Journal articles on the topic 'Humanities -> music -> rock'
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Dyukin, S. G. "Феноменология рок-культуры как предмет современной гуманитаристики." Вестник гуманитарного образования, no. 1(25) (April 21, 2022): 139–47. http://dx.doi.org/10.25730/vsu.2070.21.075.
Full textMorse, Margaret. "Postsynchronizing Rock Music and Television." Journal of Communication Inquiry 10, no. 1 (January 1986): 15–28. http://dx.doi.org/10.1177/019685998601000102.
Full textBoivin, Nicole. "Rock art and rock music: Petroglyphs of the south Indian Neolithic." Antiquity 78, no. 299 (March 2004): 38–53. http://dx.doi.org/10.1017/s0003598x00092917.
Full textGanev, Venelin I. "The Borsa: The Black Market for Rock Music in Late Socialist Bulgaria." Slavic Review 73, no. 3 (2014): 514–37. http://dx.doi.org/10.1017/s0037677900027522.
Full textHoward, Jay R. "Contemporary Christian Music: Where Rock Meets Religion." Journal of Popular Culture 26, no. 1 (June 1992): 123–30. http://dx.doi.org/10.1111/j.0022-3840.1992.00123.x.
Full textAdelman-Larsen, Niels W., Eric R. Thompson, and Anders C. Gade. "Acoustic investigations of concert halls for rock music." Journal of the Acoustical Society of America 122, no. 5 (2007): 2945. http://dx.doi.org/10.1121/1.2942489.
Full textSkelton, Shannon Blake. "Performing Glam Rock: Gender and Theatricality in Popular Music." Journal of Popular Culture 39, no. 6 (December 2006): 1109–11. http://dx.doi.org/10.1111/j.1540-5931.2006.00346.x.
Full textMäkelä, Janne. "Alternations." European Journal of Cultural Studies 12, no. 3 (July 16, 2009): 367–82. http://dx.doi.org/10.1177/1367549409105369.
Full textTetzlaff, David. "Music for Meaning: Reading the Discourse of Authenticity in Rock." Journal of Communication Inquiry 18, no. 1 (January 1994): 95–117. http://dx.doi.org/10.1177/019685999401800106.
Full textAdelman-Larsen, Niels Werner, Eric R. Thompson, and Anders C. Gade. "Suitable reverberation times for halls for rock and pop music." Journal of the Acoustical Society of America 127, no. 1 (January 2010): 247–55. http://dx.doi.org/10.1121/1.3263611.
Full textHampton, Timothy. "Bob Dylan in the Country." Representations 152, no. 1 (2020): 103–22. http://dx.doi.org/10.1525/rep.2020.152.5.103.
Full textMorgan, Michael J. "Rock and Roll Unplugged: African-American Music in Eighteenth-Century America." Eighteenth-Century Studies 27, no. 4 (1994): 649. http://dx.doi.org/10.2307/2739445.
Full textStrong, John T., Brandon Cudequest, and Dawn Schuette. "Can rock and roll be a good neighbor: Auralizing the thump next door." Journal of the Acoustical Society of America 152, no. 4 (October 2022): A32. http://dx.doi.org/10.1121/10.0015440.
Full textBain, Paula Clarke. "A melodic interlude: key notes for indexing books about music." Indexer 42, no. 1 (March 2024): 5–18. http://dx.doi.org/10.3828/index.2023.53.
Full textWald, Gayle. "Just a Girl? Rock Music, Feminism, and the Cultural Construction of Female Youth." Signs: Journal of Women in Culture and Society 23, no. 3 (April 1998): 585–610. http://dx.doi.org/10.1086/495280.
Full textRhodes, Carl. "Outside the Gates of Eden: Utopia and Work in Rock Music." Group & Organization Management 32, no. 1 (February 2007): 22–49. http://dx.doi.org/10.1177/1059601106294486.
Full textMcCARTHY, KATE. "Not Pretty Girls?: Sexuality, Spirituality, and Gender Construction in Women's Rock Music." Journal of Popular Culture 39, no. 1 (February 2006): 69–94. http://dx.doi.org/10.1111/j.1540-5931.2006.00204.x.
Full textMota Zurdo, David. "El terrorismo en la música vasca: de los cantautores al rock radical y sus herederos." Araucaria, no. 50 (2022): 205–27. http://dx.doi.org/10.12795/araucaria.2022.i50.09.
Full textScott, E. K. Ellington, and Jonas Braasch. "Computational aspects of real-time auralizations of jazz venues." Journal of the Acoustical Society of America 154, no. 4_supplement (October 1, 2023): A280. http://dx.doi.org/10.1121/10.0023524.
