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Journal articles on the topic 'Humanistic poetry'
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Codrescu, Andrei, Radu Vancu, and Laurent Milesi. "On 21st-Century Poetry and Poetics." Word and Text - A Journal of Literary Studies and Linguistics 12 (2022) (December 30, 2022): 145–50. http://dx.doi.org/10.51865/jlsl.2022.10.
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This academic interview with contemporary poet Andrei Codrescu (dating July 2022) examines several contemporary meanings of 21st-century poetry and poetics, the relevance of American poetry schools that dominated the latter half of the 20th century, effects of this post-humanistic turn on the poetic discourse(s). It also whether the public condemnation of Russian culture in general is justified or not in the aftermath of the Russian aggression against Ukraine.
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Alieva, Fatima Abdulovna, Fatyma Khamzaevna Mukhamedova, and Aigul' Muratovna Bekeeva. "Artistic system of the children’s poetic folklore of Dagestan." Litera, no. 11 (November 2020): 42–56. http://dx.doi.org/10.25136/2409-8698.2020.11.34158.
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The subject of this research is the artistic system of children's folklore of Dagestan. Based on the analysis the example of cradlesongs, play poetry, and calendar songs, the author determines their thoughtful humanistic and democratic motif, high ideological focus, and aesthetic perfection. The article covers the ideological, thematic and artistic content, and highlights the archaic elements of cradlesong poetry, which enjoys most popularity among other genres of the poetic folklore. The author’s special contribution consists in explication of specificity of artistic means and aesthetic foundations of the folk worldview and culture reflected in folk poetry; as well as in analysis of compositions of various folklore genres as the elements of single literary system, which indicates their focus on labor, strong ideals of patriotism, kindness and continuity throughout the entire social practice of the people. The oriented towards a young developing individual, children's poetic folklore reconstructs the work and life experience in a form comprehensible to a child. This is why were created the cradlesongs, nursery rhymes, games that involved poetry, and all these word-creating activities, which in their centuries-long evolution led to higher imagery, infused and gifted each upcoming generation truly humanistic values. Children's poetic folklore that reflects the questions of folk pedagogy based on life experience of the mountaineers, had a major impact upon the development Dagestan children's literature.
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Zhang, Jing. "Humanistic Solicitude in Robert Frost’s Out，Out." Learning & Education 10, no. 7 (June 7, 2022): 243. http://dx.doi.org/10.18282/l-e.v10i7.3032.
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Robert Frost tries to save the era occupied by industrial civilization with his poetry. His poems with primitive style
are simple and easy to understand, but they contain rich humanistic spirit. Out, Out, for example, is a concern for the survival of
people living on the land. The author satirizes the materialized and spiritualized times through the way of poetry, which reflects the
humanistic concern conveyed by him.
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Akamov, Abusup'yan Tatarkhanovich, and Aigul' Muratovna Bekeeva. "The peculiarities of poetic language of Abdurrahman of Kakashura." SENTENTIA. European Journal of Humanities and Social Sciences, no. 4 (April 2021): 43–50. http://dx.doi.org/10.25136/1339-3057.2021.4.36468.
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This article is examines the literary style of the prominent theologian and poet Abdurrahman of Kakashura. Special attention is given to the philosophical-aesthetic principles that underlie his works. The author emphasizes the uniqueness of the poet’s worldview, imagery, and specific use of linguistic means. His poetic gives an in-depth perspective on Sufism – one of the central phenomena in the political and cultural life of the Republic of Dagestan. The works of Abdurrahman of Kakashura prevalently deliver a humanistic message, since he considered as the founder of humanistic trend in the Kumyk literature and to a certain degree represents a transitional stage between the medieval and modern literature. The conclusion is made that the poetry of Abdurrahman of Kakashura should be viewed not only as poetry aimed at proliferation of the ideas of Sufism, but also as the poetry of “progress” oriented towards healing from the mental malady the society was concerned with. In his poetry, the author trace genuine benevolence, ardent hatred of those who build their wealth on misery of the others. The impact of the poetry of Abdurrahman of Kakashura upon successive generations of Kumyk and Dagestani poets is indisputable. It is worth noting that most of the issues addressed in his poetry had vast repercussions in Dagestan and contributed to the development of progressive thought of his time.
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Dr. Budhanath Pratihast. "A.K. Ramanujan’s Select Poems: A Humanistic Approach." Creative Launcher 5, no. 2 (June 30, 2020): 48–53. http://dx.doi.org/10.53032/tcl.2020.5.2.05.
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Attipat Krishnaswamy Ramanujan (1929-1993), needs no introduction in the word of Indian English Poetry. His poems are liked by every person because his poems are either replete with the humanistic approach or his poem have autobiographical elements. He was a poet, translator, playwright and folklorist. He belonged to a Hindu family. He was a trilingual writer who wrote in English, Tamil and Kannada. He has interpreted some works written in Sanskrit and Tamil bases on some classical and modern variants. He had four poetry collections to his credit: The Striders (1966), Relations (1971), Second Sight (1986), and The Black Hen (1995). Ramanujan’s poems are so easy and personal that these poems touch the heart of reader.
