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Books on the topic 'Humanities -> music -> musicals'

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Author: Grafiati

Published: 26 July 2024

Last updated: 27 July 2024

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1

R, Aldecoa Ena Maria, and Dioquino Corazon, eds. Compendium of the humanities of the Philippines: Musical arts. Taguig, Metro Manila: National Research Council of the Philippines, 1998.

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2

Shipovskaya, Lyudmila. Music as an element of spiritual culture is a powerful factor of integration and universalization of the entire spiritual life of society. ru: INFRA-M Academic Publishing LLC., 2023. http://dx.doi.org/10.12737/2052437.

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The monograph is devoted to the ability of music in different phases of its functioning (creation, performance, perception) to convincingly demonstrate the associative and code principles of consciousness — mutual connection, induction and "translation" (encoding and decoding) of its various aspects, structures (in particular, emotional and rational) and levels (for example, individual and general, concrete and abstract). It is highlighted that music unites people, helps to resist disunity, indifference, feelings of loss and uselessness in the big world. It is revealed that the unifying power of music is manifested not only when a huge auditorium lives in one breath, when it freezes at once or suddenly bursts into a storm of applause in a single burst; a person feels this power, even if the sounds flow from a television or radio receiver. Spiritual culture should be addressed only to a person, it has a beneficial effect on a person's behavior, his work activity and the whole way of life. The socio-cultural significance of musical art is dramatically increasing in the context of a radical transformation of our society. It should ensure the assimilation of spiritual values that form the foundation of human life. It is intended for the widest audience of readers — from students of children's music schools and art schools to students of humanities faculties of universities and lovers of musical art.

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3

Russkoe strochnoe mnogogolosie XV-XVII vekov: Tekstologii︠a︡, stilʹ, kulʹturnyĭ kontekst. Moskva: Kompozitor, 2005.

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4

Bird, Frederick Charles, and Diane Skipper. Seaspell Performers' Edition: Reproduction Masters (Cambridge Young Musicals). Cambridge University Press, 1990.

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5

The Secret Life of the American Musical: How Broadway Shows Are Built. Tantor and Blackstone Publishing, 2021.

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6

Cassidy Parker, Elizabeth. Adolescents on Music. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190671358.001.0001.

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Adolescents on Music foregrounds the voices of 30 American adolescent musicians, ages 12–18. Adolescent singer-songwriters, studio and solo musicians, rappers, composers and arrangers, and band, choir, and orchestra members tell about their musical development and what it is like to make music by themselves and others. Situated in these 30 adolescents’ experiences is a theory of adolescent musical development—a theory that will help music educators support adolescents in their lives. The book is structured in three parts: Part I focuses on “who I am” with an in-depth look at musical identities; Part II explores “the social self” by investigating adolescent experiences of belonging, community, and social identity; Part III looks toward “a future vision” focusing on adolescent perspectives on their future and their advice for music educators. In the last chapter, Parker proposes one philosophy of adolescent music-making. Throughout the book, research from the arts, social and natural sciences, humanities, and education dimensionalize adolescent perspectives. Special features of this book include “Step Back” locations, reflective spaces for the reader to draw connections with adolescents’ experience and their own experiences. At the end of each chapter, the “Wrap Up” allows additional spaces for topics, questions, and possibilities for effective teaching interactions. Between each chapter are “Interludes” written by one or more of the 30 adolescent contributors.

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7

Music in the Body –The Body in Music. Georg Olms Verlag, 2022. http://dx.doi.org/10.25366/2022.84.

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The body matters in the humanities and within social and cultural studies. It is variously understood as a knowledge store and transmitter, as a node of perception and cognition, as a site of discipline and power and as a locus of identity and agency. But how is the body integral to our concept of music? With increasing interest, Musicology is discovering the epistemological role of the body and its potential as analytical tool, pursuing avenues such as affect studies, performance studies, gender in music and musical perception and cognition. This volume of collected works draws on an international conference, held at the Department of Musicology at the University of Göttingen in 2019, that aimed to bring together various theoretical perspectives relating to the body and evaluating its present musicological relevance. It explores pathways into a fundamental debate on the body as a central musicological category and reflects on the relevance of this category in the application of diverse musical objects and practices. Composition and performance, aesthetic discourse and sociological analysis, perception and production are all discussed in relation to bodily knowledge, bodily practice and bodily norms. Historical, contemporary, analytical, ethnographic and artistic-experimental approaches reflect the richness of the musicological discipline and its forays into the musical body. The publication contains twelve different approaches to the body in music in German and English by Sylvain Brétéché, Max Ischebeck, Werner Jauk, Jasna Jovicevic, Moritz Kelber, Tobias Knickmann, Ina Knoth, Madeleine Le Bouteiller, Alastair White, Martin Winter, Stefanie Schroedter and Martin Zenck.

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8

Kim, Youn, and Sander L. Gilman, eds. The Oxford Handbook of Music and the Body. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190636234.001.0001.

