Log in

Relevant bibliographies by topics / Ibn-Al Ṣabbāḥ Al-Asbahī Al-Andalusī

Academic literature on the topic 'Ibn-Al Ṣabbāḥ Al-Asbahī Al-Andalusī'

Author: Grafiati

Published: 18 May 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Journal articles
Dissertations / Theses
Books
Book chapters

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Ibn-Al Ṣabbāḥ Al-Asbahī Al-Andalusī.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Ibn-Al Ṣabbāḥ Al-Asbahī Al-Andalusī"

1

Alya, Fihalisa Mughi Tri, and Dien Nur Chotimah. "al-Af‘āl al-Kalāmīyah al-Injāzīyah ‘inda Searle fī al-Qiṣṣah al-Qaṣīrah Lu’lu’at al-Ṣabāḥ li-Kāmil Kīlānī." Al-Ma‘rifah 19, no. 1 (November 20, 2022): 103–16. http://dx.doi.org/10.21009/almakrifah.19.01.09.

Full text

Abstract:

This study aims to describe the various forms and functions of the illocutionary speech acts that contained in the Kāmil Kīlānī’s short story Lu’lu’at al-Ṣabāḥ. This research uses pragmatic approaches in descriptive qualitative studies. Using reading and taking notes as data collection techniques, and data reduction, data presentation techniques and making conclusion as data analysis techniques. The results of this study showed that there are five forms of speech act contained in conversations between the short story’s characters of Lu’lu’at al-Ṣabāḥ by Kāmil Kīlānī, namely assertive, directive, commissive, expressive, and declaration. The details are that there are 10 assertive speeches, 10 directive speeches, 2 commissive speeches, 1 expressive speech, and 1 declarative speech. And there are 11 functions of illocutionary speech act contained in the short story Lu’lu’at al-Ṣabāḥ by Kāmil Kīlānī: there are 2 speech functions of explaining, 3 speech functions of stating, 2 speech functions of telling, 3 speech functions of affirming, 4 speech function of advising, 4 speech function of requesting, 2 speech function of warning, 2 speech function of offering and threating, 2 speech function of sadness and setting.

APA, Harvard, Vancouver, ISO, and other styles

2

Cheikha, Djomaa. "Mamlakat Banī l-Aḥmar min jilāl Manšāb al-ajbār wa-taḏkirat al-ajyār li-'Abd Allāh Ibn aṣ-Ṣabbāḥ al-Aṣbaḥī." Sharq Al-Andalus, no. 10-11 (1994): 291–305. http://dx.doi.org/10.14198/shand.1993-1994.10-11.19.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Cecere, Giuseppe. "The Shaykh and the Others - Sufi Perspectives on Jews and Christians in Late Ayyubid and Early Mamluk Egypt." Entangled Religions 6 (April 17, 2018): 34–94. http://dx.doi.org/10.46586/er.v6.2018.34-94.

Full text

Abstract:

This paper focuses on Sufi attitudes towards Jews and Christians in Late Ayyubid and Early Mamluk Egypt, as reflected in hagiographic literature of the time. This will shed further light on interfaith relations in a society where Jews and Christians lived under Islamic rule in the condition of ahl al-dhimma (lit. “protected people”), implying an overall condition of social and juridical inferiority. With this in mind, works by four prominent Sufi authors have been analyzed: al-Risāla by Shaykh Ṣafī l-Dīn ibn Abī l-Manṣūr (d. 1283), al-Kitāb al-waḥīd by Shaykh Ibn Nūḥ al-Qūṣī (d. 1308), Laṭāʾif al-minan by Ibn ʿAṭāʾ Allāh al-Iskandarī (d. 1309), Durrat al-asrār by Ibn al-Ṣabbāgh (fl. 1320s). This first survey shows a wide variety of attitudes towards Jews and Christians, ranging from interreligious violence to dialogue for converting and also to mutual respect, while adhering to the principles of dhimma and maintaining hierarchical relationships between Islam and other religions.

APA, Harvard, Vancouver, ISO, and other styles

4

Virani, Shafique, and Virginia Martos Armenteros. "Los inicios del Ismailismo Nizarí: Traducción comentada de la obra Reconocimiento a Dios del Ḫwāǧah Qāsim Tuštarī." Mediterranea. International Journal on the Transfer of Knowledge 9 (April 23, 2024): 243–70. http://dx.doi.org/10.21071/mijtk.v9i.16292.

