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Books on the topic 'Iconographic studies'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Image, text, exegesis: Iconographic interpretation and the Hebrew Bible. London: Bloomsbury, 2014.

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2

Studies in Indian iconography. Jaipur, India: Publication Scheme, 1994.

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3

Studies in Byzantine manuscript illumination and iconography. London: Pindar Press, 1996.

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4

Anne, Ross. Pagan Celtic Britain: Studies in iconography and tradition. Chicago, Ill: Academy Chicago Publishers, 1996.

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5

Ross, Anne. Pagan Celtic Britain: Studies in iconography and tradition. Chicago: Academy Chicago, 1996.

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6

Ross, Anne. Pagan Celtic Britain: Studies in iconography and tradition. London: Constable, 1993.

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7

Pagan Celtic Britain: Studies in iconography and tradition. London: Constable, 1992.

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8

Trees, kings, and politics: Studies in Assyrian iconography. Fribourg: Academic Press, 2003.

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9

Looking for lost lore: Studies in folklore, ethnology, and iconography. Tuscaloosa: University of Alabama Press, 2008.

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10

Images from the Byzantine periphery: Studies in iconography and style. Leiden: Alexandros Press, 2007.

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11

Bernard, O'Kane, and Hillenbrand Robert, eds. The iconography of Islamic art: Studies in honour of Robert Hillenbrand. Edinburgh: Edinburgh University Press, 2005.

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12

European Association of Biblical Studies and Society of Biblical Literature, eds. Iconography and biblical studies: Proceedings of the iconography sessions at the joint EABS/SBL Conference, 22-26 July 2007, Vienna, Austria. Münster: Ugarit-Verlag, 2009.

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13

Pictorial cultures and political iconographies: Approaches, perspectives, case studies from Europe and America. Berlin: Walter de Gruyter, 2011.

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14

Iconography of New Zealand Maori religion. Leiden: E.J. Brill, 1986.

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15

Studies in the iconography of the virtues and vices in the Middle Ages. New York: Garland Pub., 1988.

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16

Shlomo, Moussaieff, and Deutsch Robert 1951-, eds. Shlomo: Studies in epigraphy, iconography, history, and archaeology in honor of Shlomo Moussaieff. Tel Aviv: Archaeological Center Publication, 2003.

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17

Neiiendam, Klaus. The art of acting in antiquity: Iconographical studies in Classical, Hellenistic, and Byzantine theatre. Copenhagen: Museum Tusculanum, University of Copenhagen, 1992.

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18

Warland, Rainer. Das Brustbild Christi: Studien zur spätantiken und frühbyzantinischen Bildgeschichte. Rom: Herder, 1986.

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19

Sourvinou-Inwood, Christiane. Studies in girls' transitions: Aspects of the arkteia and age representation in Attic iconography. Athens: Kardamitsa, 1988.

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20

Nadav, Naʼaman, Zevulun ʻUzah, Ziffer Irit, Makhon le-arkheʼologyah ʻa. sh. Sonyah u-Marḳo Nadler., and Universiṭat Tel-Aviv Makhon le-arkheʼologyah, eds. Imagery and representation: Studies in the art and iconography of ancient Palestine : collected articles. Tel Aviv: Emery and Claire Yass Publications in Archaeology, 2002.

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21

Bigham, Stéphane. The image of God the Father in Orthodox theology and iconography and other studies. Torrance, Calif: Oakwood Publications, 1995.

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22

Sourvinou-Inwood, Christiane. Studies in girlsʼ transitions: Aspects of the arkteia and age representation in Attic iconography. Athens: Kardamitsa, 1988.

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23

Jha, Achyutanand. Tathagata Akshobhya and the Vajra kula: Studies in the iconography of the Akshobhya family. Delhi: National Centre for Oriental Studies, 1993.

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24

Hebron, Miriam E. Statistical studies of the iconography of the dragon in biblical texts of the 13th and 14th centuries. (London: M.E. Hebron), 1985.

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25

Hebron, Miriam E. Statistical studies of the iconography of the dragon in Biblical texts of the 13th and 14th centuries. London: Dr. M.E. Hebron, 1985.

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26

Publishers, Brepols. Ikon 7/2014: Journal of Iconographic Studies. Brepols Publishers, 2014.

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27

(Editor), John H. Stroupe, ed. Iconographic and Comparative Studies in Medieval Drama. Medieval Institute Publications, 1991.

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28

Eumousia: Ceramic and iconographic studies in honour of Alexander Cambitoglou. Sydney: Meditarch, 1990.

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29

Morris, Amy M., and Michelle Erhardt. Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque. BRILL, 2012.

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30

Pottery, Pavements, and Paradise: Iconographic and Textual Studies on Late Antiquity. BRILL, 2013.

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31

Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque. 2012.

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32

Hoek, Annewies Van Den, and Hermann John J. Jr. Pottery, Pavements, and Paradise: Iconographic and Textual Studies on Late Antiquity. BRILL, 2013.

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33

Cline, Lea K., and Nathan T. Elkins, eds. The Oxford Handbook of Roman Imagery and Iconography. Oxford University Press, 2021. http://dx.doi.org/10.1093/oxfordhb/9780190850326.001.0001.

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Roman imagery and iconography are typically studied under the more general umbrella of Roman art and in broader, medium-specific studies. This handbook focuses primarily on visual imagery in the Roman world, examined by context and period, and the evolving scholarly traditions of iconographic analysis and visual semiotics that have framed the modern study of these images. As such topics—or, more directly, the isolation of these topics from medium-specific or strictly temporal evaluations of Roman art—are uncommon in monograph-length studies, our goal is that this handbook will be an important reference for both the communicative value of images in the Roman world and the tradition of iconographical analysis. The chapters herein represent contributions from a number of leading and emerging authorities on Roman imagery and iconography from across the world, representing a variety of academic traditions and methods of image analysis.

