Relevant bibliographies by topics / Iconicity

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Iconicity'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 May 2023

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Journal articles on the topic "Iconicity"

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William Pinder, Daniel. "Typographical iconicity and the communication of impressions: A relevance-theoretic perspective." Lodz Papers in Pragmatics 18, no. 1 (May 1, 2022): 1–27. http://dx.doi.org/10.1515/lpp-2022-0001.

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Abstract This article studies the cognitive and communicative effects of typographical iconicity in poetry from the perspective of relevance theory. It argues that the visual aspect pertaining to an instance of typographical iconicity conveys a sensory impression, which perceptually resembles elements of the semantic material represented via the typographical iconicity’s lexical aspect. It is suggested that the non-propositional information relating to this impression can trigger the derivation of a wide array of weak implicatures which can combine to form an impressionistic and indeterminate cognitive state described within relevance theory as a poetic effect. Furthermore, since the added effort, which the typographical iconicity requires to be perceived and processed, is offset by the derived implicatures, the use of typographical iconicity may be said to produce an optimally relevant level of processing.
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Fay, Nicolas, Mark Ellison, and Simon Garrod. "Iconicity." Diagrammatic Reasoning 22, no. 2 (December 31, 2014): 244–63. http://dx.doi.org/10.1075/pc.22.2.05fay.

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This paper explores the role of iconicity in spoken language and other human communication systems. First, we concentrate on graphical and gestural communication and show how semantically motivated iconic signs play an important role in creating such communication systems from scratch. We then consider how iconic signs tend to become simplified and symbolic as the communication system matures and argue that this process is driven by repeated interactive use of the signs. We then consider evidence for iconicity at the level of the system in graphical communication and finally draw comparisons between iconicity in graphical and gestural communication systems and in spoken language.
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Mannheim, Bruce. "Iconicity." Journal of Linguistic Anthropology 9, no. 1-2 (June 1999): 107–10. http://dx.doi.org/10.1525/jlin.1999.9.1-2.107.

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Боброва, Ангелина Сергеевна. "Iconicity of logic and iconicity in logic." Логико-философские штудии, no. 3 (November 30, 2022): 250–53. http://dx.doi.org/10.52119/lphs.2022.69.40.001.

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Логические теории не могут быть построены без формального языка, основу которого задают символы. Однако это не говорит о том, что логика (в целом) может работать только на уровне языка. Через язык логика лишь выражается. Это уточнение позволяет пересмотреть природу логических знаков, то есть составных единиц языка. Будет показано, что основу логических языков должны задавать знаки-иконы. Для этого будут проанализированы различные виды икон, рассмотрена природа иконического и ее несводимость к визуальному, а также уточнена роль иконического для понимания предмета логики и ее возможностей. Logical theories cannot be built without formal languages whose basic units are seen as symbols or symbolic signs. However, it does not mean that logic (in general) cannot operate without language. Logic is articulated in language. This specification allows to review the nature of logical signs. In the paper, I will argue that the foundation of logical languages should be constructed with the assistance of iconic signs. The presentation demonstrates various types of icons (in logic), scrutinizes the essence of the iconic and the irreducibility of the latter to the visual. In addition, it specifies the contribution of iconic treatments to the debates on the subject of logic and its possibilities.
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Östman, Jan-Ola. "Testing Iconicity." Universals of Language 4 (January 1, 1989): 145–63. http://dx.doi.org/10.1075/bjl.4.09ost.

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Levshina, Natalia. "Measuring iconicity." Functions of Language 24, no. 3 (December 31, 2017): 319–47. http://dx.doi.org/10.1075/fol.15013.lev.

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Abstract The idea of isomorphism of form and meaning has played an important role in functionalist theories of syntax and morphology. However, there have been few studies that test this hypothesis empirically on quantitative data. This study aims to fill this gap by testing the predictions made by iconicity theory with the help of statistical hypothesis-testing techniques. The paper focuses on a subtype of isomorphism, namely iconicity of cohesion. The analyses are based on a sample of lexical and analytic causatives from the British National Corpus. The study employs three different operationalisations of the degree of semantic cohesion of the causing and caused events, which are based on English and cross-linguistic data. The form-function correlation is interpreted from the point of view of three possible models of relationships between form, function and/or frequency.
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MOTAMEDI, YASAMIN, HANNAH LITTLE, ALAN NIELSEN, and JUSTIN SULIK. "The iconicity toolbox: empirical approaches to measuring iconicity." Language and Cognition 11, no. 02 (June 2019): 188–207. http://dx.doi.org/10.1017/langcog.2019.14.

