Relevant bibliographies by topics / Illusion

Academic literature on the topic 'Illusion'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 March 2023

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Journal articles on the topic "Illusion"

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ITOH, MAKOTO, and LEON O. CHUA. "IMITATION OF VISUAL ILLUSIONS VIA OPENCV AND CNN." International Journal of Bifurcation and Chaos 18, no. 12 (December 2008): 3551–609. http://dx.doi.org/10.1142/s0218127408022573.

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Visual illusion is the fallacious perception of reality or some actually existing object. In this paper, we imitate the mechanism of Ehrenstein illusion, neon color spreading illusion, watercolor illusion, Kanizsa illusion, shifted edges illusion, and hybrid image illusion using the Open Source Computer Vision Library (OpenCV). We also imitate these illusions using Cellular Neural Networks (CNNs). These imitations suggest that some illusions are processed by high-level brain functions. We next apply the morphological gradient operation to anomalous motion illusions. The processed images are classified into two kinds of images, which correspond to the central drift illusion and the peripheral drift illusion, respectively. It demonstrates that the contrast of the colors plays an important role in the anomalous motion illusion. We also imitate the anomalous motion illusions using both OpenCV and CNN. These imitations suggest that some visual illusions may be processed by the illusory movement of animations.
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Tranum, Diane, and Anthony F. Grasha. "Susceptibility to Illusions and Cognitive Style: Implications for Pharmacy Dispensing." Perceptual and Motor Skills 95, no. 3_suppl (December 2002): 1063–86. http://dx.doi.org/10.2466/pms.2002.95.3f.1063.

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Response distributions for five cognitive illusions and one visual illusion were examined in two samples, college students ( n = 134) and pharmacists ( n = 51). These illusions were selected for study on the basis of pharmacists' judgments about associations of illusions to common dispensing errors. Participants were categorized as Illusion-prone or Illusion-resistant, and distributions of such tendencies for the six stimuli used varied within samples. Significant differences between the two samples on illusion-proneness and resistance were observed for the “Moses' Ark” and “Fcount” illusions. Associations of Illusion-prone and Illusion-resistant responses to field-dependence, psychological type, and the cognitive orientations derived from Psychological Type Theory were examined. Field-independence–field-dependence was the only cognitive dimension associated with Illusion-prone and Illusion-resistant responding. Implications of the data for developing measures based upon visual and cognitive illusions to identify people with error-prone tendencies were discussed.
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Billino, Jutta, Kai Hamburger, and Karl R. Gegenfurtner. "Age Effects on the Perception of Motion Illusions." Perception 38, no. 4 (January 1, 2009): 508–21. http://dx.doi.org/10.1068/p5886.

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Anomalous motion illusions represent a popular class of illusions and several studies have made an effort to explain their perception. However, understanding is still inconsistent. Age-related differences in susceptibility to illusory motion may contribute to further clarification of the underlying processing mechanisms. We investigated the effect of age on the perception of four different anomalous motion illusions. The Enigma illusion, the Rotating-Snakes illusion, the Pinna illusion, and the Rotating-Tilted-Lines illusion were tested on a total of one hundred and thirty-nine participants covering an age range from 3 to 82 years. In comparison with young adults, children showed a lower likelihood of perceiving motion in all illusions with the exception of the Rotating-Tilted-Lines illusion. For adult subjects, we found significant age effects in the Rotating-Snakes illusion and the Rotating-Tilted-Lines illusion: occurrence of the illusory effect decreased with age. The other two illusions turned out to be unaffected by aging. Finally, inter-correlations between different motion illusions revealed that only the Pinna illusion and the Rotating-Tilted-Lines illusion correlated significantly with each other. The results confirm that anomalous motion illusions should not be considered as a homogeneous group. Possible links between perceptual data and neurophysiological changes related to age are discussed. Perceptual differences due to age provide the opportunity to improve our understanding of illusory motion and point to specific underlying mechanisms.
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Metral, Morgane, Corentin Gonthier, Marion Luyat, and Michel Guerraz. "Body Schema Illusions: A Study of the Link between the Rubber Hand and Kinesthetic Mirror Illusions through Individual Differences." BioMed Research International 2017 (2017): 1–10. http://dx.doi.org/10.1155/2017/6937328.

