Relevant bibliographies by topics / Iliad

Academic literature on the topic 'Iliad'

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Published: 4 June 2021
Last updated: 22 February 2023

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Journal articles on the topic "Iliad"

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Shapovalova, A. A. "Klein, L. (2019). The Iliad: An epic and history. St. Petersburg: Eurasia. (In Russ.)." Voprosy literatury, no. 6 (December 28, 2020): 280–83. http://dx.doi.org/10.31425/0042-8795-2020-6-280-283.

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The Iliad: An Epic and History [‘Iliada’: epos i istoriya] is the last book by L. Klein, a prominent Russian historian, archaeologist, philologist, and the founder of theoretical archaeology. The book was originally conceived as the third part of a larger research project, The Iliad Deciphered [Rasshifrovannaya ‘Iliada’]. The Iliad: An Epic and History includes important additions to The Iliad’s Anatomy [Anatomiya ‘Iliady’], with references to its tables and maps, as well as to Disembodied Heroes [Besplotnye geroi]. Klein analyzes how frequently epithets were used with city names and names of the heroes, as well as morphemes of frequently used and key words in terms of their age and geography. Based on the results of this analysis, he divides the Iliad into parts and proceeds to describe them in detail. Klein also elaborates on the images of the heroes and their origins in local cults. A large part of the work is devoted to analysis of the Catalogue of Ships. Thanks to the findings provided by the book the readers get a comprehensive view of the overall textual structure of the Iliad.
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McCoskey, Denise E. "Reading Cynthia and Sexual Difference in the Poems of Propertius." Ramus 28, no. 1 (1999): 16–39. http://dx.doi.org/10.1017/s0048671x00001806.

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‘she is always and never the same’(advertising slogan for ‘Contradiction’, a ‘fragrance for women’ by Calvin Klein, 1999)In the first poem of his second book, Propertius presents an emphatic declaration of his status as a love poet, slyly incorporating a detailed recusatio to Maecenas, who he claims has requested that he compose epic instead. Later in the poem, Propertius' preference for elegy over epic seems to be echoed by the predilections of his lover Cynthia, who, as Propertius insists, finds the entire Iliad distasteful. According to Propertius, Cynthia's aversion to the poem emerges from a very specific source: the epic's primary female protagonist, Helen. For, as Propertius recalls it, Cynthia disapproves of the whole epic precisely because she finds fault with its ‘leuis’ heroine: si memini, solet ilia leuis culpare puellas,/et totam ex Helena non probat Iliada (‘If I remember, she is accustomed to castigate mutable women and does not approve of the whole Iliad because of Helen’, 2.1.49f.).
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Farrell, Alan F., Homer, Stanley Lombardo, and Sheila Murnaghan. "Iliad." Journal of Military History 61, no. 3 (July 1997): 602. http://dx.doi.org/10.2307/2954038.

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deForest Lord, George, Martin Mueller, Tom Winnifrith, Penelope Murray, and K. W. Gransden. "The Iliad." Modern Language Review 82, no. 1 (January 1987): 153. http://dx.doi.org/10.2307/3729920.

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Keller, Harold. "Iliad Drawings." Arion: A Journal of the Humanities and the Classics 24, no. 3 (2016): 75–86. http://dx.doi.org/10.1353/arn.2016.0014.

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Rose, Peter W., and Martin Mueller. "The Iliad." Classical World 79, no. 4 (1986): 291. http://dx.doi.org/10.2307/4349893.

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Laba, Jacqueline, and Jonathan Shay. "Vietnam "Iliad"." English Journal 86, no. 3 (March 1997): 106. http://dx.doi.org/10.2307/820662.

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Chappell, Mike. "The Iliad." Classical Review 55, no. 1 (March 2005): 3–4. http://dx.doi.org/10.1093/clrevj/bni002.

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Willcock, M. M. "Iliad II." Classical Review 55, no. 1 (March 2005): 4–5. http://dx.doi.org/10.1093/clrevj/bni003.

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Haddock, Bruce A. "The Iliad." New Vico Studies 4 (1986): 185–86. http://dx.doi.org/10.5840/newvico1986430.

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Dissertations / Theses on the topic "Iliad"

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Stickley, Patrick R. "Grief in the Iliad." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/honors/205.

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This paper addresses the causes and effects of grief within Homer's Iliad. In addition, this paper argues that error, both committed and suffered, is the primary cause of grief, and that grief is particularly transformative in regard to Achilles, both in his motivations and his physicality.
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Natanson, Déborah. "Δειμoι Bρoτoι : human beings in the 'Iliad'." Thesis, University of Edinburgh, 2009. http://hdl.handle.net/1842/29910.