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abstractGrowing evidence from across the cognitive sciences indicates that iconicity plays an important role in a number of fundamental language processes, spanning learning, comprehension, and online use. One benefit of this recent upsurge in empirical work is the diversification of methods available for measuring iconicity. In this paper, we provide an overview of methods in the form of a ‘toolbox’. We lay out empirical methods for measuring iconicity at a behavioural level, in the perception, production, and comprehension of iconic forms. We also discuss large-scale studies that look at iconicity on a system-wide level, based on objective measures of similarity between signals and meanings. We give a detailed overview of how different measures of iconicity can better address specific hypotheses, providing greater clarity when choosing testing methods.
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Caselli, Naomi K., and Jennie E. Pyers. "The Road to Language Learning Is Not Entirely Iconic: Iconicity, Neighborhood Density, and Frequency Facilitate Acquisition of Sign Language." Psychological Science 28, no. 7 (May 30, 2017): 979–87. http://dx.doi.org/10.1177/0956797617700498.

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Iconic mappings between words and their meanings are far more prevalent than once estimated and seem to support children’s acquisition of new words, spoken or signed. We asked whether iconicity’s prevalence in sign language overshadows two other factors known to support the acquisition of spoken vocabulary: neighborhood density (the number of lexical items phonologically similar to the target) and lexical frequency. Using mixed-effects logistic regressions, we reanalyzed 58 parental reports of native-signing deaf children’s productive acquisition of 332 signs in American Sign Language (ASL; Anderson & Reilly, 2002) and found that iconicity, neighborhood density, and lexical frequency independently facilitated vocabulary acquisition. Despite differences in iconicity and phonological structure between signed and spoken language, signing children, like children learning a spoken language, track statistical information about lexical items and their phonological properties and leverage this information to expand their vocabulary.
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Krivochen, Diego Gabriel, and Ľudmila Lacková. "Iconicity in syntax and the architecture of linguistic theory." Studies in Language 44, no. 1 (May 6, 2020): 95–131. http://dx.doi.org/10.1075/sl.19017.lac.

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Abstract Linguistic iconicity has been studied since ancient times (e.g., Plato’s Cratylus, see Cooper & Hutchinson 1997). Within modern grammatical description, this notion was mostly developed by Jakobson and Benveniste; nowadays, iconicity in language is even being experimentally tested (e.g., Blasi et al. 2016; Diatka & Milička 2017). However, most studies on linguistic iconicity pertain to prosody, sound symbolism, or morphology; syntactic iconicity has been vastly underexplored. In this paper, we present two hypotheses concerning syntactic iconicity: (1) syntactic descriptions of natural language strings have an inherent structure which is isomorphic to that of representations in some other component of grammar or a non-grammatical system; or (2) linear order imposed on phrase structure is isomorphic to that in some other component of grammar or a non-grammatical system. We will argue in favour of the former, which constitutes a novel perspective on iconicity in grammar. We furthermore discuss the place that iconicity may have in the architecture of a generative system.
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Occhino, Corrine, Benjamin Anible, Erin Wilkinson, and Jill P. Morford. "Iconicity is in the eye of the beholder." Gesture 16, no. 1 (June 15, 2017): 100–126. http://dx.doi.org/10.1075/gest.16.1.04occ.

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Abstract A renewed interest in understanding the role of iconicity in the structure and processing of signed languages is hampered by the conflation of iconicity and transparency in the definition and operationalization of iconicity as a variable. We hypothesize that iconicity is fundamentally different than transparency since it arises from individuals’ experience with the world and their language, and is subjectively mediated by the signers’ construal of form and meaning. We test this hypothesis by asking American Sign Language (ASL) signers and German Sign Language (DGS) signers to rate iconicity of ASL and DGS signs. Native signers consistently rate signs in their own language as more iconic than foreign language signs. The results demonstrate that the perception of iconicity is intimately related to language-specific experience. Discovering the full ramifications of iconicity for the structure and processing of signed languages requires operationalizing this construct in a manner that is sensitive to language experience.
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Dissertations / Theses on the topic "Iconicity"

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Jones, J. M. "Iconicity and spoken language." Thesis, University College London (University of London), 2017. http://discovery.ucl.ac.uk/1559788/.

