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Books on the topic 'Illustration'

To see the other types of publications on this topic, follow the link: Illustration.

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

(Firm), Against the Clock, ed. Adobe Illustrator 9: Advanced digital illustration. Upper Saddle River, NJ: Prentice Hall, 2001.

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2

(Firm), Against the Clock, ed. Adobe Illustrator 7.0: Advanced digital illustration. Upper Saddle River, NJ: Prentice Hall, 1998.

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3

Rice, Sean Michael. Illustration. Studio City, Calif: Players, 2004.

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4

Chŏng, Hye-sŏn. Illustration. Sŏul T'ŭkpyŏlsi: Kyohak Yŏn'gusa, 2010.

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5

Miller, J. Hillis. Illustration. London: Reaktion, 1992.

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6

Resources, Kingston Polytechnic Learning, ed. Illustration. [Kingston upon Thames]: Kingston Polytechnic Learning Resources, 1987.

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7

Miles, Linda. Illustration techniques with Adobe illustrator for windows. Carmel, IN: Hayden, 1992.

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8

(Firm), Against the Clock, ed. Adobe Illustrator 10: Introduction to digital illustration. Upper Saddle River, NJ: Prentice Hall, 2003.

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9

Arai, Kenji. Cartoon illustration. Tokyo, Japan: Graphic-Sha, 1992.

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10

Barnes, Colin. Fashion illustration. Cincinnati, Ohio: North Light Books, 1988.

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11

Adkins, Lesley. Archaeological illustration. Cambridge: Cambridge University Press, 1989.

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12

Barnes, Colin. Fashion illustration. London: Macdonald Orbis, 1988.

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13

Wood, Frances. Chinese illustration. London: British Library, 1985.

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14

Fred, Woodward, and Hessler Geraldine, eds. American illustration. New York: Amilus, 1996.

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15

Awan, Jordan. American Illustration. Edited by Deng Sally. New York, NY: Amilus Inc., 2019.

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16

Taylor, Rachel Emily. Illustration and Heritage. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350294202.

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Illustration and Heritage explores the re-materialisation of absent, lost and invisible stories through illustrative practice and examines the potential role of contemporary illustration in cultural heritage. Heritage is a ‘process’ that is active and takes place in the present. In the heritage industry, there are opposing discourses and positions, and illustrators are a critical voice within the field. Grounding discussions in concepts fundamental to the illustrator, the book examines how the historical voice might be ‘found’ or reconstructed. Rachel Emily Taylor uses her own work and other illustrators’ projects as case studies to explore how the making of creative work – through the exploration of archival material and experimental fieldwork – is an important investigative process and engagement strategy when working with heritage. What are the similar functions of heritage and illustration? How can an illustrator ‘give voice’ to a historical person? How can an illustrator disrupt an archive or museum? How can an illustrator represent a historical landscape or site? This book is a contribution to the expanding field of illustration research that focusses on its position in heritage practice. Taylor examines the illustrator’s role within the field, while positioning it alongside the disciplines of museology, anthropology, archaeology, performance and fine art.

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17

Shuppan-Sha, Bijutsu. Architectural Illustrations: Homes (Bss Illustration Series). Books Nippan, 1992.

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18

Shuppan-Sha, Bijutsu. Architectural Illustrations: Skyscrapers (Bss Illustration Series). Books Nippan, 1992.

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19

Illustration Showcase (Showcase Illustration). 2nd ed. Amshow & Archive, 2004.

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20

Editorial Illustration (Pro-Illustration). RotoVision, 1997.

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21

Illustration : What's the Point?: A Book of Illustrated Illustrations That Illustrate Illustration. Octopus Publishing Group, 2017.

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22

Davies, Jo, and Derek Brazell. Getting Illustration Clients. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350147010.

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The commissioning process can be a confusing maze for the commercial illustrator just starting out – so let Getting Illustration Clients be your beacon for success. Written by the duo that brought you Becoming a Successful Illustrator, here Jo Davies and Derek Brazell demystify the commissioning process for commercial illustration, from the point of the view of those hiring and briefing freelance illustrators: the art editors, the designers, the agents and more. With insider tips that will make your work garner attention and satisfy the needs of the brief, each section is beautifully illustrated with full-colour examples of projects typical to main areas of practice from around the globe. The book features key action points and summaries, as well as case studies from commissioning professionals for Harper Collins, VMLR&Y, Wooga Games and many more. Supporting exercises underpin Jo and Derek’s guidance, to be used off the shelf by students, graduates and early-career professionals working independently. For the practicing illustrator who wants to see the commissioning process from ‘the other side’, you will always have to hand expert advice on what clients want, how commissioning works and how to get your work noticed. For lecturers in illustration, this is your go-to recommendation for recent graduates looking for advice on the working world of commercial illustration.

