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1
Suryantama, Muhammad Dary. "Turkey’s Open-Door Policy for Syrian Regugees: Humanity Motive and Political Motive." Jurnal Ilmu Sosial Indonesia (JISI) 2, no. 2 (February 24, 2022): 62–70. http://dx.doi.org/10.15408/jisi.v2i2.24927.
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Abstract. This article aims to analyse The Turkey Open-Door Policy for Syrian Refugees on two motives namely humanity and political. This policy has been done since the conflict in Syria escalated and that ‘forces’ Turkey to do the Open-Doors Policy. Many stated that the motive of this policy is driven by religion motive, which is Islam, and geographical factor between both countries. But in practice it seems not enough to explain a whole Turkey’s action on implementing the Open-Door Policy. Probably there are other motives that have driven Turkey to receive the Syrian Refugees but we can say that if Turkey has implemented the Open-Door Policy, it means Turkey is ready to take care of Syrian Refugees with its economic resource and land space. This article analyses three problem formulations: what is turkey’s humanity and political motive in Open-Door policy, how Turkey treat Syrian Refugees considering that Turkey is also at war with the Syrian Kurds? what the advantage and disadvantage faced by Turkey in doing the Open-Door policy? This article used qualitative & descriptive methods and it used secondary data obtained from several journals and books. The conclusion stated Turkey has a limit to received Syrian Refugees even the President of Turkey, Recep Tayyip Erdoğan had admitted it. And there is a political motive besides humanity motive behind the policy. The condition of refugees not very well in the refugee shelter. If every side wants to end the flow of refugee, therefore every sides should help Syria end Its terrible conflict. Keywords: Syrian Refugees, Turkey, Open-Door Policy, humanity motive, political motive. Abstrak. Artikel ini bertujuan untuk menganalisis kebijakan Pintu-Terbuka Turki untuk pengungsi Suriah pada dua motif yaitu kemanusiaan dan politis. Kebijakan ini telah dilakukan sejak konflik di Suriah meningkat dan itu ‘memaksa’ Turki untuk melakukan kebijakan Pintu-Terbuka. Banyak yang menyatakan bahwa motif kebijakan ini didorong oleh motif agama, yakni Islam, and faktor geografi antara kedua negara. Namun secara praktis sepertinya itu tidak cukup untuk menjelaskan seluruh perilaku Turki pada implementasi kebijakan Pintu-Terbuka. Mungkin ada motif lain yang mendorong Turki untuk menerima pengungsi Suriah tetapi dapat kita katakan jika Turki Telah mengimplementasikan kebijakan Pintu-Terbuka, itu artinya Turki siap untuk menjaga pengungsi Suriah dengan sumber daya ekonomi dan wilayahnya. Artikel ini menganalisis tiga rumusan masalah: apa motif kemanusiaan dan politis pada kebijakan Pintu-Terbuka? bagaimana Turki memperlakukan pengungsi Suriah mempertimbangkan bahwa Turki juga dalam perang dengan Kurdi Suriah? apa keuntungan dan kerugian yang dihadapi Turki dalam melakukan kebijakan Pintu-Terbuka?. Artikel ini menggunakan metode kualitatif & deskriptif dan menggunakan data sekunder yang diperoleh dari berbagai jurnal dan buku. Kesimpulan menyatakan bahwa Turki memiliki batasan untuk menerima pengungsi Suriah bahkan Presiden Turki, Recep Tayyip Erdoğan telah mengakuinya. Dan terdapat sebuah motif politik dibalik motif kemanusiaan di belakang kebijakan. Kondisi para pengungsi tidak terlalu baik dalam penampungan. Jika seluruh pihak hendak mengakhiri arus dari pengungsi, maka seluruh pihak seyogianya membantu Suriah mengakhiri konflik-Nya yang parah.Kata Kunci: Pengungsi Suriah, Turki, Kebijakan Pintu-Terbuka, motif kemanusiaan, motif politik.
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Herbrechter, Stefan. "Kritischer Posthumanismus." Zeitschrift für Medien- und Kulturforschung 7, no. 1 (2016): 61–68. http://dx.doi.org/10.28937/1000106455.
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Posthumanismus hat sich als neues Theorie-Paradigma etabliert. Wie alle gesellschaftlichen Diskurse, ist auch dieser eine Summe aus Machtkämpfen, Subjektpositionen, Identitäten und deshalb voller Konflikte. In diesem Diskurs, der vor allem zeitgenössische und somit technokulturelle Motive beinhaltet, aber natürlich auch eine lange Vorgeschichte hat, gibt es keine Einigung darüber, was das Posthumane eigentlich ist, d. h. ob es sich bei ihm um das Beste oder das Schlechteste handelt, das dem Menschen, seiner Humanität, der Menschheit und der humanistischen Tradition widerfahren könnte; noch besteht Übereinstimmung darüber, ob Posthumanismus unvermeidlich, bereits Realität oder nur ein Trugbild ist; oder ob er politisch, kulturell, sozial progressiv oder im Gegenteil vielleicht sogar regressiv ist; ob er allein durch technologischen Wandel oder hauptsächlich konstruiert und somit ideologisch motiviert ist. Die Debatte zwischen Stefan Herbrechter und Karin Harrasser geht den Gründen für die Karriere posthumanistischer Motive und den damit zusammenhängenden Befürchtungen und Hoffnungen nach. </br></br>Posthumanism has established itself as a new paradigm of theory. Like all social discourses, it is a sum of power struggles, subject positions, identities – and thus full of conflict. In this discourse, which includes mainly contemporary and hence techno cultural motifs, but which of course also has a long history, there is no agreement about what the posthuman actually is, that is if it is the best or the worst that could happen to man, to his humanity, to mankind and the humanistic tradition in general. Neither is there agreement as to whether posthumanism is inevitable, already a reality or just a mirage; or whether it is politically, culturally, socially progressive or to the contrary perhaps even regressive; whether it is solely produced by technological change or mainly constructed and thus ideologically motivated. The debate between Stefan Herbrechter and Karin Harrasser explores the reasons for the career of posthumanistic motives as well as related fears and hopes.
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Harrasser, Karin. "Ex-Post." Zeitschrift für Medien- und Kulturforschung 7, no. 1 (2016): 69–74. http://dx.doi.org/10.28937/1000106456.
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Posthumanismus hat sich als neues Theorie-Paradigma etabliert. Wie alle gesellschaftlichen Diskurse, ist auch dieser eine Summe aus Machtkämpfen, Subjektpositionen, Identitäten und deshalb voller Konflikte. In diesem Diskurs, der vor allem zeitgenössische und somit technokulturelle Motive beinhaltet, aber natürlich auch eine lange Vorgeschichte hat, gibt es keine Einigung darüber, was das Posthumane eigentlich ist, d. h. ob es sich bei ihm um das Beste oder das Schlechteste handelt, das dem Menschen, seiner Humanität, der Menschheit und der humanistischen Tradition widerfahren könnte; noch besteht Übereinstimmung darüber, ob Posthumanismus unvermeidlich, bereits Realität oder nur ein Trugbild ist; oder ob er politisch, kulturell, sozial progressiv oder im Gegenteil vielleicht sogar regressiv ist; ob er allein durch technologischen Wandel oder hauptsächlich konstruiert und somit ideologisch motiviert ist. Die Debatte zwischen Stefan Herbrechter und Karin Harrasser geht den Gründen für die Karriere posthumanistischer Motive und den damit zusammenhängenden Befürchtungen und Hoffnungen nach. </br></br>Posthumanism has established itself as a new paradigm of theory. Like all social discourses, it is a sum of power struggles, subject positions, identities – and thus full of conflict. In this discourse, which includes mainly contemporary and hence techno cultural motifs, but which of course also has a long history, there is no agreement about what the posthuman actually is, that is if it is the best or the worst that could happen to man, to his humanity, to mankind and the humanistic tradition in general. Neither is there agreement as to whether posthumanism is inevitable, already a reality or just a mirage; or whether it is politically, culturally, socially progressive or to the contrary perhaps even regressive; whether it is solely produced by technological change or mainly constructed and thus ideologically motivated. The debate between Stefan Herbrechter and Karin Harrasser explores the reasons for the career of posthumanistic motives as well as related fears and hopes.
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Cardoso, André Cabral de Almeida. "Precarious humanity: the double in dystopian science fiction." Gragoatá 23, no. 47 (December 29, 2018): 888. http://dx.doi.org/10.22409/gragoata.2018n47a1211.