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Contrary to longstanding assumptions about the arbitrariness of language, recent work has highlighted how much iconicity – i.e. non-arbitrariness – exists in language, in the form of not only onomatopoeia (bang, splash, meow), but also sound-symbolism, signed vocabulary, and (in a paralinguistic channel) mimetic gesture. But is this iconicity ornamental, or does it represent a systematic feature of language important in language acquisition, processing, and evolution? Scholars have begun to address this question, and this thesis adds to that effort, focusing on spoken language (including gesture). After introducing iconicity and reviewing the literature in the introduction, Chapter 2 reviews sound-shape iconicity (the “kiki-bouba” effect), and presents a norming study that verifies the phonetic parameters of the effect, suggesting that it likely involves multiple mechanisms. Chapter 3 shows that sound-shape iconicity helps participants learn in a model of vocabulary acquisition (cross-situational learning) by disambiguating reference. Variations on this experiment show that the round association may be marginally stronger than the spiky, but only barely, suggesting that representations of lip shape may be partly but not entirely responsible for the effect. Chapter 4 models language change using the iterated learning paradigm. It shows that iconicity (both sound-shape and motion) emerges from an arbitrary initial language over ten ‘generations’ of speakers. I argue this shows that psychological biases introduce systematic pressure towards iconicity over language change, and that moreover spoken iconicity can help bootstrap a system of communication. Chapter 5 shifts to children and gesture, attempting to answer whether children can take meaning from iconic action gestures. Results here were null, but definitive conclusions must await new experiments with higher statistical power. The conclusion sums up my findings and their significance, and points towards crucial research for the future.
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Chapot, Yannick. "Equipo Cronica, de l'intériconicité à la métaiconicité : Etude d'un processus créatif dans l'Espagne du tardo franquisme et la primo démocratie (1964-1977)." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSES053/document.

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Cette thèse convoque dans un premier temps la notion d’intericonicité afin de pouvoir, ensuite, analyser avec précision les créations de l’Équipe et l’évolution du recours à différentes opérations au fil des années. Il s’agit de définir des concepts tels que la “parodie”, le “travestissement”, “l’allusion”, la “citation”, la « mise en abyme », entre autres, à partir de leur acception littéraire, afin d’en proposer une adaptation au domaine pictural. Ces considérations sont complétées par une réflexion sur les différents degrés de métaiconicité. Cette thèse s’attache ensuite à mettre en avant les points communs et les différences des deux peintres avec d’autres courants artistiques tels que le Pop Art ou la Figuration narrative. Ces analyses ouvrent alors une étude sur les questions de « chronique » et de « narration » à travers les six premières séries créées par l’Équipe, qui sont mises en perspective avec leur contexte de création. Enfin, à travers l´étude des neuf séries suivantes (créés jusqu’en 1977), ces recherches s’attachent à mettre en évidence la présence des concepts de Mémoire, d’Histoire et d’histoire de l’art à travers des créations qui s’inscrivent dans une époque politiquement intense pour l’Espagne. Il s’agit, finalement, de démontrer que les peintres valenciens s’inscrivent non seulement dans l’histoire de l’art, qu’ils l’utilisent comme matériau, mais qu’ils deviennent des historiens de l’art à travers les réflexions métaiconiques proposées dans leur peinture. La conclusion revient largement sur le concept de métaiconicité, puis évoque les séries créées entre 1977 et 1981 afin de mettre en avant leur particularité face au corpus de cette thèse
This thesis first tackles the notion of "inter-iconicity" so as to then scrutinize the creations made by Equipo Crónica and the way their use of technique evolved throughout the years. The aim is to try and define concepts such as "parody", "transvestement", "allusion", "quotation" and "mise en abyme" - among others -, and, starting from their literary meaning, to suggest an adaptation of such terms to the pictorial domain. Such considerations are further detailed through the exploration of the various stages of meta-iconicity. This dissertation considers the points of convergence and divergence between the two painters at stake and the other artistic trends such as Pop Art or narrative Figuration. These analyses pave the way to a study of the concepts of "chronicle" and "narration" through the first six series created by the Equipe, that are then put into the context of their creation. Finally, through the study of the nine following series (created up to 1977), this research tries to shed light on the presence of the concepts of "Memory", "History" and the history of art through works of art that were created in a politically-charged context for Spain. Eventually, the aim is to show how Valencian painters inscribed themselves in the history of art which they used as a material, and at the same time how they turn into historians of art themselves, through meta-iconic reflections suggested in their paintings. The conclusion dwells on the concept of meta-iconicity and alludes to the series of paintings created between 1977 and 1981 so as to emphasize their particularities when compared with the rest of the corpus
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Peng, Xinjia. "The Iconicity of Consonants in Action Words." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/13284.