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Background. The well-known rubber hand paradigm induces an illusion by having participants feel the touch applied to a fake hand. In parallel, the kinesthetic mirror illusion elicits illusions of movement by moving the reflection of a participant’s arm. Experimental manipulation of sensory inputs leads to emergence of these multisensory illusions. There are strong conceptual similarities between these two illusions, suggesting that they rely on the same neurophysiological mechanisms, but this relationship has never been investigated. Studies indicate that participants differ in their sensitivity to these illusions, which provides a possibility for studying the relationship between these two illusions. Method. We tested 36 healthy participants to confirm that there exist reliable individual differences in sensitivity to the two illusions and that participants sensitive to one illusion are also sensitive to the other. Results. The results revealed that illusion sensitivity was very stable across trials and that individual differences in sensitivity to the kinesthetic mirror illusion were highly related to individual differences in sensitivity to the rubber hand illusion. Conclusions. Overall, these results support the idea that these two illusions may be both linked to a transitory modification of body schema, wherein the most sensitive people have the most malleable body schema.
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Boril, Jan, Vladimir Smrz, Erik Blasch, and Mudassir Lone. "Spatial Disorientation Impact on the Precise Approach in Simulated Flight." Aerospace Medicine and Human Performance 91, no. 10 (October 1, 2020): 767–75. http://dx.doi.org/10.3357/amhp.5591.2020.

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BACKGROUND: The risks posed by flight illusions impacting pilot spatial orientation have been determined as a safety concern from numerous past aviation accident investigations. Early demonstration of the adverse effects of flight illusions on spatial orientation would be desirable for all pilots, especially at the early training stages to deeply embed good practices for onset detection, flight correction, and response mitigation.METHOD: Simulated flights on a disorientation demonstrator were performed by 19 pilots for 3 conditions: no illusion, somatogyral illusion, and Coriolis illusion. An objective approach for assessing pilot performance degradation due to flight illusions can be done by using a defined flight profile: instrument landing system (ILS) flight trajectory during final instrument approach. Deviations to the standard ILS profile were recorded to measure and evaluate the influence of the demonstrated flight illusion on pilot performance.RESULTS: The results show the expectation that the smallest deviations from the ideal trajectory are caused by pilot tracking error (no illusion), and the greatest deviations are caused by the Coriolis illusion. Results demonstrated a statistically significant effect of illusions on performance. According to statements from pilots, training for flight illusion response is essential to complement training in aircraft regulations and aerodynamics.DISCUSSION: Measuring the influence of vestibular illusions on flight profile with a simulator allows assessment of individual differences and improvement of pilot performance under the conditions of no illusion, the somatogyral illusion, and the Coriolis illusion.Boril J, Smrz V, Blasch E, Lone M. Spatial disorientation impact on the precise approach in simulated flight. Aerosp Med Hum Perform. 2020; 91(10):767775.
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Gosselin, Frédéric, and Claude Lamontagne. "Motion-Blur Illusions." Perception 26, no. 7 (July 1997): 847–55. http://dx.doi.org/10.1068/p260847.

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The still-radii illusion, the figure-of-eight illusion, the band-of-heightened-intensity illusion and the dark-blurred-concentric-circles illusion have remained, until now, isolated relatively ill-explained phenomena. A single algorithmic model is proposed which explains these four visual illusions. In fact, this model predicts phenomena produced by motion of any gray-shaded patterns relative to the eyes (termed ‘motion-blur illusions’). Results of a computer simulation of the model are presented. A novel instance of the proposed class of illusions, which can be readily experienced by the reader, is introduced to illustrate the generality of the model.
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Deręgowski, Jan B. "Illusions within an Illusion." Perception 44, no. 12 (September 23, 2015): 1416–21. http://dx.doi.org/10.1177/0301006615599903.

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Poom, Leo. "Influences of orientation on the Ponzo, contrast, and Craik-O’Brien-Cornsweet illusions." Attention, Perception, & Psychophysics 82, no. 4 (December 24, 2019): 1896–911. http://dx.doi.org/10.3758/s13414-019-01953-8.