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This dissertation investigates what it means to be human in Homer’s Iliad. It begins by looking at how Homer’s depiction of the human condition centres on the negative aspects of human life such as mortality, suffering and loss. The tragedy of mortality irremediably underlies all of human existence, and heroic death only partially compensates for it. Lamentation highlights suffering rather than glory as a consequence of war. The thesis goes on to explore how some forms of compensation and happiness are still possible in personal relationships through such positive values as pity and gentleness, which encourage solidarity and fellow-feeling among human beings, even between enemies. The poem ends with a striking act of compassion for a personal enemy: indeed, those gentler virtues ultimately transcend even nationalities and war, as can be seen in the meeting between Priam and Achilles. In addition to individual interpersonal relationships, another way for human beings to mitigate the tragic human condition is found through social organisation. The dissertation analyses this by looking at forms of conflict resolution, and different approaches to political organisation. Overall, the dissertation investigates how Homer portrays the complex dynamic between the negativity of mortality and suffering and their potential positive consequences, such as human solidarity. The depiction of suffering puts the emphasis on the losses and grief that war creates, rather than the glory the heroes are hoping to gain. Furthermore, the desire for a glorious end on the battlefield is counterbalanced by the great feat and hatred of death found throughout the poem and an intense love for live and its beauties.
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Poulengeris, Andreas Christou. "Studies on the text of Iliad 3-5." Thesis, Royal Holloway, University of London, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271299.

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In these studies I discuss a number of selected passages from Iliad 3-5 where there are textual variations supported by extant minuscule copies and about which we can reasonably argue that they also existed in the text of uncial COpIes. The purpose of these discussions is to assert the claim of each variant to direct tradition, i.e. that their presence in the medieval minuscule tradition is due to inheritance from the text of extant or lost uncial copies, or, to use an abbreviated term, that they are ancient; and also to assert its utility for the evaluation or classification of the manuscripts which attest it, i. e. to identify the manuscripts which are the rightful heirs of such a variant through early lost minuscules, as well as to identify closely related groups of manuscripts. I have limited myself to a selection of the older manuscripts and attempted to discover by analysis which of these manuscripts are the most useful in preserving ancient variants. This approach differs from Allen's, who in the case of his edition of 1931 uses some 180 manuscripts and in the case of the Oxford Classical Text of 1920 mainly manuscript families on the strength of numerical agreements in various readings, resulting in a most unsatisfactory state of affairs in both cases. In the second part I provide a collation of the chosen manuscripts for Iliad 18, to demonstrate how reliable or unreliable Allen's collations are. I also provide an apparatus criticus for the same book which is not meant to serve the ordinary purpose of an apparatus criticus (no notice is taken of papyri, quotations, or modem conjectures), but only to show what the manuscript picture looks like, on the evidence of my collation for the variants judged worthy of mention in the Oxford Classical Text
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Kelly, Adrian. "The path of song : semantic strategies in Iliad VIII." Thesis, University of Oxford, 2003. http://ora.ox.ac.uk/objects/uuid:0e6834fd-8b77-4aa9-8916-561a4521a6f3.

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The Path of Song: Semantic Strategies in Iliad VIII is a continuous commentary to Book VIII of the Iliad, applying to this section of the poem a new aesthetic methodology developed primarily by the comparative scholar J. M. Foley. Termed 'traditional referentiality1, this methodology holds that oral traditional poetics is founded upon the duality of 'denotative' and 'connotative' levels of meaning, in which the semantic potential of any given element in the narrative, of any sort, is a result of the audience's experience with that element in previous performances. Thus, the associative qualities of traditional narrative allow the poet during the realisation of the song to manipulate audience expectations as they listen to stories whose general outlines (i.e. who kills who, who must not die at a certain moment in the story, etc.) they know from a lifetime of experience. To recapture this complex of meaning is to recreate the ancient experience of Homeric poetry, giving a modern audience access to the excitement and uncertainty of a narrative designed for a progressive unfolding at the moment of performance. After a brief introduction, in which a key term within Homeric poetics (οϊμη 'song path') is briefly discussed before we outline the history of the methodology and its place within modern scholarship, the commentary successively summarises and describes the key elements in small sections of the narrative, and then presents for each of these sections the comparative evidence establishing the conclusions reached. A conclusion is followed by two appendices on some of the more contentious speech introduction formulae.
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Garcia, Lorenzo Francisco. "Homeric temporalities simultaneity, sequence, and durability in the Iliad /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1481658181&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Fagan, Patricia Lynn. "Horses in the similes of the Iliad, a case study." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ58937.pdf.

