Relevant bibliographies by topics / Iconographies of the organ

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Iconographies of the organ'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Iconographies of the organ"

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Crettiez, Xavier, and Pierre Piazza. "Iconographies rebelles." Cultures & conflits, no. 91/92 (December 31, 2013): 7–11. http://dx.doi.org/10.4000/conflits.18768.

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Fletcher, Angus. "Iconographies of Thought." Representations 28 (1989): 99–112. http://dx.doi.org/10.2307/2928587.

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Fletcher, Angus. "Iconographies of Thought." Representations 28, no. 1 (October 1989): 99–112. http://dx.doi.org/10.1525/rep.1989.28.1.99p0318m.

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Psarras, Sophia-Karin. "Shared Imagery: Eastern Zhou Decors and Iconographies." Early China 23 (1998): 1–88. http://dx.doi.org/10.1017/s036250280000095x.

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In the pre-imperial period of China, lack of written records removes even the limited clarity attainable in the analysis of Qin-Han political structures and diplomatic relations. How do we identify “China” and “Chinese”? We have only a vague understanding, based mostly on our understanding of relatively late philosophical works, of how China defined itself, let alone of its relations with other polities or among its own components. Extrapolating backward from Eastern Zhou, we assume a central, ethnically Chinese authority directly controlling a small geographic area.
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Onderdonk, Todd. "The Marble Mother: Hawthorne's Iconographies of the Feminine." Studies in American Fiction 31, no. 1 (2003): 73–100. http://dx.doi.org/10.1353/saf.2003.0000.

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León), Luis D. "Román-Odio, Clara: Sacred Iconographies in Chicana Cultural Productions." Anthropos 110, no. 1 (2015): 267–68. http://dx.doi.org/10.5771/0257-9774-2015-1-267.

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Rupprecht, Caroline. "Post-war Iconographies: Wandering Women in Brecht, Duras, Kluge." South Central Review 23, no. 2 (2006): 36–57. http://dx.doi.org/10.1353/scr.2006.0025.

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Barr, Burlin. "Dependency, Appetite, and Iconographies of Hunger in Mambéty's Hyenas." Social Text 28, no. 2 (2010): 57–83. http://dx.doi.org/10.1215/01642472-2009-067.

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Eva, Fabrizio. "Caging/Self-Caging: Materiality and Memes as Tools for Geopolitical Analysis." Human Geography 5, no. 3 (November 2012): 1–14. http://dx.doi.org/10.1177/194277861200500308.

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Human beings, both individually and collectively, are simultaneously victims and perpetrators of the ongoing process of caging (more related to iconographies and power) and self-caging (which is more subjective and individual, related to both iconographies and movement). The independent and difficult-to-control action of memes has the function of circulation, and favours the composition, decomposition and re-composition of human groups in societies, perhaps constituting the primary fuel for the ‘imagination’ mechanisms that (trans)form cultural islands and cultural drift. This ongoing dynamic shows itself and crystallizes in physical space, which is what geographers must carefully observe. This is particularly true for political geographers, who also analyse the same dynamics from the perspective of those socio-economic pyramids that are states or whatever other power structure that has been formally declared and/ or socially recognized – and perhaps with some subjective aspiration to contribute to the processes of resolution/management of human conflict.
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Vinzent, Jutta. "In Search of Hybridity: Inculturation, Interculturation and Transculturation in Contemporary Religious Art in Britain." Exchange 39, no. 1 (2010): 29–48. http://dx.doi.org/10.1163/016627410x12559405201117.