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AbstractExplanations of the Ponzo size illusion, the simultaneous contrast illusion, and the Craik-O’Brien-Cornsweet brightness illusions involve either stimulus-driven processes (assimilation, enhanced contrast, and anchoring) or prior experiences. Real-world up-down asymmetries for typical direction of illumination and ground planes in our physical environment should influence these illusions if they are experience based, but not if they are stimulus driven. Results presented here demonstrate differences in illusion strengths between upright and inverted versions of all three illusions. A left-right asymmetry of the Cornsweet illusion was produced by manipulating the direction of illumination, providing further support for the involvement of an experience-based explanation. When the inducers were incompatible with the targets being located at the different distances, the Ponzo illusion persisted and so did the influence from orientation, providing evidence for involvement of processes other than size constancy. As defined here, upright for the brightness illusions is consistent with an interpretation of a shaded bulging surface and a 3D object resulting from a light-from-above assumption triggering compensation for varying illumination. Upright for the Ponzo illusion is consistent with the inducers in the form of converging lines being interpreted as railway tracks receding on the ground triggering size constancy effects. The implications of these results, and other results providing evidence against experience-based accounts of the illusions, are discussed.
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Mourão, Paulo Reis. "The Economics of Illusion. A Discussion Based on Fiscal Illusion." Journal of Public Finance and Public Choice 25, no. 1 (April 1, 2007): 67–86. http://dx.doi.org/10.1332/251569207x15664516463943.

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Abstract What do optical illusions (like a mirage) and economic illusions have in common? The answer was suggested by Amilcare Puviani, who started a methodological and fiscal revolution when he wrote Teoria dell’illusione finanziaria in 1903. The work of Buchanan [1960 and 1967] gave rise to a large debate on the issue of fiscal illusion, about its sense, its consequences and its solutions. This article presents the historical evolution of the debate on fiscal illusion and its empirical evidence.
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Flynn, Oliver, and Arthur Shapiro. "A note concerning the relationship between the Adelson’s Argyle illusion and Cornsweet edges." Psihologija 47, no. 3 (2014): 353–58. http://dx.doi.org/10.2298/psi1403353f.

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Adelson?s Argyle illusion and the Craik-O?Brien-Cornsweet illusion are two noteworthy brightness illusions. In the Argyle illusion two identical gray areas are perceived to have radically different brightness levels when they are surrounded by a pattern similar to an argyle clothing design. The Craik-O?Brien-Cornsweet (C-O-C) illusion shows two identical gray areas appear different brightness when they are separated by a ?Cornsweet edge.? The C-O-C illusion is remarkable for the large distances over which the effect holds even though the Cornsweet edge is relatively narrow. Here we draw a connection between these two illusions by extending the columns of the Argyle illusion to produce what we refer to as long range Argyles (LoRAs). We show that LoRAs have many similar properties to Cornsweet edges and they are capable of producing brightness effects over a large spatial range. It therefore seems that part of the strength of the Argyle illusion arises from a combination of standard simultaneous brightness effects and edge effects like those produced by the C-O-C illusion. Lastly, we discuss a curious difference between the effects of LoRAs and Cornsweet edges.
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Dissertations / Theses on the topic "Illusion"

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Auyer, Jonathan P. "Illusion in the commonplace| Reinterpreting Ernst Gombrich's concept of illusion." Thesis, State University of New York at Albany, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3565358.

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In the dissertation I analyze and interpret Ernst Gombrich's book Art and Illusion, focusing on his view that illusion is involved in pictorial representation. Since Gombrich never gave a concise, systematic account of illusion, my goal will be to fill this void by using the text of Art and Illusion as well as Gombrich's subsequent writings in order to present a coherent account of how illusion might play a role in a picture's representing an object.

My goal is not to present an unassailable account of pictorial representation. Instead, I offer a version of Gombrich's theory that pushes readers towards a better comprehension of what a Gombrichian theory of illusion involves. In the process I introduce and defend a number of terms and concepts in the service of filling in those places where Gombrich is silent. Among other things, in response to Gombrich's notion of visual substitution I elaborate upon the claims that representational pictures function as relational models and afford recognition of the objects they represent; I reply to Richard Wollheim's "twofoldness" objection to Gombrich; and I contend that Gombrich's use of the notion of illusion is not open to the objections commonly made against it (e.g., that normal picture perception does not involve illusion because "illusion" is synonymous with "delusion").

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Lincoln, Lucy, and lucy lincoln@bigpond com. "Light and Illusion." RMIT University. Art, 2008. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090306.145318.

