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Ramesh, S. "Bridging Commerce and Management with Humanities, Music, and Dance: A Holistic Approach to Organizational Success." Journal of Humanities,Music and Dance, no. 24 (July 28, 2022): 26–31. http://dx.doi.org/10.55529/jhmd.24.26.31.
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This article explores the symbiotic relationship between commerce and management disciplines with the realms of humanities, music, and dance. It delves into the potential benefits of integrating artistic and humanistic perspectives into business practices, aiming for a more holistic and inclusive approach to organizational success. The study employs a qualitative research methodology, combining literature review, case studies, and expert interviews to provide insights into the impacts of this interdisciplinary fusion on various aspects of business.
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Numerato, Dino, and Richard Giulianotti. "Citizen, consumer, citimer: The interplay of market and political identities within contemporary football fan cultures." Journal of Consumer Culture 18, no. 2 (December 5, 2017): 336–55. http://dx.doi.org/10.1177/1469540517744692.
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This article examines how football, sport and other cultural fields are characterized by complex interrelations between ‘citizen’ and ‘consumer’ identities. Our analysis centres specifically on critically examining and developing the concept of ‘citimer’ (citizen-consumer) with respect to activist supporter groups within European professional men’s football. First, to establish the structural and cultural context for our analysis, we argue that the emergence of citizen-consumer identities in football has been driven by five underlying processes: globalization, commodification, securitization, mediatization and postmodernization. Critical football fan movements have responded to these changes through greater reflexivization and politicization. Second, drawing on the broad academic literature, we develop the concept of the citizen-consumer (or ‘citimer’) and introduce its relevance to football. Third, to provide a more nuanced understanding of the citizen-consumer, we explore how this ‘citimer’ identity is constructed in two ways: ‘from below’ (by fan groups themselves at everyday level) and ‘from above’ (by clubs, governing bodies, media and other powerful forces within the football system). In both instances, we find that the citizen and consumer aspects of the citimer identity are interrelated in complex ways. Fourth, we conclude by highlighting the political reflexivity of citimers and areas for future research. Our analysis draws on extensive data collection: with football supporters and officials in the Czech Republic, England and Italy and at the wider European level, and through access to diverse primary and secondary documents (e.g. policy papers, fanzines and online forums). Our findings may be applied to examine citimer identities, practices and social relations not just within football and sport but in many other cultural fields, such as art, communication, drama, fashion, film and music.
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Ramesh, S. "Beyond Balance Sheets: Integrating Humanities, Music, and Dance Into Business Strategy." Journal of Humanities,Music and Dance, no. 12 (October 30, 2021): 5–9. http://dx.doi.org/10.55529/jhmd.12.5.9.
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"Beyond Balance Sheets: Integrating Humanities, Music, and Dance into Business Strategy" explores the transformative potential of incorporating artistic disciplines into traditional business strategies. The article delves into how the humanities offer valuable insights into human behavior, music serves as a universal language for communication, and dance provides a metaphor for effective teamwork. By weaving these elements into business strategy, organizations can foster creativity, innovation, and a more profound connection with both internal teams and external stakeholders.
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Conner, Thomas, and Steve Jones. "Art to Commerce: The Trajectory of Popular Music Criticism." IASPM Journal 4, no. 2 (December 31, 2014): 7–23. http://dx.doi.org/10.5429/ij.v4i2.671.
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This article reports the results of a content and textual analysis of popular music criticism from the 1960s to the 2000s to discern the extent to which criticism has shifted focus from matters of music to matters of business. In part, we believe such a shift to be due likely to increased awareness among journalists and fans of the industrial nature of popular music production, distribution and consumption, and to the disruption of the music industry that began in the late 1990s with the widespread use of the Internet for file sharing. Searching and sorting the Rock’s Backpages database of over 22,000 pieces of music journalism for keywords associated with the business, economics and commercial aspects of popular music, we found several periods during which popular music criticism’s focus on business-related concerns seemed to have increased. The article discusses possible reasons for the increases as well as methods for analyzing a large corpus of popular music criticism texts.
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SCANNELL, PADDY. "Music, radio and the record business in Zimbabwe today." Popular Music 20, no. 1 (January 2001): 13–27. http://dx.doi.org/10.1017/s0261143001001283.
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Radio and the recording business have, since the beginning of the last century, had a profound impact upon existing musical life whenever and wherever they have decisively and irreversibly established themselves. Their arrival restructures and redefines the social relations of music in many aspects of its production, performance and reception. Radio and recording technologies have had a significant impact on the livelihoods of all those who one way or another try to make a living from music (composers, performers and - in Europe - publishers, for instance). Performance itself is transformed as new norms are set in place which call for new levels of technique and interpretation. Finally the conditions of musical reception are reconfigured and new `taste publics' emerge, potentially in conflict with each other, as musical life is totalised into a new and complex unity.
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Lyu, Zhuoheng, Zhenghong Nie, and Yuhan Xie. "QQ Music Business Model Competitiveness Analysis: Social Economy Perspective." Highlights in Business, Economics and Management 11 (May 9, 2023): 100–107. http://dx.doi.org/10.54097/hbem.v11i.7952.
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The social economy has played a significant role in the development of QQ Music. To explore the impact of the social economy on QQ Music’s business model, this paper analyses two aspects: first, the type of community and the community demand existed in the platform of QQ Music; second, the procession embodied in QQ Music’s business model to commercialize communities. The study shows that the competitiveness of QQ Music’s business model lies in its platform set-up and user-paid service set-up. The user community sorting mechanism helps QQ Music users find the right community that suits them and fulfills their community needs. The “highly personalized service” and “highly enriched payment scenarios” reflected in the user payment settings can help users achieve an excessive amount of community demand, stimulating user consumption.
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Ruud, Even. "Aspects of a Theory of Music Therapy." Nordic Journal of Music Therapy 15, no. 2 (January 2006): 172–76. http://dx.doi.org/10.1080/08098130609478163.
