Academic literature on the topic 'Illustrateurs – France'
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Journal articles on the topic "Illustrateurs – France"
Hiner, Susan. "Feminized Commodities, Female Communities." French Historical Studies 43, no. 2 (April 1, 2020): 223–52. http://dx.doi.org/10.1215/00161071-8018483.
Full textZouplna, Jan. "Speaking Trade, Aiming Beyond: Israel’s Economic Relations with France and Britain before 1956." Oriente Moderno 100, no. 3 (April 23, 2021): 419–40. http://dx.doi.org/10.1163/22138617-12340236.
Full textrittersma, rengenier c. "Industrialized Delicacies: The Rise of the Umbrian Truffle Business." Gastronomica 12, no. 3 (2012): 87–93. http://dx.doi.org/10.1525/gfc.2012.12.3.87.
Full textYackee, Jason. "Expelling the “Sinister Vilgrain”." French Historical Studies 44, no. 1 (February 1, 2021): 119–47. http://dx.doi.org/10.1215/00161071-8725879.
Full textMahé, Gilles. "Les abeilles du genre Colletes (Hymenoptera, Colletidae) en Presqu’île guérandaise (Loire-Atlantique, France)." Osmia 3 (2009): 7–11. http://dx.doi.org/10.47446/osmia3.4.
Full textGaillard, Isabelle. "An Unknown, but Key Player in the Television Market." Hidden Professions of Television 2, no. 4 (December 23, 2013): 79. http://dx.doi.org/10.18146/2213-0969.2013.jethc046.
Full textYera, Hélène, Émilie Fréalle, Emmanuel Dutoit, and Jean Dupouy-Camet. "A national retrospective survey of anisakidosis in France (2010-2014): decreasing incidence, female predominance, and emerging allergic potential." Parasite 25 (2018): 23. http://dx.doi.org/10.1051/parasite/2018016.
Full textChen, Xingyu, Junyan Xia, and Yimeng Xie. "Education during the Enlightenment: Public Education and Social Reform." BCP Education & Psychology 3 (November 2, 2021): 71–77. http://dx.doi.org/10.54691/bcpep.v3i.14.
Full textCapdevila, Ramon Buxó. "Evidence for vines and ancient cultivation from an urban area, Lattes (Hérault), southern France." Antiquity 70, no. 268 (June 1996): 393–407. http://dx.doi.org/10.1017/s0003598x00083344.
Full textCole, Alistair. "Studying Political Leadership: The Case of François Mitterrand." Political Studies 42, no. 3 (September 1994): 453–68. http://dx.doi.org/10.1111/j.1467-9248.1994.tb01688.x.
Full textDissertations / Theses on the topic "Illustrateurs – France"
Kohn, Jessica. ""Travailler dans les Petits Mickeys" : les dessinateurs-illustrateurs en France et en Belgique de 1945 à 1968." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA024/document.
Full textThis dissertation documents the cartoonist’s trade in France and francophone Belgium from 1945 to 1968. Although this career has been traditionally addressed through the prism of comic art or political cartooning, this study based on a prosopographic approach and the analysis of 400 professional trajectories demonstrates that in the 1950s and 1960s, the trade was a multi-faceted one, in so far as cartoonists were equally likely to produce illustration art, political cartoons, or comics. Their dependence on the market typically brought them to rely upon multiple accounts and graphic techniques, particularly in comic magazines—the medium most closely analyzed in this study to comprehend their professional practices.The cartoonists’ versatility and dependence on the market directly conditioned how they perceived and defined their jobs in social, political, and legal terms. For most of them beingidentified as journalists became a recurring goal as the best means to take advantage of the same benefits and rights as wage-earners in post-World War II France and Belgium. Yet a minorityvalued self-employment. In their graphic productions many cartoonists fulfilled functions similar to those of journalists.Both in the mainstream press and mass-produced books they observed and recorded the values, innovations, and collective interrogations of their national societies in the postwar decades. It was against this background that comics and nonsense cartooning became established graphicforms, although they were often practiced by the same individuals
Gaboriau, Clémence. "Maurice Denis (1870-1943) illustrateur. Pratique d’un artiste du livre, acteurs et réseaux." Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUL123.