Full textGemie, Sharif. "Roots, rock, Breizh: music and the politics of nationhood in contemporary Brittany*." Nations and Nationalism 11, no. 1 (January 2005): 103–20. http://dx.doi.org/10.1111/j.1354-5078.2005.00194.x.
Full textTodd, Neil P. McAngus, and Frederick W. Cody. "Vestibular responses to loud dance music: A physiological basis of the “rock and roll threshold”?" Journal of the Acoustical Society of America 107, no. 1 (January 2000): 496–500. http://dx.doi.org/10.1121/1.428317.
Full textLenz, Richard L. "Adjustable acoustics for imperfect rooms." Journal of the Acoustical Society of America 152, no. 4 (October 2022): A21. http://dx.doi.org/10.1121/10.0015407.
Full textKennedy, David. "Frankenchrist versus the State: The New Right, Rock Music and the Case of Jello Biafra." Journal of Popular Culture 24, no. 1 (June 1990): 131–48. http://dx.doi.org/10.1111/j.0022-3840.1990.13187741.x.
Full textSanjek, David. "The Bloody Heart of Rock ‘n’ Roll: Images of Popular Music in Contemporary Speculative Fiction." Journal of Popular Culture 28, no. 4 (March 1995): 179–209. http://dx.doi.org/10.1111/j.0022-3840.1995.00179.x.
Full textSt. Lawrence, Janet S., and Doris J. Joyner. "The Effects of Sexually Violent Rock Music on Males' Acceptance of Violence Against Women." Psychology of Women Quarterly 15, no. 1 (March 1991): 49–63. http://dx.doi.org/10.1111/j.1471-6402.1991.tb00477.x.
Full textLee, Steven S. "Deterritorialized Nationality: Viktor Tsoi Saves the World." Slavic Review 82, no. 1 (2023): 159–83. http://dx.doi.org/10.1017/slr.2023.98.
Full textBreen, Marcus. "A stairway to heaven or a highway to hell?: Heavy metal rock music in the 1990s." Cultural Studies 5, no. 2 (May 1991): 191–203. http://dx.doi.org/10.1080/09502389100490161.
Full textDecker, Todd. "Fancy Meeting You Here: Pioneers of the Concept Album." Daedalus 142, no. 4 (October 2013): 98–108. http://dx.doi.org/10.1162/daed_a_00233.
Full textBaltes, Felix, Leon Chemnitz, and Elke B. Lange. "Pleasantness of nonlinear distortion in isolated triads of synthetic timbre." Journal of the Acoustical Society of America 154, no. 2 (August 1, 2023): 1028–40. http://dx.doi.org/10.1121/10.0020667.
Full textBraasch, Jonas. "Acoustical affordances and challenges with indigenous and orchestral wind instruments." Journal of the Acoustical Society of America 154, no. 4_supplement (October 1, 2023): A185. http://dx.doi.org/10.1121/10.0023209.
Full textAntinora, Sarah. "How the Beatles Destroyed Rock “N” Roll: An Alternative History of American Popular Music by Elijah Wald." Journal of Popular Culture 43, no. 2 (April 2010): 408–9. http://dx.doi.org/10.1111/j.1540-5931.2010.00748.x.
Full textBarden, Tom. "The Rock and Roll Hall of Fame and Museum's American Music Masters Series: Woody Guthrie, 1996. Jimmie Rodgers, 1997. Robert Johnson." Journal of American Folklore 112, no. 446 (1999): 551. http://dx.doi.org/10.2307/541493.
Full textPastore, M. Torben, and Nikhil Deshpande. "The evolution and maturation of the electric guitar as a system." Journal of the Acoustical Society of America 151, no. 4 (April 2022): A182. http://dx.doi.org/10.1121/10.0011034.
Full textToppins, Aggie. "Dig If You Will the Picture…: Reading Prince's Semiotic World." Design Issues 38, no. 4 (2022): 63–75. http://dx.doi.org/10.1162/desi_a_00698.
Full textMedeiros, Derek. "Sonic City: Making Rock Music and Urban Life in Singapore. SteveFerzacca. National U of Singapore P, 2021. 288 pp. $36.00 paper." Journal of Popular Culture 56, no. 2 (April 2023): 396–98. http://dx.doi.org/10.1111/jpcu.13239.
Full textOTTENHEIMER, HARRIET JOSEPH. "Crossing, Creolization, and the African Roots of American Culture:Group Harmony: The Black Urban Roots of Rhythm and Blues;Right to Rock: The Black Rock Coalition and the Cultural Politics of Race;Crossovers: Essays on Race, Music, and American Culture." American Anthropologist 108, no. 3 (September 2006): 528–30. http://dx.doi.org/10.1525/aa.2006.108.3.528.
