Journal articles on the topic 'Hybrid genre theory'
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Siuta, Bohdan. "Notion “Genre Type” as the Metalіngual Unit of the Modern Musical Theory." Terminological Bulletin, no. 5 (2019): 188–95. http://dx.doi.org/10.37919/2221-8807-2019-5-25.
Full textMonticone, Paul. "TheNoirWestern: Genre Theory and the Problem of the Anomalous Hybrid." Quarterly Review of Film and Video 31, no. 4 (March 5, 2014): 336–49. http://dx.doi.org/10.1080/10509208.2012.660452.
Full textSaburova, Liudmila E. "Tommaso Landolfi: in Search of a Free Genre Form." Studia Litterarum 6, no. 1 (2021): 52–65. http://dx.doi.org/10.22455/2500-4247-2021-6-1-52-65.
Full textRen, Wei, Vijay K. Bhatia, and Zhengrui Han. "Analyzing interdiscursivity in legal genres." Pragmatics and Society 11, no. 4 (November 20, 2020): 615–39. http://dx.doi.org/10.1075/ps.17030.han.
Full textEvtushenko, Oksana, and Svetlana Pervukhina. "Electronic Mode of the Modern Administrative Discourse." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 5 (January 2021): 99–109. http://dx.doi.org/10.15688/jvolsu2.2020.5.9.
Full textMuravieva, Larissa E. "Exofiction and Enactivist Narratives in Contemporary French Literature." Studia Litterarum 7, no. 3 (2022): 30–51. http://dx.doi.org/10.22455/2500-4247-2022-7-3-30-51.
Full textMolodychenko, Evgeni N. "Metapragmatic discourses in differentiating genres in online media." Vestnik of Saint Petersburg University. Language and Literature 18, no. 2 (2021): 363–82. http://dx.doi.org/10.21638/spbu09.2021.207.
Full textMasschelein, A., C. Meuree, D. Martens, and S. Vanasten. "The Literary Interview: Toward a Poetics of a Hybrid Genre." Poetics Today 35, no. 1-2 (March 1, 2014): 1–49. http://dx.doi.org/10.1215/03335372-2648368.
Full textVarghese, Susheela Abraham, and Sunita Anne Abraham. "Book-Length Scholarly Essays as a Hybrid Genre in Science." Written Communication 21, no. 2 (April 2004): 201–31. http://dx.doi.org/10.1177/0741088303262844.
Full textCalabrese, Filomena. "Leonardo’s Profezia: Moral Writings of a Hybrid Kind." Quaderni d'italianistica 32, no. 2 (April 9, 2012): 75–100. http://dx.doi.org/10.33137/q.i..v32i2.16309.
Full textHANTKE, STEFFEN. "The Military Horror Film: Speculations on a Hybrid Genre." Journal of Popular Culture 43, no. 4 (July 19, 2010): 701–19. http://dx.doi.org/10.1111/j.1540-5931.2010.00766.x.
Full textVidineeva, Natalya Yu. "Means of Implicitness in Russian Political Weblogs." RUDN Journal of Language Studies, Semiotics and Semantics 11, no. 4 (December 15, 2020): 733–44. http://dx.doi.org/10.22363/2313-2299-2020-11-4-733-744.
Full textGould, Rebecca Ruth. "Russifying the Radīf: Lyric Translatability and the Russo-Persian Ghazal." Comparative Critical Studies 17, no. 2 (June 2020): 263–84. http://dx.doi.org/10.3366/ccs.2020.0362.
Full textEkinci, Barış Tolga. "A hybrid documentary genre: Animated documentary and the analysis of Waltz with Bashir (2008) Movie." CINEJ Cinema Journal 6, no. 1 (September 14, 2017): 4–24. http://dx.doi.org/10.5195/cinej.2017.144.
Full textMehlenbacher, Ashley Rose. "Registered Reports: Genre Evolution and the Research Article." Written Communication 36, no. 1 (December 10, 2018): 38–67. http://dx.doi.org/10.1177/0741088318804534.
Full textBresler[1], Liora, Judith Davidson Wasser, and Nancy Hertzog. "Casey at the Bat: a hybrid genre of two worlds." Research in Drama Education: The Journal of Applied Theatre and Performance 2, no. 1 (March 1997): 87–106. http://dx.doi.org/10.1080/1356978970020106.
Full textPowell, Robert. "Taking Pieces of Rand with Them: Ayn Rand's Literary Influence." Journal of Ayn Rand Studies 12, no. 2 (December 1, 2012): 207–35. http://dx.doi.org/10.2307/41717248.
Full textPowell, Robert. "Taking Pieces of Rand with Them: Ayn Rand's Literary Influence." Journal of Ayn Rand Studies 12, no. 2 (December 1, 2012): 207–35. http://dx.doi.org/10.5325/jaynrandstud.12.2.0207.