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Ramesh, S. "Harmony in Commerce and Humanities: Exploring the Symbiosis of Business and the Arts." Journal of Humanities,Music and Dance, no. 23 (May 14, 2022): 8–12. http://dx.doi.org/10.55529/jhmd.23.8.12.
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This article explores the symbiotic relationship between commerce and the arts, specifically delving into the integration of humanities, music, and dance into business and management practices. Recognizing the transformative impact of a multidisciplinary approach, the article discusses how the human touch of humanities, the inspirational power of music, and the metaphorical insights from dance contribute to innovative and successful business strategies. Through case studies, the article highlights companies that have embraced this symbiosis, showcasing the tangible benefits of fostering a holistic connection between commerce and the arts. Ultimately, the article underscores the importance of acknowledging and integrating the creative and human elements in the ever-evolving business landscape.
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Pizzi, Meredith Roman. "Expanding a Music Therapy Business Using AMTA’s Aspirational Code of Ethics." Music Therapy Perspectives 38, no. 1 (2020): 34–37. http://dx.doi.org/10.1093/mtp/miaa001.
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Abstract While all music therapists look to the Code of Ethics as a guiding document, music therapists who are self-employed or managing teams rely heavily on this document to create sound business and administrative policies. This article articulates how the 2019 Code of Ethics informs the music therapy entrepreneur or manager to make thoughtful, accountable, and ethical decisions, decreases confusion about specific business practices, and addresses significant concerns related to aspects of the previous AMTA Code of Ethics that were in conflict with federal anti-trust regulations in the United States, including the Sherman Anti-Trust Law. To address the legal and ethical issues inherent in expanding a service business, a discussion guided by the 2019 Code of Ethics and the Markkula Center for Applied Ethics (2009) model is provided as a way to think through potential ethical dilemmas when considering subcontracting music therapy services.
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Sadler, D. "The Global Music Business as an Information Industry: Reinterpreting Economies of Culture." Environment and Planning A: Economy and Space 29, no. 11 (November 1997): 1919–36. http://dx.doi.org/10.1068/a291919.
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In this paper it is argued that the music business should be regarded as an activity trading in information. The paper begins with a review of key themes in the conceptualisation of the music industry within the cultural economies tradition. These are the tensions between creativity and commerce and between global and local processes, and the characterisation of the industry in the terms of the flexible specialisation and reflexive accumulation theses. It is then suggested that these debates have downplayed a key characteristic of the contemporary music industry, its involvement with the creation, production, and distribution of information. The emergence of a global music business over the past decade is documented and analysed by means of this framework. Subsequently, two aspects of the integration processes taking place in the music industry are considered in terms of their relationship to the information economy: copyright protection and branding, and competition between producers of information storage and retrieval devices. The paper concludes that interpreting music as an information industry sheds new light on the music business, and points to important questions for further research within the information economy literature.
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Jeon, Seonkoo. "A Study on the Practical Humanities Potential of Music Humanities." Korean Society of Culture and Convergence 45, no. 11 (November 30, 2023): 837–48. http://dx.doi.org/10.33645/cnc.2023.11.45.11.837.
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This study proposed Music Humanities as a methodological model for the social realization of practical humanities. Music humanities is text-based journalistic content based on a convergent approach between the fields of music and humanities.. In order to examine the possibility and usefulness of practical humanities implied in Music Humanities, based on interpretive research methods based on grounded theory of the text of Music Humanities and related research literature, first, text recognition according to discussion system restructuring We analyzed the text linguistics and social psychological standards and values reflected in the environment construction process, and derived practical humanities significance through them. Second, the musicological value of key text areas according to the structuring of music's media nature was illuminated and the practical humanities implications implied in the conceptualization process of music were derived. Lastly, the possibility of creating social messages in the humanities through music was specified by analyzing the discourse process of key text areas that surfaced the humanities value of music. This study can provide an opportunity to further solidify the social tone and line of practical humanities.
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Trinick, Robyn, and Lesley Pohio. "The “Serious Business” of Musical Play in the New Zealand Early Childhood Curriculum." Music Educators Journal 104, no. 4 (June 2018): 20–24. http://dx.doi.org/10.1177/0027432118767734.
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Children have a natural curiosity about sound. This is particularly evident in the context of musical play. The potential of play for music learning may be overshadowed by a teacher-led and performance-focused approach to music education rather than an organic, self-initiated approach. By bringing together the child’s natural curiosity about sound, a rich music environment, and effective teacher guidance, the stage is set for building a strong foundation of musical understandings during a child’s first five years, a critical period of the child’s musical development. This article draws attention to and provides examples of ways that musical play can be fostered and enacted in the New Zealand early childhood context. The unique, holistic nature of the New Zealand early childhood curriculum, Te Whāriki, does not address music explicitly. Rather, aspects of music pedagogies are embedded throughout the document, within a complex weaving together of principles, strands, and goals.
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Lv, Xin Xin. "Design and Construction on Music Online Website." Applied Mechanics and Materials 543-547 (March 2014): 3268–71. http://dx.doi.org/10.4028/www.scientific.net/amm.543-547.3268.
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Development of network technology makes people come into contact with more music mode, music online website as a network carrier, in the dissemination, creation, appreciation and other aspects have a profound impact on the development of music, the paper based on the .NET technology to design and build the music online website. Firstly, research the .NET three-tier architecture, constructed by the presentation layer, business layer, data layer MVC architecture diagram, and described the components; then, design website function, including foreground service and background management module were composed by the 10 sub-modules module; Finally, build .NET three-tier structure, the specific process is divided into eight steps and is described in detail. Contents of this paper have important implications for riching people's lives, active mass culture, and promoting the development of music and other aspects.
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Leventhal, Howard. "Review of Music in Medicine: Neurophysiological Basis, Clinical Applications, Aspects in the Humanities." Contemporary Psychology: A Journal of Reviews 33, no. 7 (July 1988): 632–33. http://dx.doi.org/10.1037/030514.
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Scott, E. K. Ellington, and Jonas Braasch. "Computational aspects of real-time auralizations of jazz venues." Journal of the Acoustical Society of America 154, no. 4_supplement (October 1, 2023): A280. http://dx.doi.org/10.1121/10.0023524.