Full textBaró Casanovas, Josep. "“Not So Glamorous at All”: The Consequences of Fame and Celebrity Status in The Cranberries’ To The Faithful Departed." Estudios Irlandeses, no. 18 (March 17, 2023): 118–33. http://dx.doi.org/10.24162/ei2023-11440.
Full textGilliland, Eric. "Working Class Heroes: Rock Music and British Society in the 1960s and 1970s. David Simonelli. Lanham, MD: Lexington Books, 2013. 301 pp. $33.29 cloth." Journal of Popular Culture 47, no. 2 (April 2014): 414–16. http://dx.doi.org/10.1111/jpcu.12132.
Full textGaut, Greg. "Rocking the State: Rock Music and Politics in Eastern Europe and Russia. Ed. Sabrina Petra Ramet. Boulder: Westview Press, 1994. x, 317 pp. Index. Plates. $59.95, hard bound." Slavic Review 54, no. 1 (1995): 151–52. http://dx.doi.org/10.2307/2501140.
Full textFerris, William. "Southern Literature: A Blending of Oral, Visual & Musical Voices." Daedalus 141, no. 1 (January 2012): 139–53. http://dx.doi.org/10.1162/daed_a_00136.
Full textPhol, Michaela. "Notes from Underground: Rock Music Counterculture in Russia. By Thomas Cushman. SUNY Series in the Sociology of Culture. Albany: State University of New York Press, 1995. xxiv, 403 pp. Bibliography. Glossary. Index. Tables. Paper." Slavic Review 55, no. 4 (1996): 941–42. http://dx.doi.org/10.2307/2501287.
Full textAzeem, Muhammad, M. K. Sangi, and Komal Ansari. "FOREGROUNDING OF POSTCOLONIAL ELEMENTS IN HANIF KUREISHI’S THE BLACK ALBUM." Humanities & Social Sciences Reviews 9, no. 3 (June 19, 2021): 1018–26. http://dx.doi.org/10.18510/hssr.2021.93100.
Full textBahun, Sanja. "Beyond good and evil? Popular songs, mathemes and bus rides (art and transition in the region of the former Yugoslavia)." Media, War & Conflict 13, no. 1 (August 7, 2019): 70–87. http://dx.doi.org/10.1177/1750635219866969.
Full textWillett, Ralph. "Charles K. Wolfe, Kentucky country: Folk and Country Music of Kentucky (Lexington, Ky: University Press of Kentucky, 1982, $16.00). Pp. 199. - Ellesa Clay High, Past Titan Rock: Journeys into an Appalachian Valley (Lexington, Ky: University Press of Kentucky, 1984, $16.00). Pp. 183." Journal of American Studies 19, no. 1 (April 1985): 151–53. http://dx.doi.org/10.1017/s0021875800020417.
Full textKITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 81, no. 1-2 (January 1, 2007): 101–62. http://dx.doi.org/10.1163/22134360-90002479.
Full textde Kloet, Jeroen. "Book Reviews : Andreas STEEN, Der Lange Marsch des Rock'n'Roll: Pop- und Rockmusik in der Volksrepublik China (The Long March of Rock'n'Roll: Pop and Rock Music in the People's Republic of China). Münster, Hamburg and London: Lit Verlag 1996. 264 pp. ISBN: 3-8258-2941-3. Price: DM38.80." China Information 13, no. 2-3 (September 1998): 146–48. http://dx.doi.org/10.1177/0920203x9801300228.
Full textBudiwirman, Budiwirman, Syeilendra Syeilendra, Ary Ramadhan, and Syafei Syafei. "SENI TRADISIONAL DALAM SENI MUSIK MODREN: ANALISIS BERDASARKAN NILAI PENDIDIKAN." Gorga : Jurnal Seni Rupa 12, no. 1 (June 24, 2023): 108. http://dx.doi.org/10.24114/gr.v12i1.27135.
Full textFont‐Navarrete, David. "Trapido, Joe. Breaking rocks: music, ideology and economic collapse from Paris to Kinshasa. x, 259 pp., bibliogr. Oxford, New York: Berghahn Books, 2016. £99.00 (cloth)." Journal of the Royal Anthropological Institute 26, no. 2 (May 18, 2020): 481–82. http://dx.doi.org/10.1111/1467-9655.13303.
Full textMichaelson, Christopher. "How a catchy bass line might someday resonate beyond my business ethics classroom: Rock music in management learning." Management Learning, November 5, 2020, 135050762096950. http://dx.doi.org/10.1177/1350507620969504.
Full textNone, Alex van der Hulst. "Oeioei you just have to listen : Rock criticism in Hitweek. A categorization model for evaluation domains in rock music." Journal of European Periodical Studies, June 23, 2022. http://dx.doi.org/10.21825/jeps.81952.
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