Journal articles on the topic 'Humanities -> music -> jazz'
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Ayers, David. "Jazz: Music and Background." Journal of American Studies 27, no. 3 (December 1993): 409–15. http://dx.doi.org/10.1017/s0021875800032102.
Full textRice, Alan J. "Jazzing It Up A Storm: The Execution and Meaning of Toni Morrison's Jazzy Prose Style." Journal of American Studies 28, no. 3 (December 1994): 423–32. http://dx.doi.org/10.1017/s0021875800027663.
Full textScott, E. K. Ellington, and Jonas Braasch. "Computational aspects of real-time auralizations of jazz venues." Journal of the Acoustical Society of America 154, no. 4_supplement (October 1, 2023): A280. http://dx.doi.org/10.1121/10.0023524.
Full textDobrota, Snježana, and Ina Reić Ercegovac. "Music preferences with regard to music education, informal influences and familiarity of music amongst young people in Croatia." British Journal of Music Education 34, no. 1 (October 25, 2016): 41–55. http://dx.doi.org/10.1017/s0265051716000358.
Full textFARLEY, JEFF. "Jazz as a Black American Art Form: Definitions of the Jazz Preservation Act." Journal of American Studies 45, no. 1 (July 19, 2010): 113–29. http://dx.doi.org/10.1017/s0021875810001271.
Full textScott, E. K. Ellington. "Drums speak too: An examination of modern percussion instruments in the jazz idiom." Journal of the Acoustical Society of America 151, no. 4 (April 2022): A183. http://dx.doi.org/10.1121/10.0011036.
Full textWells, Christopher J. "“You Can't Dance to It”: Jazz Music and Its Choreographies of Listening." Daedalus 148, no. 2 (April 2019): 36–51. http://dx.doi.org/10.1162/daed_a_01741.
Full textEarly, Gerald. "Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s." Daedalus 148, no. 2 (April 2019): 67–82. http://dx.doi.org/10.1162/daed_a_01743.
Full textGabbard, Krin. "La La Land Is a Hit, but Is It Good for Jazz?" Daedalus 148, no. 2 (April 2019): 92–103. http://dx.doi.org/10.1162/daed_a_01745.
Full textMcGee, Kristin. "Staging jazz pasts within commercial European jazz festivals: The case of the North Sea Jazz Festival." European Journal of Cultural Studies 20, no. 2 (April 27, 2016): 141–66. http://dx.doi.org/10.1177/1367549416638525.
Full textARNOLD-FORSTER, TOM. "Dr. Billy Taylor, “America's Classical Music,” and the Role of the Jazz Ambassador." Journal of American Studies 51, no. 1 (February 26, 2016): 117–39. http://dx.doi.org/10.1017/s0021875815002662.
Full textSalamone, Frank A. "Jazz and Its Impact on European Classical Music." Journal of Popular Culture 38, no. 4 (May 2005): 732–43. http://dx.doi.org/10.1111/j.0022-3840.2005.00138.x.
Full textSolis, Gabriel. "Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions." Daedalus 148, no. 2 (April 2019): 23–35. http://dx.doi.org/10.1162/daed_a_01740.
Full textAigen, Kenneth. "Social interaction in jazz: implications for music therapy." Nordic Journal of Music Therapy 22, no. 3 (October 2013): 180–209. http://dx.doi.org/10.1080/08098131.2012.736878.
Full textSolli, Mattias, Erling Aksdal, and John Pål Inderberg. "Learning Jazz Language by Aural Imitation: A Usage-Based Communicative Jazz Theory (Part 1)." Journal of Aesthetic Education 55, no. 4 (December 1, 2021): 82–122. http://dx.doi.org/10.5406/jaesteduc.55.4.0082.
Full textSolli, Mattias, Erling Aksdal, and John Pål Inderberg. "Learning Jazz Language by Aural Imitation: A Usage-Based Communicative Jazz Theory (Part 2)." Journal of Aesthetic Education 56, no. 1 (April 1, 2022): 94–123. http://dx.doi.org/10.5406/15437809.56.1.06.
Full textBrown, Lee B. "Adorno's Critique of Popular Culture: The Case of Jazz Music." Journal of Aesthetic Education 26, no. 1 (1992): 17. http://dx.doi.org/10.2307/3332724.
