Academic literature on the topic 'Iconoclasme – Italie – 19e siècle'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Iconoclasme – Italie – 19e siècle.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Iconoclasme – Italie – 19e siècle":
Sanfilippo, Matteo. "Les voyageurs italiens et le fait français au Canada (17e-21e siècles)." Recherche 54, no. 2 (September 6, 2013): 251–67. http://dx.doi.org/10.7202/1018280ar.
Dissertations / Theses on the topic "Iconoclasme – Italie – 19e siècle":
Calefati, Christopher. "«Aborrito infamato e negletto dei Borboni il nome sarà» : gesti e voci di dissidenza antiborbonica nel regno delle due Sicilie continentale (1848-1859)." Electronic Thesis or Diss., Paris Est, 2023. http://www.theses.fr/2023PESC0019.
The thesis is part of the interpretation that has seen a renewal of the historiography of the nineteenth century European, according to the canons of interpretations from cultural history. New theories on the practices of visual and informal politicization serve as a basis for reading the acts of iconoclasm and verbal anti-Borbonic violence in the Kingdom of the Two Sicilies in the period between the great mobilization of 1848 and 1859. The two moments analyzed are characterized by two different attitudes on the part of the monarchy: during the Forty-eight Revolution, the continental South is affected by a violent civil war with the momentary, and partial, conquest of sovereignty by the radical front; the years between 1849 and 1859 are distinguished by a violent attempt, police and judicial, by the throne of Ferdinand II against the "survivors" of the mobilization. Through the reading of documents from the Grand Criminal Courts and the Ministry of Police General of Naples, it is possible to reconstruct a morphology of iconoclastic practice, outlining the different aspects of the repertoire of material violence against images of power. In this sense, the research work aims to highlight an additional way for the ordinary population to access the negotiation of sovereignty during a period of political crisis and discontinuity of the legitimacy of monarchical power. Moreover, the appearance of new actors on the southern political scene confirms the liveliness and heterogeneity of the Duosicilian environment, distinguished by an important presence of "small conspirators" within epochal changes for the Kingdom. The iconoclastic violence shows the attempt of the population to secure a leading role during the revolution and reveals a change in the imagination of the Bourbon monarchy within public opinion. Indeed, 1848 and the gestures of visual "rupture" emphasize the presence of a rift between subjects and throne in the sphere of the legitimacy of power. Alongside iconoclasm, the research examines the practices of verbal (written and oral) violence against the throne of Naples. In the cases analyzed, a constant reference to the mobilization of 1848 is evident, whose memory is a real pillar that supports the revival of the patriotic conspiracy. In fact, the messages of the revolution return, in a rhapsodic and often uncoordinated, on the walls of the small towns of Southern Italy, where the mobilization finds new actors that allow its survival in a moment of harsh police repression by the repressive apparatus of the Bourbons. Gestures of verbal violence conquer new places of the revolution: inns, shops and taverns temporarily replace the squares invaded during the great mobilization. Also in this case study, the anti-colonial collective imagination is fueled by rumors, incendiary voices and seditious writings that accompany the daily life of individuals. The repertories examined are intertwined in the southern political landscape: political blasphemies accompany the gestures of iconoclasm in the phases of overturning power and replace the latter in the periods of underground anti-mafia struggle. The two practices of sovereignty are the subject of political resettlement during the epochal upheavals of the nineteenth century. In fact, the rituals of violence, recurrent in the mechanisms of regulation of local power, penetrate wider conflicts, affecting the entire southern space. Therefore, forms of violence and negotiation of popular sovereignty become part of theconflict for the legitimacy that the revolutions had fuelled: the struggle for supremacy is not fought exclusively in the institutional and diplomatic spheres, but includes a political substrate that acts continuously on popular emotions
Albergoni, Gianluca. "Le monde des lettres à Milan entre 1802 et 1838 : positions et trajectoires." Paris, EHESS, 2004. http://www.theses.fr/2004EHES0007.
This thesis analyses Milan's literary milieu in the first half of the 19th century. It focuses mainly on two problems. The first one is the underdevelopment of the publishing market. A complementary question is the unachieved status of the writer as an intellectual figure, along with the inadequacy of the publishing business. Although Milan may be considered the literary capital of the 19th century Italy, it is clear that writers could not make their living through their professional skills. A majority was thus forced to apply to the Government for economic patronage. The inquiry is based on a double methodological approach. On the one side, it is fouded on a large survey based on the available information about nearly 700 "writers". On the other, it consists in a serie of case-studies. It confirms that, in many cases, writers had to deal with the public authorities to gain favours, to receive subsidies and mostly to seek employment in bureaucracy and in the public schooling system
Muller, Raphaël. "Le livre français en Italie de 1880 à 1920 : entre circulation informelle, présence culturelle et conquête d'un nouveau lectorat." Paris 1, 2010. http://www.theses.fr/2010PA010703.