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Historically, architectural acoustics has focused on concert halls for European Classical music, even though other genres, including rock, blues, and Jazz, have large groups of followers as well. Additionally, the acoustic requirements for European Classical music differ fundamentally from Jazz and other music. For example, Jazz venues are typically smaller and dryer than a traditional European Classical concert hall. A recent survey showed that reverberation in these venues plays a secondary role to parameters that describe the affordance of a space to allow communication between improvising musicians. This presentation focuses on the unique computational auralization aspects of Jazz venues, including wave-based approaches for smaller enclosures, low-latency requirements, intelligent accompanying systems that can adapt ad-hoc to jazz soloists, and the use of anechoic jazz recordings as source material. The adequacies of different reproduction systems, from higher-order ambisonics and wave-field synthesis to headphone-based systems, will also be discussed. [Work supported by James West Fellowship, Leo and Gabriella Beranek Scholarship, and NSF HCC-1909229.]
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Marlina, Yuni, and Vonny Tiara Narundana. "Feasibility Study Analysis of the Def. Flodeco Decoration Services Business in Bandar Lampung." International Journal of Research and Review 11, no. 1 (January 29, 2024): 583–90. http://dx.doi.org/10.52403/ijrr.20240165.
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Def.flodeco is a service business that has great potential in the development of current service businesses because an event requires a concept to make it look attractive. This business is facing a reduction in income during the Covid 19 pandemic, which is affecting the viability of the business. This study aims to determine the feasibility of Def.flodeco in developing its business. This research method applies an explanation of business viability from non-financial aspects such as market aspects and HR management. Then it uses financial aspects such as payback period, net present value, profitability index, internal rate of return, and break event point analysis. The results of this business feasibility analysis were declared non-financially and financially feasible. With the financial results, it is explained that the value of BEP for five years is IDR 116,315,817, PP with a period of 2 years 3 months 18 days, NPV is IDR 17,587,302, PI is 1,135, and IRR is 14.04%. This proves that the Def.flodeco business is suitable for development because every financial analysis carried out meets investment criteria. Suggestions for this business are to pay attention to other aspects for the smooth running of the business, namely the prices offered, the quality of rental goods, service, innovative desires of customers, and companies need to carry out promotions and content for decoration activities actively on social media. Keywords: Business sustainability, non-financial aspects, financial aspects.
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Yohanda, Gunawan, Rizal Syarief, and Yidha Herywan Asnawi. "Feasibility Analysis on the Business Plan of Herb Medicines at Ginsanjaya Pharmacy." International Journal of Research and Review 9, no. 1 (January 29, 2022): 544–52. http://dx.doi.org/10.52403/ijrr.20220163.
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The objectives of this study are analysis about feasibility on the business plan of herb medicines at Ginsanjaya Pharmacy, which are: feasibility analysis of industry and market, feasibility analysis of products and services, feasibility analysis of financial; and to decide the business plan of herb medicines at Ginsanjaya Pharmacy is feasible or not feasible to be realized or operated. The study methodologies used are: (1) The feasibility analysis of industry and market such as: market and marketing aspects, industrial environment aspects, economical – social – legal –environmental aspects, by qualitative desciptive analysis. (2) The feasibility analysis of products and services such as: technical and technological aspects, operational management aspects, human resources aspects, by qualitative descriptive analysis. (3) The feasibility analysis of financial aspects such as: payback period, present value, internal rate of return, profitability index, break even point, by quantitative descriptive analysis. The results of feasibility analysis on the business plan of herb medicines at Ginsanjaya Pharmacy were such as: (1) The feasibility analysis of industry and market such as : market and marketing aspects were feasible, industrial environment aspects were feasible, economical – social – legal – environmental aspects were feasible, therefore the industrial and market aspects were feasible. (2) The feasibility analysis of products and services such as: technical and technological aspects were feasible, operational management aspects were feasible, human resources aspects were feasible, therefore the products and services aspects were feasible. (3) The feasibility analysis of financial aspects such as : payback period 3.49 years < project period 5 years ; net present value Rp 329,019,000 > 0 (positive) ; internal rate of return 27.17 % > bank credit rate 5.58 % ; profitability index 2.04 > 1 ; break even point of 5th year Rp 718,743,000 or 28.94 % ; therefore the financial aspects were feasible. Therefore the final conclusion of study was that feasibility analysis on the business plan of herb medicines at Ginsanjaya Pharmacy was passed, was feasible to be realized and operated. Keywords: break even point, feasibility analysis, internal rate of return, net present value, payback period, profitability index.
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Stige, Brynjulf. "Introduction to “Aspects of a Theory of Music Therapy ”." Nordic Journal of Music Therapy 15, no. 2 (January 2006): 167–71. http://dx.doi.org/10.1080/08098130609478162.
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Barneva, Reneta P., Kamen Kanev, Stuart B. Shapiro, and Lisa M. Walters. "Enhancing Music Industry Curriculum with Digital Technologies: A Case Study." Education Sciences 11, no. 2 (January 30, 2021): 52. http://dx.doi.org/10.3390/educsci11020052.
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Recent years have seen an increase in interest with regard to offering music industry undergraduate programs at institutes of higher learning. Such programs typically cover a mix of courses in both music and business areas. An emerging trend in the music industry is the rising application of digital technologies in all business aspects. This makes it necessary to enhance the curriculum with opportunities that familiarize students with various digital technologies and the possibilities they offer, so graduates are well-prepared for their future careers. This paper presents a case study conducted at the State University of New York—Fredonia. It revealed a need to enhance the school’s Music Industry program, in terms of course content, with information and communication technologies. A proposal of novel courses to enhance music industry student acquisition of technology competencies resulted from the study. Additionally, opportunities for the possible enrichment of existing courses with material on digital technologies applications are provided. This work is aimed not only at music industry educators but also at instructors in other disciplines willing to make their students aware of the latest technological trends.