Full textMuller, Carol A. "Why Jazz? South Africa 2019." Daedalus 148, no. 2 (April 2019): 115–27. http://dx.doi.org/10.1162/daed_a_01747.
Full textBraasch, Jonas. "Why did wind instruments stop evolving?" Journal of the Acoustical Society of America 151, no. 4 (April 2022): A182. http://dx.doi.org/10.1121/10.0011033.
Full textJackson, Jeffrey H. "Music-Halls and the Assimilation of Jazz in 1920s Paris." Journal of Popular Culture 34, no. 2 (September 2000): 69–82. http://dx.doi.org/10.1111/j.0022-3840.2000.3402_69.x.
Full textLi, Ang. "Historical Evolution of the Popularization of Classical Music and the Development of the Fusion of Multiple Musical Styles." Herança 7, no. 1 (December 21, 2023): 113–25. http://dx.doi.org/10.52152/heranca.v7i1.810.
Full textChung, Lauren, Angel O. Y. Wong, Lilly A. Leaver, Yuan He, and Sriram Boothalingam. "An acoustical environment survey of student music practice." Journal of the Acoustical Society of America 155, no. 2 (February 1, 2024): 1368–78. http://dx.doi.org/10.1121/10.0024862.
Full textSánchez-Seco, Fernando Centenera. "The Frankfurt Hot Club jazz band under the Nazis: much more than music." Law and Humanities 12, no. 2 (July 3, 2018): 184–203. http://dx.doi.org/10.1080/17521483.2018.1514948.
Full textBorn, Georgina. "For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn." Journal of the Royal Musical Association 135, no. 2 (2010): 205–43. http://dx.doi.org/10.1080/02690403.2010.506265.
Full textMarkham, Benjamin E., and Jonah Sacks. "Recital halls for K-12, higher education, and community music education: A trio of case studies." Journal of the Acoustical Society of America 151, no. 4 (April 2022): A236. http://dx.doi.org/10.1121/10.0011176.
Full textGreenspan, Charlotte. "Hollywood as Music Museum & Patron: Bringing Various Musical Styles to a Wide Audience." Daedalus 142, no. 4 (October 2013): 73–81. http://dx.doi.org/10.1162/daed_a_00235.
Full textSacks, Jonah, and Benjamin E. Markham. "Modifying a recital hall to extend its range of use: A case study." Journal of the Acoustical Society of America 151, no. 4 (April 2022): A236. http://dx.doi.org/10.1121/10.0011177.
Full textAhn, Si-hyeon. "A Study of the State of Applied Musicology Research -Focusing on Domestic Doctoral Thesis-." Korean Society of Human and Nature 5, no. 1 (June 30, 2024): 331–63. http://dx.doi.org/10.54913/hn.2024.5.1.331.
Full textLenz, Richard L. "Adjustable acoustics for imperfect rooms." Journal of the Acoustical Society of America 152, no. 4 (October 2022): A21. http://dx.doi.org/10.1121/10.0015407.
Full textHan, Alexander T., and Takako Fujioka. "Emergence of metrically structured rhythms and inter-partner coordination in joint drum improvization." Journal of the Acoustical Society of America 154, no. 4_supplement (October 1, 2023): A345. http://dx.doi.org/10.1121/10.0023748.
Full textEdwards, Brent Hayes. "The Literary Ellington." Representations 77, no. 1 (2002): 1–29. http://dx.doi.org/10.1525/rep.2002.77.1.1.
Full textGriffin, Farah Jasmine. "Following Geri's Lead." Daedalus 148, no. 2 (April 2019): 13–22. http://dx.doi.org/10.1162/daed_a_01739.
Full textMonson, Ingrid. "Yusef Lateef's Autophysiopsychic Quest." Daedalus 148, no. 2 (April 2019): 104–14. http://dx.doi.org/10.1162/daed_a_01746.
Full textBraasch, Jonas. "Acoustical affordances and challenges with indigenous and orchestral wind instruments." Journal of the Acoustical Society of America 154, no. 4_supplement (October 1, 2023): A185. http://dx.doi.org/10.1121/10.0023209.