Full textMartin, Thomas L. "Relevant Context, Genuine Relation: Genre, Form, and Gender in Twenty-First Century The Winter's Tale Criticism." Ben Jonson Journal 27, no. 1 (May 2020): 1–23. http://dx.doi.org/10.3366/bjj.2020.0269.
Full textLuzón, María José. "Connecting Genres and Languages in Online Scholarly Communication: An Analysis of Research Group Blogs." Written Communication 34, no. 4 (September 12, 2017): 441–71. http://dx.doi.org/10.1177/0741088317726298.
Full textGoroshko, Olena, and Tetiana Poliakova. "Visualization of Digital Genres: Instagraming in English Political Communication." Social Communications: Theory and PracticeS 14, no. 1 (August 30, 2022): 148–63. http://dx.doi.org/10.51423/2524-0471-2022-14-1-9.
Full textAndrade, Pedro. "GeoNeoLogical Novel and Other Hybrimedia Experiments: or How to Use Hybrid Methods such as Hybrid Discourse Analysis (HDA) within a Knowledge Base." Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 4, no. 2 (July 11, 2016): 157–81. http://dx.doi.org/10.14195/2182-8830_4-2_8.
Full textSasongko, Michael Hari. "MUSIK ETNIK DAN PENGEMBANGAN MUSIK GEREJA." Tonika: Jurnal Penelitian dan Pengkajian Seni 2, no. 1 (May 29, 2019): 32–47. http://dx.doi.org/10.37368/tonika.v2i1.41.
Full textHanstein, Michael. "Protreptik, Lehrbrief, Studienanleitung für Lehrer." Daphnis 50, no. 2-3 (July 21, 2022): 219–44. http://dx.doi.org/10.1163/18796583-12340063.
Full textStaels, Hilde. "The Rogue as an Artist in Patrick deWitt’s "The Sisters Brothers"." Text Matters, no. 9 (December 30, 2019): 153–66. http://dx.doi.org/10.18778/2083-2931.09.09.
Full textSeita, Sophie. "Playing with Knowledge." TDR: The Drama Review 66, no. 3 (September 2022): 78–95. http://dx.doi.org/10.1017/s1054204322000314.
Full textAmit-Danhi, Eedan R., and Limor Shifman. "Digital political infographics: A rhetorical palette of an emergent genre." New Media & Society 20, no. 10 (January 9, 2018): 3540–59. http://dx.doi.org/10.1177/1461444817750565.
Full textMartín-Jiménez, Virginia, Pablo Berdón-Prieto, and Itziar Reguero-Sanz. "The precursors of infotainment? Debate and talk shows on Televisión Española (1980-1989)." Communication & Society 35, no. 1 (January 10, 2022): 119–35. http://dx.doi.org/10.15581/003.35.1.119-135.
Full textHajimia, Hafizah, Nur Rasyidah Mohd Nordin, Manvender Kaur Sarjit Singh, and Philip Golingai. "The rhetorical structure of newspaper reports: A synergy between corpus, genre and discourse analysis." Indonesian Journal of Applied Linguistics 12, no. 1 (May 31, 2022): 86–99. http://dx.doi.org/10.17509/ijal.v12i1.46433.
Full textSmith, Erin A. "Who Didn’t Do It?" Reception: Texts, Readers, Audiences, History 14 (July 1, 2022): 22–41. http://dx.doi.org/10.5325/reception.14.1.0022.
Full textHumpál, Martin. "Roman som skuespill: Sjangerhybriditet i Erlend Loes Stille dager i Mixing Part." European Journal of Scandinavian Studies 49, no. 1 (April 24, 2019): 42–54. http://dx.doi.org/10.1515/ejss-2019-0003.
Full textBadran, Dany. "Metaphor as argument: A stylistic genre-based approach." Language and Literature: International Journal of Stylistics 21, no. 2 (May 2012): 119–35. http://dx.doi.org/10.1177/0963947011435858.
Full textRistivojević, Marija. "(Re)defining tradition: the example of the world music phenomenon." Issues in Ethnology and Anthropology 9, no. 1 (February 25, 2016): 69. http://dx.doi.org/10.21301/eap.v9i1.4.
Full textJones, Amelia. "Material Traces: Performativity, Artistic “Work,” and New Concepts of Agency." TDR/The Drama Review 59, no. 4 (December 2015): 18–35. http://dx.doi.org/10.1162/dram_a_00494.
Full textObidič, Andrejka. "Margaret Atwood’s Postcolonial and Postmodern Feminist Novels with Psychological and Mythic Influences: The Archetypal Analysis of the Novel Surfacing." Acta Neophilologica 50, no. 1-2 (November 13, 2017): 5–24. http://dx.doi.org/10.4312/an.50.1-2.5-24.