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Lebowitz, Willy. "Complex unity "self" and deliberation in Homer's Odyssey and Iliad /." Diss., Connect to the thesis, 2008. http://hdl.handle.net/10066/1576.

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O'Maley, James. ""Like-mindedness"? Intra-familial relations in the Iliad and the Odyssey." Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/6725.

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This thesis argues that the defining characteristic of intra-familial relationships in both the Iliad and the Odyssey is inequality. Homeric relationship pairs that are presented positively are strongly marked by an uneven distribution of power and authority, and when family members do not subscribe to this ideology, the result is a dysfunctional relationship that is condemned by the poet and used as a negative paradigm for his characters. Moreover, the inequality favoured by the epics proceeds according to strict role-based rules with little scope for innovation according to personality, meaning that determination of authority is simple in the majority of cases. Wives are expected to submit themselves to their husbands, sons to their fathers, and less powerful brothers to their more dominant siblings. This rigid hierarchy does create the potential for problems in some general categories of relationship, and relations between mothers and sons in particular are strained in both epics, both because of the shifting power dynamic between them caused by the son’s increasing maturity and independence from his mother and her world, and because of Homeric epic’s persistent conjunction of motherhood with death. This category of familial relationships is portrayed in the epics as doomed to failure, but others are able to be depicted positively through adhering to the inequality that is portrayed in the epics as both natural and laudable.
I will also argue that this systemic pattern of inequality can be understood as equivalent to the Homeric concept of homophrosyne (“like-mindedness”), a term which, despite its appearance of equality, in fact refers to a persistent inequality. Accordingly, for a Homeric relationship to be portrayed as successful, one partner must submit to the other, adapting themselves to the other’s outlook and aims, and subordinating their own ideals and desires. Through this, they are able to become “like-minded” with their partners, achieving something like the homophrosyne recommended for husbands and wives in the Odyssey.
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Jong, Irene J. F. de. "Narrators and focalizers : the presentation of the story in the "Iliad /." Amsterdam : B.R. Grüner, 1987. http://catalogue.bnf.fr/ark:/12148/cb34945571d.

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Lonsdale, Steven H. "Creatures of speech, lion, herding, and hunting similes in the "Iliad" /." Stuttgart : B. G. Teubner, 1990. http://catalogue.bnf.fr/ark:/12148/cb35535754m.

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Books on the topic "Iliad"

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Homer. Iliad. 2nd ed. Cambridge, Mass: Harvard University Press, 1999.

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Homer. Iliad. Indianapolis: Hackett Pub. Co., 1997.

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Homer. Iliad. Ann Arbor: University of Michigan Press, 2002.

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LAROUSSE. Iliada/iliad. Turtleback Books Distributed by Demco Media, 2004.

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Homer. La Iliada/ The Iliad. Grijalbo Mondadori Sa, 2007.

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Homer. LA Iliada/the Iliad. Eliseo Torres & Sons, 1998.

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Homer. La Iliada / The Iliad. Planeta Pub Corp, 2003.

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Homer. La Iliada / The Iliad. Bt Bound, 2003.

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Homer. La Iliada / The Iliad. Selector, 2002.

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Homer. La Iliada/the Iliad. Librerias Libertador, 2004.

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Book chapters on the topic "Iliad"

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Howe, Irving. "An Iliad of Europe." In Thomas Hardy, 147–59. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-18007-3_7.

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"Iliad." In Encyclopedic Dictionary of Archaeology, 631. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-58292-0_90052.

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Homer. "Iliad." In The Iliad, edited by Barry B. Powell. Oxford University Press, 2014. http://dx.doi.org/10.1093/oseo/instance.00280699.

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Homer. "Iliad." In Oxford World's Classics: Homer: The Iliad, edited by Anthony Verity and Barbara Graziosi. Oxford University Press, 2012. http://dx.doi.org/10.1093/oseo/instance.00280542.

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Homer. "Iliad." In Oxford Classical Monographs: A Referential Commentary and Lexicon to Iliad VIII, edited by Adrian Kelly. Oxford University Press, 2007. http://dx.doi.org/10.1093/oseo/instance.00280594.

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Homer. "Iliad." In Homer: Iliad Book One, edited by Simon Pulleyn. Oxford University Press, 2000. http://dx.doi.org/10.1093/oseo/instance.00280480.

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Homer. "Iliad." In Homer: Iliad Book Nine, edited by Jasper Griffin. Oxford University Press, 1995. http://dx.doi.org/10.1093/oseo/instance.00280592.