Full text

Abstract:

La obra de Ḫwāǧah Qāsim Tuštarī Reconocimiento a Dios (Maʿrifat-i Ḫudāy taʿālā), recientemente descubierta, es uno de los únicos textos que se conservan del primer periodo alamūtí de la historia musulmana ismailí. Esta obra conserva pruebas de la « nueva convocatoria » (daʿwat-i ǧadīd) a la fe ismailí que, según al-Šahrastānī (fallecido en 548/1153), fue inaugurada por el Imām fatimí al-Mustanṣir billāh (fallecido en 487/1094) y defendida por Ḥasan-i Ṣabbāḥ (fallecido en 518/1124). El texto subraya que el fin último de la existencia humana es conocer a Dios, y que el camino hacia este conocimiento pasa por el Imām del Tiempo. El texto, compuesto probablemente entre 525/1131 y 533/1139, contiene referencias casi contemporáneas a Sanāʾī Ġaznawī (fallecido hacia 525/1131) y apunta al desarrollo muy temprano de la poesía homilética, devocional y piadosa persa, así como del « metro maṯnawī » en el entorno ismailí. Más tarde, Farīd al-Dīn ʿAṭṭār (fallecido hacia 618/1221) y Ǧalāl al-Dīn Rūmī (fallecido en 672/1273) utilizaron célebremente este metro en sus composiciones místicas. El artículo incluye una introducción y una traducción comentada de Reconocimiento a Dios, de Qāsim Tuštarī.

APA, Harvard, Vancouver, ISO, and other styles

5

VIRANI, SHAFIQUE N. "Persian Poetry, Sufism and Ismailism: The Testimony of Khwājah Qāsim Tushtarī’sRecognizing God." Journal of the Royal Asiatic Society 29, no. 1 (November 13, 2018): 17–49. http://dx.doi.org/10.1017/s1356186318000494.

Full text

Abstract:

AbstractKhwājah Qāsim Tushtarī’s recently discovered Recognizing God (Maʿrifat-i Khudāy taʿālā) is one of the only texts known to have survived from the early Alamūt period of Ismaili Muslim history. This article analyses the work in the context of the “new Invitation” (daʿwat-i jadīd) to the Ismaili faith that al-Shahrastānī (d. 548/1153) tells us was inaugurated by the Fāṭimid Imam al-Mustanṣir billāh (d. 487/1094) and championed by Ḥasan-i Ṣabbāḥ (d. 518/1124). The text emphasises that the ultimate purpose of human existence is to know God, and that the path to this knowledge is through the Imam of the Time. The concepts of the ‘true teacher’ (muʿallim-i ṣādiq) and ‘sage’ (ḥakīm) are examined and the literary culture fostered at the Ismaili fortresses, particularly Girdkūh, is explored. Significantly, the article draws attention to the position of Sanāʾī Ghaznawī (d.circa525/1131) in Persian Ismaili literature and to the very early development of pious, devotional and homiletic poetry as well as the “mathnawīmetre” in Ismaili environments, which may have helped set the stage for some of the most significant poetic achievements of mystical Islam: the writings of Farīd al-Dīn ʿAṭṭār (d.circa618/1221) and Jalāl al-Dīn Rūmī (d. 672/1273).

APA, Harvard, Vancouver, ISO, and other styles

6

Assadi, Nassim, and Khalid Abu Ras. "Stylistics of Grammatical Structures: The Presence of Verbs and their Temporal Connotations in the Poetry Book "Fragments of a Woman" by Soaud Al-Sabah as a Model." International Journal of Linguistics Studies 3, no. 2 (May 20, 2023): 56–70. http://dx.doi.org/10.32996/ijls.2023.3.2.6.

Full text

Abstract:

In this article, we focused on the presence of verbs and nouns in Su‘ād al-Ṣabāḥ Fatāfīt Imraʼa (Fragments of a Woman), and on the significance of tense verbs as a section of grammatical structures, which in turn are considered part of the structural methods. Fatāfīt Imraʼa, with most of its poems, is a revolutionary work for its rejection of the humiliating reality, and social postulates that made the man dominant in his relationship with women. Since the revolution is based on changing the existing reality, and change is associated with actions (verbs), rather than nouns that indicate stability and consistency. We found that most of the revolutionary poems have a notably high ratio of verbs to nouns compared to those in which the persona feels emotional, social or patriotic satisfaction. About the significance of tense verbs, we found that the poems in which the past tense predominates depict a steady state that does not change or that it depicts a state that was intended to be attached and entrenched in the minds of the readers to influencing them, while the present tense was in most of the poems that depicted continual states. The style of speech that Al-Sabah followed in many of her poems contributed to the use of imperative verbs, but in a different way. When the persona was optimistic about the change and renewal that the future would bring, to move to a better situation, the presence of imperative verbs increased, and when she did not hope for anything from the future, it was less or completely gone.

