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Books on the topic 'Image Aesthetics'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 September 2024

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1

Lojkine, Stéphane. Image et subversion. Paris: J. Chambon, 2005.

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2

Hillery, David. Verlaine: Fixing an image. [Durham, England]: University of Durham, 1988.

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3

Deleuze, Gilles. Cinema 1: The movement-image. London: Athlone Press, 1992.

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4

Quignard, Pascal. Fascination des images, images de la fascination. Paris: Presses Sorbonne Nouvelle, 2014.

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5

Berman, Laurence D. The musical image: A theory of content. Westport, Conn: Greenwood Press, 1993.

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6

Miskīnī, Umm al-Zayn Binshaykhah. Taḥrīr al-maḥsūs: Lamasāt fī al-jamāliyāt al-muʻāṣirah. Bayrūt: Manshūrāt Ḍifāf, 2014.

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7

Zechner, Ingo. Bild und Ereignis: Fragmente einer Ästhetik. Wien: Turia + Kant, 1999.

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8

Ansaldi, Saverio. L'imagination fantastique: Images, ombres et miroirs à la Renaissance. Paris: Les Belles lettres, 2013.

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9

Pirchner, Andreas Michael, Elisabeth Pölzl-Hofer, and Susanne Sackl. All you need is image?! Graz: Grazer Universitätsverlag, 2010.

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10

Schmitt, Bernd. Marketing aesthetics: The strategic management of brands, identity, and image. New York: Free Press, 1997.

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11

Schmidt, Burghart. Bild im Ab-wesen: Zu einer Kunsttheorie des Nahezu-Negativen im schwierigen Schein des "Bilderverbots". Wien: Edition Splitter, 1996.

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12

Iinkai, PAOS Books Henshū, ed. Paos design: Corporate aesthetics, creative identities, and management culture. Tokyo, Japan: Kodansha, 1990.

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13

Lacchin, Giancarlo. Ludwig Klages: Coscienza e immagine : studio di storia dell'estetica. Milano: Mimesis, 2011.

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14

Berman, Laurence. The musical image: A theory of content. Westport, Conn: Greenwood Press, 1993.

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15

Zeri, Federico. Behind the image: The art of reading paintings. New York: St. Martin's Press, 1987.

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16

Zeri, Federico. Behind the image: The art of reading paintings. New York: St. Martin's Press, 1987.

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17

Ropars-Wuilleumier, Marie Claire. L' idée d'image. Vincennes [France]: Presses universitaires de Vincennes, 1995.

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18

Italy) Ontologia dell'immagine (Conference) (2009 Naples. Ontologia dell'immagine. Roma: Aracne, 2012.

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19

Vercellone, Federico. Morfologie del moderno: Saggi di ermeneutica dell'immagine. Genova: Il melangolo, 2006.

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20

Aïm, Olivier. Persistances benjaminiennes. Paris: Presses Sorbonne nouvelle, 2014.

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21

Schmitt, Bernd H., and Alex Simonson. Marketing Aesthetics. Free Press, 2009.

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22

Aesthetics of Brand Image Design. GRIN Verlag GmbH, 2014.

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23

Suzuki, Yasuhiro, Katsushi Nakagawa, Takashi Sugiyama, Fuminori Akiba, Eric Maestri, Insil Choi, and Shinya Tsuchiya. Computational Aesthetics. Springer, 2018.

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24

Knight-Hill, Andrew. Sound and Image: Aesthetics and Practices. Taylor & Francis Group, 2020.

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25

Knight-Hill, Andrew. Sound and Image: Aesthetics and Practices. Taylor & Francis Group, 2020.

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26

Knight-Hill, Andrew. Sound and Image: Aesthetics and Practices. Taylor & Francis Group, 2020.

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27

Knight-Hill, Andrew. Sound and Image: Aesthetics and Practices. Taylor & Francis Group, 2020.

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28

(Editor), Laszlo Neumann, Mateu Sbert (Editor), Bruce Gooch (Editor), and Werner Purgathofer (Editor), eds. Computational Aesthetics 2005. A K Peters, 2005.

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29

Carvalho, John M. Thinking with Images: An Enactivist Aesthetics. Taylor & Francis Group, 2018.

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30

Carvalho, John M. Thinking with Images: An Enactivist Aesthetics. Taylor & Francis Group, 2018.

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31

Young, Michael. Reality Modeled after Images: Architecture and Aesthetics after the Digital Image. Taylor & Francis Group, 2021.

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32

Young, Michael. Reality Modeled after Images: Architecture and Aesthetics after the Digital Image. Taylor & Francis Group, 2021.

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33

Reality Modeled after Images: Architecture and Aesthetics after the Digital Image. Taylor & Francis Group, 2021.

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34

From Point to Pixel: A Genealogy of Digital Aesthetics. Dartmouth College, 2017.

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35

(Editor), Douglas W. Cunningham, Gary Meyer (Editor), and Laszlo Neumann (Editor), eds. Computational Aesthetics 2007. A K Peters, 2008.

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36

Image in Mind. Bloomsbury Publishing Plc, 2011.

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37

Jones, Amelia. Self/ Image. Routledge, 2006.

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38

Jones, Amelia. Self/ Image. Routledge, 2006.

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39

Nail, Thomas. Theory of the Image. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190924034.001.0001.

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Abstract:

We live in the age of the mobile image. Our world is now saturated with moving images of all kinds, both analog and digital. This sea change in image production and circulation is nothing less than the Copernican revolution of our time. The centrality of the movement and mobility of the image has never been more dramatic. And just like the Copernican revolution, the aesthetic revolution of the image has consequences not only for the way we think about the contemporary image but also the way we think about all previous images. Theory of the Image offers a new and systematic philosophy of art and aesthetics from the perspective of movement—the first of its kind. Throughout history, the image has been understood in many ways, but rarely has it been understood to be, primarily and above all, in motion. Thus, Theory of the Image offers not only the first aesthetics of motion but also the first history of the mobility of the image in the Western art tradition, from prehistory to the present.

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40

Therapeutic Aesthetics: Performative Encounters in Moving Image Artworks. Bloomsbury Publishing Plc, 2020.

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41

Mitchell, W. J. T. Image Science: Iconology, Visual Culture, and Media Aesthetics. University of Chicago Press, 2018.

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42

Mitchell, W. J. T. Image Science: Iconology, Visual Culture, and Media Aesthetics. University of Chicago Press, 2015.

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43

Whiteley, Gillian, Maria Walsh, and Jane Tormey. Therapeutic Aesthetics: Performative Encounters in Moving Image Artworks. Bloomsbury Publishing Plc, 2020.

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44

Teukolsky, Rachel. Picture World: Image, Aesthetics, and Victorian New Media. Oxford University Press, 2020.

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45

Image Science: Iconology, Visual Culture, and Media Aesthetics. University of Chicago Press, 2015.

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46

Hopkins, Robert. Picture, Image and Experience. Cambridge University Press, 2009.

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47

Galt, Rosalind. Pretty: Film and the Decorative Image. Columbia University Press, 2011.

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48

Brown, Simon, Sarah Street, and Liz Watkins. Color and the Moving Image: History, Theory, Aesthetics, Archive. Taylor & Francis Group, 2013.

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49

Color and the moving image: History, theory, aesthetics, archive. New York: Routledge, 2012.

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50

Diodato, Roberto. Image, Art and Virtuality: Towards an Aesthetics of Relation. Springer International Publishing AG, 2022.

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