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The presence of the phenomenological body is central to music in all of its varieties and contradictions. With the explosion of scholarly works on the body in virtually every field in the humanities, the social as well as the biomedical sciences, the question of how such a complex understanding of the body is related to music, with its own complexity, has been investigated within specific disciplinary perspectives. The Oxford Handbook of Music and the Body brings together these particular aspects of such relationships in a broad context and provides a platform for the discussion of the multidimensional interfaces of music and the body. It is organized into six sections, each discussing the topics that define the field: the moving and performing body; the musical brain and psyche; embodied mind, embodied rhythm; the disabled and sexual body; music as medicine; and the multimodal body. Connecting a wide array of diverse perspectives and presenting a survey of research and practice highlighting different facets, the Handbook provides an introduction into the rich world of music and the body.

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9

Aldo Parisot, the Cellist: The Importance of the Circle. Pendragon Press, 2018.

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10

Aldo Parisot, the Cellist: The Importance of the Circle. Pendragon Pr, 2018.

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11

Kramer, Lawrence. Walt Whitman and Modern Music: War, Desire, and the Trials of Nationhood (Garland Reference Library of the Humanities). Routledge, 2000.

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12

Pinch, Trevor. Analog Days: The Invention and Impact of the Moog Synthesizer. Harvard University Press, 2002.

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13

Simawe, Saadi A. Black Orpheus: Music in African American Fiction from the Harlem Renaissance to Toni Morrison (Garland Reference Library of the Humanities). Routledge, 2000.

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14

Figueroa, Michael A. City of Song. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197546475.001.0001.

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It seems obvious that modern Jerusalem, a city that is central to Jewish, Muslim, and Christian religious imaginaries and the political epicenter of the Israeli-Palestinian crisis, is a highly contested space. More surprising, perhaps, is that its musical landscape not only reflects these rifts but also helped to define them as the ancient city transitioned to modernity during the twentieth century. City of Song: Music and the Making of Modern Jerusalem argues that musical renderings of Jerusalem have been critical to the formation of Israeli political consciousness. The book demonstrates how Zionist and Israeli songwriters helped to shape their public’s territorial imagination—creating images of a city that is at once heavenly and earthly, that dwells in longing, that must not be forgotten, that compels one to bereave the dead, that represents the fulfillment of prophecy, and that is the site of immense cultural diversity. The dynamic history of its representation in lyrics and music helps dispel any notion that the Israeli-Palestinian crisis is timeless, intractable, and based on static, essential identities; while there are continuities across historical divides, there is also radical change. The book combines analyses of musical meaning, political discourse, and public performance over the long twentieth century (1880s–2010s), in order to reveal how the Israeli-Palestinian crisis’s territorial fixation on Jerusalem has been constructed, historically contingent, and subject to artistic intervention in modernity. Through a musical history of Jerusalem, the chapter introduces a novel, humanities-centered approach to one of the world’s most contested cities.

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15

Haładewicz-Grzelak, Małgorzata, and Paula García-Ramírez, eds. Hermeneutical Narratives in Art, Literature, and Communication. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350405462.

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Exploring the relationship between hermeneutics and the arts, including painting, music, and literature, this book builds on hermeneutics from a practical perspective, connecting this area of critical research with others to reveal how it is viewed from different perspectives. International and interdisciplinary in scope, this edited volume draws on the work of scholars and practitioners working across a variety of subject areas, themes and topics, including philosophy, literature, religious paintings, musical oeuvres, Chinese urbanscapes, Moroccan proverbs, and Ukrainian internet blogs. Focusing on the idea of hermeneutics as a discipline that can connect different areas of interest, the book offers an inside view into how the contributors yinterpret’ it within their own academic remits, demonstrating its presence in qualitative academic interpretations and canonical contemporary research in humanities.

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16

Nalbantian, Suzanne, and Paul M. Matthews, eds. Secrets of Creativity. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190462321.001.0001.

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This book draws from leading neuroscientists and scholars in the humanities and the arts to probe creativity in its many manifestations, including the everyday mind, the exceptional mind, the pathological mind, the scientific mind, and the artistic mind. It offers a brand new interdisciplinary approach revealing secrets of creativity that emerge from our everyday lives and from the minds of exceptional individuals and their discoveries or creations. Neuroscientists, psychologists, and humanities researchers provide new insights about the workings of the creative brain. Components of creativity are specified with respect to types of memory, forms of intelligence, modes of experience, and kinds of emotion. Authors in this volume take on the challenge of simultaneously characterizing creativity at behavioral, cognitive, and neurophysiological levels. It becomes apparent to all our authors that, with creativity, there is an interaction between consciously controlled processing and spontaneous processing. Neuroscientists describe the functioning of the brain and its circuitry in creative acts of scientific discovery or aesthetic production. Humanists from the fields of literature, art, and music give analyses of creativity in major literary works, musical compositions, and works of visual art. This book brings together an interdisciplinary group of contributors for a novel discussion of creativity from the confluence of neuroscience and the arts.

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17

Death and the Rock Star. Taylor & Francis Group, 2015.

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18

Death and the Rock Star. Taylor & Francis Group, 2020.

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