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This project is an investigation of visual illusions created through the interaction of light on different surfaces and structures. Illusion implies deception - an optical illusion, in a sense is misunderstood information that creates a 'false' visual reality. This project incorporates macro and non-macro photography to generate illusion through scale and shape. Through deliberate acts of deception the images play on the human desire for mystery. It is through the 'eye of the imagination' that the images reveal themselves. The photographic images are of dioramas created on the top of a light box, using everyday substances and materials such as glass, felt, coloured transparencies, detergents and liquids of varying consistencies. This project reveals the extraordinary in the ordinary. The outcome of this project is a photographic body of work, the product of my experimentation and research, in which the ambiguous content of the composition, compels the viewer to their own interpretation. Translating some of the resulting images into a three-dimensional light based installation of an illusory nature invites people to take on a participatory role, furthering their experience with the artwork. This project makes us aware of our role within the experiential process, ma king us appreciate and question its very nature.
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Aasen, S. "Thought without illusion." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1459420/.

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This thesis targets the part of Gareth Evans’s and John McDowell’s view of singular thought which involves the claim that there can be illusions of thought. Singular thought is, according to Evans and McDowell, an object-dependent thought-content; such thought-content could not be entertained unless the object it is about exists. Nevertheless, in a case of perceptual hallucination, where a subject mistakenly takes it that there is an object in front of him or her, Evans and McDowell think that it can seem to a subject exactly as though he or she is having an object-dependent thought, although the subject is in fact not thinking at all due to the absence of any object to think about. The thesis argues for a rejection of this idea of illusions of object-dependent thought. It is further argued that the idea of illusions of thought can be eliminated from Evans’s and McDowell’s view without abandoning their fundamental insight about how singular thought-content is object-dependent. Following specifically McDowell’s development of the view, it is suggested that singular thought is about the world in virtue of how things cognitively appear to the subject. It is suggested that in an alleged case of illusion of thought, the subject has an object-dependent thought about an object whose existence in part is due to the mind’s directedness in that very episode of singular thinking. Furthermore, Evans’s and McDowell’s respective views of acquaintance are criticised, and an idea about acquaintance as awareness of a wider range of objects than just perceivable objects is put forward. In general, the thesis outlines a revised version of Evans’s and McDowell’s view, a version according to which singular thought, although externalistically individuated, is transparent to the thinker.
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brålander, emma. "illusion färg komposition." Thesis, Konstfack, Inredningsarkitektur & Möbeldesign, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5873.

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By working with color and composition I convert flat surfaces to three-dimensionality and the other way around. By distorting the space, my aim is to confuse the viewer of what they perceive. I want to blur the borders between color and object to evoke a curiosity to experience my space.
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Pinar, Abuzer. "Essays on fiscal illusion." Thesis, University of Nottingham, 1998. http://eprints.nottingham.ac.uk/11496/.

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The objective of this study is to examine the relationship between taxation and public spending in the UK, utilising public choice theories that the level of government spending should reflect voter-taxpayer's demand for public goods. Such theories argue that certain features of the tax structure affect voter's perceptions of their tax burden so that they underestimate how much they are paying for public goods. Fiscal illusion is investigated as a key issue in a time series analysis of general government expenditures, and a cross-section analysis of local government spending. Also survey data from British Social Attitudes is employed to analyse the relationship between tax perceptions and preferences for public spending. The time-series results show quite consistent evidence that low visibility of taxed and deficit financing are associated with increased levels of spending, but for various reasons measures of tax elasticity and complexity performed less well. Closer examination suggests that deficit financing is less an illusory plan to hide expenditure increases from voters and more a short-term necessity when shock cause (trends in) spending and revenue to diverge. The cross-section results suggest fairly strong support for the "flypaper effect" that central government grants increase spending by more than would an equivalent increase in local income. Measures of local accountability appeared to have similar effects, while evidence on renter illusion suggests different outcomes in the two alternative tax regimes (community charge and council tax). Evidence from the micro-data analysis suggests some forms of fiscal illusion, though the influence of tax misperceptions on the demand for public spending is ambiguous. Overall, the evidence is consistent with the tendency to use invisible taxes to support increased spending, however, the use of this evidence, per se, may be misleading in drawing future prospects for tax and expenditure policies. Micro data analysis of fiscal perceptions offers a potentially important means of determining policy instruments. Moreover, if governments aim at increasing local accountability, inter-governmental fiscal relations should be reconsidered.
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Poulet, Regis. "L'Orient, généalogie d'une illusion." Lyon 3, 2000. http://www.theses.fr/2000LYO31013.

