Academic literature on the topic 'Illumination of books and manuscripts, gothic – england'
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Journal articles on the topic "Illumination of books and manuscripts, gothic – england"
Bel'skaya, Anna O. "FEATURES OF COMPOSITION IN THE ART OF CHILDREN’S BOOKS BY ARTHUR RACKHAM." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 3 (2020): 131–49. http://dx.doi.org/10.28995/2073-6401-2020-3-131-149.
Full textDissertations / Theses on the topic "Illumination of books and manuscripts, gothic – england"
Hoffmann, Ingrid-Sibylle. "Der Meister der Pollinger Tafeln : Wege der Erneuerung in der bayerischen Malerei des mittleren 15. Jahrhunderts /." Weimar : VDG Verl. und Datenbank für Geisteswissenschaften, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2929787&prov=M&dokv̲ar=1&doke̲xt=htm.
Full textSchell, Sarah. "The Office of the Dead in England : image and music in the Book of Hours and related texts, c. 1250-c. 1500." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2107.
Full textBarceló, Plana Alba. "La il·lustració dels cicles bíblics en les haggadot catalanes del període gòtic: un estudi iconogràfic." Doctoral thesis, Universitat de Barcelona, 2018. http://hdl.handle.net/10803/666812.
Full textThe present doctoral research aims to elaborate an iconographic study on the biblical cycles of a group of Hebrew Catalan manuscripts from the 14th century. In particular, these manuscripts are Haggadot, books to be read with the family during the Passover meal. Although their iconographic programme is varied, also including illuminations related to the content of the Haggadah text, the thesis focuses on the miniated biblical episodes, most of which are dedicated to the Genesis and the Exodus. It is important to highlight that this is a complex topic because of the different hypothesis concerning the configuration of Jewish art. Several studies have dealt with the subject from multiple perspectives and approaches, but because of the great interest and wealth of the Haggadot, new observations and considerations need to be made with respect to the issues that remain open. The illuminated Catalan Haggadot are not only a testimony of prime importance in Jewish art, but they also provide elements to understand the Christian biblical cycles in a Catalan context or similar. The relationship between Jewish and Christian iconography, as the works show, is obvious. Therefore, studying the biblical cycles of these manuscripts can also open doors to understand the Christian vetero-testamentary cycles. With the intention of analysing the topics pertaining to the Hebrew Bible in the Catalan Haggadot, a number of factors which are key to determine their iconography have been taken into account, such as the content and message of the Haggadah text and the meaning of the Passover and ritual dinner. It has also been considered necessary to analyse the artistic and historical context in which the illumination of the manuscripts of Gothic Catalonia was formed, as well as establishing the general features of the Haggadot and the elements that have contributed to their genesis and creation, from their authors to their owners. The main body of the thesis corresponds to the study, scene by scene, of the several biblical vignettes that appear in the manuscripts. This analysis has taken into account the literary sources consulted, such as the biblical sources and those from the Midrash and the Targum, to prove where the different iconographic motifs inserted in the scenes may come from, as well as the models and artistic correspondences with other works in Jewish and Christian contexts. In order to compare and determine the particularities of the Catalan Haggadot, a large number of works which share the same iconographic themes have been taken into account. This has made it possible to carry out assessments with respect to the tradition that the images follow and to establish the extent to which they are a result of a copy of the Christian cycles or whether they include unique special features specific to the Jewish tradition. In order to assess the scenes as a whole, a chapter has been dedicated to the meaning and function of the biblical programme while taking into account the rest of the iconographic programme, the reason for choosing these themes and the function of the images in the book according to the historical-cultural context, all of which are fundamental issues in an iconographic study.
Slaymaker, Peter James Victor. "Augustine and the Trinity vision in the Vita Sancti Augustini Imaginibus Adornata." Thesis, 2013. http://hdl.handle.net/1805/3886.
Full textBooks on the topic "Illumination of books and manuscripts, gothic – england"
Livia, Visser-Fuchs, and Richard III and Yorkist History Trust., eds. The Hours of Richard III. Stroud. Glos: A. Sutton for Richard III & Yorkist History Trust, 1990.
Find full textSutton, Anne F. The Hours of Richard III. Stroud. Glos: A. Sutton for Richard III & Yorkist History Trust, 1996.
Find full textSandler, Lucy Freeman. Gothic manuscripts: 1285-1385. London: Harvey Miller, 1986.
Find full textSandler, Lucy Freeman. Gothic manuscripts: 1285-1385. London: Harvey Miller, 1986.
Find full textFreuler, Gaudenz. Tendencies of Gothic in Florence. Florence: Giunti, 1997.
Find full textLandesbibliothek, Württembergische. Die gotischen Handschriften der Württembergischen Landesbibliothek Stuttgart. Stuttgart: A. Hiersemann, 1996.
Find full textKönig, Eberhard. Das liebentbrannte Herz: Der Wiener Codex und der Maler Barthélemy d'Eyck. Graz: Akademische Druck- u. Verlagsanstalt, 1996.
Find full textAndrea, Emiliani, and Rimini (Italy) Museo civico, eds. Neri da Rimini: Il Trecento riminese tra pittura e scrittura. Milano: Electa, 1995.
Find full textSandler, Lucy Freeman. Studies in manuscript illumination, 1200-1400. London: Pindar Press, 2008.
Find full textAssirelli, Marco. I libri miniati di età romanica e gotica / saggi e catalogo di Marco Assirelli, Massimo Bernabò, Giovanna Bigalli Lulla ; introduzione di Maria Grazia Ciardi Duprè Dal Poggetto. Assisi: Casa editrice francescana, 1988.
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