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The double is a common feature in fantastic fiction, and it plays a prominent part in the Gothic revival of the late nineteenth century. It questions the notion of a coherent identity by proposing the idea of a fragmented self that is at the same time familiar and frighteningly other. On the other hand, the double is also a way of representing the tensions of life in large urban centers. Although it is more usually associated with the fantastic, the motif of the double has spread to other fictional genres, including science fiction, a genre also concerned with the investigation of identity and the nature of the human. The aim of this article is to discuss the representation of the double in contemporary science fiction, more particularly in its dystopian mode, where the issue of identity acquires a special relevance, since dystopias focus on the troubled relation between individual and society. Works such as Greg Egan’s short story “Learning to Be Me”; White Christmas, an episode from the television series Black Mirror; Kazuo Ishiguro’s novel Never Let Me Go; and the film Moon, directed by Duncan Jones, will be briefly examined in order to trace the ways the figure of the double has been rearticulated in dystopian science fiction as a means to address new concerns about personal identity and the position of the individual in society.------------------------------------------------------------------------------------------HUMANIDADE PRECÁRIA: O DUPLO NA FICÇÃO CIENTÍFICA DISTÓPICAO duplo é um elemento comum na literatura fantástica e desempenha um papel importante na retomada do gótico no final do século XIX. Ele questiona a noção de uma identidade coesa ao propor a ideia de um “eu” fragmentado que é ao mesmo tempo familiar e assustadoramente outro. Por outro lado, o duplo também é uma maneira de representar as tensões da vida nos grandes centros urbanos. Apesar de ser costumeiramente associado ao fantástico, o motivo do duplo se espalhou para outros gêneros, incluindo a ficção científica, gênero também preocupado com a investigação da identidade e da natureza do humano. O objetivo deste artigo é discutir a representação do duplo na ficção científica contemporânea, mais especificamente na sua modalidade distópica, onde a questão da identidade adquire uma relevância especial, uma vez que a distopia tem como foco a relação atribulada entre indivíduo e sociedade. Obras como o conto “Learning to Be Me”, de Greg Egan; White Chistmas, episódio da série de televisão Black Mirror; o romance Never Let Me Go, de Kazuo Ishiguro; e o filme Moon, dirigido por Duncan Jones, serão brevemente analisados a fim de rastrear as maneiras como a figuro do duplo é rearticulada na ficção científica distópica como um meio de trabalhar novas inquietações a respeito da identidade pessoal e da posição do indivíduo na sociedade.---Original em inglês.
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BASDEN, ANDREW. "ENGAGING WITH AND ENRICHING HUMANIST THOUGHT: THE CASE OF INFORMATION SYSTEMS." Philosophia Reformata 73, no. 2 (November 29, 2008): 132–53. http://dx.doi.org/10.1163/22116117-90000446.
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Those who believe that explicitly Christian thinking is possible in the scientific disciplines tend to assume that it must be antithetical to the world’s thinking. Based on some of the author’s experience, this article examines a different approach, in which Christian thinking is used to account for and enrich the world’s thinking by transplanting it from its current ground-motive (usually that of nature-freedom) into the arguably more fertile soil of the creation-fall-redemption ground-motive. The article shows how Dooyeweerd’s version of Christian thinking has been employed in two areas of thinking in information systems (selected from five with which the author has been involved): (1) thinking about the nature of computers and information, with the artificial intelligence question of whether computer is like human being (2) soft systems methodology, by which perspectives on ‘human activity systems’ are orchestrated into new learning and plans. In both areas, the original ideas are accounted for, given philosophical underpinning, reinterpreted and enriched. These two show that Dooyeweerd’s philosophy can be equally useful in thinking grounded in both positivist and interpretivist cultures.
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Asadi, Muhammed. "Manipulation and the Social Destruction of Humanity: Vocabularies of Motive and Social Control." International Critical Thought 4, no. 3 (July 3, 2014): 331–42. http://dx.doi.org/10.1080/21598282.2014.931000.
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Posset, Franz. "Martin Luther on Deësis: His Rejection of the Artistic Representation of "Jesus, John, and Mary"." Renaissance and Reformation 32, no. 3 (January 22, 2009): 57–76. http://dx.doi.org/10.33137/rr.v32i3.11576.
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At times, Reformation scholars and art historians are confused about Luther's attitude toward the visual arts which depict saints as intermediaries between God and humanity. Rarely do they thematize the issue in relation to the deësis, i.e. Christ enthroned, with Mary and John the Baptist as intercessors. After a review of the wide-spread motif of the deësis, light is being shed on Luther's statements of the 1530s which reflect his rejection of the motif.
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Ärlemalm-Hagsér, Eva, Ingrid Engdahl, and Ingrid Pramling Samuelsson. "Förskollärares mångfasetterade motiv för undervisning om hållbarhet." Nordisk barnehageforskning 19, no. 3 (June 14, 2023): 104–24. http://dx.doi.org/10.23865/nbf.v19.345.
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Vi lever i en kritisk tid där en mångfald av globala svårigheter och problem av ekologisk, social och ekonomisk karaktär genererar nya frågor om mänsklighetens framtid. I den svenska läroplanen för förskolan anges hållbar utveckling som en viktig del av förskolans värdegrund och uppdrag vilket följs upp med strävansmål. Därför finns ett behov av att tydliggöra och förankra utbildning för hållbar utveckling i förskolan. I denna artikel presenteras en studie där 153 svenska förskollärare beskriver vad de ser som de viktigaste motiven för att undervisa om hållbar utveckling i förskolans utbildning. Studien har en kvalitativ ansats och genomförs inom ramen för ett kritiskt teoretiskt perspektiv som granskar kulturella föreställningar och förståelser av den sociala verkligheten i en specifik institutionell sociohistorisk kontext. I förskollärarnas beskrivningar framträder en bredd av motiv gällande varför det är viktigt att undervisa om hållbar utveckling i förskolan: Att motverka ohållbara livsstilar, Att följa styrdokumenten, Att ta ansvar för en hållbar nutid och framtid samt Att rusta barn för framtiden. Studien visar också att undervisning för hållbarhet innefattar att utveckla kunskap, kreativitet, problemlösningsförmåga, kritiskt tänkande, handlingskompetens, nytänkande och förändring. Barns delaktighet för en hållbar nutid och framtid skrivs fram som avgörande för denna förändring. ENGLISH ABSTRACT Preschool teachers multiple motives for teaching about sustainability We live in a critical time where a variety of global difficulties and problems of an ecological, social, and economic nature generate new questions about the future of humanity. In the Swedish curriculum for the preschool, sustainable development is stated as an important part of the preschool’s core values and mission, which is followed up with goals. Therefore, there is a need to clarify and anchor education for sustainable development in preschool education. This article presents a study in which 153 Swedish preschool teachers describe their most important motives for teaching about sustainable development in their preschools. The study has a qualitative approach and is carried out within the framework of a critical theoretical perspective that examines cultural conceptions and understandings of social reality in a specific institutional socio-historical context. In the preschool teachers’ descriptions, a wide range of motives appears regarding why it is important to teach about sustainable development in preschool: To counteract unsustainable lifestyles, To follow the governing documents, To take responsibility for a sustainable present and future, and To equip children for the future. The study also shows that teaching for sustainability includes developing knowledge, creativity, problem-solving skills, critical thinking, action skills, innovative thinking, and change. Children’s participation for a sustainable present and future is presented as decisive for this change.
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Weedman, Mark. "Finding the Form of God in Philippians 2: Gregory of Nyssa and the Development of Pro-Nicene Exegesis." Journal of Theological Interpretation 2, no. 1 (2008): 23–41. http://dx.doi.org/10.2307/26421445.
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Abstract I argue that Gregory of Nyssa reshaped the Logos-Sarx theological motif through his use of a new theological exegesis of the Christ Hymn in Phil 2. In his argument against Apollinarius, Gregory draws on an earlier Pro-Nicene exegetical tradition, one that was originally formulated in the 350s against the anti-Nicene Homoians by theologians such as Hilary of Poitiers. This exegetical tradition centered on Phil 2:6-7, and it was intended to demonstrate the unity of the Son's divinity and humanity against Homoian attempts to use the distinction between divinity and humanity in the Son to subordinate the Son to the Father. In this reading, Gregory's problem with Apollinarius is that Apollinarius's theology violates something central to the Pro-Nicene tradition that Gregory had inherited, namely, the need to preserve the union of the full divinity and humanity in the Son. Without this, Gregory believes, key aspects of Pro-Nicene faith and practice, especially its account of divinization, fall apart. By using Phil 2 to construct a new theological motif, Gregory can articulate a Christology that has deep exegetical roots and overcomes the limitations of the Logos-Sarx model.