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AbstractThis essay explores contemporary religious art in Britain through the lens of Homi K. Bhabha’s concept of hybridity. While he leaves it rather ‘ambivalent’, this essay suggests that in visual representations, various forms of hybridity can be distinguished: inculturation, interculturation and transculturation. These three types, hijacked from religious dialogue discourses, show a variety of power relations in representation and context; while incultural elements are based on a dominant versus subordinate role, intercultural ones form a dialogue; both expand iconographic vocabularies. Transcultural symbols refer to those which are existing parts of a variety of iconographies; these thus ‘merge’ visually different cultural heritages; their interpretation is, in the true sense of Bhabha, hybrid. The essay concludes by referring to the limits of transcultural symbols, which accept losses, blurs and shifts. The entire analysis is based on Hindu and Christian iconographies exploited by Caroline Mackenzie in her four wooden panels located for the Catholic Church in St. Helen in Caerphilly (Wales), commissioned in 1999.
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Dissertations / Theses on the topic "Iconographies of the organ"

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Marshall, K. "Iconographical evidence for the late-medieval organ on French, Flemish and English manuscripts." Thesis, University of Oxford, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.375897.

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Takesh, Suheyla. "Iconographies of pain in Mahmoud Sabri's work." Thesis, Massachusetts Institute of Technology, 2018. http://hdl.handle.net/1721.1/118568.

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Thesis: S.M., Massachusetts Institute of Technology, Department of Architecture, 2018.
"June 2018." Cataloged from PDF version of thesis.
Includes bibliographical references (pages 76-80).
Out of Iraq's most noteworthy modernist artists, Mahmoud Sabri was perhaps the most attuned to human suffering. Subjects of political martyrdom, social injustice, and the plight of the dispossessed permeate his work throughout the 1950s and 1960s. The period of Iraq's rapid modernization and chaotic political transition from a monarchical regime to a republic in 1958, followed by a Ba'ath military coup in 1963, left the artist with no shortage of tragic events to reflect upon and respond to in his work. His Communist beliefs and a sensitivity to social and economic inequality guided his artistic vision, presenting the world through a lens of human pain caused by political repression. This thesis argues that Sabri's practice in the 1950s and 1960s combined an abhorrence of discrimination with a constant desire to reach the people, especially the working-class, through his art. In light of this, his engagement with Iraqi heritage was not conceived around a formalist or a historicized line of inquiry, but around an exploration of the deep roots of a national identity through popular practices and vernacular customs. As an active contributor to modernist experiments in Baghdad's artistic milieu, Sabri drew from local traditions associated with the notion of martyrdom in the 1950s, which was bolstered by his turning to international iconographies of pain and oppression in the 1960s, to create realist images that condemned injustice exercised by the country's ruling elite. A paradoxical figure in many ways, Sabri combined in his work an interest in the local and the universal, the religious and the secular, in Iraq's past and its political present. Being both a man of the people and a member of the intelligentsia, an Iraqi and a long-time exile, an outspoken supporter of realism and a later convert to abstractionism, Sabri was no stranger to contradiction and internal conflict. What remained consistent in his early practice, however, was a political drive and a heightened sensitivity to the plight of the oppressed, which was layered with a belief that an answer to the predicaments of the disadvantaged could lie in Communism.
by Suheyla Takesh.
S.M.
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Slaughter, Stephany Lynn. "Performing the Mexican revolution in neoliberal times reinventing iconographies, nation, and gender /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1164735049.

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Palmer, Jane Elizabeth. "Medical mythologies : iconographies, histories and counter-discourses in medicine, the arts and popular culture." Thesis, University of Sussex, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282587.

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Du, Crest Sabine. "Girolamo Aleandro (1574-1629) : peintures et iconographies des mondes anciens et lointains à Rome." Paris 3, 1998. http://www.theses.fr/1998PA030090.