Full textFerrara, Enrica Maria. "The Reception of Fernando de Roja’s Celestina in Italy: A Polyphonic Discourse." Renaissance and Reformation 40, no. 1 (July 21, 2017): 91–120. http://dx.doi.org/10.33137/rr.v40i1.28449.
Full textFIGUEROA, MELISSA. "Staging Muhammad: A Subversion of the Hagiographic Genre in Vida y muerte del falso Profeta Mahoma." Bulletin of Hispanic Studies 97, no. 8 (September 1, 2020): 807–21. http://dx.doi.org/10.3828/bhs.2020.46.
Full textNünning, Ansgar, and Alexander Scherr. "The Rise of the Fragmentary Essay-Novel: Towards a Poetics and Contextualization of an Emerging Hybrid Genre in the Digital Age." Anglia 136, no. 3 (September 6, 2018): 482–507. http://dx.doi.org/10.1515/ang-2018-0047.
Full textMajdzik Papić, Katarzyna. "Od męki translacji do piekła logosu. O przekładzie w „Przekładzie” Pabla De Santisa." Forum Filologiczne Ateneum, no. 1(7)2019 (December 31, 2019): 143–66. http://dx.doi.org/10.36575/2353-2912/1(7)2019.143.
Full textCALZÓN GARCÍA, José Antonio. "EL STEAMPUNK Y SU RESIGNIFICACIÓN DEL OBJETO DESDE LA ÓPTICA POSMODERNA." Signa: Revista de la Asociación Española de Semiótica 30 (January 6, 2021): 391. http://dx.doi.org/10.5944/signa.vol30.2021.26430.
Full textSokolova, Alla. "The Origins of the Genre of the English Masque." Culturology Ideas, no. 17 (1'2020) (2020): 89–98. http://dx.doi.org/10.37627/2311-9489-17-2020-1.89-98.
Full textKuzmina, Marina D. "BUSINESS VS FRIENDLY LETTER UNDER THE PEN OF RUSSIAN CLASSICISTS (EPISTOLARY BY A. P. SUMAROKOV)." Verhnevolzhski Philological Bulletin 22, no. 3 (2020): 18–27. http://dx.doi.org/10.20323/2499-9679-2020-3-22-18-27.
Full textAddison, Catherine. "THE VICTORIAN VERSE NOVEL AS BESTSELLER: OWEN MEREDITH'SLUCILE." Victorian Literature and Culture 45, no. 2 (May 5, 2017): 257–74. http://dx.doi.org/10.1017/s1060150316000607.
Full textSañudo, Eva Pelayo. "‘History’s Attic’: The Role of Legends and Family Stories in Gendering and Decolonizing US Immigration and Ethnic History Through Laurie Fabiano’s Family Saga Elizabeth Street (2006)." English: Journal of the English Association 68, no. 263 (2019): 366–88. http://dx.doi.org/10.1093/english/efz034.
Full textCantillo Lucuara, Mayron Estefan. "“Come, Dark-eyed Sleep”: Michael Field and the Performance of the Lyric as a Radical Fantasy." Revista Alicantina de Estudios Ingleses, no. 35 (July 28, 2021): 43. http://dx.doi.org/10.14198/raei.2021.35.02.
Full textLord, Catherine. "Sexy, slimy, monstrous: Infection as collaboration in Ben Wheatley’s In the Earth and Jaco Bouwer’s Gaia." Australasian Journal of Popular Culture 11, no. 1 (December 1, 2022): 147–61. http://dx.doi.org/10.1386/ajpc_00056_1.
Full textYAQIN, AMINA. "Truth, Fiction and Autobiography in the Modern Urdu Narrative Tradition." Comparative Critical Studies 4, no. 3 (October 2007): 379–402. http://dx.doi.org/10.3366/e1744185408000086.
Full textBaccolini, Raffaella. "The Persistence of Hope in Dystopian Science Fiction." PMLA/Publications of the Modern Language Association of America 119, no. 3 (May 2004): 518–21. http://dx.doi.org/10.1632/003081204x20587.
Full textIvanova, Svetlana V., and Gulnara Sharifullovna Khakimova. "Celebrity gossip as a genre in English-language mass media discourse." Russian Journal of Linguistics 24, no. 2 (December 15, 2020): 386–418. http://dx.doi.org/10.22363/2687-0088-2020-24-2-386-418.
Full textAndrade, Carlos Augusto Baptista, and Diogo Souza Cardoso. "Verbo-visualidade em tira quadrinizada da Mafalda: cortesia/descortesia linguística e humor nas interlocuções da narrativa figurativa." Texto Livre: Linguagem e Tecnologia 9, no. 1 (July 13, 2016): 13–27. http://dx.doi.org/10.17851/1983-3652.9.1.13-27.
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