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Weedman, Mark. "Finding the Form of God in Philippians 2: Gregory of Nyssa and the Development of Pro-Nicene Exegesis." Journal of Theological Interpretation 2, no. 1 (2008): 23–41. http://dx.doi.org/10.2307/jtheointe.2.1.0023.
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Abstract I argue that Gregory of Nyssa reshaped the Logos-Sarx theological motif through his use of a new theological exegesis of the Christ Hymn in Phil 2. In his argument against Apollinarius, Gregory draws on an earlier Pro-Nicene exegetical tradition, one that was originally formulated in the 350s against the anti-Nicene Homoians by theologians such as Hilary of Poitiers. This exegetical tradition centered on Phil 2:6-7, and it was intended to demonstrate the unity of the Son's divinity and humanity against Homoian attempts to use the distinction between divinity and humanity in the Son to subordinate the Son to the Father. In this reading, Gregory's problem with Apollinarius is that Apollinarius's theology violates something central to the Pro-Nicene tradition that Gregory had inherited, namely, the need to preserve the union of the full divinity and humanity in the Son. Without this, Gregory believes, key aspects of Pro-Nicene faith and practice, especially its account of divinization, fall apart. By using Phil 2 to construct a new theological motif, Gregory can articulate a Christology that has deep exegetical roots and overcomes the limitations of the Logos-Sarx model.
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Steyn, G. J. "Reconciliation in the General Epistles?" Verbum et Ecclesia 26, no. 1 (October 2, 2005): 205–21. http://dx.doi.org/10.4102/ve.v26i1.220.
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Although the customary technical terms for reconciliation are not to be found frequently and explicitly in the General Epistles, the concept or motif is certainly not absent at all. The following contribution investigates the theological dimensions of this motif by using the striking image of a spiritual house, or temple, of which the believers are seen as bricks being built into the walls (1 Pet 2:4-10). Reconcilation takes shape on Christ as the cornerstone (1 Peter) with vertical pillars representing a restored relationship between God and humanity (Hebrews). This enables the horizontal dimension of the building to take shape too. In light of the restored relationship between God and humanity, a restored relationship amongst people ought to become a reality. Certain expectations (James), consequenses (1 Peter), dangers and purposes (2 Peter and Jude) facing Christians who find themselves within a reconciled relationship with God are forming the framework for reconciliation with each other.
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Kristie, Sella, Tessa Eka Darmayanti, and Sriwinarsih Maria Kirana. "MAKNA MOTIF BATIK PARANG SEBAGAI IDE DALAM PERANCANGAN INTERIOR." AKSEN 3, no. 2 (April 22, 2019): 57–69. http://dx.doi.org/10.37715/aksen.v3i2.805.
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Batik merupakan salah satu mahakarya Indonesia dan keberadaan batik telah diakui oleh seluruh dunia. UNESCO telah menetapkan batik sebagai warisan budaya Indonesia, yaitu sebagai Masterpiece of Oral and Intangible Heritage of Humanity pada tanggal 2 oktober 2009. Batik memiliki banyak jenis corak dan makna di dalamnya dan motif Parang akan menjadi fokus pada artikel ini. Makna yang terkandung di dalam motif dapat menjadi inspirasi dan diterapkan didalam sebuah perancangan interior. Artikel kualitatif ini menggunakan pendekatan kajian budaya yang didukung dengan eksplorasi literatur. Penelitian ini memiliki kontribusi dalam memberikan ide dalam penerapan berbagai makna motif Parang ke dalam elemen ruang, selain itu memberikan pandangan bahwa batik bukan saja sehelai kain dekoratif, namun juga memiliki berbagai arti mendalam yang dapat menjadi identitas bangsa Indonesia.
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Pitson, Tony. "Hume and Humanity as ‘the foundation of morals’." Journal of Scottish Philosophy 17, no. 1 (March 2019): 39–59. http://dx.doi.org/10.3366/jsp.2019.0223.
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There is an ongoing debate as to whether there is a major difference between Hume's accounts of morality in the Treatise and the second Enquiry. This has tended to focus on the role of sympathy in each case, but more recently the greater emphasis on humanity in the Enquiry as compared with the Treatise has been used to support a non-reconciliation view of the relation between these accounts. So far as humanity's role in relation to the moral sentiments is concerned, I question whether it can provide the moral point of view associated with moral approval and disapproval. Considered as a motive to action, I question whether humanity always results in the kinds of action which would meet with general approbation. I also stress the limitations of humanity when viewed from the impartial perspective associated with the moral point of view. I further attempt to show that there is no real contradiction between Hume's claim in the Treatise that sympathy is ‘the chief source of moral distinctions’ and his claim in the Enquiry that the sentiments dependent on humanity ‘are the origin of morals’. I therefore conclude in favour of a reconciliatory view of the two accounts.
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Olusanya, Olaoluwa Abiola. "Do crimes against humanity deserve a higher sentence than war crimes?" International Criminal Law Review 4, no. 4 (2004): 431–73. http://dx.doi.org/10.1163/1571812043020060.
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AbstractThis article examines the issue of penalties for crimes against humanity and war crimes as imposed by the judges of the International Criminal Tribunal for the former Yugoslavia (ICTY). At the moment, if for example A murders B, C, and D in the course of an armed conflict, it appears to makes no difference in terms of penalties if he is ultimately convicted under crimes against humanity or war crimes, what appears to matter is the fact that he committed murder. This approach has the effect of obscuring the criminal intention and motives for war crimes and crimes against humanity. The main reason why the ICTY has persisted with this approach, is the fact that at present there appears to be no credible index for adopting a policy of relative sentencing for crimes against humanity and war crimes. The aim of this Article therefore is to advocate a method for imposing higher penalties for crimes against humanity vis-à-vis war crimes. Furthermore, this method will rely on the argument that crimes against humanity offences e.g. murder, rape and torture when committed with a discriminatory motive should attract higher penalties than identical offences when committed as war crimes.
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Petit, J. L. "Communication with aliens, as an opening of the horizon of a scientific Humanity. A philosopher's reflections." International Journal of Astrobiology 12, no. 3 (March 1, 2013): 263–70. http://dx.doi.org/10.1017/s1473550413000049.
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AbstractIn this article, we reflect on the motives underlying the search for extraterrestrial intelligent life (SETI) with a view to show that far from turning away from humanity it is profoundly rooted in human aspirations. We suggest that those motives derive their driving force from the fact that they combine two powerful aspirations of humanity. On the one hand, there is the transcendental motive that drives history of science, the human enterprise that claims to escape any communitarian closure of horizon and brings our humanity to transcend itself toward the other, which was formerly referred to under the title Universal Reason. On the other hand, there is the anthropological motive by virtue of which the human being tends to project on the other and even in inanimate nature a double of himself. The mixture of both motives is deemed responsible for a remarkable bias in the current understanding of the SETI programme. Despite the fact that such a programme might well be aimed at any biological formation which could be arbitrarily different from all known forms, it is focused instead on a very special kind of being: beings that possess both the natural property of the type of mentality we identify with: intelligence, and the ideal one of being possible co-subjects for a Science of Nature.
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Perloff, Marjorie. "Beckett in the Country of the Houyhnhms: The Transformation of Swiftian Satire." Samuel Beckett Today / Aujourd'hui 22, no. 1 (October 1, 2010): 17–38. http://dx.doi.org/10.1163/18757405-022001002.
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Beckett's fictions and plays contain specific echoes of and parodic analogues to the famous incident in when the protagonist resists the sexual advances of the loathsome female Yahoo. But in such fictions as and , the narrator does not resist; indeed, he accepts his Yahoo status, as Gulliver never could, trying, nevertheless, to find a humanity that can come to terms with man's Yahoo nature. The Yahoo motif thus measures the difference between Swiftian satire, bent as it is on the excoriation of mankind that should know better, and Beckett's post-World War II ironic mode that refuses such firm value judgments about 'humanity.'
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Robinson, Darryl. "Defining “Crimes Against Humanity” at the Rome Conference." American Journal of International Law 93, no. 1 (January 1999): 43–57. http://dx.doi.org/10.2307/2997955.