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Comprendre ce que l'Orient représente dans l'imaginaire occidental exige de remonter à l'Antiquité grecque. Il accompagne la naissance de l'idéalisme et de la métaphysique. Très tôt, la temporalité de la décadence le caractérise, de la Rome impériale jusqu'à la fin du XXe siècle. Peurs de la barbarie, de la corruption et du déclin témoignent de l'angoisse de l'Occident face au devenir de la nature. Construit sur une pensée de l'être, c'est à dire du manque, l'Orient incarne dès la fin du XVIIIe siècle le rêve d'une androgynie spirituelle synonyme de régénération. Politique, religion et arts sont à divers degrés influencés par cette illusion. Mais un boulversement intervient avec Nietzsche, boulversement dont on tente de tirer ici les conséquences. En tant qu'illusion, l'Orient collabore à l'introduction de la décadence de la vie : c'est le nihilisme. Caratéristique du monde moderne, le nihilisme se traduit par l'uniformisation et la globalisation planétaires où l'Occident perd l'Orient qu'il s'est créé. Mais en révélant qu'il n'est possible de construire que sur le néant (l'Etre étant inaccessible et insuportable) le nihilisme laisse entrevoir une sortie. Pour que le néant devienne positif, il est nécéssaire que le "logos" et la "phusis" se réconcilient. L'attention à la corporéité de la pensée ainsi que la nature esthétique de l'Etre font alors du simulacre et de l'artificiel des viatiques où l'Orient n'a plus sa place mais où l'Asie peut jouer un rôle.
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Svensson, Anton. "Tiden är en illusion." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22934.

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Serieforskning som tvärvetenskapligt fält avancerar framåt ur såväl ett internationellt som nationellt perspektiv och syftar ofta till att synliggöra mediets meningsbyggande funktion, något som är intressant inte minst ur en kommunikativ aspekt. Den vetenskapliga litteraturen på området har stor spridning över olika forskningsfält och det saknas väl etablerade teorier och metoder för att analysera tecknade serier. Syftet med studien är att undersöka och analysera skildrandet av tidsförlopp i tecknade serier utifrån sidlayout och seriens system. Avsikten är att utforska hur den formmässiga kompositionen och förhållandet mellan strukturella element påverkar uppfattningen av tidsförlopp i tecknade serier. Undersökningen baseras på teori som behandlar den tecknade seriens system, dess meningsbyggande funktion, anpassningen av verbalt narrativ till visuellt medium och illusionen av tid. Tillsammans med bildanalyser av produktionsreferenser i form av kanoniserade tecknade serier och en egen mediaproduktion i en metodologisk triangulering för att ge en heltäckande bild av problemet ur olika perspektiv, samt att kunna jämföra och analysera resultaten på ett djuplodande sätt. Studien belyser och problematiserar förhållandet mellan seriestrukturen och det bildmässiga innehållet i skildrandet av tidförlopp i tecknade serier.
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Hayden, Alexander. "No Love for Illusion." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3097.

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I remember being young and being told that birds had special pads on their feet which prevent them from getting electrocuted when they sit on electrical lines. I was told on a different occasion not to put my finger into electrical sockets, so, one day I tried a key. I do not have special pads on my hands. In middle school science class I explained the fascinating pad theory to my class only to find out that I was wrong, and if I aim to be so serious sometimes, perhaps I could at least be funny.
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Amato, Angela. "An illusion of reality /." Online version of thesis, 1987. http://hdl.handle.net/1850/10307.

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Lovrič, Sara. "Illusion in Puppet Theatre." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-202410.