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Dans la recherche des matériaux constituant le monde visuel des artistes du début du XVIIe siècle à Rome, les travaux de Girolamo Aleandro, secrétaire du Cardinal-neveu Francesco Barberini ont fourni une matière jusqu'alors fort peu exploitée. Une série d'exemples de détails observés dans des peintures réalisées à Rome dans la première moitié du XVIIe siècle ont permis d'entrevoir le rôle de G. Aleandro dans le milieu artistique romain des années 1620 a 1630. Il s'agit de squelettes peints par Filippo Napoletano, d'un vase camée antique par Francois-Nicolas de Bar, d'un sistre et de couleurs par Nicolas Poussin, d'abeilles par Pietro da Cortona, de japonais chez N. Poussin et Pierre-Paul Rubens. Au cœur de la capitale des lettres, G. Aleandro fut lié aux plus grands personnages de la cour papale, aux mécènes, aux collectionneurs, aux artistes, comme le cavalier d'Arpin ou Simon Vouet. Membre fondateur de l'Académie des Umoristi, où se rejoignirent critique littéraire et théorie de l'art, il introduisit à Rome de jeunes artistes comme Claude Mellan, Nicolas Lagoux, Jean Cossiers, et rencontra Rubens à Paris. L’interprétation des œuvres est éclairée par l'analyse de la méthode iconographique de G. Aleandro, une méthode originale d'interprétation, et de reproduction des antiques qui l'a placé dans une position clef vis-à-vis des artistes, auxquels il a offert, à travers le Museo Cartaceo, une iconothèque, et auxquels il a surtout propose voire impose une incarnation de l'antiquité, et un regard analytique sur le monde, notamment en introduisant le microscope à Rome. Une iconographie du détail a ainsi été élaborée, constituant un point de rencontre dans les œuvres entre les artistes et leurs destinataires. Le détail a été un enjeu majeur de la doctrine académique de l'art en France
Iin the pursuit of materials, forming the artists visual world at the beginning of the XVIIth century in rome, the works of Girolamo Aleandro, secretary of Cardinal-neveu Francesco Barberini provided a material which had barely been exploited. A series of details seen in some paintings produced in Rome in the first half of the XVIIth century show a glimpse of G. Aleandro's role in the artistic circle in Rome between 1620 and 1630. It is a skeleton of paintings by Felippo Napoletano, an antique cameo vase by Francois-Nicolas de Bar, a sistrum, and colours by Nicolas Poussin, bees by pietro da Cortona, japanese, in the works of N. Poussin and Pierre-Paul Rubens. At the heart of the capital of letters, G. Aleandro was very friendly with major people of the papal court, with patrons, with collectors, with artists, like the cavalier d'Arpin and Simon Vouet, founder member of the Academia degli Umoristi, where literary critics and theory of art were linked, he introduced in Rome young artists like Claude Mellan, Nicolas Lagoux, Jean Cossiers, and he met Rubens in Paris. The interpretation of works of art is made clear by studying G. Aleandro's iconographical method, an original method of interpretation, and reproduction of antiques, which placed him in a key position in front of the artists, to which he offered, through the museo cartaceo, an iconotheca, and to which he proposed, above all, indeed he imposed, an incarnation of the antiquity, and an analytical glance upon the the world, notably by introducing the microscope in rome. So an iconography of detail is elaborated, forming in the works of art a meeting point for the artists and their public. The detail was a major stake of the academic doctrine of art in france
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Dunn, Christine. "Victorian organ /." Online version of thesis, 2008. http://hdl.handle.net/1850/7901.

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Tolia-Kelly, Divya Praful. "Iconographies of diaspora : refracted landscapes and textures of memory of South Asian women in London." Thesis, University College London (University of London), 2002. http://discovery.ucl.ac.uk/1383055/.

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Diasporic journeys of South Asian women are examined in this thesis as a record of British Asian oral history and migration. Biographical mapping is used as a means to interrogate the complex diasporic relationship between national identity and race. The thesis seeks to investigate the relationships between the racialised body and the experience of dislocation lived through by South Asian women in London. Identity, memory and landscape are core themes that run through the thesis. Remembered landscapes and environmental memories are points of identification. These environments and textures of memory have a multisensory nature. These in turn are refracted as icons in the visual and material cultures of the home. Home as a site of belonging becomes a space through which these women express their relationship with citizenship in Britain, their experience of life in the colony, and their experience of rupture with their birthplace. Relationships between various lands, landscapes, social and cultural iconographies are revealed through a study of cultures in the home. Iconographies of "home" are further investigated in the thesis through a visual project conducted with landscape artist Melanie Carvalho, and the study group. A set of 17 canvases have been painted from the women's descriptions of "home". These are, in turn, analysed as visual representations of remembered, idealised icons of intimate landscapes. This results in an examination of the multiple axes within which the diasporic group practises identification, and through which they are themselves configured. The research study uses a process of grounded theorising by examining biographies, oral histories, and investigating visual and material cultures in the home. These are treated as triggers of identification which operate as metonymical devices of negotiation, resistance and placing.
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Ben, Guiza Raya. "Une approche de la magie dans le monde phénicien et punique : iconographies, interrogations, interprétations, origines." Aix-Marseille 1, 2005. http://www.theses.fr/2005AIX10105.