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On July 17, 1998, the UN Diplomatic Conference of Plenipotentiaries on the Establishment of an International Criminal Court (Rome Conference) adopted the Rome Statute of the International Criminal Court (ICC). One of the many significant provisions of the ICC statute is Article 7, which defines “crimes against humanity” for the purpose of the ICC. A significant difference between the definition in the ICC statute and the major precedents on crimes against humanity is that the former definition was not imposed by victors (as were those in the Nuremberg and Tokyo Charters) or by the Security Council (as were those in the Statutes of the Yugoslavia and Rwanda Tribunals). In contrast, Article 7 was developed through multilateral negotiations involving 160 states. For this reason, one could reasonably expect Article 7 to be more detailed than previous definitions, given the interest of participating states in knowing the precise contours of the corresponding obligations they would be undertaking. For the same reason, one might expect the definition to be more restrictive than previous definitions. Fortunately, although the definition in the ICC statute is more detailed than previous definitions, it generally seems to reflect most of the positive developments identified in recent authorities. For example, the definition does not require any nexus to armed conflict, does not require proof of a discriminatory motive, and recognizes the crime of apartheid and enforced disappearance as inhumane acts.
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Cardoso, André Cabral de Almeida. "Precarious humanity: the double in dystopian science fiction." Gragoatá 23, no. 47 (December 29, 2018): 888–909. http://dx.doi.org/10.22409/gragoata.v23i47.33608.
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The double is a common feature in fantastic fiction, and it plays a prominent part in the Gothic revival of the late nineteenth century. It questions the notion of a coherent identity by proposing the idea of a fragmented self that is at the same time familiar and frighteningly other. On the other hand, the double is also a way of representing the tensions of life in large urban centers. Although it is more usually associated with the fantastic, the motif of the double has spread to other fictional genres, including science fiction, a genre also concerned with the investigation of identity and the nature of the human. The aim of this article is to discuss the representation of the double in contemporary science fiction, more particularly in its dystopian mode, where the issue of identity acquires a special relevance, since dystopias focus on the troubled relation between individual and society. Works such as Greg Egan’s short story “Learning to Be Me”; White Christmas, an episode from the television series Black Mirror; Kazuo Ishiguro’s novel Never Let Me Go; and the film Moon, directed by Duncan Jones, will be briefly examined in order to trace the ways the figure of the double has been rearticulated in dystopian science fiction as a means to address new concerns about personal identity and the position of the individual in society.---Original in English.
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Minyailo, Natalia. "Verbalization of the Concept of Dignity in Alexander Solzhenitsyn’s Novel “The First Circle”." Path of Science 7, no. 1 (January 31, 2021): 3001–8. http://dx.doi.org/10.22178/pos.66-2.
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The article analyzes the verbal realization of the concept of dignity in O. Solzhenitsyn’s novel «The First Circle». Verbalization of the concept of dignity characterizes the positive characters of the novel and is a part of the ways of reproducing general humanistic issues, revealing the author’s intentions for both positive and negative characters, which creates contrast in describing the then civilizational ambiguous era. The humanistic orientation of the positive characters in the novel, who are marked by dignity, self-sacrifice (Nerzhin, Sologdin, Volodin), courage (Khorobrov, Rubin), honest attitude to work (Potapov, Egorov) is observed. It was found out that the character of Gleb Nerzhin, in whom the reader can recognize O. Solzhenitsyn himself, and the image of Spiridon Egorov are the most comprehensively depicted. The first is a representative of the intelligentsia, the second – of ordinary people. They are united by the inner humanism, which does not depend on historical circumstances or situational trials. This, according to the author, is the basis of the immortality of the people, reveals their deep philosophy, based on humanistic principles. In general, it is determined that dignity/humanity is the leading motive of the novel, supplemented by the elements of motives of male friendship and sincere love in the difficult conditions of tyranny. The images of representatives of the tyrannical government are covered in detail through their dialogues and monologues, including internal ones. Yes, the image of Stalin appears as painted with dark signs in contrast to a sunny day. In the end, the conceptual sphere of humanism is concretized in the motive of the heroes’ struggle for better life for all the people not only of their native country, but of the whole world. It is this motif that characterizes the 1970 Nobel Prize-winning work of Alexander Solzhenitsyn. The issue of the novel is also marked by a certain controversy: for example, the theme of war and the related celebration of victory are very relevant today in both Ukraine and Russia, where this theme is an important ideological factor.
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Fedoseeva, T. V., and N. K. Timofeev. "THE CONTENT OF THE PLOT AND EVENT STRUCTURES JА. POLONSKY'S NARRATIVE LYRICS OF THE LATE PERIOD OF CREATIVITY." Memoirs of NovSU, no. 1 (2024): 83–91. http://dx.doi.org/10.34680/2411-7951.2024.1(52).83-91.
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The article analyzes the narrative lyrics of Ya. Polonsky 1880–1898. The types of plot-event structures of lyrical works in the function of expressing the creative consciousness of the author are indicated. In the course of structural-semiotic analysis, the inclusion of Polonsky’s work in a broad literary and cultural context was revealed. Observations are made of the reception of folk-mythological and religious-philosophical motifs that form universal ontological meanings and spiritual and moral values in the poet’s world. From the motive-thematic analysis, plots about the spiritual imperfection of humanity, the life cycle of a person and the soul suffering from the imperfections of the world are derived. Conclusions are drawn that Polonsky’s creative consciousness of the last period of creativity is focused on the problems of spiritual poverty of humanity, the alienation of his contemporary society from Christian values: God, being, immortality, man, soul, free will, faith, hope, love, salvation, conciliarity, humanity – is of paramount importance in his picture of the world.
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Wahyusari, Retno. "PEMANFAATAN MATHEMATICAL MORPHOLOGY UNTUK DETEKSI TEPI BATIK." Simetris: Jurnal Teknik Mesin, Elektro dan Ilmu Komputer 8, no. 1 (April 1, 2017): 389–92. http://dx.doi.org/10.24176/simet.v8i1.1027.
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UNESCO memberikan empat terhadap beberapa warisan budaya Indonesia, dalam hal ini Wayang Indonesia, Keris Indonesia dan Batik Indonesia. Ketiganya masuk di dalam ”The Representative List of the Intangible Culture Heritage of Humanity”. Dengan adanya pengakuan UNESCO maka warisan budaya yang telah diakui tidak boleh diakui oleh negara lain. Batik Indonesia merupakan salah satunya maka perlu adanya pendokumentasian motif batik, agar tidak hilang ciri khasnya. Motif batik dapat didokumentasikan berupa gambar atau citra. Motif batik dapat dijaga keaslian motifnya dengan sebuah dokumentasi. Untuk mendapatkan pola batik dilakukan dengan pengolahan citra digital berupa segmentasi citra. Deteksi tepi merupakan masalah dasar yang ada pada computer vision. Tujuan dari deteksi tepi pada citra adalah untuk menandai bagian pada digital image yang intersitas pencahayaannya berubah secara drastic. Peningkatan hasil deteksi tepi dengan menggunakan metode mathematical morphology. Hasil penelitian menunjukan bahwa deteksi tepi metode canny lebih baik dibandingkan dengan metode deteksi tepi yang lain, serta hasil deteksi tepi mampu ditingkatkan dengan menggunakan dilation.
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Hadi, Nor, and Jadzil Baihaqi. "Motive of CSR Practices in Indonesia: Maqasid al-Sharia Review." QIJIS (Qudus International Journal of Islamic Studies) 8, no. 2 (December 31, 2020): 327. http://dx.doi.org/10.21043/qijis.v8i2.8856.
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<p>This research examines the underlying motive of CSR implementation and design, according to maqasid al-sharia. A qualitative descriptive approach was used to obtain primary data through interviews with 5 CSR informants. Secondary data was collected from the public company’s annual report on the IDX in 2019. Data was sampled and examined using purposive and content analysis technique. The results showed that there are 2 motives in CSR, specifically social and economic. Furthermore, the economic motive is more dominant and expects provision of monetary feedback. Consequently, CSR becomes less effective and most programs do not follow the real stakeholders’ needs. The dignity of CSR needs to be regained by implementing maqasid al-sharia dimensions. There are 2 approaches used to implement CSR, including a support system that utilizes pressure. The transcendental approach initiates corporate actors through religious values from maqasid al-sharia, making the implementation more humanist and stakeholder-oriented.</p>
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Hadi, Nor, and Jadzil Baihaqi. "Motive of CSR Practices in Indonesia: Maqasid al-Sharia Review." QIJIS (Qudus International Journal of Islamic Studies) 8, no. 2 (December 31, 2020): 327. http://dx.doi.org/10.21043/qijis.v8i2.8856.