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34

Eumousia: Ceramic and iconographic studies in honour of Alexander Cambitoglou (Mediterranean archaeology). Meditarch, 1990.

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35

King, Anthony, and Ralph Haeussler. Religious Individualisation: Archaeological, Iconographic and Epigraphic Case Studies from the Roman World. Oxbow Books, Limited, 2023.

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36

Kress, Berthold. Studies on the Iconography of Universities in the Holy Roman Empire: Images on Seals and Maces. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198827344.003.0003.

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This chapter provides an iconographic overview on how the universities of the Holy Roman Empire displayed their authority. It will focus on two aspects. The first is the development of iconographic formulae that can convey the constitution and activity of a university or one of its faculties; and the second is the role of coats of arms or other political signs that indicate the relation between the university and the rulers of the territory in which it was situated. A seventeenth-century legal treatise on insignia gives a long list of the signs of the head of a university: maces (Sceptra), robe (Epomis), register (Matricula), the presence of bedells, seals, books of statutes and privileges, and the keys to consistory and prison. Of these objects, only the two that regularly bear images is discussed in this chapter: the seals and the maces.

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37

Giles, Bretton T., and Shawn P. Lambert, eds. New Methods and Theories for Analyzing Mississippian Imagery. University Press of Florida, 2021. http://dx.doi.org/10.5744/florida/9781683402121.001.0001.

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In this book, various scholars explore how stylistic and iconographic analyses of Mississippian imagery provide new perspectives on the beliefs, narratives, public ceremonies, ritual regimes, and expression of power in Mississippian communities. Their work advances through well-contextualized case studies that build on Vernon James Knight’s Iconographic Method in New World Prehistory. It is organized into three sections:(1) the use of style in Mississippian iconographic studies, (2) interpreting Mississippian imagery, and (3) situating and historicizing Mississippian symbols. Semon addresses regional variation in Late Mississippian complicated stamped ceramic assemblages of the filfot-cross motif along the Georgia coast. Stauffer investigates Mississippian spider-themed imagery, which are carved on marine shell, copper, stone, and wood media. Scarry presents a preliminary assessment of Pensacola ceramic vessels from Choctawhatchee Bay, Florida. Lankford examines how comparative mythology and the analysis of historic-geographic patterns can have a recursive relationship with iconographic analyses. Dye delves into how owl effigy vessels are a materialization of witchcraft in Mississippian societies and how elites employed witchcraft accusations for political aggrandizement. Giles considers how the imagery on certain Pecan Point headpots materializes a layered cosmos and might typify (mnemonic) parallelism. Nowak employs a Peircean approach to consider the agential properties of Early Caddo bottles and how they might have functioned as Native American bundles. Lambert traces how Caddo pottery and motifs moved through two diverse areas and how these movements resulted in the transformation of iconographic meanings. Knight provides an extension of his perspective on iconographic analysis and its relationship to Mississippian archaeology.

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38

Studies in iconography. Kalamazoo, MI: Medieval Institute Publications, Western Michigan University, 2004.

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39

Studies in iconography. Kalamazoo, MI: Medieval Institute Publications, Western Michigan University, 2005.

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40

Colum, Hourihane. Studies in Iconography 2006. Western Michigan Univ Medieval, 2006.

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41

Emmerson, Richard K. Studies in Iconography 2005. Western Michigan Univ Medieval, 2005.

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42

Emmerson, Richard K. Studies In Iconography 2004. Western Michigan Univ Medieval, 2004.

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43

Emmerson, Richard. Studies In Iconography Volume 15. Western Washington University, 1994.

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44

Studies in Iconography Volume 19 1998. Medieval Institute Publications, 1998.

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45

Sandler, Lucy Freeman, Dennis Trout, Patricia Blessing, Meryl Bailey, and Theresa Flanigan. Studies in Iconography, Volume 40 (2019). Medieval Institute Publications, 2019.

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46

Easton, Martha, Puma Guilia, Vasileios Marinis, Rossitza Schroeder, and Maria Alessia Rossi. Studies in Iconography, Volume 42 (2021). Medieval Institute Publications, 2021.

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47

(Editor), Richard K. Emmerson, and Pamela Sheingorn (Editor), eds. Studies in Iconography: Volume 25, 2004. Western Michigan Univ Medieval, 2003.

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48

Urbani, Bernardo, Dionisios Youlatos, and Andrzej T. Antczak, eds. World Archaeoprimatology. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108766500.

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Archaeoprimatology intertwines archaeology and primatology to understand the ancient liminal relationships between humans and nonhuman primates. During the last decade, novel studies have boosted this discipline. This edited volume is the first compendium of archaeoprimatological studies ever produced. Written by a culturally diverse group of scholars, with multiple theoretical views and methodological perspectives, it includes new zooarchaeological examinations and material culture evaluations, as well as innovative uses of oral and written sources. Themes discussed comprise the survey of past primates as pets, symbolic mediators, prey, iconographic references, or living commodities. The book covers different regions of the world, from the Americas to Asia, along with studies from Africa and Europe. Temporally, the chapters explore the human-nonhuman primate interface from deep in time to more recent historical times, covering both extinct and extant primate taxa. This anthology of archaeoprimatological studies will be of interest to archaeologists, primatologists, anthropologists, art historians, paleontologists, conservationists, zoologists, historical ecologists, philologists, and ethnobiologists.

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49

Skubiszewski, Piotr. Studies in Medieval Iconography, Collected Essays 19622011. Archeobooks, 2021.

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50

Abernethy, Graeme. Iconography of Malcolm X. University Press of Kansas, 2022.

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