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23

Newell, Kate. Adaptation and Illustration. Edited by Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.27.

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Illustrations in illustrated editions are rarely theorized as adaptations in the field of adaptation studies. Chapter 27 attempts to redress that oversight by examining the disciplinary practices and medial assumptions that have shaped approaches to illustration and adaptation in their respective fields. Focusing on the manner in which illustration and adaptation have been defined, their engagement of source material, and assumptions related to static and dynamic modes of representation, the essay draws parallels between the fields of illustration and adaptation and proposes a cross-disciplinary approach to adaptation that illuminates common characteristics of adaptation across media and modes and common features across a given work’s adaptation history.

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24

Male, Alan. Illustration. 3rd ed. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350283565.

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Alan Male’s Illustration is a classic in the field. Bringing together theory, context and issues around conceptual understanding, the book is a perfect companion for illustration students around the world. Hundreds of images from a wide variety of contemporary illustrators explore how successful creators work with depth of knowledge and understanding of their subjects. By looking across examples from around the world, readers gain an understanding of: - Visual metaphors - Storytelling and narrative - Truth and documentation - Identity and persuasion - Briefs and development New for this edition is ‘The Illustrator as Author and Polymath’, a chapter which explores the mix of skills that illustrators need beyond a strong visual style – they must be problem-solvers, visual thinkers, researchers and communicators. It also reveals how image creators from the world of illustration, visual communication and fine art can illuminate and present exciting and original concepts and ideas related to everything that is current, in the past and in the future.

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25

Adobe illustrator 10: Advanced digital illustration. Upper Saddle River, NJ: Prentice Hall, 2003.

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26

Adobe Illustrator 9: Advanced Digital Illustration. Pearson Education, 2000.

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27

Adobe Illustrator 10: Advanced Digital Illustration. Prentice Hall, 2002.

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28

Illustration. Bloomsbury Publishing Plc, 2017. http://dx.doi.org/10.5040/9781474263054.

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29

Illustration. Independently Published, 2017.

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30

Hall, Andrew. Illustration. King Publishing, Laurence, 2011.

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31

Roberts, David. Illustration. Phaidon Press Ltd, 1990.

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32

Hogan, E. Illustration. Pavilion Books, 1999.

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33

Illustration. Rockport Publishers, 1995.

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34

Hall, Andrew. Illustration. King Publishing, Laurence, 2011.

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35

Adkins, Jan. Illustration. Pearson Education, Limited, 2008.

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36

Illustration. Mulgrave, Vic: Images Pub., 2004.

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37

Illustration. Cambridge, Mass: Harvard University Press, 1992.

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38

Booth-Clibborn, Edward. American Illustration 13 (American Illustration). Distributed Art Pub Inc (Dap), 1995.

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39

American Showcase: Illustration (Showcase Illustration). Amshow & Archive, 1996.

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40

American Illustration 5 (American Illustration). Harry N Abrams, 1986.

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41

American Illustration 9 (American Illustration). Rizzoli, 1990.

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42

Inc, American Showcase. American Showcase: Illustration (Showcase Illustration). 2nd ed. American Showcase, 1998.

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43

American Illustration 8 (American Illustration). Rizzoli, 1989.

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44

American Showcase: Illustration (Showcase Illustration). 2nd ed. American Showcase, 1999.

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45

American Illustration 11 (American Illustration). Rizzoli, 1992.

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46

Ultimate illustration! 2008.

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47

Gannon, Rachel, and Mireille Fauchon. Illustration Research Methods. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350051461.

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For years illustration has lacked a strong critical history in which to frame it, with academics and media alike assessing it as part of design rather than a discipline in its own right. Illustration Research Methods addresses this void and adds to a fast-emerging discipline, establishing a lexicon that is specific to discussing contemporary illustration practice and research. The chapters are broken down into the various roles that exist within the industry and which illustration research can draw from, such as ‘Reporting’ and ‘Education'. In doing so, users are able to explore a diverse range of disciplines that are rich in critical theory and can map these existing research methodologies to their own study and practice. Supported by a wealth of case studies from international educators, student projects sit alongside those of world-renowned illustrators. Thus allowing users the opportunity to put what they have learnt into context and offering insight into the thinking and techniques behind some of illustrations’ greats.

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48

Kodansha. Illustrations in Japan 1 (Illustration in Japan). Kodansha America, 1997.

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49

Essential Fashion Illustration: Poses (Essential Fashion Illustrations:). Rockport Publishers, 2007.

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50

Essential Fashion Illustration: Details (Essential Fashion Illustrations). Rockport Publishers, 2007.

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