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Saurssure argues that the relationship between form and meaning in language is arbitrary, but sound symbolism theory argues that there are forms in language that can develop non-arbitrary association with meanings. This thesis proposes that there is a sound symbolic association between consonants and action words. To be more specific, a stop sound is likely to be associated with the action of percussion and a continuant sound with continuing movements. Evidence for such an association was found through three empirical studies. The findings of two experiments revealed that such an association is motivated by the gestures when pronouncing the consonants and by their phonetic features. A study of the verbs in Teochew dialect also revealed a similar sound symbolic association existing in the colloquial language. This thesis was conducted to direct attention to the use of empirical methods to investigate sound symbolism in real language.
2015-10-03
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Moyle, Julian. "Iconicity in the visions of the avant-garde." Thesis, University of Nottingham, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.446395.

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Hiraga, Masako K. "The interplay of metaphor and iconicity : a cognitive approach." Thesis, Goldsmiths College (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.407378.

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Li, Kin-ling Michelle, and 李健靈. "On Cantonese causative constructions: iconicity, grammaticalization and semantic structures." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B42576519.

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Li, Kin-ling Michelle. "On Cantonese causative constructions : iconicity, grammaticalization and semantic structures /." Click to view the E-thesis via HKUTO, 2002. http://sunzi.lib.hku.hk/hkuto/record/B42576519.

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Ross, Karina. "Iconicity as a creative force in the language of literature." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1069868095.

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Kunyosying, Kom. "The Interrelation of Ethnicity, Iconicity, and Form in American Comics." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/12088.

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xv, 186 p. : ill. (some col.)
This dissertation analyzes issues of race, ethnicity, and identity in American comics and visual culture, and identifies important areas for alternative means to cultural authority located at the intersections of verbal and visual representation. The symbolic qualities that communicate ethnicity and give ethnicity meaning in American culture are illuminated in new ways when studied within the context of the highly symbolic medium of comics. Creators of comics are able to utilize iconic qualities, among other unique formal qualities of the medium, to construct new visual narratives around ethnicity and identity, which require new and multidisciplinary perspectives for comprehending their communicative complexity. This dissertation synthesizes cultural and critical analysis in combination with formal analysis in an effort to further advance the understanding of comics and their social implications in regard to race and ethnic identity. Much like film scholars in the 1960s, comics scholars in the United States currently are in the process of establishing a core of methodological and theoretical approaches, including Lacanian theories of the image, the comic mapping of symbolic order, the recognition of self in undetailed faces, comics closure, and the implications of the comics gutter. Drawing upon these ideas and additional perspectives offered by scholars of film and literary studies, such as the relationship between ethnicity and the symbolic, the scopophilic gaze, and filmic suture, I analyze the following visual texts: Henry Kiyama's The Four Immigrants Manga, Gene Yang's American Born Chinese, and Anna Deavere Smith's Twilight: Los Angeles. The dissertation also performs a multimedia analysis of the current ascendency of geek culture, its relationship to the comics medium, and the geek protagonist as an expression of simulated ethnicity. Ultimately, the unique insights offered by the study of comics concerning principles of ethnic iconicity and identity have far reaching implications for scholars of visual and verbal culture in other mediums as well.
Committee in charge: Daniel Wojcik, Chairperson; Dr. Priscilla P. Ovalle, Member; Dr. Benjamin D. Saunders, Member; Dr. Doug Blandy, Outside Member
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Voronova, Ekaterina. "Du symbolisme phonétique (les années 1960 - 1990) à l'iconicité linguistique." Thesis, Dijon, 2015. http://www.theses.fr/2015DIJOL018.