Full textMaurice Denis (1870-1943), key artistic figure of the late 19th and first half of the 20th centuries, was a multi-talented artist who worked as a painter, decorator, theoretician and illustrator. He was very prolific and he left behind a considerable number of works, including nearly three hundred prints in his own hand, and almost a thousand engravings made by others based on his drawings. Many of these were intended to decorate literary, religious or historical texts. Dozens of illustrated books were published throughout his entire career. They are representative of the evolution of his pictorial production, from his early symbolist works to his final religious creations. As well as examining the mechanics of the illustrated book production process, set in the context of the artist's life and work, this thesis explores in depth Denis's relationships with the publishers and collaborators who helped to shape his status as an illustrator. This was the result of significant connections he made, with Jacques Beltrand (1874-1977), a wood engraver who was nearly the exclusive interpreter of Denis, but above all with Gabriel Thomas (1854-1932), a bibliophile and patron of the arts, whose combined action enabled the creation of some of his most notable editions. This study, based on a great amount of documents mostly held in private collections (including hundreds of letters and preparatory sketches), provides a new perspective on Denis's illustrative practice and examines the human and material conditions under which his books were conceived
Page, Alexandre. ""Sculpsit et delineavit : Léopold Flameng (1831-1911) ou le métier de "graveur-illustrateur" dans la seconde moitié du XIXe siècle." Thesis, Université Clermont Auvergne (2017-2020), 2017. http://www.theses.fr/2017CLFAL015.
Full text"Engraver-illustrator", Leopold Flameng embodies in the second half of the nineteenth century a reconciliation between the activities of reproductive engraver and of original illustrator.Trained in "classical" engraving by Luigi Calamatta at the Ecole des Beaux-Arts in Brussels, he became a renowned etcher and engraver from the 1860s, translating the masters, especially Rembrandt. Working in the Gazette des Beaux-Arts, L'Artiste, L’Art, he also collaborated with foreign magazines and worked for prints publishers like Goupil.Nevertheless, Leopold Flameng did not abandon a creative activity, which he cultivated by practicing the original illustration.Drawing for Ducrocq, Jouaust or Hetzel, Flameng is one of the few professional engraver to succeed in the second half of the nineteenth century, a successful illustrator career in the face of the dominance of painters.This thesis, which is based on a large corpus of works and a correspondence and archives largely unpublished, seeks to define the "engraver-illustrator", a particular type of illustrator who came not from painting but from engraving.While the first part is devoted to presenting the reproductive engraver, focusing in particular on its role in the dynamics of etching from the 1850s in France, a second part aims to show the shift of the artist to the original illustration. It is a matter of explaining the reasons for this, and of understanding a paradox : How could Leopold Flameng find in the original illustration a field of creative freedom, given the many constraints that weigh on the artist ?Finally, the last part explores the personal and professional networks of Flameng, seeking to study his relationship with the various intermediaries and colleagues surrounding the engraver and the illustrator, and to analyze the distribution and reception of his work among the public.The objective of this thesis is thus to bring out a particular typology of illustrator, relying both on Leopold Flameng and on the significant evolutions that affect the world of printmaking in the middle of the nineteenth century and which imply, in most of the engravers, of necessary adaptations to a new context
Plu, Christine. "Georges Lemoine : illustrer la littérature au XXè siècle." Rennes 2, 2005. http://www.theses.fr/2005REN20034.