APA, Harvard, Vancouver, ISO, and other styles

7

Dejugnat, Yann. "Antonio Constan-Nava (ed.), Al-Ḥaŷŷ ‘Abd Allāh Ibn al-Ṣabbāḥ al-Aṣbaḥī al-Andalusī, Libro del origen de los sucesos y recuerdo de los virtuosos : estudio general y traducción anotada." Bulletin critique des Annales islamologiques, no. 37 (March 15, 2023). http://dx.doi.org/10.4000/bcai.4351.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Meouak, Mohamed. "Glanes lexicales dans la littérature bio-hagiographique de Tunisie (seconde moitié du 7e/XIIIe-début du 10e/XVIe siècle) : présentation de quelques matériaux en arabe vernaculaire/semi-vernaculaire." Quaderni di Studi Arabi, June 14, 2023, 1–17. http://dx.doi.org/10.1163/2667016x-18010216.

Full text

Abstract:

Abstract This note offers some lexical data in vernacular/semi-vernacular Arabic collected in three texts written by the following North-African authors : Ibn al-Dabbāġ al-Qayrawānī (dead in 696/1296 or 699/1300), Ibn al-Ṣabbāġ al-Ḥimyarī (dead after 733/1333) and ʿAlī b. Maymūn al-Ġumārī (dead in 917/1511). It is intended to remind the historian and the linguist of the interest there would be in examining the material in dialectal Arabic from Tunisia between the second half of the 7th/13th century and the beginning of the 10th/16th century in order to contribute, among other questions, to the development of a social history of linguistic uses. The lexical material is presented in Arabic script.

APA, Harvard, Vancouver, ISO, and other styles

9

De Smet, Daniel. "From Khalaf (beginning of the 4th/10th century?) to Ḥasan al-Ṣabbāḥ (d. 518 H/1124 CE): Ismailism in Rayy before and under the Seljūqs." Der Islam 93, no. 2 (January 20, 2016). http://dx.doi.org/10.1515/islam-2016-0036.

Full text

Abstract:

Abstract:In the last decades of the 3rd/9th and the first decades of the 4th/10th centuries, the city of Rayy seems to have been an important center of Ismāʿīlī missionary activity not only in West Persia, but also in Mesopotamia, in Khurāsān and the southern region of the Caspian Sea (Daylam). Organized as a secret society, the Qarmaṭian mission in Rayy, preparing the advent of the Mahdī Muḥammad b. Ismāʿīl, left only a few traces in Ismāʿīlī sources, but has been described by hostile authors trying to prove that the Ismāʿīlī movement is the offshoot of an old Zoroastrian conspiracy against Islam. When, during the 4th/10th century, the

APA, Harvard, Vancouver, ISO, and other styles

10

Shair, Nabil. "Investigating a Vocal Improvisatory Genre (Mawwāl) in Arab Music: a Case Study of a Mawwāl Performance by Wadī‘ al‐Ṣāfī." Music Analysis, April 29, 2024. http://dx.doi.org/10.1111/musa.12227.

Full text

Abstract:

ABSTRACTAlthough recent decades have witnessed a significant growth and expansion of studies dealing with the performing practice of Arab music improvisation, most such studies are focused on instrumental, not vocal, performing practices. As a result, Arab vocal performing practice, especially that of vocal improvisatory genres, still lacks a comprehensive theoretical approach. In this article I examine the maqām (Arab modal framework) phenomenon by analysing a piece in its pre‐eminent improvisatory genre (mawwāl) composed and performed by an eminent musician: mawwāl ‘Ṭal al‐Ṣabāḥ’ by Wadī‘ al‐Ṣāfī. Most vocal improvisation is presented in Arab music literature without a defined or definite melodic (or rhythmic) structure. I posit that the mawwāl genre has defined and quasi‐defined structures on the macro and micro levels of the piece, since a major part of those structures is manifested as recurring, defined compositional devices and interrelationships throughout the piece within the improvisational frame of the mawwāl genre, a reflection of its structural intricacy. This article thus contributes to the existing literature on classical Arab vocal performance by implementing the theory of natural schemata as an analytical framework along with a structural analysis based on a detailed descriptive transcription of the piece, and thus characterising the largest and smallest strata of musical structures in the mawwāl genre.

APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Ibn-Al Ṣabbāḥ Al-Asbahī Al-Andalusī"

1

Boujana, Najat. "Le voyage d'Orient, à travers le prisme d'un Mudéjar. Un discours entre perspective idéologique et quête identitaire." Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030014.