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Cette thèse recueille un grand nombre de recherches effectuées entre les années 1960-1990 en Europe et en Amérique dans le domaine du symbolisme phonétique consistant « en l’attribution d’une signification à un phonème ou un trait distinctif » (Monneret, 2003 : 98). Un enjeu pertinent est représenté par l’instauration de l’état des lieux des recherches phono-symboliques en Union Soviétique. L’approche comparativo-descriptive est accompagnée de l’application de la typologie relative au symbolisme phonétique née lors de la période mentionnée (le symbolisme subjectif versus le symbolisme objectif). Le présent travail scientifique relève les éventuelles causes du blocage des recherches avant 1960 ainsi que celles de l’essor des analyses pendant la période 1960-1990, en se focalisant sur la problématique théorique et la praxis accumulée autour des manifestations phono-symboliques. N’étant plus considéré comme un phénomène marginal, le symbolisme phonétique présenté comme le fait qui prend ses sources du concept de l’iconicité linguistique traitant des relations motivées entre la forme et le contenu et dont l’intérêt croissant se manifestera dans les années quatre-vingt, peut être analysé aujourd’hui à l’aide du concept d’analogie considérée dans les recherches récentes de Monneret (2014)
This thesis collects a relevant number of researches made between years 1960-1990 in Europe and in America in the field of the phonetic symbolism consisting “of the attribution of the meaning in a phoneme or a distinctive feature” (Monneret, 2003: 98; our translation). The important stake is represented by the institution of the current situation of the phono-symbolic researches in Soviet Union. The comparativo-descriptive approach is accompanied with the application of the typology relative to the phonetic symbolism been born during period mentioned (the subjective symbolism versus the objective symbolism). The present scientific work raises the possible causes of the blockage of the researches before 1960 as well as those of the development of analyses during the period 1960-1990, by focusing on the theoretical problem and the praxis accumulated around the phono-symbolic manifestations. No more considered as a marginal phenomenon, the phonetic symbolism presented as the fact that rises in the concept of the linguistic iconicity handling relations motivated between the form and the contents the increasing interest of which will show itself in the eighties, can be analyzed by means of the concept of analogy today considered in the recent researches (Monneret, 2014) as the emergent cognitive phenomenon involving similarity
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Books on the topic "Iconicity"

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Hiraga, Masako K., William J. Herlofsky, Kazuko Shinohara, and Kimi Akita, eds. Iconicity. Amsterdam: John Benjamins Publishing Company, 2015. http://dx.doi.org/10.1075/ill.14.

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Perniss, Pamela, Olga Fischer, and Christina Ljungberg, eds. Operationalizing Iconicity. Amsterdam: John Benjamins Publishing Company, 2020. http://dx.doi.org/10.1075/ill.17.

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Haiman, John, ed. Iconicity in Syntax. Amsterdam: John Benjamins Publishing Company, 1985. http://dx.doi.org/10.1075/tsl.6.

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Simone, Raffaele, ed. Iconicity in Language. Amsterdam: John Benjamins Publishing Company, 1995. http://dx.doi.org/10.1075/cilt.110.

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Hiraga, Masako K. Metaphor and Iconicity. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230510708.

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Caterina, Gianluca, and Rocco Gangle. Iconicity and Abduction. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-44245-7.

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Hancil, Sylvie, and Daniel Hirst, eds. Prosody and Iconicity. Amsterdam: John Benjamins Publishing Company, 2013. http://dx.doi.org/10.1075/ill.13.

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Zirker, Angelika, Matthias Bauer, Olga Fischer, and Christina Ljungberg, eds. Dimensions of Iconicity. Amsterdam: John Benjamins Publishing Company, 2017. http://dx.doi.org/10.1075/ill.15.

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Raffaele, Simone, ed. Iconicity in language. Amsterdam: J. Benjamins, 1995.

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Prosody and iconicity. Amsterdam: John Benjamins Publishing Company, 2013.

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Book chapters on the topic "Iconicity"

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Hiraga, Masako K., William J. Herlofsky, Kazuko Shinohara, and Kimi Akita. "Introduction." In Iconicity, 1–9. Amsterdam: John Benjamins Publishing Company, 2015. http://dx.doi.org/10.1075/ill.14.003int.

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Nöth, Winfried. "Three paradigms of iconicity research in language and literature." In Iconicity, 13–34. Amsterdam: John Benjamins Publishing Company, 2015. http://dx.doi.org/10.1075/ill.14.01not.