Full textSince the seventies, Georges Lemoine's work has become noteworthy because of the modern way in which he illustrates great literary texts (Le Clézio, Bosco, Tournier, Yourcenar, Roy, Wilde, Andersen, etc. ). The aim of this thesis is to show how these illustrations develop together with the texts and to show what graphic requirements are needed in the creation of the pictures. This thesis will therefore place the illustrator within the French publishing world, and then analyse the specific requirements for book illustration. It will also look at the various steps needed in the genesis of a picture, question Georges Lemoine's interpretation, and focus on the semantic levels on which the pictures have an influence. Finally, this thesis will point out the illustrator's thematic preferences and the peculiarities of his style, which are developed around the symbolic and allegorical levels of his chosen texts. This research is based on Georges Lemoine's whole repertoire of illustrations and on a large amount of private archives. Several questions arise: what does illustrating a literary text involve? Can the illustration become some form of literature in itself? What are the relationships between text and images?
Hamonou-Mahieu, Aline. "Claude Aubriet (vers 1665-1742), peintre d'histoire naturelle." Rennes 2, 2006. http://www.theses.fr/2006REN20011.
Full text"Skilful painter of the King", Claude Aubriet (around 1665, Moncetz-03rd december 1742, Paris) holds an important place in the Scientific community of the Jardin du roi and the Royal Academy of Sciences at the end of 17th century, and so during the first half of 18th century. Indeed, his first orders of scientific drawings from the botanist Joseph Pitton de Tournefort and his training into the art of miniature on vellum from Jean Joubert, painter of the King in charged of the Royal Collection of vellum, will influence his work towards Natural History for nearly fifty years. His catalogue of works, evidence of his art entirely dedicated to Nature and Science, is marked by the ambivalence of his "double career" led with as much care as renunciation : the miniatures of vellum or on paper carried out for the Royal Collection of Vellum, and the scientific drawings, illustrating the works of Academicians suc as Sébastien Vaillant (1669-1722), Antoine de Jussieu (1686-1757) and René-Antoine Ferchault de Réaumur (1685-1759). As Claude Aubriet and his prolific work are underrated-not to say unknown, this study intends to give to his outstanding character, his status back and the important role he played in the first half of 18th century in the recognition of artistic and scientific illustration
Chantrenne, Damien. "Pierre Paul Sevin, illustrateur et créateur de décors de fêtes et de cérémonies sous Louis XIV." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040175.
Full textSon of painter François Sevin, Pierre Paul Sevin was born under the reign of Louis XIV to work during the splendor of the king’s apogee. After traveling to Italy between 1666 and 1671, he moved to Paris until 1689, then to Lyons and finally Tournon where he died. Master of the allegorical composition, he either worked alone, or with father Ménestrier (from the Society of Jesus), on the development of madrigals, almanacs, thesis illustrations, and transient and perennial backdrops. He always worked with a dazzling creative energy, clearly demonstrated in his soaring and hasty strokes. His rigorous adaptation of Ménestrier’s style stigmatized his art for a long time over a dispute in taste between excessiveness and the “classical” spirit of Jean I Berain, “dessinateur de la Chambre et du Cabinet du roi”. However, recent research leads to believe that there was a fruitful competition between the two artists rather than a vain rivalry. It is necessary to clarify Sevin’s biography to better understand the relationships between Jesuits and artists during the 17th century, and to measure the repercussions regarding the consideration of graphic arts as “communicating” images
Meunier, Jean-Louis. "Jean Hugo – Pierre André Benoit : une poétique du désert : contribution à l'étude du dialogue entre les mots et les images." Montpellier 3, 2004. http://www.theses.fr/2004MON30066.
Full textThis work intends to study the poetics of wilderness, as a result of the dialogue between words and engraved pictures. Three selected texts are of major help for this work : the first used as a reference is Actes présumés de Saint Alban de Nant, engraved and written by Jean HUGO during the years 1967/1968 and produced in 1968 by PAB, who is a bibliophilism printer and publisher. The second one is Annoncer l'Amour, which is an anthology of poems written by P. A. BENOIT, illustrated by Jean Hugo with an engraving and published in 1971 by Rougerie. The third one is S'arrêter, poem from P. A. BENOIT and engraving from Jean Hugo. In this text, the illustration was made by PAB 1980. This work also refers to other works of Jean HUGO and P. A. BENOIT. This dialogue does not intend to connect – in a simple way – a selected passage with one or several pictures. It tries to harmonize them by using either religious, legendary and literary references or by underlining some hidden link between an engraving an deselected passage. Thus, wilderness is experienced with the spiritual background expected (escape from the world that has been perverted by the excesses of the industrial civilization) then within the creative act it generates
Arx, Pauline von. "Francis Picabia et l’écriture poétique : des premiers poèmes publiés à la collaboration avec l’éditeur Pierre André Benoit (PAB)." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040183.