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Angus, Fionn Crombie, and Jonathan Angus. "The story of a busker, and his dad." International Journal of Community Music 16, no. 2 (July 1, 2023): 215–27. http://dx.doi.org/10.1386/ijcm_00081_1.
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This article explores the working relationship between a son–father busking partnership. Fionn is a man in his mid-20s, a violinist and busker, with Down’s Syndrome. His dad, Jonathan, is Fionn’s support and manager. In this article they detail the genesis and nature of their working relationship, the places they have travelled, aspects challenging the busking profession (including economics and technology) and the day-to-day business of busking, as well as the unique role they play in community music and interaction.
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Prasad, M. G., V. K. Raman, and Rama Jagadishan. "Various acoustical aspects of an Asian (South) Indian classical music concert." Journal of the Acoustical Society of America 120, no. 5 (November 2006): 3237. http://dx.doi.org/10.1121/1.4788248.
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Lupak, R., V. Tarasyuk, and K. Varkholyak. "Aspects of festival events tourism development." Galic'kij ekonomičnij visnik 66, no. 5 (2020): 30–37. http://dx.doi.org/10.33108/galicianvisnyk_tntu2020.05.030.
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The importance of tourism development for the country's economy and the growing popularity of festival events tourism in the context of music, gastronomic and ethno-festival events is summarized. The conceptual characteristics of festival events tourism that require in-depth research are clarified. The economic advantages of each direction of festival event tourism and their interrelation with other economic processes are listed. Special attention is paid to marketing, technological, social, historical and other features of their formation and progressive growth. Peculiarities (in the context of meeting social needs, formation of new directions of tourist culture, development of economic and resource opportunities, expansion of interstate relations, introduction of advanced technologies) and factors (demographic, economic, political, technical-technological, social-psychological, organizational- cultural) of the development of music, gastronomic and ethnic festival tourism are determined. The characteristics of festival events tourism in Ukraine and certain European countries are given, particularly, taking into account the number of festivals, their visitors, the average ticket price and seasonality. The preconditions of the formed significant difference between the tourist activity organization in Ukraine and the group of European countries are determined. The required formation and implementation of tourism policy on the state basis, including the creation of extensive institutional network of tourism regulators, particularly festival events tourism are emphasized. It is proved that problems solution in the tourist complex has positive effect on the economic security of the country requiring a reasonable choice of the relative areas of industry development. The advantages of holding joint (music, gastronomic, ethnic) festivals are substantiated, forming at the same time new direction of tourist culture. It is concluded that organization and running of festival events create a wide range of opportunities for the territories development improving the market infrastructure, accelerating the rate of information technology development and increasing business activity.
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Werner, Ann. "Girls consuming music at home." European Journal of Cultural Studies 12, no. 3 (July 16, 2009): 269–84. http://dx.doi.org/10.1177/1367549409105364.
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During the past decades media technologies for producing and consuming popular music have gone through major changes. The digitalization of older media and so-called new media has transformed the landscape for music use. Technological developments in radio, television, the internet, computers, mobile phones and mp3 players shape the ways in which popular music is consumed today. This article examines two intersecting aspects of how today's media landscapes are interwoven into and shape teenage girls' uses of popular music. First, it argues that media technologies shape the girls' uses of music in the context of their everyday lives and the spaces they inhabit. Second, media technologies take part in the girls' practices of gender. For example, through their relations with their brothers and new media technology in the home, the girls are negotiating how to be 'girls', 'daughters' and 'sisters'.
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Han, Mingzhao. "Branding Strategies of Outdoor Music Festival: A Case Study of Strawberry Festival." BCP Business & Management 38 (March 2, 2023): 2072–78. http://dx.doi.org/10.54691/bcpbm.v38i.4038.
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With the change of music industry, the traditional recording industry began to decline, and diversified music forms were accepted by people. Outdoor music festival is one of the representatives, it is gradually gaining more and more attention due to high participation and immersive on-site experience and occupying more share in entertainment market. Compared with other forms of music performance, music festival is not only a platform to show a variety of styles and types of music performance, but also can be integrated with tourism and other forms of business, forming a comprehensive entertainment industry model. Even in the post-pandemic world, music festivals still show a astonishingly development trend. In the face of fierce competition in the music market, how to play the role of branding and establish a new normal for event promoting should be considered by music festival organizersThe study took outdoor music festival as the research object, case on China Strawberry Music Festival to elaborate the development status of China's outdoor music festival and the problems existing in the branding process, discussed the developing pattern of strawberry Music Festival branding from two aspects of positioning and strategy.The study investigated the promotion effect of exact branding strategies on the development of music festivals, and proposed a practical path for the branding music festivals using brand marketing theory and literature research. The study puts forward the strategy of outdoor music festival branding in brand positioning, brand communication, brand management and other aspects, and concludes the importance of combining the analysis of music festival and city.
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Malm, Tobias. "The ambivalence of becoming a small business: Learning processes within an aspiring rock band." Popular Music 39, no. 3-4 (December 2020): 585–99. http://dx.doi.org/10.1017/s0261143020000471.
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The process of becoming a rock musician strongly relates to the organisational form of the band (Bennett 1980; Green 2002; Behr 2010). At all levels of ambition and success, membership of a band provides the musician with a natural entry point for performing to an audience and forging a potential career (Smith 2013a). The ‘micro-organisational’ (Bennett 2001) development of a band, therefore, is an important career prerequisite for rock musicians (Behr 2015). However, the social and practical challenges of musicianship seem to be continuously underemphasised within the field of popular music studies (Cohen 1993; Kirschner 1998; Lashua 2017; Weston 2017; Kielich 2018). Therefore, in this article I will focus on an aspiring rock band's informal learning processes in becoming a small business together. The study provides insights into the educational and organisational aspects of band practices and contributes to the fields of popular music, education and organisation studies – fields that are converging in the emerging interdisciplinary research area of ‘organising music-making’ (Beech and Gilmore 2015).
