodox architectural heritage in its artistic variety and semantic profoundness.
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Henderson, John M., Taylor R. Hayes, Candace E. Peacock, and Gwendolyn Rehrig. "Meaning and Attentional Guidance in Scenes: A Review of the Meaning Map Approach." Vision 3, no. 2 (May 10, 2019): 19. http://dx.doi.org/10.3390/vision3020019.
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Perception of a complex visual scene requires that important regions be prioritized and attentionally selected for processing. What is the basis for this selection? Although much research has focused on image salience as an important factor guiding attention, relatively little work has focused on semantic salience. To address this imbalance, we have recently developed a new method for measuring, representing, and evaluating the role of meaning in scenes. In this method, the spatial distribution of semantic features in a scene is represented as a meaning map. Meaning maps are generated from crowd-sourced responses given by naïve subjects who rate the meaningfulness of a large number of scene patches drawn from each scene. Meaning maps are coded in the same format as traditional image saliency maps, and therefore both types of maps can be directly evaluated against each other and against maps of the spatial distribution of attention derived from viewers’ eye fixations. In this review we describe our work focusing on comparing the influences of meaning and image salience on attentional guidance in real-world scenes across a variety of viewing tasks that we have investigated, including memorization, aesthetic judgment, scene description, and saliency search and judgment. Overall, we have found that both meaning and salience predict the spatial distribution of attention in a scene, but that when the correlation between meaning and salience is statistically controlled, only meaning uniquely accounts for variance in attention.
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Vetrova, Kristina O. "Barthes’ Semiotic Analysis: Advantages, Limitations and Prospects." Вестник Пермского университета. Российская и зарубежная филология 13, no. 4 (2021): 5–11. http://dx.doi.org/10.17072/2073-6681-2021-4-5-11.
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The article provides an overview of semiotic analysis offered by Roland Barthes, its advantages and limitations. The author argues that the methodology presented by Barthes in his work The Rhetoric of the Image (1964) could become a basis for a more complex methodology of multimodal texts analysis in the field of advertising. In The Rhetoric of the Image Barthes demonstrates how to distinguish and analyze advertising messages based on the advert of the Italian pasta ‘Panzani’. Barthes’ methodology includes identification of advertising messages and their meanings. Barthes provides a description of the images and messages that the ‘Panzani’ advert contains. Those messages are linguistic, connoted and denoted. The methodology of semiotic analysis enables one to explore denoted and connoted meanings of the advertising message of a multimodal advertising text. According to Barthes, the connoted meaning is derived from the denoted meaning of the advertising message. This aspect makes the most valuable advantage of Barthes’ approach. The idea of connoted meaning also relates to another Barthes’ concept of myth integration. Myths might be integrated into advertising and thus convey a deeper meaning of it. The proposed methodology might be applied to analysis of multimodal advertising texts as their structure is formed by elements from different semiotic systems. However, the elimination of a recipient outlines one of the limitations of the proposed methodology since it makes one focus only on the linguistic features and ignore the perception process. Cognitive approach to multimodal texts could help to overcome this limitation. Due to analysis of conceptual domains of different structural components of a multimodal text it might be possible to explore interconnection mechanisms between the components.
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Kalina, Natalia Dmitrievna. "Constructive realism in the construction of artistic images of fine art in the context of the creation of symbolic meanings." Человек и культура, no. 5 (May 2022): 77–105. http://dx.doi.org/10.25136/2409-8744.2022.5.38275.
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The object of the study is the symbolic and allegorical meanings of artistic images of fine art, built in the unity of the diverse, based on the principle of the relationship between the real and the conditional. The subject of the study is a comparison of the methods of metaphysical and constructive realism in creating aesthetically expressive forms of artistic images expressing symbolic meanings. The article systematizes the methods of creating artistic images in constructive realism: typification, stylization, artistic and theoretical generalizations, analysis, synthesis, application of constructive ideas of combining parts of the whole, geometric generalization of form in the construction of the spatial structure of the object, artistic interpretations. The main method of image research is the analysis of visual contexts of the application of the concept of methods and other means of constructing artistic images. The novelty of the article lies in constructive realism in creating deeper symbolic meanings than the generally accepted forms of realism convey. With constructive realism, aesthetically expressive images are created in the unity of the heterogeneous and do not distort the conventional meanings. In the differentiation of means and integration of image layers, the image represents a single symbolic meaning. As a result of the analysis of constructive realism, four regular processes of building the unity of the diverse in the form and content of artistic images have been revealed. The conclusion is that constructive realism to the construction of artistic images has practical significance. The images are characterized by aesthetic expressiveness, this attracts the attention of the audience. In expression through the form of symbolic meanings, images acquire the potential of visual communication with people.