Full textFrancis Picabia (1879 – 1953), well-known French painter of the beginning of the twentieth century, was also an experimentalist poet of the avant-garde milieu, who wrote throughout his entire life. Part of his writings have been edited, but many unpublished works can still be found in archives. The Dada period of his poetry is perhaps best known, more particularly for his drawing-poems, but I have discovered during my research that his late writings contain many unrevealed aspects. Particularly after he met the editor Pierre André Benoit (PAB) in 1948, a new important period began in Picabia’s poetic output, during which he published his writings from 1939 to 1951. This intense collaboration took place mainly at a distance, through the exchange of frequent letters, soon turning into a sincere friendship. These publications, most of which are one-of-a-kind books, are printed personally by PAB on his printing press, and are often illustrated by the artist or by the editor himself.Surprisingly, Picabia’s late poetry is strongly marked by Friedrich Nietzsche’s writings, in particular by The Gay Science (1882). The “borrowings” are so evident, that they call for a specific, new interpretation: thus, this peculiar creative process can be seen as a phenomenon of appropriation, or “intertextual rewriting”. This process of “copying”, was applied by the artist indistinctively to his art and poetry and can function as a possible solutionfor the classification of his controversial poems
Books on the topic "Illustrateurs – France"
Les petits français illustrés, 1860-1940: L'illustration pour enfants en France de 1860 à 1940, les modes de représentation, les grands illustrateurs, les formes éditoriales. Paris: Editions du Cercle de la librairie, 1989.
Find full textBarykin, Alex, Valentin Ikryannikov, and Yuriy Budkin. National system of standardization of the Russian Federation. Principles, goals, objectives, forecast of development. ru: INFRA-M Academic Publishing LLC., 2019. http://dx.doi.org/10.12737/1058023.
Full textHoffmann, George. The Legacy of French Reformation Satire. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198808763.003.0008.
Full textKundahl, George G., ed. Wearing the Military Uniform of the United States. University of North Carolina Press, 2014. http://dx.doi.org/10.5149/9780807895702_kundahl.7.
Full textShadle, Matthew A. Conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190660130.003.0017.
Full textFontana, Biancamaria. Politics as Propaganda. Princeton University Press, 2018. http://dx.doi.org/10.23943/princeton/9780691169040.003.0004.
Full textPsygkas, Athanasios. Greece. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190632762.003.0004.
Full textGoyer, Michel, and Miguel Glatzer. Globalization. Edited by Robert Elgie, Emiliano Grossman, and Amy G. Mazur. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199669691.013.8.
Full textScarre, Chris. Neolithic Figurines of Western Europe. Edited by Timothy Insoll. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199675616.013.042.
Full textSchniedewind, William M. The Finger of the Scribe. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190052461.001.0001.
Full textBook chapters on the topic "Illustrateurs – France"
McHaffie, M. W. "Warranty, Litigation, and Compensation." In Warranty Obligations in Western France, 1040–1270, 63–94. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14517-9_5.
Full textLichau, Karsten. "Feeling Political on Armistice Day: Institutional Struggles in Interwar France." In Feeling Political, 189–217. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-89858-8_7.
Full textSquevin, Pierre, and David Aubin. "A Small Discipline, Scarce Publicity, and Compromised Outward Reach: The Advisory Roles of Political Scientists in France." In The Advisory Roles of Political Scientists in Europe, 131–55. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-86005-9_7.
Full textNichols, Roger. "Mad About Nuns 1952–1956." In Poulenc, 215–48. Yale University Press, 2020. http://dx.doi.org/10.12987/yale/9780300226508.003.0008.