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Le sujet de la thèse s'intitule "Une approche de la magie dans le monde phénicien et punique : iconographies, interrogations, interprétations, origines". Nous proposons une approche inédite des pratiques magico-religieuses des Puniques en nous appuyant sur un corpus archéologique, comprenant des objets du petit mobilier funéraire, tels que des amulettes, des tablettes, des masques, ainsi que des inscriptions et des informations fournies par la littérature classique. La problématique s'inscrit dans une période allant du début du VIIIe à la fin du IIe s. Av. J. -C. Elle couvre la Méditerranée de la côte levantine, Liban et Palestine, à la péninsule ibérique en s'arrêtant particulièrement à Carthage en Tunisie, Tharros en Sardaigne et à Puig des Molins en Espagne. L'étude des amulettes puniques a permis de mettre en relief des traits iconographiques constants, faisant ressortir des fortes influences égyptiennes et orientales dans la production d'objets puniques à caractère magique. Le succès de nombreuses amulettes phénico-puniques à l'effigie de divinités étrangères à leur propre panthéon, invite à s'interroger sur l'existence de probables "interpretatio Phoenicia et Punica", en particulier celle de Sekhmet en Astart. L'épigraphie et notamment certaines inscriptions funéraires, et votives ont fourni des indices complémentaires sur les acteurs de la magie, la nature de leurs activités, leur rapport avec les cultes "officiels" et la place qu'ils occupaient dans la société. L'observation des amulettes dans différents contextes domestique, votif, et surtout funéraire, permet de mettre en évidence quelques traits constants. Ce qui permet d'envisager sous un autre jour les pratiques magico-religieuses dans la société punique. En effet, il y a tout lieu de penser que les Puniques ont dépassé le simple emprunt stylistique pour envisager une adaptation partielle d'un rituel funéraire magique égyptien.
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Shubane, Nancy. "Black critical care nurses' perceptions of organ donation and organ transplantation." Pretoria : [s.n.], 2009. http://upetd.up.ac.za/thesis/available/etd-10262009-185326/.

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Stocks, Lisa Marie 1964. "Organ donor family experience." Thesis, The University of Arizona, 1993. http://hdl.handle.net/10150/291391.

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An exploratory-descriptive design was used to explore and describe knowledge and perceptions about the organ donation process of persons who had consented for their relatives organs to be donated. A 19 question mailed survey was administered to 110 people who met study criteria. Descriptive methods were used to analyze the data. Less than half of the respondents had discussed organ donation previously or knew if their relative carried a donor card, they indicated that they understood the concept of brain death and its cause. These families were positive about their decision to donate and perceived altruism as the most positive aspect of the process. The most difficult aspect of the donation process emerged as "reality of death." Nurses are a critical link in the organ donation process. Results of this study are useful for nursing assessment, diagnosis, and formulation of care plans for families in the position to donate organs.
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Books on the topic "Iconographies of the organ"

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Hebel, Udo J., and Christoph Wagner, eds. Pictorial Cultures and Political Iconographies. Berlin, New York: DE GRUYTER, 2011. http://dx.doi.org/10.1515/9783110237863.

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Román-Odio, Clara. Sacred Iconographies in Chicana Cultural Productions. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137077714.

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Signs of change: Urban iconographies in San Francisco, 1880-1915. New York: Garland, 1990.

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Touré, Kitia. Fruits et legumes pour la vie: Iconographies tirées du film. Abidjan: Nouvelles Editions Africaines, 1989.