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Lu, Chao, Wanmiao Sun, and Yuchao Yu. "Constructing BRI Image with Multimodal Conceptual Metaphor in Pictorial News from China Daily and BBC." International Journal of Linguistics, Literature and Translation 5, no. 7 (July 13, 2022): 98–105. http://dx.doi.org/10.32996/ijllt.2022.5.7.11.
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The Belt and Road Initiative (BRI) has been playing an important role in constructing and propagating China’s international image. This study explores BRI-themed pictorial news reports featured with the coexistence of text and pictures from China Daily and BBC to analyze the BRI image construction. Our discussion centers on two perspectives of multimodal conceptual metaphors, namely representational meaning, and interactive meaning. The study finds that the multimodal conceptual metaphors to construct BRI images were mainly embodied and accentuated in the text-picture representation and interaction. Two salient images were portrayed by the two media, respectively, which might be attributed to different cognitive and cultural factors.
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Man, Shengchong, and Zepeng Li. "Multimodal Discourse Analysis of Interactive Environment of Film Discourse Based on Deep Learning." Journal of Environmental and Public Health 2022 (August 31, 2022): 1–10. http://dx.doi.org/10.1155/2022/1606926.
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With the advent of the information age, language is no longer the only way to construct meaning. Besides language, a variety of social symbols, such as gestures, images, music, three-dimensional animation, and so on, are more and more involved in the social practice of meaning construction. Traditional single-modal sentiment analysis methods have a single expression form and cannot fully utilize multiple modal information, resulting in low sentiment classification accuracy. Deep learning technology can automatically mine emotional states in images, texts, and videos and can effectively combine multiple modal information. In the book Image Reading, the first systematic and comprehensive visual grammatical analysis framework is proposed and the expression of image meaning is discussed from the perspectives of representational meaning, interactive meaning, and composition meaning, compared with the three pure theoretical functions in Halliday’s systemic functional grammar. In the past, people often discussed films from the macro perspectives of literary criticism, film criticism, psychology, aesthetics, and so on, and multimodal analysis theory provides film researchers with a set of methods to analyze images, music, and words at the same time. In view of the above considerations, Mu Wen adopts the perspective of social semiotics, based on Halliday’s systemic functional linguistics and Gan He’s “visual grammar,” and builds a multimodal interaction model as a tool to analyze film discourse by referring to evaluation theory.
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Clarke, David. "The All-Over Image: Meaning in Abstract Art." Journal of American Studies 27, no. 3 (December 1993): 355–75. http://dx.doi.org/10.1017/s0021875800032072.
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It is the contention of Clement Greenberg that the development of modern painting can be seen as a self-critical process whereby this art entrenches itself more firmly in its area of competence. The area of competence of each art, according to Greenberg, coincides with all that is unique to the nature of its medium. Each art form, then, has an essence (albeit one which is only revealed over time) and the constitutive limitations peculiar to painting are considered by Greenberg to be “the shape of the support, the properties of pigment” and above all “the flat surface.” At first sight such a formalist perspective appears to have the advantage of being able to offer an overall picture of the development of modern painting, a unified narrative leading from Manet to American abstract artists of Greenberg's own time, such as Jules Olitski. I shall be arguing here, however, that a clear gestalt is provided by Greenberg's theory only at the cost of eliminating consideration of meaning in art. My point is not that Greenberg gives too much attention to form and not enough to content, and that therefore we merely need to balance the scales. Simply to supplement Greenberg's discussion of the formal aspects of artworks with a consideration of their content would be to accept implicitly the strong division between these two aspects which he makes. It is that very separation which I am contesting: I do not believe that it is possible to make worthwhile statements about form whilst considering it, as Greenberg does, in a vacuum.
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Mokienko, V. M. "FROM THE ORDINARY MEANING TO THE ARTISTIC IMAGE." Bulletin of Kemerovo State University, no. 3 (July 28, 2016): 164–69. http://dx.doi.org/10.21603/2078-8975-2016-3-164-169.
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The paper demonstrates the importance of the "Dictionary of ordinary interpretations of Russian words. Lexicon of Nature", created under the leadership of N. D. Golev for the objective of diagnostics of the Russian lexical system. It emphasizes the importance of everyday interaction with the value of common literary meanings, on the one hand, and the impact of the former on the evolution of artistic imagery and semantics. The proposed monitoring is illustrated by comparing the entry "Ant" in the dictionary under the editorship of Prof. Golev with the dictionary entries in other lexicographical sources and semantics embodied in the fable of I. A. Krylov’s "The Ant and the Grasshopper."