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Stjernfelt, Frederik. "Iconicity of logic - and the roots of "iconicity" concept." In Iconicity, 35–53. Amsterdam: John Benjamins Publishing Company, 2015. http://dx.doi.org/10.1075/ill.14.02stj.

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Kawahara, Shigeto, Kazuko Shinohara, and Joseph Grady. "Iconic inferences about personality." In Iconicity, 57–70. Amsterdam: John Benjamins Publishing Company, 2015. http://dx.doi.org/10.1075/ill.14.03kaw.

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Nobile, Luca. "Phonemes as images." In Iconicity, 71–91. Amsterdam: John Benjamins Publishing Company, 2015. http://dx.doi.org/10.1075/ill.14.04nob.

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Auracher, Jan. "Synaesthetic sound iconicity." In Iconicity, 93–108. Amsterdam: John Benjamins Publishing Company, 2015. http://dx.doi.org/10.1075/ill.14.05aur.

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Usuki, Takeshi, and Kimi Akita. "What’s in a mimetic?" In Iconicity, 109–23. Amsterdam: John Benjamins Publishing Company, 2015. http://dx.doi.org/10.1075/ill.14.06usu.

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Toratani, Kiyoko. "Iconicity in the syntax and lexical semantics of sound-symbolic words in Japanese." In Iconicity, 125–41. Amsterdam: John Benjamins Publishing Company, 2015. http://dx.doi.org/10.1075/ill.14.07tor.

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Sugahara, Takashi, and Shoko Hamano. "A corpus-based semantic analysis of Japanese mimetic verbs." In Iconicity, 143–60. Amsterdam: John Benjamins Publishing Company, 2015. http://dx.doi.org/10.1075/ill.14.08sug.

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Cohen, Imogen, and Olga Fischer. "Iconicity in translation." In Iconicity, 163–84. Amsterdam: John Benjamins Publishing Company, 2015. http://dx.doi.org/10.1075/ill.14.09coh.

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Conference papers on the topic "Iconicity"

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PERLMAN, MARCUS, NATHANIEL CLARK, and JOANNE E. TANNER. "ICONICITY AND APE GESTURE." In EVOLANG 10. WORLD SCIENTIFIC, 2014. http://dx.doi.org/10.1142/9789814603638_0029.

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Emmorey, Karen. "Iconicity in sign language." In The Evolution of Language. Proceedings of the 12th International Conference on the Evolution of Language (Evolang12). Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika, 2018. http://dx.doi.org/10.12775/3991-1.201.

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Fujiwara, Takashi, Nakamura Nakamura, and Daisuke Suzuki. "Iconicity in grammatical variation." In 10th International Conference of Experimental Linguistics. ExLing Society, 2019. http://dx.doi.org/10.36505/exling-2019/10/0024/000386.

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Carlow, Jason F. "Designing Pedagogy Against Architectural Iconicity." In 106th ACSA Annual Meeting. ACSA Press, 2018. http://dx.doi.org/10.35483/acsa.am.106.84.

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Little, Hannah, and Justin Sulik. "What do iconicity judgements really mean?" In The Evolution of Language. Proceedings of the 12th International Conference on the Evolution of Language (Evolang12). Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika, 2018. http://dx.doi.org/10.12775/3991-1.060.

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Dhar, Prithviraj, Carlos Castillo, and Rama Chellappa. "On Measuring the Iconicity of a Face." In 2019 IEEE Winter Conference on Applications of Computer Vision (WACV). IEEE, 2019. http://dx.doi.org/10.1109/wacv.2019.00231.

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DE BOER, BART. "ICONICITY IN STRUCTURED FORM AND MEANING SPACES." In Proceedings of the 9th International Conference (EVOLANG9). WORLD SCIENTIFIC, 2012. http://dx.doi.org/10.1142/9789814401500_0062.

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Petrilli, Susan, and Augusto Ponzio. "INTERPRETATION AND ICONICITY IN THE TRANSLATION PROCESS." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-126.

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Zhao, Haiyan. "The iconicity between language forms and social factors." In 2013 International Conference on Biomedical Engineering and Environmental Engineering. Southampton, UK: WIT Press, 2014. http://dx.doi.org/10.2495/icbeee130081.

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Zeng, Wang. "Research on motivation and iconicity of Chinese grammar." In 2014 International Conference on Economic Management and Social Science (ICEMSS 2014). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/emss-14.2014.39.

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