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Lateiner, Donald. "The Iliad." In The Cambridge Companion to Homer, 11–30. Cambridge University Press, 2004. http://dx.doi.org/10.1017/ccol0521813026.002.

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West, M. L. "Little Iliad." In The Epic Cycle, 163–222. Oxford University Press, 2013. http://dx.doi.org/10.1093/acprof:oso/9780199662258.003.0004.

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Stelow, Anna R. "The Iliad." In Menelaus in the Archaic Period, 29–115. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199685929.003.0002.

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This chapter discusses the portrayal of Menelaus in the Iliad. Menelaus is among the most important heroes in the Iliad, mentioned by name or making an appearance in seventeen out of the twenty-four books. Menelaus’ stature does not primarily depend, however, on the frequency of his appearances. The scholia note Homer’s evident sympathy for Menelaus, observing that Menelaus is, like Patroclus, ‘kindly’. Menelaus expresses concern for the sufferings of others; he takes pity on an enemy and swiftly comes to the aid of others, even at potential harm to himself. Moreover, Menelaus yields to his friends, not out of weakness, but regard. Ultimately, his ‘sympathetic’ personality arises from an acute awareness of his own responsibility for the Trojan War. Homer portrays this special trait of Menelaus’ character, his sympathy, through repeated actions and marked language. Indeed, Homer fashions Menelaus as a memorable and unique character within the traditional diction and rhetoric of his craft.
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Conference papers on the topic "Iliad"

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Arnow, David. "The Iliad and the WHILE loop: computer literacy in a liberal arts program." In the twenty-second SIGCSE technical symposium. New York, New York, USA: ACM Press, 1991. http://dx.doi.org/10.1145/107004.107019.

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Aggarwal, Pankhuri. "An Extravagant Depiction of the Human World: Through the characters in The Mahabharata and The Iliad." In 2nd International Conference on Social Science, Humanities and Education. Acavent, 2019. http://dx.doi.org/10.33422/2nd.icshe.2019.06.308.

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Dimarogonas, Andrew D. "Mechanisms of the Ancient Greek Theater." In ASME 1992 Design Technical Conferences. American Society of Mechanical Engineers, 1992. http://dx.doi.org/10.1115/detc1992-0301.

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Abstract The word Mechanism is a derivative of the Greek word mechane (which meant machine, more precisely, machine element) meaning an assemblage of machines. While it was used for the first time by Homer in the Iliad to describe the political manipulation, it was used with its modern meaning first in Aeschylos times to describe the stage machine used to bring the gods or the heroes of the tragedy on stage, known with the Latin term Deus ex machina. At the same time, the word mechanopoios, meaning the machine maker or engineer, was introduced for the man who designed, built and operated the mechane. None of these machines, made of perishable materials, is extant. However, there are numerous references to such machines in extant tragedies or comedies and vase paintings from which they can be reconstructed: They were large mechanisms consisting of beams, wheels and ropes which could raise weights up-to one ton and, in some cases, move them back-and-forth violently to depict space travel, when the play demanded it. The vertical dimensions were over 4 m while the horizontal travel could be more than 8 m. They were well-balanced and they could be operated, with some exaggeration perhaps, by the finger of the engineer. There is indirect information about the timing of these mechanisms. During the loading and the motion there were specific lines of the chorus, from which we can infer the duration of the respective operation. The reconstructed mechane is a spatial three- or four-bar linkage designed for path generation.
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Grigoryan, Garegin, Yaoqing Liu, and Minseok Kwon. "iLoad." In CoNEXT '19: The 15th International Conference on emerging Networking EXperiments and Technologies. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3360468.3366774.

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Rostaminia, Soha, Addison Mayberry, Deepak Ganesan, Benjamin Marlin, and Jeremy Gummeson. "iLid." In ETRA '19: 2019 Symposium on Eye Tracking Research and Applications. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3314111.3322503.

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Arlet, Vincent. "Iliac-Sacral Fixation Options." In eccElearning Postgraduate Diploma in Spine Surgery. eccElearning, 2017. http://dx.doi.org/10.28962/01.3.105.

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Wren, Tishya, and Veronica Beltran. "Differences in pelvis kinematics using iliac crest markers compared with anterior superior iliac spine." In 27th Annual Meeting of the GCMAS. GCMAS, 2022. http://dx.doi.org/10.52141/gcmas2022_19.

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Branzan, D., M. Haensig, S. Steiner, U. Banning-Eichenseer, D. Scheinert, and A. Schmidt. "Single-Center 10-Year Experience with Iliac Branch Device for the Treatment of Iliac Aneurysms." In 48th Annual Meeting German Society for Thoracic, Cardiac, and Vascular Surgery. Georg Thieme Verlag KG, 2019. http://dx.doi.org/10.1055/s-0039-1678932.