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Peter, Williams. Organ. London: Macmillan, 1988.

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Barbara, Owen, ed. Organ. London: Macmillan London, 1988.

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Wills, Arthur. Organ. New York: Schirmer Books, 1985.

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Organ. New York: Schirmer Books, 1985.

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Wills, Arthur. Organ. London: Kahn & Averill, 1993.

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Barbara, Owen, ed. Organ. New York: W.W. Norton, 1988.

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Book chapters on the topic "Iconographies of the organ"

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Wizorek, J. J., and T. G. Buchman. "Organ-Organ Interactions in Multiple Organ Failure." In Mechanisms of Organ Dysfunction in Critical Illness, 159–71. Berlin, Heidelberg: Springer Berlin Heidelberg, 2002. http://dx.doi.org/10.1007/978-3-642-56107-8_11.

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Haigh, Caroline, John Dunkerley, and Mark Rogers. "Organ." In Classical Recording, 241–50. Abingdon, Oxon ; New York, NY : Routledge, 2021. | Series: Audio Engineering Society presents...: Focal Press, 2020. http://dx.doi.org/10.4324/9780429316852-16.

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Toepfer, Georg. "Organ." In Historisches Wörterbuch der Biologie, 746–53. Stuttgart: J.B. Metzler, 2011. http://dx.doi.org/10.1007/978-3-476-00455-0_38.

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Bährle-Rapp, Marina. "Organ." In Springer Lexikon Kosmetik und Körperpflege, 390. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-71095-0_7228.

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Jaski, Brian E. "Organ." In Developments in Cardiovascular Medicine, 53–68. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/978-1-4615-4379-4_5.

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Umebayashi, Katsu, Thomas Daniell, Michael Webb, Peter Allison, and Kazuhiro Kojima. "Organ." In FOBA, 119–32. New York, NY: Princeton Archit.Press, 2005. http://dx.doi.org/10.1007/1-56898-635-1_10.

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Naredi, Silvana. "Potential Organ Donor: Organ Preservation." In Management of Severe Traumatic Brain Injury, 79–83. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-28126-6_16.

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Butler, Kathryn L., and Robert L. Sheridan. "Organ responses and organ support." In Handbook of Burns, 193–201. Vienna: Springer Vienna, 2012. http://dx.doi.org/10.1007/978-3-7091-0348-7_13.

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Ainsworth, Craig R., Julie A. Rizzo, and Kevin K. Chung. "Organ Responses and Organ Support." In Handbook of Burns Volume 1, 247–54. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18940-2_19.

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Román-Odio, Clara. "Introduction: On the Treachery and Emancipatory Power of Chicana Iconographies." In Sacred Iconographies in Chicana Cultural Productions, 1–17. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137077714_1.

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Conference papers on the topic "Iconographies of the organ"

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Furst, Jacob D., Ruchaneewan Susomboom, and Daniela S. Raicu. "Single Organ Segmentation Filters for Multiple Organ Segmentation." In Conference Proceedings. Annual International Conference of the IEEE Engineering in Medicine and Biology Society. IEEE, 2006. http://dx.doi.org/10.1109/iembs.2006.260625.

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Furst, Jacob D., Ruchaneewan Susomboom, and Daniela S. Raicu. "Single Organ Segmentation Filters for Multiple Organ Segmentation." In Conference Proceedings. Annual International Conference of the IEEE Engineering in Medicine and Biology Society. IEEE, 2006. http://dx.doi.org/10.1109/iembs.2006.4398086.

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Hillman, Elizabeth M. C. "Mouse Organ Imaging." In Frontiers in Optics. Washington, D.C.: OSA, 2008. http://dx.doi.org/10.1364/fio.2008.ftur1.

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Steggell, Amanda. "The emotion organ." In Proceeding of the 16th ACM international conference. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1459359.1459594.

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Naveed, Khushbakht, Zofishan Hameed, Aqsa Khalid, Adeena Hamid, Beenish Fatima, and Amna Batool. "Exploratory study on organ donation and organ transplantation in Pakistan." In ICTD '19: Tenth International Conference on Information and Communication Technologies and Development. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3287098.3287145.