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Tématem této práce je studium iluze v loutkovém divadle. V první části se pokusím objasnit pojem iluze v umění všeobecně. Hlavním předpokladem je, že umění a iluze jsou dva neoddělitelné pojmy. Iliuze není výsldkem neby výplodem umění, nýbrž nevyhnutelným prostředkem k analýze věcí. Ona neskutečným způsobem pomáhá k prožitku skutečného a neskutečného světa. V tomto prožitku kromě umělce působí také pozorovatel, na jehož schopnosti vnímat umělcovy iluze závisí také samotný účinek této iluze.V divadelním umění se iluze děje v okamžiku a prostoru před očima diváka. Zázrak iluze se uskutečňuje před námi a zapomínáme, že je tady.V loutkovém umění má loutka, jako uměle stvořená scénická postava, již v samé své podstatě iluzorní charakter. Právě potřebě člověka tvořit a jeho pokusům měnit skutečnost dluží loutka svůj původ. Již v prehistorii byla loutka prostředkem pro navazování kontaktů s Bohem. V romantismu umělci probudí tento metaforický vztah a pozvednou loutkové divadlo jako umělecky hodnotnou formu. Období modernismu přináší nové úvahy o teorii loutek. Modernisté začínají v loutce poznávat nové, symbolické možnosti. Tyto úvahy o loutkách přispěly k vývoji loutkového divadla, které vyžaduje svůj vlastní jazyk iluze. Loutka již nenapodobuje skutečnost, nýbrž vytváří novou skutečnost. Další vývoj loutkového divadla se vydává směrem k experimentování s různými loutkářskými možnostmi vyjadřování. Odhazuje se paraván, loutka a animátor se objevují společně na scéně. Iluze je zpochybněna kvůli prezentaci reálnosti tvorby. Při hledání poetického jazyka vyjadřování se v loutkovém divadle začínají animovat části těla, materiály, předměty? Skutečné předměty dostávají neskutečný význam a iluze metamorfózy se děje před našima očimaNa konci práce se ohlédnu i na loutkové divadlo v Chorvatsku. V tomto krátkém ohlédnutí se pokusím nastínit přehled vývoje loutkářství a jeho iluze a objasnit vlivy, které přispěly k tomuto vývoji.
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Books on the topic "Illusion"

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Sheila Ann Mary Coates Holland. Illusion. Long Preston: Magna, 1987.

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Peretti, Frank E. Illusion. Waterville, Maine: Thorndike Press, 2012.

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Šuplata, Václav. Illusion. Bratislava: Vydavatel̕stvo Illusion, 1997.

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Warner, Mignon. Illusion. Bath: Chivers, 1986.

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Levine, Mel. Illusion. England: Pentland Press, 1999.

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Illusion. New York: Simon Pulse, 2016.

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Warner, Mignon. Illusion. Boston, Mass: G.K. Hall, 1986.

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Robertson, Denise. Illusion. Thorndike, Me: G.K. Hall, 2000.

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Copyright Paperback Collection (Library of Congress), ed. Illusion. New York, NY: Berkley Books, 1998.

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Volsky, Paula. Illusion. New York: Bantam Books, 1992.

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Book chapters on the topic "Illusion"

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Schwartz, Robert. "The Illusion of Visual Illusions." In Perceptual Illusions, 25–43. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230365292_2.

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Longhofer, Jeffrey. "Illusion." In A-Z of Psychodynamic Practice, 105–6. London: Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-03387-1_38.

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Ke, Tony. "Illusion." In New Masters of Flash, 230–57. Berkeley, CA: Apress, 2000. http://dx.doi.org/10.1007/978-1-4302-5145-3_9.

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Draper, R. P. "Illusion." In Shakespeare: The Comedies, 36–54. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-349-90880-6_3.

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Barr, Charles. "Illusion." In Vertigo, 46–83. London: British Film Institute, 2012. http://dx.doi.org/10.1007/978-1-84457-716-3_3.

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Ross, Helen E. "Is the Moon Illusion an Illusion?" In Perceptual Illusions, 107–23. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230365292_7.

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Glaser, Christian. "Rationalitäts-Illusion." In Risiko im Management, 73–76. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-25835-1_19.

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Tyran, Jean-Robert. "Money illusion." In Lecture Notes in Economics and Mathematical Systems, 22–35. Berlin, Heidelberg: Springer Berlin Heidelberg, 1999. http://dx.doi.org/10.1007/978-3-642-46883-4_4.

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Pfisterer, Ulrich. "Illusion (ästhetische)." In Metzler Lexikon Kunstwissenschaft, 201–3. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04949-0_58.

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Bertamini, Marco. "Honeycomb Illusion." In Programming Visual Illusions for Everyone, 123–34. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64066-2_11.

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Conference papers on the topic "Illusion"

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Dunn, Andrew, and Peter Thompson. "Visual illusions: pointing the finger at the Judd illusion." In Electronic Imaging 2005, edited by Bernice E. Rogowitz, Thrasyvoulos N. Pappas, and Scott J. Daly. SPIE, 2005. http://dx.doi.org/10.1117/12.610852.

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Mizusawa, Kiyoe. "Percelved complementary colors of computer-generated geometric achromatic figures surrounded by chromatic grid fields." In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1988. http://dx.doi.org/10.1364/oam.1988.wq7.