Full text

Abstract:

Appréhender l'œuvre d'Ibn al-Ṣabbāḥ, un Mudéjar du XIVe / XVe, permet de dégager lescorrespondances existant entre les différentes œuvres de riḥla et les spécificités d'un auteur de cette époque. Son œuvre est indissociable de son vécu et les récits sont racontés sous le prisme de l'identité arabo-musulmane. Ainsi, à travers l’analyse de l'écriture personnelle de l'auteur, se profile la revendication d'une identité culturelle et politique, où la présence d’autrui exerce un rôle très important dans la construction de l'individu.Dans ce contexte, l’objet d’une négociation identitaire est mis en lumière par l'auteur, mettant en rapport la construction conjointe de l’espace et d'une identité, dans le but de lutter contre l’oubli en les insérant dans la mémoire collective.L’espace apparait ainsi comme une donnée sensible à partir de laquelle naît la représentation de soi. Il permet alors le surgissement d’un monde imaginaire qui sera le plus propice à modeler l’espace en fonction du propos qu’Ibn al-Ṣabbāḥ veut servir.Cet auteur nous fournit donc un portrait de la société mudéjare entre la fin du XIVe siècle et le début du XVe siècle, mettant en lumière les enjeux identitaires de l'époque
Understanding the work of Ibn al-Ṣabbāḥ, a Mudéjar of 14th / 15th century, makes it possible to identify the correspondences existing between the different works of riḥla and the specificities of an author of this period. His work is inseparable from his experience and the stories are told through the prism of Arab-Muslim identity. Thus, through the analysis of the author's personal writing, the claim of a cultural and political identity emerges, where the presence of others plays a very important role in the construction of the individual. In this context, a negotiation of identity an is highlighted by the author. This links the joint construction of space and an identity by inserting them in collective memory and with the aim fighting against oversight. Space appears as a perceptible factor from which self-representation is born. It then allows the emergence of an imaginary world that will be the most suitable to modeling the space according to the purpose that Ibn al-Ṣabbāḥ wants to serve. This author therefore provides us with a portrait of Mudéjar societybetween the end of the 14th century and the beginning of the 15th century, highlighting the identity issues of the time

APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Ibn-Al Ṣabbāḥ Al-Asbahī Al-Andalusī"

1

al-Kuwayt fī ʻahd Muḥammad ibn Ṣabāḥ al-Ṣabāḥ: Al-ḥākim al-sādis, 1892-1896. [Kuwait]: Dār Suʻād al-Ṣabāḥ lil-Nashr wa-al-Tawzīʻ, 2019.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Ibn al-Naḥwīyah wa-kitābuhu Isfār al-ṣabāḥ. al-Riyāḍ: Dār Kunūz Ishbīliyā lil-Nashr wa-al-Tawzīʻ, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

al-Kuwayt fī ʻahd ʻAbd Allāh ibn Ṣabāḥ al-Ṣabāḥ: Al-ḥākim al-kāmis, 1866-1892. [Kuwait]: Dār Suʻād al-Ṣabāḥ lil-Nashr wa-al-Tawzīʻ, 2019.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Ṣabbān, Muḥammad ibn ʻAlī. Ḥāshiyat al-Ṣabbān ʻalā Sharḥ al-Ashmūnī ʻalā Alfīyat Ibn Mālik. Bayrūt, Lubnān: Dār al-Kutub al-ʻIlmīyah, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Kutbī, Zuhayr Muḥammad Jamīl. al- Ṣabbān: Ṣāniʻ al-rijāl. Makkah al-Mukarramah, al-Mamlakah al-ʻArabīyah al-Saʻūdīyah: Z.M.J. Kutbī, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Muḥammad, Bin Sharīfah, ed. Ansāb al-akhbār wa-tadhkirat al-akhyār: Riḥlat al-mudajjan al-Ḥājj ʻAbd Allāh ibn al-Ṣabbāḥ : al-niṣf al-thānī min al-qarn al-thāmin al-Hijrī. al-Rabāṭ: Dār Abī Raqqāq, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Shuwayrī, Ramzī Nadīm. al-Shīf Ramzī fī ʻālam al-ṣabbāḥ. 2nd ed. Bayrūt, Lubnān: Akādīmīyā, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Aḥādīth al-ṣabāḥ al-dīnīyah. al-Qāhirah: Dār al-Baṣāʼir, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Sarḥān, Makkī Muḥammad. al- Duktūrah Suʻād al-Ṣabāḥ. Bayrūt: al-Muʾassasah al-ʻArabīyah lil-Dirāsāt wa-al-Nashr, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

al-Duktūrah Suʻād al-Ṣabāḥ. Bayrūt: al-Muʼassasah al-ʻArabīyah lil-Dirāsāt wa-al-Nashr, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Ibn-Al Ṣabbāḥ Al-Asbahī Al-Andalusī"

1

Ahmed, Chanfi. "3 The African Community and African ‘Ulamā’ in Mecca: Al-Jāmī and Muḥammad Surūr al-Ṣabbān (Twentieth Century)." In Islamic Scholarship in Africa, 61–89. Boydell and Brewer, 2021. http://dx.doi.org/10.1515/9781787446076-010.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!