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<p>This research examines the underlying motive of CSR implementation and design, according to maqasid al-sharia. A qualitative descriptive approach was used to obtain primary data through interviews with 5 CSR informants. Secondary data was collected from the public company’s annual report on the IDX in 2019. Data was sampled and examined using purposive and content analysis technique. The results showed that there are 2 motives in CSR, specifically social and economic. Furthermore, the economic motive is more dominant and expects provision of monetary feedback. Consequently, CSR becomes less effective and most programs do not follow the real stakeholders’ needs. The dignity of CSR needs to be regained by implementing maqasid al-sharia dimensions. There are 2 approaches used to implement CSR, including a support system that utilizes pressure. The transcendental approach initiates corporate actors through religious values from maqasid al-sharia, making the implementation more humanist and stakeholder-oriented.</p>
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Febriansari, Devie, and Idam Ragil Widianto Atmojo. "NgaBatik: Aplikasi Pengenalan Motif Batik Ngawi Berbasis Android." Syntax Literate ; Jurnal Ilmiah Indonesia 6, no. 2 (February 21, 2021): 620. http://dx.doi.org/10.36418/syntax-literate.v6i2.2160.
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Batik merupakan salah satu warisan budaya yang telah ditetapkan oleh UNESCO sebagai Warisan Kemanusiaan untuk Budaya Lisan dan Non-Bendawi (Masterpieces of the Oral and Intangible Heritage of Humanity) sejak Oktober 2009. Kesenian batik adalah kesenian diatas kain untuk dijadikan pakaian yang awal mulanya hanya dipakai oleh keluarga kerajaan saja. Kemajuan ilmu pengetahuan di bidang teknologi informasi dan komunikasi terutama penggunaan perangkat genggam smartphone android telah mengubah cara pandang dan gaya hidup dalam menjalankan kegiatan sehari-hari. Hal ini berdampak pula pada kegiatan kesenian yang bersifat tradisional. Semakin berkurangnya minat dari masyarakat untuk belajar atau sekedar mengenal tentang motif batik melatar belakangi permasalahan tersebut, aplikasi ini hadir untuk memadukan kemajuan ilmu pengetahuan dalam bidang teknologi dengan memuat konten yang bersifat tradisional seperti batik khususnya di Kabupaten Ngawi agar masyarakat dapat melestarikannya. Aplikasi ini dibuat untuk memperkenalkan motif batik Ngawi dan juga memhami setiap maknanya yang dapat diakses dimana saja dan kapan saja melalui smartphone android. Tujuan dari studi ini adalah merancang, membuat dan menguji aplikasi NgaBatik sehingga didapat produk aplikasi pengenalan motif batik digital berbasis aplikasi android yang dapat difungsikan dengan baik keseluruhan baik sistem dan kegunaan fiturnya. Metode yang digunakan adalah modifikasi model prosedural yang menjabarkan tahapan prosedural yang harus diikuti dalam menghasilkan produk tertentu. Hasil kepuasan pengguna dengan menggunakan kuisioner menunjukkan tingkat kepuasan pengguna sebesar 80,9 % yang berarti aplikasi sangatlah memuaskan dimata penggunanya.
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Majetic, Senka. "Animal Farm by George Orwell "Speech Act" Detection and Alienation Motif Symbol Operator Corpus Analysis Discussion." Eximia 12 (September 12, 2023): 109–23. http://dx.doi.org/10.47577/eximia.v12i1.341.
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The article Animal Farm by George Orwell "Speech Act" Detection and Alienation Motif Symbol Operator Corpus Analysis Discussion is a practical presentation of the parallel interaction between Language and Society! Speech/Social Acts (according to Searle) Classification Operator and Alienation Motif Symbol Corpus Analysis Operator have been exploited. The test sample, chapter 1 of the novel Animal Farm (pages 4-10) by George Orwell 1944, is being analysed! Null hypothesis: Declarations dominate in the novel Animal Farm by George Orwell 1944 and Null hypothesis Alienation is the background of the novel Animal Farm by George Orwell 1944 are being tested. Marx´s classification of alienation from the product of labour, alienation from the activity of labour, alienation from humanity and society corpus analysis operator have been tested and presented.
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Lukic, Aleksandar. "Consequences of humanitarian interventionism." Theoria, Beograd 62, no. 3 (2019): 145–54. http://dx.doi.org/10.2298/theo1903145l.
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In this paper, the author explores the problem of humanitarian interventions and critically examines theories of intervention. According to those theories, the duty to react is one of the key arguments for intervening. However, it turns out that such a duty is, as a rule, linked to some political interest which in fact constitutes a primary motive for intervention. Humanity, therefore, fails in such actions that are, as a rule, military and have a coercive and destructive character.
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Maier, Alexander. "Vollendung durch Abstinenz – Motive und Praktiken sittlich-religiöser Perfektionierung in der katholischen Jugendbewegung Quickborn." Paragrana 30, no. 1 (June 1, 2021): 209–22. http://dx.doi.org/10.1515/para-2021-0014.
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Abstract Religion und Vervollkommnung – des Einzelnen wie der Kirche bzw. der Christenheit – sind eng miteinander verwoben und gründen auf der Überzeugung, den Einzelnen für das Reich Gottes vorbereiten zu müssen bzw. dieses als Kirche in der Welt zu repräsentieren. Nicht zuletzt ist die asketische Tradition des Christentums im Dienst dieses Zieles zu sehen, die durch eine methodische Lebensführung den Wandel der Seele zum Guten erreichen wollte. Gnadentheologisch war dies umstritten, weil die Möglichkeit des Menschen dazu beizutragen – je nach theologischer Position – unterschiedlich gewertet wurde. Je optimistischer man hinsichtlich des menschlichen Beitrags war, umso generativer waren diese Konzepte in pädagogischer Hinsicht. Die 1909 gegründete katholische Jugendbewegung Quickborn, in der Schüler/innen höherer Schulen aktiv waren, stellt ein gutes Beispiel dafür dar, wie Religion zum Mittel sittlich-religiöser Vervollkommnung wurde. Um angesichts einer rasanten Modernisierung für gebildete junge Katholiken weiterhin relevant zu bleiben, musste an aktuellen Strömungen wie dem Abstinenzideal angeknüpft werden. Dieses war in der Reformpädagogik sowie in der Lebens- und Sozialreform um 1900 im Kaiserreich sehr präsent und konnte offenbar in Verbindung mit dem Jugendmotiv neuen religiösen Enthusiasmus wecken. Der Beitrag untersucht die Motive einer Sakralisierung der Abstinenz, ihrer pädagogischen Ziele und erwarteten Wirkungen z.B. auf Körper, Seele oder Volk sowie die verschiedenen Praktiken der Selbsterziehung und fragt schließlich danach, ob in der Verbindung von Religion und Perfektion nicht Transzendenz, konkrete Humanität (H. R. Schlette), Gnade (Kontingenz) und Fragment als doch immerhin zentrale Dimensionen biblischen Christentums ausgeblendet wurden.
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Fernández-Santiago, Miriam. "Orfeo: A Posthuman Modern Prometheus. Uncommon Powers of Musical Imagination." Anglia 140, no. 3-4 (December 1, 2022): 591–606. http://dx.doi.org/10.1515/ang-2022-0049.
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Abstract At the wake of the twenty-first century, Richard Powers updates Shelley’s motif for the posthumanist context. His novel Orfeo pictures Peter Els; an aged, American version of Viktor Frankenstein, as he runs away from Homeland Security after 9/11. His crime is having composed the musical masterpiece of his life by altering the DNA of a bacteria, which is mistaken for an act of bioterrorism. Powers’ novel looks back at Shelley’s existentialist concerns about the ethical dimension of a creative freedom that questions the very limits of humanity. The parallelisms between both novels go beyond the development of this motif and deep into the structural arrangement of plot and character development to suggest that Shelley’s narrative lies behind the thematic and compositional arrangement of Powers’ work, and evidence the endurance of Shelley’s literary impact.1
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Staikou, Elina. "Decomposing Geschlecht: Thinking Mother/Land … with Soils." Paragraph 45, no. 3 (November 2022): 366–83. http://dx.doi.org/10.3366/para.2022.0410.
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The article traces the motif of decomposition in Derrida’s Geschlecht III. It distinguishes Derrida’s understanding of the way decomposition affects sex, language, humanity and place through a logic of dissemination and divisibility from Heidegger’s reversal of decomposition in the polysemic gathering of the land. It shows how the working of the spectral figure of mother in its link to land through natality in Geschlecht III can be extended in its biodeconstructive formulation to a question of soil as multispecies ecology.