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Kim, Jeongseob. "Opert’s Pioneering Aspects and Insights as a ‘Korean Music Critic’ introduced Western Music to Josen during the Its Opening Period." Academic Association of Global Cultural Contents 55 (May 31, 2023): 21–36. http://dx.doi.org/10.32611/jgcc.2023.5.55.21.
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German merchant Ernst Jacob Oppert(1832~1903), the mastermind of the “Opert Incident” (It refers to his theft of the royal family’s tomb) has been a rash aggressor and traitorous figure in Korean history. It has also been almost entirely negatively evaluated as a very ambitious merchant who tried to monopolize business by pushing through trade pressure and provided the Joseon government with the pretext of severe Catholic persecution. Unlike this previous evaluation, as a result of this study that analyzed Opert’s wrritten records of Korean music in his travelogue, the need for his re-evaluation as a music critic increased. His music writing was highly complete in both form and content levels, making it reasonable to define it as a “music review”. In particular, he praised Koreans’ own musical ear and music fondness, which seems to have demonstrated insight into their outstanding musicality and love for music, which is considered the driving force of the “Myth of K-pop success” among experts these days. The study illuminated his music historical value as the first Westerner to leave an unprecedented record of “Korean Music Criticism” just before the port opening era, which is expected that a new evaluation will be made only in the history of cultural exchange.
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Anantia, Alviana Aslama, Yolanda Masnita, and Kurniawati Kurniawati. "Effectiveness of Digital Music Platforms’ Social Media Interaction on Advertising Trust Using Cognitive Aspects." Manajemen dan Bisnis 22, no. 1 (March 20, 2023): 1. http://dx.doi.org/10.24123/jmb.v22i1.624.
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The COVID-19 pandemic-related economic crisis made many firms to switch their advertising strategy to digital media, with social media being one of the most popular choices due to its lower cost. As a business with rapid growth and being the most popular form of entertainment among internet users, digital music platforms is no exception. Regarding the current phenomenon, it is unknown at this time whether social media marketing is one of the numerous crucial variables causing this service's expansion. Therefore, this research seek to reveal the impact of social media interaction towards advertising trust of digital music platform through knowledge and affection as the cognitive aspects used. This research conducted on a quantitative method with data collection using questionnaires (Google Form), collected from 190 respondents in Jabodetabek whose having subscriptions for at least on one of digital music platform available in Indonesia. The data is analyzed using Partial Least Squares (PLS). The result shows that social media interaction has a significant impact towards advertising trust, both directly and indirectly through knowledge and affection. Among variables tested, the perception of affection is the lowest. It is desired that digital music platform services companies will look into this matter more.
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Syrjälä, Jari, and Tuomo Takala. "Ethical Aspects in Nordic Business Mergers: The Case of Electro-Business." Journal of Business Ethics 80, no. 3 (June 21, 2007): 531–45. http://dx.doi.org/10.1007/s10551-007-9453-x.
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Ramsey, Gordon P. "Teaching the connections between music and mathematics." Journal of the Acoustical Society of America 154, no. 4_supplement (October 1, 2023): A26. http://dx.doi.org/10.1121/10.0022673.
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Mathematics is often perceived by students as being difficult. However, when they see how math and music are intimately related, their attitude often changes. Some of the most fundamental aspects of music are described by math. For example, the Circle of Fifths closely reflects musical structure and is used to create scales and chord progressions. The Circle is structured around the mathematical relations of frequency ratios of the corresponding notes in a 12-tone scale. The reactions to music of consonance and dissonance are related to the relative ratios of the notes in a chord or note sequence in a piece. The connection between music and math forms the basis for creating instruments that play the music. I will suggest ways to present these concepts to students for their greater appreciation of music and math.
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Perry, Helga. "Musical bumps: indexing musical terms." Indexer: The International Journal of Indexing: Volume 16, Issue 4 16, no. 4 (October 1, 1989): 251–53. http://dx.doi.org/10.3828/indexer.1989.16.4.6.
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Efremenko, Alexey P., and Mukadas Gabdiyev. "Specifics of the Formation of Musical Culture of Modern Adolescents in the System of Additional Education." Uchenye Zapiski RGSU 20, no. 1 (March 30, 2021): 122–30. http://dx.doi.org/10.17922/2071-5323-2021-20-1-122-130.
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The study of musical culture, various aspects of it is traditionally engaged in humanities – art science, cultural studies and a number of social disciplines. The most significant science is musicology, which includes the history of music, the philosophy of music (section of aesthetics) and musical ethnology. Music culture at different levels of development is also the object of a study of music pedagogy, one of the current tasks of which today is the formation of the musical culture of modern adolescents. The specifics of this process, carried out in the system of additional education, are devoted to the article. It reveals the main conditions, factors and methods that contribute to the effective formation of the musical culture of adolescents.
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Keogh, Brendan. "Instantaneously punctuated picture-music: Re-evaluating videogame expression through Pilgrim in the Microworld." Convergence: The International Journal of Research into New Media Technologies 25, no. 5-6 (August 22, 2018): 970–84. http://dx.doi.org/10.1177/1354856518795095.
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Published in 1983, David Sudnow’s Pilgrim in the Microworld performs an autoethnographic analysis of videogames that details how he acquires the gestures and postures required by skilled videogame play. While often seen as a curious experiment in early videogame analysis, Sudnow points to a descriptive mode of evaluating videogames that sees the audiovisual and mechanic aspects as irreducibly constituting a holistic embodied experience of the videogame as played. This article highlights the interventions that Sudnow’s under-examined work can provide contemporary critical videogame scholarship to account for how videogames meaningfully fuse embodied gestures with audiovisual spectacle. At a time when scholars are paying increased attention to the embodied aspects of videogame play, this article argues that Sudnow provides a unique opportunity to re-evaluate the expressive potential of videogames as not just ‘digital games’ nor as ‘computer toys’ but as performed, haptically augmented audiovisual media.
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Siriyuvasak, Ubonrat. "Commercialising the sound of the people: Pleng Luktoong and the Thai pop music industry." Popular Music 9, no. 1 (January 1990): 61–77. http://dx.doi.org/10.1017/s0261143000003731.