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Abstract:
In both the Hermann and Speillman illusions, small gray spots are seen at the intersections of the white grid on the surrounding black grid field. The existing explanations of the illusions are of two types. The first explanation states that the gray depressed spots are caused by the excitatory regions of the human receptive fields having concentric on-center and off-center areas. Other investigators attribute this phenomenon to Ratliff’s theory on the effect of the secondary bipolar cell innovations. Although the process is not the same as the illusion described above, the present research systematically investigates the perception of the geometric figures consisting of black grids surrounded by high-frequency colored grids. Six different surrounding colored grid figures with five different densities of grid were tested. The subjects perceived a black grid figure as various reflecting colors complementary to the surrounding grid colors. The optimal visual angle for the illusion was 6–18 min of arc. The results were analyzed by the analysis of variance, and a few theoretical implications were discussed by comparing the theories described above.
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"Digital illusion." In the 20th annual conference, Chair Clark Dodsworth. New York, New York, USA: ACM Press, 1993. http://dx.doi.org/10.1145/166117.166177.

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Suzuki, Eiji, Takuji Narumi, Sho Sakurai, Tomohiro Tanikawa, and Michitaka Hirose. "Illusion cup." In AH '14: 5th Augmented Human International Conference. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2582051.2582092.

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Costa, Anabela. "The illusion of image or the image of illusion?" In the 2012 Virtual Reality International Conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2331714.2331736.

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Maehigashi, Akihiro, Akira Sasada, Miki Matsumuro, Fumihisa Shibata, Asako Kimura, and Sumaru Niida. "Virtual Weight Illusion: Weight Perception of Virtual Objects Using Weight Illusions." In CHI '21: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3411763.3451842.

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Rovkin, Maksim, Evgenij Yelchugin, and Maria Filatova. "3D-Illusion Constructor." In Spring/Summer Young Researchers' Colloquium on Software Engineering. Institute for System Programming of the Russian Academy of Sciences, 2011. http://dx.doi.org/10.15514/syrcose-2011-5-24.

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Hayashi, Eiji, Rachna Dhamija, Nicolas Christin, and Adrian Perrig. "Use Your Illusion." In the 4th symposium. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1408664.1408670.

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Gonçalves, Frederica, and Pedro Campos. "Mild Place Illusion." In ECCE'18: 36th European Conference on Cognitive Ergonomics. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3232078.3232085.

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Kodaka, Kenri, Taiki Anraku, Kansuke Okada, and Koyo Mori. "Elastic Legs Illusion." In CHI '20: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3334480.3383146.

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Reports on the topic "Illusion"

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Kremer, Michael, and Edward Miguel. The Illusion of Sustainability. Cambridge, MA: National Bureau of Economic Research, February 2004. http://dx.doi.org/10.3386/w10324.

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Campbell, John, and Tuomo Vuolteenaho. Inflation Illusion and Stock Prices. Cambridge, MA: National Bureau of Economic Research, February 2004. http://dx.doi.org/10.3386/w10263.

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Green, Steven, and Herschel Grossman. The Illusion of Stabilization Policy? Cambridge, MA: National Bureau of Economic Research, April 1986. http://dx.doi.org/10.3386/w1889.

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Barrett, Roby C. Iran: Illusion, Reality, and Interests. Fort Belvoir, VA: Defense Technical Information Center, September 2012. http://dx.doi.org/10.21236/ada574059.

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Brunnermeier, Markus, and Christian Julliard. Money Illusion and Housing Frenzies. Cambridge, MA: National Bureau of Economic Research, December 2006. http://dx.doi.org/10.3386/w12810.

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Giletti, Gregory P. A Grand Illusion: United Nations Reform. Fort Belvoir, VA: Defense Technical Information Center, April 2000. http://dx.doi.org/10.21236/ada388362.

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Kelly, Daniel. Ames Trapezoid Illusion: A New Model. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.1518.

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Piazzesi, Monika, and Martin Schneider. Inflation Illusion, Credit, and Asset Pricing. Cambridge, MA: National Bureau of Economic Research, March 2007. http://dx.doi.org/10.3386/w12957.

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Nelson, Charles, and Myung Kim. Predictable Stock Returns: Reality or Statistical Illusion? Cambridge, MA: National Bureau of Economic Research, March 1990. http://dx.doi.org/10.3386/w3297.

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Brooks, Jr, and Frederick P. Grasping Reality Through Illusion: Interactive Graphics Serving Science. Fort Belvoir, VA: Defense Technical Information Center, March 1988. http://dx.doi.org/10.21236/ada201086.

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