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Baptista, P. M., G. Orlando, S. H. Mirmalek-Sani, M. Siddiqui, A. Atala, and S. Soker. "Whole organ decellularization - a tool for bioscaffold fabrication and organ bioengineering." In 2009 Annual International Conference of the IEEE Engineering in Medicine and Biology Society. IEEE, 2009. http://dx.doi.org/10.1109/iembs.2009.5333145.

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Goëau, Hervé, Pierre Bonnet, Julien Barbe, Vera Bakic, Alexis Joly, Jean-François Molino, Daniel Barthelemy, and Nozha Boujemaa. "Multi-organ plant identification." In the 1st ACM international workshop. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2390832.2390843.

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Ashish, Naveen, and Mi-Youn Brusniak. "Automated Mouse Organ Segmentation." In BCB '18: 9th ACM International Conference on Bioinformatics, Computational Biology and Health Informatics. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3233547.3233552.

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Pritsker, A. Alan B., Michael E. Kuhl, John P. Roberts, Margaret D. Allen, James F. Burdick, David L. Martin, Janet S. Reust, et al. "Organ transplantation policy evaluation." In the 27th conference. New York, New York, USA: ACM Press, 1995. http://dx.doi.org/10.1145/224401.224813.

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Mu, Rui. "Virtual Laser Electronic Organ." In Proceedings of the 3rd International Conference on Mechatronics Engineering and Information Technology (ICMEIT 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icmeit-19.2019.121.

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Reports on the topic "Iconographies of the organ"

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Ur, Shmuel. Analysis of Online Algorithms for Organ Allocation. Fort Belvoir, VA: Defense Technical Information Center, October 1990. http://dx.doi.org/10.21236/ada249361.

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Basu, Sayani. Organ Transplantation: A New Lease of Life. Science Repository, February 2021. http://dx.doi.org/10.31487/sr.blog.24.

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There is a growing debate over organ transplantation which is a successive therapeutic option for the treatment of end-stage organ diseases but the ethical issues associated with the shortage of transplantable organs must also be taken into account.
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Kessler, Judd, and Alvin Roth. Organ Allocation Policy and the Decision to Donate. Cambridge, MA: National Bureau of Economic Research, August 2011. http://dx.doi.org/10.3386/w17324.

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David E. Hintenlang, Ph D. OSL Based Anthropomorphic Phantom and Real-Time Organ Dosimetry. Office of Scientific and Technical Information (OSTI), February 2009. http://dx.doi.org/10.2172/948743.

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Colpan, Asli, and Randall Morck. Business Groups: Panics, Runs, Organ Banks and Zombie Firms. Cambridge, MA: National Bureau of Economic Research, July 2021. http://dx.doi.org/10.3386/w29035.

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Joshi, Sarang C. Automatic Organ Localization for Adaptive Radiation Therapy for Prostate Cancer. Fort Belvoir, VA: Defense Technical Information Center, May 2006. http://dx.doi.org/10.21236/ada495008.

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Joshi, Sarang C., Mark Foskey, and Brad Davis. Automatic Organ Localization for Adaptive Radiation Therapy for Prostate Cancer. Fort Belvoir, VA: Defense Technical Information Center, May 2005. http://dx.doi.org/10.21236/ada442678.

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Joshi, Sarang C., Mark Foskey, and Brad Davis. Automatic Organ Localization for Adaptive Radiation Therapy for Prostate Cancer. Fort Belvoir, VA: Defense Technical Information Center, May 2004. http://dx.doi.org/10.21236/ada428913.

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Williams, L. B. Organ/inorganic interactions of nitrogen in oilfields: Part 1, Geochemistry. Office of Scientific and Technical Information (OSTI), May 1992. http://dx.doi.org/10.2172/5287830.

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Mocan, Naci, and Erdal Tekin. The Determinants of the Willingness to be an Organ Donor. Cambridge, MA: National Bureau of Economic Research, May 2005. http://dx.doi.org/10.3386/w11316.

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