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Since Thailand's Copyright Act became law in 1979 an indigenous music industry has emerged. In the past, the small recording business was concentrated on two aspects: the sale of imported records and the manufacture of popular, mainly Lukkroong music, and classical records. However, the organisation of the Association of Music Traders – an immediate reaction to the enforcement of the Copyright law – coupled with the advent of cassette technology, has transformed the faltering gramophone trade. Today, middle-class youngsters appreciate Thai popular music in contrast to the previous generation who grew up with western pop and rock. Young people in the countryside have begun to acquire a taste for the same music as well as enjoy a wider range of Pleng Luktoong, the country music with which they identify. How did this change which has resulted in the creation of a new pleasure industry come about? And what are some of the consequences of this transformation.
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Susanto, Rudi Umar, and Syamsul Ghufron. "Existence Of Cultural Glocalization Supporting Elements In the Culture of Indonesian Culture." ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture 5, no. 2 (December 29, 2021): 137. http://dx.doi.org/10.17977/um006v5i22021p137-143.
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AbstractIn the development of culture always requires an object to show progress. Various aspects include one of the elements of cultural glocalization. Technology has facilitated people in various parts of the world to exchange information about their respective cultures at every second of human life. Modern, such as music, clothing, singing, educational patterns and patterns of social life. However, it turns out that not all parties can share information equally. Developed countries are more dominant in conveying information about their culture and interests to developing countries. In this study, it shows the percentage of elements supporting cultural glocalization, namely aspects of traditional games and aspects of traditional sports. Keywords: Glocalization, Culture, Existence, Games and Traditional Sports
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Tereshchenko, Svitlana, Oleksii Sopin, Aryna Mitieva, Lina Kotova, and Liudmyla Sopina. "Methodological aspects of forming project competence in the process of professional training of music teachers." Eduweb 17, no. 3 (July 20, 2023): 71–80. http://dx.doi.org/10.46502/issn.1856-7576/2023.17.03.6.
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The objective of this article is to identify the methodological characteristics involved in developing project competence among music students who are preparing to become future specialists. The study employed the analytical and bibliographic method to review the scientific literature on the formation of project competence in artistic specialties. Various methods were used for data analysis and processing, including induction, deduction, information analysis and synthesis, systemic and comparative analysis,logical and linguistic analysis, abstraction, and idealization. The study identified the theoretical aspects of project competence formation that are deemed crucial. It also provided perspectives from both scientists and practicing music teachers on key aspects of this issue. The findings highlight the significance of project competence in preparing future music teachers to meet the evolving needs of diverse fields such as science, technology, business, and the arts. Developing project competence among music students can contribute to their cultural, spiritual, social, and creative engagement, enabling them to implement professional knowledge effectively in thebroader socio-cultural context. Overall, this article emphasizes the importance of enhancing the professional training of future art teachers, especially in fine arts. It suggests that integrating project competence development into the curriculum can lead to the meaningful training of art teachers, fostering their abilities to meet the demands of contemporary society and contribute effectively to various domains.
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Boon, Hussein. "Writing popular music fiction." Short Fiction in Theory & Practice 13, no. 1 (March 1, 2023): 37–51. http://dx.doi.org/10.1386/fict_00072_1.
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A recent short story I completed in a style area described as popular music fiction, using fiction to critically explore issues within popular music and communicate these to a wider audience, will be the main focus of this article. The ideas behind the short story and the incorporation of research and subject areas to create a fictional setting, especially intersections with otherness, diversity, resistance, technology, creative practice, business and the future, will be discussed. Key central themes were those relating to race, including lack of presence and attribution and concerns about AI, especially concerning how data is acquired to model music made by current music practitioners. The main character of the story is an AI and is used to foreground these concerns, the nature of musical work, its creation, transmission and consumption.
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Marx, Wolfgang. "Critiquing Oneself Back into Business?" European Journal of Musicology 21, no. 1 (February 2, 2024): 64–77. http://dx.doi.org/10.5450/ejm21.1.2022.64.
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This essay investigates what I regard as the two main challenges for historical musicology today: where it might be heading in the age of post-critical musicology and how it should react to the age of post-truth whose perceptual and moral relativism paired with its a priori rejection of expertise represents a fundamental challenge to all academic pursuits – a challenge so serious that it needs to be addressed by musicology as much as by all other disciplines in the humanities, social sciences and sciences. Juxtaposing critical musicology and what many call “the music itself” I will undertake this discussion following the structure of the most dialectical of all musical forms, the sonata form – albeit with the proviso that the resulting synthesis cannot consist of the tonic asserting its primacy at the expense of the dominant; there will have to be a more equitable outcome.
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Zandberga, Diāna. "THE PIANIST’S PERCEPTION OF FIGURATIVE TEXTURE IN PIANO WORKS BY LATVIAN COMPOSERS." Culture Crossroads 22 (September 13, 2023): 58–70. http://dx.doi.org/10.55877/cc.vol22.438.
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Tracing the development of texture in Latvian piano music from the performer’s point of view, including historical and stylistic aspects, it becomes apparent that figuration is one of its most prominent specific elements which demonstrates the uniqueness of texture as well as reflects stylistic transformations. The aim of this paper is to highlight the different types of interpretation of the instrument – colourful illusionary and real motoric pianism as well as their synthesis in the context of several compositional techniques of the musical language of Latvian composers. All of these aspects are particularly important for the performer.
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Sala, Luca Lévi. "‘Much land and water have I and my sweet companion run over…’: newly discovered letters from Muzio Clementi to Gottfried Christoph Härtel." Early Music 47, no. 4 (November 2019): 569–81. http://dx.doi.org/10.1093/em/caz082.