Viallet, Jean-Pierre. "L'anticléricalisme en Italie, 1867-1915." Paris 10, 1992. http://www.theses.fr/1992PA100006.
As well as studing secularism, this doctoral work deals foremost with Italian anticlericalism history is reviewed both in its political and cultural components. Various sources have been used : the acts of the executive power, the legislative debats, the administrative decision gave a better approach of "the anticlericalism of the state" in order to delineate better the more popular form of anticlericalism, the study relied on popular poetry, songs, novels, sayings and materials gathered by folklore scholars. In both cases, the press has been used extensively. The study has used a chronological order – here are reviewed successively "the anticlericalism of the elites" (from 1867 to 1876) then, the anticlericalism of the state, so powerful in the last quarter of the 19th, and lastly the anticlericalism of the giolittian period. Within these three main parts, the emphasis is laid on a typological approach – the three main types of anticlericalism are analysed - liberal, radical, socialist the latter is studied with great attention. Outside this typological framework, the militant forces of anticlericalism (free masonry, free thinling) and some of the big issues dealing with the anticlerical camp are studied. Finally this work examines the geography and more summarily the sociology of anticlericalism and concludes that anticlericalism has tryly been an essential component of the political and cultural
Damien, Elsa. "La notion de guide à l'épreuve du tourisme naissant : les voyageurs anglo-saxons en Italie à l'ère industrielle." Paris 3, 2004. http://www.theses.fr/2004PA030129.
The main collections of modern tourist handbooks appeared by the end of the 1830s and from the start they have been provided with a very precise checklist. We threw into light the various elements of those specifications through the study of guide-books from English-speaking countries devoted to Italy. It led us to question the nature and the evolution of tourist-related movements which are accompanied by this literary genre. We analysed the birth of and the writing about tourism by situating them in a larger cultural environnement. We tried to figure out what the motive for the journey was and what its highlights were : we stressed the travellers’expectations, their preconceived ideas and how the latter developed during the actual journey to Italy
Manchon, Pierre-Yves. "Guerre civile et formation de l'État dans le Midi d'Italie (1860-1865) : histoire et usages du "Grand Brigandage" en Basilicate." Paris 1, 2011. http://www.theses.fr/2011PA010633.
Hellali, Hassine. "Littérature et crise en Italie de 1865 à 1880." Paris 3, 1987. http://www.theses.fr/1987PA030051.
It was between 1860 and 1866 that was formed a group of poets, writers and artists who belonged to the "scapigliatura milanese". It would be more exact to speak of a generation of young people who expressed their rebellion against a political, artistic and literary system during a period of ceisis which shook italy from the unity onwards. The "active members" of this group were young and of varions tendencies. They needed "cafes", "salons" to meet. The public and the critics were mainly struck by the originality and the duality of their personalities and by the macabre and daring theme they proposed
Rovinello, Marco. "I "Francesi" nelle Napoli dell'ottocento." Paris, EHESS, 2007. http://www.theses.fr/2007EHES0044.
My dissertation focuses on the French community in the Nineteenth-century Naples (about 4. 000 people). It is based on both French and Neapolitan consular and juridical sources. It does not only describe the colony (marriage and professional strategies, networks, etc. ), but also asks whether it makes a sense to classify people as "French" in this period when other and more traditional identities (social rank, religious, regional) could be perceived by immigrants as predominant compared with the national one. The research points out that no identity is considered by French immigrants in Nineteenth-century Naples as exclusive and embedding. They actually can use any kind of membership in a "situational" way, making the "French community in Naples" something redefined time by time as the result of a dialectic process in which takes part the French immigrants themselves, public authorities and local people
Colombani, Paulu. "Contribution à l'étude de la transition entre le Risorgimento et le fascisme (Siliprandi, Morasso, Oriani, Croce et Gentile)." Nice, 1985. http://www.theses.fr/1985NICE2037.
Ignace, Anne-Claire. "Des quarante-huitards français en Italie : étude sur la mobilisation de volontaires français pour le Risorgimento (1848-1849)." Paris 1, 2010. http://www.theses.fr/2010PA010665.