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Špoljarić, Bernard. "The Goat-God Motif in Heavy Metal Music." Studia Polensia 10, no. 1 (January 19, 2022): 87–114. http://dx.doi.org/10.32728/studpol/2021.10.01.06.
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Since its emergence as a recognizable artistic endeavor, heavy metal has brought and enabled an authentic aesthetics in the wider culture: not only has it shaped its own unmistakable sonic “landscape”, but it has also shaped forms of visual presentation. Taken together, heavy metal has an adequate language for the communication of the ideas and motifs that are in its foundations. As art is one of the ways in which human beings gain an understanding of the self and the world (the other ways are philosophy, science, mythology, etc.) it is no surprise the art engages with various ways of perceiving. It is not only that these different ways correspond with each other, but are often the subject of one another as well. Heavy metal music is no exception as it also relies and draws its content from the phenomena of the world at large, and from introspection as well: the realms of the psyche. The mythical motif of the goat-like god Pan is a motif relating to both the outside world and the psyche: it expresses many things: divinity, humanity, nature, animalism, horror, psychosis, sexuality, countermovement and contrast as well as the cultivation of the individual and the community in the arts of dance and music. Claiming that Pan as motif has attained a significant place in the art of heavy metal as a symbol is an understatement, given that the discursive approximation and the exegesis of the Pan Mythos can indeed clarify the overall aesthetic and form of heavy metal and some of its numerous subgenres specifically. The aim of this article is to provide a comparative analysis of the descriptions of the goat-god Pan originating in ancient culture, with its form and meaning in the domain of heavy metal; most notably in the artistic endeavour Arckanum.
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Seiler, Nina. "Bugging: The Kaleidoscopic Literary Politics of Insects." Word and Text - A Journal of Literary Studies and Linguistics 11 (2021) (December 2021): 117–34. http://dx.doi.org/10.51865/jlsl.2021.08.
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This article analyses the appearance of insects in Polish literature of the mid-socialist period. It will elaborate a post-humanist perspective on the peaking presence of flies, wasps, bugs or worms in literary texts both as a motif and as an aesthetic strategy. The article investigates the way the deployment of insects in and through the text modulates the view of and the perspective on their human fellows, and how these modulations can be traced to the social reality of the socialist 1960s and 1970s.
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Pazina, Liudmila. "Cultural conditionality of understanding in social hermeneutics." SHS Web of Conferences 72 (2019): 03048. http://dx.doi.org/10.1051/shsconf/20197203048.
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Social hermeneutics is a young, emerging branch of philosophy associated with problems of understanding social actions. Since any social action is aimed at transforming the human world, our present, future and past, understanding its motives and goals is of practical importance for each person and humanity as a whole. A social action always has a cultural-historical context. Understanding the motive and the meaning of the social action is impossible outside the language system that determines it and the culture of a particular nation.
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Wortham, Simon. "Caught on the Hop: Politico-philosophical Writing of the ‘Leap’." Paragraph 45, no. 3 (November 2022): 316–35. http://dx.doi.org/10.3366/para.2022.0407.
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This essay reads Derrida’s Geschlecht III: Sex, Race, Nation, Humanity in the context of the philosophical and political legacies associated with the motif of leaping. Surveying the philosophical and textual ‘politics’ of this figure of the leap in the work of Kierkegaard, Hegel, Marx, Freud, Heidegger and others, the essay tracks its connection to the question of philosophical nationalism (and associated images of place, ground and gathering) explored by Derrida in Geschlecht III, speculating on the ambivalent resonances that ‘leap’ across the political spectrum.
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Cho, Hongyoun. "An Implication of Cannibalism Motif in “the Myth of Seolmundae-halmang” of Korea." Milli Folklor 18, no. 139 (September 30, 2023): 168–80. http://dx.doi.org/10.58242/millifolklor.1001032.
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"Cannibalism" is widely regarded as an absolute taboo for cultivated humanity. Not only does the bare citation of the word" cannibalism" and encountering images about this subject make utmost people extremely uncomfortable. Nonetheless, the “ cannibal motif ” exists in humanities folk literature, and why is it being repeated in modern literature, media, and culture? If humanity can achieve a sense of spiritual satisfaction or there's a universal idea that desperately wishes to partake through such a horrifying motif, what kind of content can it be? When trying to address this curiosity, there's an interesting text which is worth noting. It's “ the myth of Seolmundae- halmang( Grandma Seolmundae) ”, which is being passed down on South Korea's Jeju Island. Seolmundae- halmang was worshipped as the creator goddess of Jeju Island, yet in the stories about her death, she's eaten by her own sons. Why did this goddess have to experience such a terrible death? Also, if “ myth ” contains motifs of universal human life, what was the content that Jeju Island's mythology group wanted to share through the death and devouring of the goddess? To find answers to these questions, several former studies on the conception of cannibalism were examined, thereby the aspects of cannibalism that was in human life was verified. As a result, the cannibalistic motif of this myth confirmed that the endo-cannibalism concept of the primordial mythology enthusiasts group was the result of the divine succession process from Seolmundae-halmang to her sons. Furthermore, when interpreted in the context of symbolism for human reality, it is also revealed that children who have grown up at the expense of their parents have embodied the universal and realworld principle of human life in which they realized their parent's sacrifices and inherited their lives. The significance of such research results can be recognized for investigating the mythological meaning and value of cannibalistic elements of the Seolmundae-halmang myth. This allowed us to reveal the meaning and value of one of Korea's major mythological materials more fully, as well as confirm the universal value of Korea's mythological materials.
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Ramadhan, Wisnu, Danur Lambang Pristiandaru, Yanif Dwi Kuntjoro, and Dwi Oktofianto. "The Symbolic Meaning of Redesign Batik Motives Kawung Solo based on Applied Mathematics Geometry Transformation and Village Promotion Efforts Kampung Matematika Karanglo, Karanganyar." Proceeding of Community Development 2 (February 21, 2019): 854. http://dx.doi.org/10.30874/comdev.2018.304.
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Indonesian Batik by UNESCO was designated as the Masterpieces of the Oral and Intangible Heritage of Humanity since October 2009. The famous Indonesian batik motif from Solo is the Kawung batik motif. One type of batik is stamped batik. In making batik, there is always a clear repetition, so that the image appears repetitive in the same shape. The problem with making stamp batik is the price of expensive batik stamp. Generally, one stamp of batik can only produce one motif. Therefore, the main problem that was solved in this study was how to develop a Solo-Kawung batik motif design that has a uniqueness from one motif in the stamp can produce many patterns of batik without losing the local identity. The values contained in kawung batik are simplicity, regularity, consistency, and mutual cooperation reflected in community life. This problem will be solved by applying the concept of Geometry Analysis with the Symmetry Group Theory which will then be used Geometry Transformation. The Energy Security Concept is Every aspect of development must be environmentally sound while still striving for effectiveness and efficiency. This research was developed and applied in Karanglo Village, Karanganyar Regency as a Batik Mathematics Village. The development of creative industries applied in Karanglo is an industry that originates from the utilization of individual talents to create welfare and employment through the creation and utilization of these creative and creative powers. There are three directions for developing creative industries, namely industries based on creative cultural industries, creative industries and copyright industries with environmental based.
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Grishchenko, Anastasiya Petrovna. "Ethnographic motif in the decorative and applied art of Krasnoyarsk. History and modernity." Философия и культура, no. 4 (April 2022): 126–33. http://dx.doi.org/10.7256/2454-0757.2022.4.37756.
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The article deals with the professional decorative and applied art of Krasnoyarsk from the 50s of the twentieth century to the present. The aspect of consideration is the use of the ethnographic motif of the Krasnoyarsk Territory and the features of its embodiment in the products of Krasnoyarsk artists of decorative and applied art. Using the example of the creativity of N.V. Kasatkina, A.G. Tkachev, A.S. Moskvitin, A.S. Migas, S.E. Anufriev and E.A. Krasnova, the aspects of the use of the ethnographic motif and their transformation over time, which led to the formation of archeoart in modern decorative and applied art and the features of its embodiment in the works of the main conclusions of the study are shown. The principles of the use, functioning and transformation of signs of an ethnographic motif in works of decorative and applied art in the Krasnoyarsk Territory are presented. The process of forming a new style in art took place from quoting and simple stylization of individual objects of ethnography in the works of artists to the gradual increase of signs of an ethnographic motif in the works of masters, which led to the formation of a new understanding of the region in art. The main visual concept of modern archeoart is the representation of Yenisei Siberia as the "cradle of humanity". The ethnographic motif associated with the history and mythology of indigenous peoples becomes the starting point in the artistic image, through which the elevation of regional visual signs to symbols understandable to every person takes place.