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Abstract Three newly discovered letters from Muzio Clementi to Gottfried Christoph Härtel make a valuable addition to the known corpus of his correspondence with the Leipzig publisher. Held at the Staatsbibliothek zu Berlin (Mus. Slg. Härtel 28–30), these three letters originate in the early years of the second lengthy international trip that Clementi undertook, encompassing the end of 1804 and the first months of 1805, a period when he moved through Germany and settled for a while in Berlin before leaving for his honeymoon in Italy, prior to returning to Berlin. Since the bulk of the extant correspondence between Clementi and Härtel dates from between 1815 and 1822, these letters offer new knowledge about aspects of Clementi’s friendship and business relationship with the German publisher, and about some details of Clementi’s own private life.
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Bintang, Indi, and Ahmad Redi. "KEPASTIAN HUKUM KEPEMILIKAN SURAT IZIN GANGGUAN BIDANG USAHA MUSIC ENTERTAINMENT ATAU MUSIC STADIUM DITINJAU BERDASARKAN PERATURAN GUBERNUR NOMOR 101 TAHUN 2013 (STUDI PUTUSAN: PUTUSAN MAHKAMAH AGUNG NOMOR 2430K/PDT/2018)." Jurnal Hukum Adigama 2, no. 2 (December 14, 2019): 1172. http://dx.doi.org/10.24912/adigama.v2i2.6911.
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One of legal issue of business licensing occur in the Supreme Court Decision Number 2430 K/Pdt/2018 which basically contains a civil dispute between the Management of PT Wahana Agung Indonesia Propertindo (WAIP) with PT Mata Elang International Stadium (MEIS). In the judge's legal considerations, PT MEIS was declared default because during the holding of the concert / event in the room rented from PT WAIP, they still didn/t have the nuisance permit. But in their legal considerations, the Panel of Judges wasn’t careful enough in determining the legal basis. Then how is the legal certainty regarding to the possession of the nuisance permit in the field of music stadium business? How does the Government play a role in a way to overcoming uncertainty in the aspects of business licensing nowadays? To answer both questions, the author uses a normative research method, supported by statute approach and case approach. Legal certainty has not been achieved because there is an inaccuracy because the Panel of Judges didn’t consider the Governor Regulation of the Jakarta Special Capital Region Number 101 of 2013 which is an implementation instruction from Regional Regulation of the Jakarta Special Capital Region Number 15 of 2011. wherein the Governor Regulation of the Jakarta Special Capital Region Number 101 of 2013 further stipulates the terms of business locations that require a nuisance permit and concerning the nuisance criteria referred to in both of the legal regulations, and when referring to the provisions regarding the business location and the nuisance criteria referred to, PT MEIS doesn’t require an nuisance permit in conducting their business.
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Gularnupong, Karn, and Ampai Buranaprapuk. "Influences of Béla Bartók’s Piano Compositions on Alberto Ginastera’s Piano Music." MANUSYA: Journal of Humanities 25, no. 1 (June 9, 2022): 41–62. http://dx.doi.org/10.1163/26659077-25010003.
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Abstract This study seeks to reveal the musical relationship between Bartók’s and Ginastera’s piano compositions, showing stylistic conceptualizations of twentieth-century Western art music which held many interesting musical aspects, specifically in the classical piano repertoire. This musicological research employs stylistic analysis and theoretical analysis to shed some light on Bartók’s and Ginastera’s piano music vocabulary. Following this methodology, it is revealed that Ginastera’s compositional language was very much influenced by the highly unique characteristics of Bartók’s. Such characteristics include the axial system, Bulgarian peasant rhythmic dance, bi-modality, intervallic cell (Z-cell, 0167), hexachordal sets of octatonic collections, the symmetrical old Hungarian pentatonic scale, polychord, quartal chords, hammering-percussive piano style, secundal chords based on ostinato, and many others. In light of this, one may propose that Ginastera’s compositional strategies in piano music were heavily influenced by Bartók’s rhythmic and harmonic idioms, which contributed to the creation of an innovative musical craft.
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Leech-Wilkinson, Daniel. "Le Voir Dit and La Messe de Nostre Dame: aspects of genre and style in late works of MacHaut." Plainsong and Medieval Music 2, no. 1 (April 1993): 43–73. http://dx.doi.org/10.1017/s0961137100000413.
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Le Voir Dit is one of the most fascinating of the works left by the celebrated poet-composer Guillaume de Machaut (d. 1377), and at the same time, as John Stevens has said, ‘one of the most curious documents of the [fourteenth] century’. Through 9000 lines of narrative, sixty-two lyrics in all the main forms (nine of them set to music), and forty-six letters which include comments on the character of the songs and on the business of producing poetry, music and manuscripts, we seem to take a guided tour of Machaut's emotional and professional life over three years of his old age. For more than a century it has proved a rich source of revealing quotations, sustaining many varied arguments. The story it tells of Machaut's literary and emotional affair with a young girl, Peronne, has been read at times as autobiography, at times as fiction; and the incidental comments on composition, performance and copying have been interpreted in studies ranging far beyond Le Voir Dit as evidence of fourteenth-century professional practice. None the less, the constituent parts of the text as they survive in manuscripts from Machaut's circle are disordered, the poem lacks an adequate published edition, and even its music – in size, at least, the most manageable of its components – has yet to be considered as a whole.
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Ramesh, S. "Strategic Choreography: Linking Commerce and Management with the Arts." Journal of Humanities,Music and Dance, no. 11 (September 15, 2021): 23–28. http://dx.doi.org/10.55529/jhmd.11.23.28.
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This article explores the transformative potential of integrating artistic disciplines into traditional business frameworks. This article delves into the symbiotic relationship between commerce, management, and the arts, emphasizing how insights from various artistic domains can enhance creativity, foster innovation, and redefine organizational culture. From the humanities to music and dance, each section uncovers the unique contributions of these disciplines to strategic choreography, demonstrating how a multidimensional approach can lead to a more agile, collaborative, and culturally attuned business landscape.
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Cave, Sam. "RIDING THE WILD OCEAN: HORATIU RADULESCU'S SUBCONSCIOUS WAVE IN THEORY, PERFORMANCE AND RECORDING." Tempo 76, no. 299 (December 15, 2021): 30–43. http://dx.doi.org/10.1017/s0040298221000632.