Full textWilf, Eitan. "Modernity, Cultural Anesthesia, and Sensory Agency: Technologies of the Listening Self in a US Collegiate Jazz Music Program." Ethnos 80, no. 1 (March 7, 2013): 1–22. http://dx.doi.org/10.1080/00141844.2012.751930.
Full textMaiorino, Alexandre. "Evaluation of a rehearsal/recording room project for symphonic orchestra based on ISO23591." Journal of the Acoustical Society of America 152, no. 4 (October 2022): A103. http://dx.doi.org/10.1121/10.0015686.
Full textHunt, Kaitlyn, and Anthony Shou. "Two case studies in approach to the renovation of volumetrically challenged music rehearsal spaces." Journal of the Acoustical Society of America 152, no. 4 (October 2022): A22. http://dx.doi.org/10.1121/10.0015410.
Full textZhang, Shicheng, and Takako Fujioka. "Does harmony function emerge from sequential notes in a diatonic mode? An event-related potential study." Journal of the Acoustical Society of America 154, no. 4_supplement (October 1, 2023): A241—A242. http://dx.doi.org/10.1121/10.0023417.
Full textFévotte, Cédric, Nancy Bertin, and Jean-Louis Durrieu. "Nonnegative Matrix Factorization with the Itakura-Saito Divergence: With Application to Music Analysis." Neural Computation 21, no. 3 (March 2009): 793–830. http://dx.doi.org/10.1162/neco.2008.04-08-771.
Full textPastore, M. Torben, and Nikhil Deshpande. "The evolution and maturation of the electric guitar as a system." Journal of the Acoustical Society of America 151, no. 4 (April 2022): A182. http://dx.doi.org/10.1121/10.0011034.
Full textSampsell, Kate. "Improvising the Score: Rethinking Modern Film Music Through Jazz. Gretchen L.Carlson. UP of Mississippi, 2022. 224 pp. $30.00 paper." Journal of Popular Culture 56, no. 1 (February 2023): 208–11. http://dx.doi.org/10.1111/jpcu.13243.
Full textTick, Judith. "Ella Fitzgerald & “I Can't Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music." Daedalus 148, no. 2 (April 2019): 83–91. http://dx.doi.org/10.1162/daed_a_01744.
Full textRamsey, Guthrie P. "A New Kind of Blue: The Power of Suggestion & the Pleasure of Groove in Robert Glasper's Black Radio." Daedalus 142, no. 4 (October 2013): 120–25. http://dx.doi.org/10.1162/daed_a_00240.
Full textMcWhorter, John H. "Long Time, No Song: Revisiting Fats Waller's Lost Broadway Musical." Daedalus 142, no. 4 (October 2013): 109–19. http://dx.doi.org/10.1162/daed_a_00238.
Full textBallantine, Christopher. "Music and emancipation: the social role of black jazz and vaudeville in South Africa between the 1920s and the early 1940s." Journal of Southern African Studies 17, no. 1 (March 1991): 129–52. http://dx.doi.org/10.1080/03057079108708269.
Full textFerris, William. "Southern Literature: A Blending of Oral, Visual & Musical Voices." Daedalus 141, no. 1 (January 2012): 139–53. http://dx.doi.org/10.1162/daed_a_00136.
Full textCornish, Gabrielle, and Matthew Kendall. "Introduction to Critical Discussion Forum: Socialist Sound Worlds." Slavic Review 82, no. 4 (2023): 859–64. http://dx.doi.org/10.1017/slr.2024.9.
Full textKlotz, Kelsey A. K. "Dave Brubeck's Southern Strategy." Daedalus 148, no. 2 (April 2019): 52–66. http://dx.doi.org/10.1162/daed_a_01742.
Full textClark, Andrew. "Berry Jason, Foose Jonathan, Jones Tad, Up From the Cradle of Jazz: New Orleans Music Since World War II (Athens, Georgia: University of Georgia Press, 1986, $15.95). Pp. 285, large format. ISBN 0 8203 0854 4." Journal of American Studies 22, no. 1 (April 1988): 115–16. http://dx.doi.org/10.1017/s0021875800033132.
Full textEditorial Collective, UnderCurrents. "Contributors." UnderCurrents: Journal of Critical Environmental Studies 18 (April 27, 2014): 60. http://dx.doi.org/10.25071/2292-4736/38554.
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