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Marfo, Elisha Kwabena. "The Messiah/Speaker and His Mission: A Linguistic Analysis of Isaiah 61:1-11." Jurnal Koinonia 14, no. 1 (June 29, 2022): 20–35. http://dx.doi.org/10.35974/koinonia.v14i1.2825.
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While the mission motif of Isa 61:1-11 seems to be passed over in silence, this study investigates the passage using linguistic analysis and discovers the theological significance of the motif of mission. The study indicated how YHWH relates to His mission, through the Speaker—identified as the Messiah, and His redemptive purpose for all humanity. Mission is centered on YHWH’s empowerment of the Speaker to deliver comforting messages and give hope to the discouraged, accelerate the freedom of prisoners, and console the grieving since their anguish and sadness is about to be converted into cheer. The focus is on Israel, though the nations will witness and glory in Israel’s salvation and righteousness. In effect, there will be a sprouting forth of YHWH’s righteousness and praises from the peoples of all the nations—an expression that has the worldwide salvific mission of the speaker in view.
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Derii, Maryna. "THE MOTIVE OF FREEDOM IN JACK LONDON’S NOVEL «MARTIN EDEN»." Scientific Journal of Polonia University 53, no. 4 (November 15, 2022): 21–25. http://dx.doi.org/10.23856/5302.
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Jack London used a variety of motives in his works: mythological motives, the motive of adventure, the motives of friendship and love, the motive of lust for profit and true humanity, and also, the motive of freedom takes honorable place in this list. Freedom is a magnificent word, and it is also main purpose for humans, even if it might not be the only one. The freedom is not philosophical speculation, but the possibilities for human action under the restraints of existential conditions in real life. Free people are not abstract concepts, but real individuals in real life, because this is precisely what concerns literature. Due to the individual’s numerous difficulties in socialized life, how to obtain freedom, that is, the possibility of choice for the individual in life, has been an important topic in literature from ancient times to the present. From this another topic is produced, so-called fate and whether it can be predicted. The philosophical question of what is freedom and how to use it in real life is very popular in literature. «Martin Eden» by Jack London offers insights on the American social class structure during the early- to mid-20th century, which is still relevant today. The protagonist is a representative of the lower-class, having worked a blue-collar job before deciding to become a writer. The motive of a person’s destiny is broad and multifaceted, it is closely related to the motives of fate and the motive of freedom. A person's destiny can be influenced by character, human values, and fate. The desire for freedom is one of the important factors that influence a person's destiny.
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Aburqayeq, Ghassan. "Nature as a Motif in Arabic Andalusian Poetry and English Romanticism." Journal of Critical Studies in Language and Literature 1, no. 2 (July 1, 2020): 52–61. http://dx.doi.org/10.46809/jcsll.v1i2.12.
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This paper examines some tenets in the Andalusian and Romantic poetry and shows how poets such as Ibrahim Ibn Khafāja (1058-1138) and William Wordsworth (1770 –1850) used nature as a motif in their poetry. Relying on a historical approach, this paper links smaller features such as themes and literary devices in the Andalusian and Romantic poetry with larger features, including genre, traditions, and cultural system. I argue that the emphasis on both the larger and smaller features of poetry creates what Franco Moretti calls “distant reading.” Comparing and contrasting Ibn Khafāja’s “the Mountain” and Wordsworth’s “the Daffodils,” for instance, introduces nature as a recurrent theme in both Andalusian and Romantic literary traditions, reinforcing Johann Wolfgang Goethe’s description of poetry as a common possession of humanity” (Goethe 229). In addition to that, comparing the images and themes in both the Andalusian and Romantic poetry not only shows internally linked meanings, but it creates what Cesar Domínguez, et al, call “a space for polyglottism, multidisciplinarity, scholarly collaboration” (75). Reading these works and movements closely and distantly serves as a cross-cultural dialogue between the Arabic and English poetic conventions. While Ibn Khafāja and Wordsworth lived in different places and times, wrote in different languages, and did not have the same socio-political circumstances, their poems show the richness and multiplicity of the historical experience of world literature.
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Залесный, Иеромонах Серапион. "The theological Content of the Corpus of Holy Saturday Canons." Вопросы богословия, no. 2(10) (September 20, 2023): 25–40. http://dx.doi.org/10.31802/pwg.2023.10.2.002.
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В статье предпринят богословский анализ корпуса канонов Великой Субботы, который включает в себя 6 текстов. Из числа всех тем, отраженных в этих текстах, в статьерассматриваются 4: сошествие Христа во ад, мотив Христа-победителя, божество и человечество Христа во время страдания, покой Бога в седьмой день. В богослужении Великой Субботы мотив сошествия во ад является одним из центральных литургических воспоминаний этого дня. Наиболее восторженно тему разрушения ада воспевает преп. Косма Маюмский. При описании разрушения ада Христом мы встречаем яркий образ Христа-Победителя, одолевшего диавола и смерть (преп. Кассия, преп. Косма, преп. Андрей Критский). В каноне Космы Маюмского находит отражение чисто догматическая тема: нераздельность Божества и человечества Христа во время Его смерти и погребения. Темы «богословия субботства» встречается в корпусе канонов Великой Субботы лишь дважды: у св. Марка и у св. Андрея Критского. В статье используется метод контекстуального анализа: богословие канонов соотносится с общим святоотеческим преданием и помещается в широкий контекст вероучения Церкви. The article undertakes a theological analysis of the corpus of the canons of the Holy Saturday, which includes 6 texts. In the article, the author highlights 4 main themes reflected in these canons: the descent of Christ into the hell, the motive of Christ the Conqueror, the Divinity and the humanity of Christ during his suffering, the rest of the God on the seventh day.In the orthodox worship of the Holy Saturday, the motif of the descent into the hell is one of the central liturgical recollections of that day. The most enthusiastic theme of the destruction of the hell is sung by St. Cosmas of Maiuma. When describing the destruction of the hell by Christ, we encounter a vivid image of Christ the Conqueror, who has overcome the devil and the death (St. Cassia, St. Cosmas, St. Andrew of Crete). The canon by St. Cosmas of Maiuma reflects a purely dogmatic theme: the inseparability of the Divinity and the humanity of Christ at the time of His death and burial. The themes of "the theology of Sabbath" occur only twice in the corpus of canons of the Holy Saturday: in the St. Mark’s and the St. Andrew’s of Crete.The article uses the method of contextual analysis: the theology of the canons correlates with the general patristic tradition and is placed in the broad context of the Church doctrine.
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Kamrowska, Agnieszka. "Elektroniczny łowca: postać cyborga w kinie science fiction głównego nurtu." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 28, no. 37 (March 31, 2021): 21–34. http://dx.doi.org/10.14746/i.2020.37.02.
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The aim of this text is to analyze the cyborg motif in mainstream American science fiction films, as represented by the Terminator and RoboCop film series. The cyborg characters presented in these films are focused mainly on violence and destruction, which emphasizes the technophobic attitude of the culture within which these films were made. The only redemption of their otherness is showing their humanity. For a cyborg, its technological provenance is a burden and results in its sense of guilt. In this manner, American science fiction films support anthropocentrism and the conservative status quo.
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Schlesinger, Eugene R. "A Trinitarian Basis for a “Theological Ecology” in Light of Laudato Si’." Theological Studies 79, no. 2 (May 29, 2018): 339–55. http://dx.doi.org/10.1177/0040563918766699.
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This article responds to Pope Francis’s call in Laudato Si’ for an ecological expansion of mission and seeks to provide it with theological support. This support comes by way of a trinitarian rendition of the missiological concept missio Dei. Drawing from Thomas Aquinas and Bernard Lonergan’s accounts of the trinitarian missions, it articulates a theological ecology (as opposed to an ecological theology), in which the traditional doctrine of God is the controlling motif. Through the missions of the Son and Holy Spirit, God transforms the moral-intellectual-volitional comportment of humanity and recruits them into a shared mission of environmental concern.
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Purnamasari, Elisa. "The Introduction of Classic Batik Motif to the Community Through Game." SISFORMA 4, no. 1 (October 19, 2017): 31. http://dx.doi.org/10.24167/sisforma.v4i1.1039.