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Shabtai, Lior, Lindsay Andras, Mark Portman, and David L. Skaggs. "Sacral Alar Iliac (SAI) Screws Fail 75% Less Frequently Than Iliac Bolts in Neuromuscular Scoliosis." In Selection of Abstracts From NCE 2015. American Academy of Pediatrics, 2017. http://dx.doi.org/10.1542/peds.140.1_meetingabstract.103.

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Spooner, Neil. "ILIAS and the World’s Underground Laboratories." In Identification of dark matter 2008. Trieste, Italy: Sissa Medialab, 2009. http://dx.doi.org/10.22323/1.064.0078.

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Reports on the topic "Iliad"

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Dickerso, Nathan C., Michael G. Dnovan, John W. Hellstein, and Kevin C. O'Hair. Comparison of Cranial and Iliac Autologus Bone Grafts and Their Effects on the Success Rates of Subsequent Osseointegrated Intra/Extraoral Implant Application in the Miniature Swine. Fort Belvoir, VA: Defense Technical Information Center, October 1992. http://dx.doi.org/10.21236/ada261540.

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Chamovitz, Daniel A., and Xing-Wang Deng. Developmental Regulation and Light Signal Transduction in Plants: The Fus5 Subunit of the Cop9 Signalosome. United States Department of Agriculture, September 2003. http://dx.doi.org/10.32747/2003.7586531.bard.

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Plants adjust their growth and development in a manner optimal for the prevailing light conditions. The molecular mechanisms by which light signals are transduced and integrated with other environmental and developmental signals are an area of intense research. (Batschauer, 1999; Quail, 2002) One paradigm emerging from this work is the interconnectedness of discrete physiological responses at the biochemical level, for instance, between auxin and light signaling (Colon-Carmona et al., 2000; Schwechheimer and Deng, 2001; Tian and Reed, 1999) and between light signaling and plant pathogen interactions (Azevedo et al., 2002; Liu et al., 2002). The COP9 signalosome (CSN) protein complex has a central role in the light control of plant development. Arabidopsis mutants that lack this complex develop photomorphogenically even in the absence of light signals (reviewed in (Karniol and Chamovitz, 2000; Schwechheimer and Deng, 2001). Thus the CSN was hypothesized to be a master repressor of photomorphogenesis in darkness, and light acts to bypass or eliminate this repression. However, the CSN regulates more than just photomorphogenesis as all mutants lacking this complex die near the end of seedling development. Moreover, an essentially identical complex was subsequently discovered in animals and yeast, organisms whose development is not light responsive, exemplifying how plant science can lead the way to exciting discoveries in biomedical model species (Chamovitz and Deng, 1995; Freilich et al., 1999; Maytal-Kivity et al., 2002; Mundt et al., 1999; Seeger et al., 1998; Wei et al., 1998). Our long-term objective is to determine mechanistically how the CSN controls plant development. We previously that this complex contains eight subunits (Karniol et al., 1998; Serino et al., 1999) and that the 27 ilia subunit is encoded by the FUS5/CSN7 locus (Karniol et al., 1999). The CSN7 subunit also has a role extraneous to the COP9 signalosome, and differential kinase activity has been implicated in regulating CSN7 and the COP9 signalosome (Karniol et al., 1999). In the present research, we further analyzed CSN7, both in terms of interacting proteins and in terms of kinases that act on CSN7. Furthermore we completed our analysis of the CSN in Arabidopsis by analyzing the remaining subunits. Outline of Original Objectives and Subsequent Modifications The general goal of the proposed research was to study the CSN7 (FUS5) subunit of the COP9 signalosome. To this end we specifically intended to: 1. Identify the residues of CSN7 that are phosphorylated. 2. Monitor the phosphorylation of CSN7 under different environmental conditions and under different genetic backgrounds. 3. Generate transgenic plants with altered CSN7 phosphorylation sites. 4. Purify CSN7 kinase from cauliflower. 5. Clone the Arabidopsis cDNA encoding CSN7 kinase 6. Isolate and characterize additional CSN7 interacting proteins. 7. Characterize the interaction of CSN7 and the COP9 signalosome with the HY5-COP1 transcriptional complex. Throughout the course of the research, emphasis shifted from studying CSN7 phosphorylation (Goals 1-3), to studying the CSN7 kinase (Goal 4 and 5), an in depth analysis of CSN7 interactions (Goal 6), and the study of additional CSN subunits. Goal 7 was also abandoned as no data was found to support this interaction.
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