Full textTodd, David. "Conclusion." In A Velvet Empire, 277–86. Princeton University Press, 2021. http://dx.doi.org/10.23943/princeton/9780691171838.003.0007.
Full textLanoszka, Alexander. "Nuclear Proliferation and Other American Alliances." In Atomic Assurance, 132–48. Cornell University Press, 2018. http://dx.doi.org/10.7591/cornell/9781501729188.003.0007.
Full textHowes, Anton. "Patrons of the Nation." In Arts and Minds, 1–28. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691182643.003.0001.
Full textMandel, Maud S. "Encounters in the Metropole." In Muslims and Jews in France. Princeton University Press, 2014. http://dx.doi.org/10.23943/princeton/9780691125817.003.0004.
Full textKoc-Michalska, Karolina, and Darren G. Lilleker. "Evolving In Step or Poles Apart?" In Public Affairs and Administration, 1307–30. IGI Global, 2015. http://dx.doi.org/10.4018/978-1-4666-8358-7.ch064.
Full textHansen, Magnus Paulsen. "From looking backwards to forwards: unemployment insurance, France, 2000." In The Moral Economy of Activation, 65–90. Policy Press, 2019. http://dx.doi.org/10.1332/policypress/9781447349969.003.0004.
Full textConference papers on the topic "Illustrateurs – France"
Desnoyers, Yvon, and Patrick de Moura. "Characterization of a Deep Radiological Contamination: Integration of Geostatistical Processing and Historical Data." In ASME 2011 14th International Conference on Environmental Remediation and Radioactive Waste Management. ASMEDC, 2011. http://dx.doi.org/10.1115/icem2011-59062.
Full textAzamatova, Gulrukh. "TEACHING ENGLISH WITH ICT TOOLS." In Proceedings of MMIT’23 International Conference 25 May 2023y. Tashkent International University of Education, 2023. http://dx.doi.org/10.61587/mmit.uz.vi.20.
Full textBodel, Charles. "Structural Modification of a Pipe Under Harmonic Excitation Using an Hybrid Numerical/Experimental Method." In ASME 2011 Pressure Vessels and Piping Conference. ASMEDC, 2011. http://dx.doi.org/10.1115/pvp2011-57232.
Full textStefanov, Orlin. "EVGENY ZAMYATIN - THE GENRE OF ANTI-UTOPIA." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3691.rus_lit_20-21/45-49.
Full textVierling, Matthieu, Frederic Geiger, Jean-Francois Brilhac, Sophie Dorge, David Habermacher, Habiba Nouali, Jean-Louis Guichard, et al. "Novel Desulfurization Concept Using a Regenerable Adsorbent." In ASME Turbo Expo 2020: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/gt2020-16222.
Full textPrivat, Romain, Freddy Garcia, Jean-Noe¨l Jaubert, and Michel Molie`re. "Ethanol-Hydrocarbon Blend Vapor Prediction." In ASME Turbo Expo 2009: Power for Land, Sea, and Air. ASMEDC, 2009. http://dx.doi.org/10.1115/gt2009-59336.
Full textAlexandre, Armando, Raffaello Antonutti, Theo Gentils, Laurent Mutricy, and Pierre Weyne. "Simplified Aerodynamic Loading Model for Non-Production Conditions for Floating Wind Systems Design." In ASME 2021 3rd International Offshore Wind Technical Conference. American Society of Mechanical Engineers, 2021. http://dx.doi.org/10.1115/iowtc2021-3516.
Full textAlayón González, José Javier, Mariolly Dávila Cordido, and Odart Graterol Prado. "Reconstrucción de una pirámide borrada. Análisis de la Capilla Mortuoria encargada por Lucie Delgado-Chalbaud en Caracas, Venezuela, 1951." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1081.
Full textTaylor, Mike, Chas Jandu, Marcus McCallum, and Ray Northing. "Risk Based Design Solution for Routing a High Pressure Gas Transmission Pipeline Through a Region of Geological Instability." In 2012 9th International Pipeline Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/ipc2012-90699.
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