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Batik is a wealth of Indonesian nation that became a cultural heritage and has been registered in the Representative of the Masterpiece of the Oral and Intangible Heritage of Humanity by UNESCO in 2009 [1]. The appearance of a variety of batik would be a pleasure for batik lovers so often used as clothing, furniture, or other equipment in everyday life.But the lack of knowledge of meaning and philosophy in batik itself so that batik is often being used indiscriminately without knowing the intentions contained in the batik itself and being a mistake in its use [2], especially classic batik is a batik that is still thick with tradition and custom philosophy in it [3].This report contains about the introduction of classic batik motifs and philosophies that are packaged in interactive educational games. This game is made by entering the element of trivia quiz as an evaluation material and equipped with batik information that can be read repeatedly outside the gameplay so as to enrich and give better understanding of the information in the game.From the results of a survey of 50 respondents from the age range between 13 - 30 years old located in Central Java and outside Central Java, shows that this educational game about batik can make respondents become richer with knowledge about the meaning and philosophy of classical batik. In addition, respondents also want to preserve batik as a nation's wealth.
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Sexton, Jason S. "The "Imago Dei" Once Again: Stanley Grenz's Journey toward a Theological Interpretation of Genesis 1:26–27." Journal of Theological Interpretation 4, no. 2 (2010): 187–205. http://dx.doi.org/10.2307/26421303.
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Abstract While engaged in his own construction of systematic theology, Stanley J. Grenz looked increasingly to the imago Dei as the major motif for his project. Having previously seen the theme carrying some weight for both ethics and theology, as his project progressed in the Matrix of Christian Theology series in the new millennium, Grenz came to understand this biblical motif as a unifying agent. This significant biblical theme, run through the coherence test of the theological loci and sufficiently able to unite the systematic categories, became for Grenz a lens for reading all of Scripture, and for understanding God, humanity, and all reality. Within the imago Dei Grenz found a way to bring a relational model of the Trinity to bear on the systematic discipline, which also gave him a unified approach to reading and interpreting the Bible in light of this Trinitarian framework flowing from the earliest part of the canonical narrative. As such, his approach offers a helpful model for consideration in the ongoing conversation of theological interpretation of Scripture.
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Sexton, Jason S. "The "Imago Dei" Once Again: Stanley Grenz's Journey toward a Theological Interpretation of Genesis 1:26–27." Journal of Theological Interpretation 4, no. 2 (2010): 187–205. http://dx.doi.org/10.2307/jtheointe.4.2.0187.
Full textAbstract:
Abstract While engaged in his own construction of systematic theology, Stanley J. Grenz looked increasingly to the imago Dei as the major motif for his project. Having previously seen the theme carrying some weight for both ethics and theology, as his project progressed in the Matrix of Christian Theology series in the new millennium, Grenz came to understand this biblical motif as a unifying agent. This significant biblical theme, run through the coherence test of the theological loci and sufficiently able to unite the systematic categories, became for Grenz a lens for reading all of Scripture, and for understanding God, humanity, and all reality. Within the imago Dei Grenz found a way to bring a relational model of the Trinity to bear on the systematic discipline, which also gave him a unified approach to reading and interpreting the Bible in light of this Trinitarian framework flowing from the earliest part of the canonical narrative. As such, his approach offers a helpful model for consideration in the ongoing conversation of theological interpretation of Scripture.
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Zaharijevic, Adriana. "From the rights of man to the human rights: Man - nation - humanity." Filozofija i drustvo 19, no. 1 (2008): 111–51. http://dx.doi.org/10.2298/fid0801111z.
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The insistence on the fact that human rights and the rights of man (codified in The Universal Declaration of Human Rights and Declaration of the Rights of Man and of the Citizen, respectively) are not one and the same, which could be deduced from the notion of man common to both terms, is the key thesis of this text. By developing this motive, I try to determine the following: that the notion of man, by definition inclusive and abstractly non-discriminative term, is in fact established on tacit exclusions in the time of its inception (Enlightenment revolutinary era), and it was only upon these exclusions that the term man could have signified "the free and equal". Although the parallel or simultaneous evolution and implementation of the rights of man and national rights might seem contradictory, I seek to demonstrate that this paradox is only ostensible, arguing that the notion of man is itself limited and exclusionary, and is therefore compatible with the exclusivity which is the conditio sine qua non of nation. The consequences of nationalism - World Wars, primarily - proved that the conception of liberty and equality, based on the conception of fraternity of men (white European males), and of partial democracy pretending to be universal, cannot be maintained any further. Codification of universal human rights represents a reaction to this internal discrepancy inasmuch as it is a reaction to the destructiveness of all kinds of nationalisms. The notion of life, developed in this text, corresponds to the fundamental requirement for the right to life (as the first and the most basic of all human rights), which no longer belongs to "man", but to everyone.
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Karamanov, R. N. "The motive of returning, as the national idea in the context of binary opposition “exile-return” to the discourse of the crimean prose." Язык и текст 6, no. 1 (2019): 29–32. http://dx.doi.org/10.17759/langt.2019060104.
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In an article in the context of binary opposition “exile-return” to the discourse of the Crimean prose the national idea of the Crimean Tatars, fueled by unbreakable faith and being given with sense from the standpoint of religious and national consciousness, requiring efforts will in the fight in which archetypes, timeless images, binary oppositions and universals exist in the human mind, and hence intelligible to humanity in the true sense cyclically reproduced, is artistically, conceptually metaphorically revealed.
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Stajić, Mladen. "Da li postoji gen za ljudski duh? Analiza osnovnih motiva i simbolike u filmu Gataka." Issues in Ethnology and Anthropology 12, no. 2 (August 30, 2017): 505. http://dx.doi.org/10.21301/eap.v12i2.8.
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Gattaca (1997) represents an artistic view of a dystopian future in which the genetic engineering of humans is commonplace. Through the analysis of the ways in which motifs of discrimination and disability are used in this film, wider societal implications of the development of science and the consideration of humanity in western culture are considered. The paper discusses the argumentation for the idea that gene modification means espousing the role of the Creator, and seeks answers to the question of what it means to be human in a genetically deterministic world. The issue of new kinds of discrimination in a potential post-racial world is highlighted, and the possibility of achieving authenticity and the freedom to create one's own identity in a society wherein designed people are the norm is considered. Finally, the ideas and conclusions of numerous authors who dealt with the world of Gattaca are presented, and a new point of view is offered - one which puts the focus on the religious symbolism in the film, a surprisingly neglected motif in previous analyses.
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Сui Lu. "The reception of Chinese Culture and Reflection of the Idea of “Worldliness” in V. Pereleshin’s Poetry." Solov’evskie issledovaniya, no. 4 (December 28, 2022): 148–61. http://dx.doi.org/10.17588/2076-9210.2022.4.148-161.
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The reception of Chinese culture in the works of V.F. Pereleshin (V.F. Salatko-Petrishche) (1913–1992), a representative of the Russian Far Eastern abroad, has not yet been studied enough in terms of reflecting the idea of “universality”. It is important for understanding Pereleshin's “conservative poetics” and his ambivalent attitude to the country of residence and the Homeland. Using the comparative historical method, transnational theory and imagology, the poems created by the poet not only in China, but also in Brazil are considered. It is shown that the evolution of Pereleshin's perception of Chinese culture not only reveals the poet's desire to master the “other” cultural space, but also correlates with the formation of his transnational consciousness. The motif of creation and discovery of the world, the motif of universality and all-humanity, which was the historiosophical idea of all Russian literature of the XIX century, shine through Chinese themes within the framework of the Russian literary canon. It is argued that Pereleshin's appeal to the eastern type of spirituality determines the development of “Russian responsiveness” in the works of the Brazilian period and reflection on the new identity of a person living on the edge of two worlds. It is concluded that the motif of the “eternal wanderer” opened up new opportunities for the poet to preserve “Russianness”, at the same time going beyond mononationality due to the transistorical and metaphysical expansion of the boundaries of poetic consciousness.
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Eichler, Lauren, and David Baumeister. "Predators and Pests." Environmental Ethics 42, no. 4 (2020): 295–311. http://dx.doi.org/10.5840/enviroethics202042430.
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The tethering of Indigenous peoples to animality has long been a central mechanism of settler colonialism. Focusing on North America from the seventeenth century to the present, this essay argues that Indigenous animalization stems from the settler imposition onto Native Americans of dualistic notions of human/animal difference, coupled with the settler view that full humanity hinges on the proper cultivation of land. To further illustrate these claims, we attend to how Native Americans have been and continue to be animalized as both predators and pests, and show how these modes of animalization have and continue to provide settlers motive and justification for the elimination of Native peoples and the extractive domination of Native lands.