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AbstractThis article focuses on Radulescu's 1984 Subconscious Wave, for guitar and pre-recorded digital sound, a work that features on my 2019 solo CD recording Refracted Resonance, for Métier Records, alongside music by Tristan Murail, Christopher Fox, George Holloway and myself. The article places the work in the context of Radulescu's output, demonstrates how it displays the key aesthetic concepts that drive his music and shares my insights into the technical and interpretive aspects of preparing the piece for performance and recording. The article has been adapted from a lecture-recital given at the 2021 edition of the 21st Century Guitar Conference, which was hosted by the Faculty of Social Sciences and Humanities at the Universidade NOVA de Lisboa (NOVA FCSH), Portugal in March 2021.
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Negus, Keith. "THE MUSIC BUSINESS AND RAP: BETWEEN THE STREET AND THE EXECUTIVE SUITE." Cultural Studies 13, no. 3 (July 1999): 488–508. http://dx.doi.org/10.1080/095023899335194.
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Taçon, Paul S. C. "The power of stone: symbolic aspects of stone use and tool development in western Arnhem Land, Australia." Antiquity 65, no. 247 (June 1991): 192–207. http://dx.doi.org/10.1017/s0003598x00079655.
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For want of other secure evidence, the study of art in prehistoric societies normally amounts to looking at pictures, though there must have also been sound, and surely music. The long lithic tradition of central northern Australia permits a rare insight into another kind of prehistoric art, the meaning and aesthetic order that may lie behind a lithic industry.
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PROKOPOVYCH, MARKIAN. "Introduction: music, the city and the modern experience." Urban History 40, no. 4 (March 27, 2013): 597–605. http://dx.doi.org/10.1017/s0963926813000345.
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It is somewhat surprising that music has only recently become a serious subject for urban historians. Musicologists and music historians, urban geographers, planners and all others who deal with diverse aspects of local development, cultural industry and the built environment have fared much better in tackling the fundamental social implications of music in a particular locality. It is not an accident that, for example, the recent volume ofBuilt Environment, ‘Music and the city’, edited by an economic geographer, Robert C. Kloosterman, deals with urban spaces of creativity and the role of black music today, some of which have by now an ascribed ‘urban’ adjective in North America.1It is also only natural, however, that Kloosterman's enquiry should concentrate on music in the city of the present and rarely venture into the time periods before World War II.
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Frith, Simon, Matt Brennan, Martin Cloonan, and Emma Webster. ""Analysing Live Music in the UK" Findings One Year into a Three-Year Research Project <br> doi:10.5429/2079-3871(2010)v1i1.3en." IASPM Journal 1, no. 1 (April 8, 2010): 1–30. http://dx.doi.org/10.5429/335.
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This series of articles presents the findings of a research team who are one year into a three-year project investigating the social, cultural and economic impact of live music in the UK over the past 50 years. The project is funded by the UK's Arts and Humanities Research Council, and rather than focusing on a particular musical genre, it concentrates instead on understanding live music from the perspective of the live music promoter. The project aims to fill a significant gap in the scholarly knowledge and understanding of contemporary British musical culture, and to challenge and refine existing record-industry based accounts of music as a creative industry. The articles cover the team's progress in the following areas: the creation of an analytical framework to explore the historical, cultural, and institutional aspects of live music promotion; the development and professionalisation of the British live music industry over the past 50 years, and its changing relationship with the recording industry over the same period; the role of the state in the regulation of live music in the UK; and ethnographic research investigating how live music scenes operate in specific British localities.
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Ali, Muhammad Murtaza, Jenny Karlsson, and Per Skålén. "How Has Digitalisation Influenced Value in the Music Market?" International Journal of Music Business Research 10, no. 2 (September 30, 2021): 53–63. http://dx.doi.org/10.2478/ijmbr-2021-0007.
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Abstract This paper focuses on how digitalisation has influenced actors’ value determination and value creation in the Swedish music market. It draws on the service-dominant logic (SDL) and the service ecosystem perspective to conceptualise value as co-created through the integration of resources by multiple actors in service exchange, enabled and constrained by institutions and institutional arrangements. Empirically, we draw on a qualitative study of the digitalisation of the Swedish music market that consists of fifty-two interviews with various actors. The findings suggest that digitalisation has influenced service engagement and consequently value creation and determination for various actors, and especially for consumers and producers. This paper contributes by integrating SDL and the service ecosystem perspective into music business research in a novel way to promote a deeper understanding of value, value determination, and value co-creation. This paper also contributes to SDL by suggesting that both value-in-exchange and value-in-use are important aspects of value determination and value co-creation.
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FARLEY, JEFF. "Jazz as a Black American Art Form: Definitions of the Jazz Preservation Act." Journal of American Studies 45, no. 1 (July 19, 2010): 113–29. http://dx.doi.org/10.1017/s0021875810001271.
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Jazz music and culture have experienced a surge in popularity after the passage of the Jazz Preservation Act (JPA) in 1987. This resolution defined jazz as a black American art form, thus using race, national identity, and cultural value as key aspects in making jazz one of the nation's most subsidized arts. Led by new cultural institutions and educational programs, millions of Americans have engaged with the history and canon of jazz that represent the values endorsed by the JPA. Record companies, book publishers, archivists, academia, and private foundations have also contributed to the effort to preserve jazz music and history. Such preservation has not always been a simple process, especially in identifying jazz with black culture and with America as a whole. This has required a careful balancing of social and musical aspects of jazz. For instance, many consider two of the most important aspects of jazz to be the blues aesthetic, which inevitably expresses racist oppression in America, and the democratic ethic, wherein each musician's individual expression equally contributes to the whole. Balanced explanations of race and nationality are useful not only for musicologists, but also for musicians and teachers wishing to use jazz as an example of both national achievement and confrontation with racism. Another important aspect of the JPA is the definition of jazz as a “high” art. While there remains a vocal contingent of critics arguing against the JPA's definitions of jazz, such results will not likely see many calling for an end to its programs, but rather a more open interpretation of what it means to be America's music.