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Semenist, Ivan. "“Misty Poetry” as a reflection of the nature of Chinese literature of the “New Period” (second half of the 20th century)." Synopsis: Text Context Media 26, no. 4 (2020): 145–50. http://dx.doi.org/10.28925/2311-259x.2020.4.5.
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The subject of the study is the formation of “Misty Poetry” trend in Chinese literature of the late 20th century. The study aims at the disclosure of the dynamics of “Misty Poetry” within modernist paradigm against the backdrop of Chinese literature of the “New Period”. The method is grounded in identification of key modernist poetics categories, perceived and transformed in the versification practice of Misty Poetry. Sociocultural contextualization method is employed to locate Misty Poetry in the post Cultural Revolution aesthetic and ideological context of China. The study results cover the lyrical attempt at a modernistic search for identity in Chinese literature of the “New Period”. The pursuit of self and vaster category of identity is considered and comprehensively analyzed through the array of representative poetic texts (Zhang Ming, Meng Lang, Bei Dao, Duo Duo). “Misty Poetry” marked the beginning of the “New Period” in the history of modern Chinese literature. The trend demonstrated qualitative changes in the ideological foundations and artistic practice of the new poetry of China in the 20th century. “Misty Poetry” became a kind of aesthetic protest against the ideological and artistic clichés of the preceding cultural-historical era. The concept of “self” within the paradigm of Misty Poetry is corroborated to be perceived as an independent consciousness, not dictated by any ideology or doctrine, disclosed through the means of a poet’s internal thoughts depictions, both conscious and subconscious. The paper results demonstrate the transformative potential of the Misty Poetry trend poetics on prosodic level, level of stylistic imagery and genre specificity. The paper interpretative results explore the significance of the “Misty Poetry” in the way that it revived and gave a new impetus to the further development to the humanistic orientation of Chinese poetry. The novelty is connected with the aesthetic means of territorializing the marginal space that provides the poet and the poetic protagonist with a critical distance from the dominant discourse of the political-cultural establishment of post Cultural Revolution China are disclosed. The paper concludes the Misty Poetry trend drew attention to the subjective beginning in art and opened the discourse for an active search for a new artistic reality in which the legacy of classical poetry of China, the best humanistic traditions of the new poetry of the early 20th century and the modernist features of Western poetry were combined.
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Soule, Janis Rodgers. "2013 Society for Humanistic Anthropology Poetry AwardsFirst Place." Anthropology and Humanism 39, no. 1 (June 2014): 93. http://dx.doi.org/10.1111/anhu.12040.
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AYAZ, JINDWADA AYAZ, and Ramzan Tahir. "U-2 YOUSUF HASSAN KI GHAZAL MEIN TABQATI AUR SMAJI SHAOOR." Al-Aijaz Research Journal of Islamic Studies & Humanities 5, no. 3 (August 7, 2021): 14–24. http://dx.doi.org/10.53575/u2.v5.03.14-24.
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One of the striking and significant name of Ghazal poetry during the decade of seventies was Yousaf Hassan. He chose capitalistic mindset and social discrimination in Pakistani society as a permanent subject of his Ghazal. His poetry offers a critique of the materialization of social relations. He aims to posit mutual compassionate empathy and high humanistic values as the characteristic features of an individual. His poetic work Aye Dil Aye Darya comprises of remarkable verses which represent the perception about social as well as class discrimination. The striking feature of this representation is the portrayal of classical as well as traditional metaphors in a progressive context.
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AYAZ, JINDWADA AYAZ. "YOUSUF HASSAN KI GHAZAL MEIN TABQATI AUR SMAJI SHAOOR." Al-Aijaz Research Journal of Islamic Studies & Humanities 5, no. 3 (August 7, 2021): 14–24. http://dx.doi.org/10.53575/arjish.005.03.0335.
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One of the striking and significant name of Ghazal poetry during the decade of seventies was Yousaf Hassan. He chose capitalistic mindset and social discrimination in Pakistani society as a permanent subject of his Ghazal. His poetry offers a critique of the materialization of social relations. He aims to posit mutual compassionate empathy and high humanistic values as the characteristic features of an individual. His poetic work Aye Dil Aye Darya comprises of remarkable verses which represent the perception about social as well as class discrimination. The striking feature of this representation is the portrayal of classical as well as traditional metaphors in a progressive context.
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Karaali, Gizem. "Can zombies write mathematical poetry? Mathematical poetry as a model for humanistic mathematics." Journal of Mathematics and the Arts 8, no. 1-2 (June 26, 2014): 38–45. http://dx.doi.org/10.1080/17513472.2014.926685.
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Stone, Nomi. "Poetics in the Ethnographic." Commoning Ethnography 1, no. 1 (December 15, 2018): 45. http://dx.doi.org/10.26686/ce.v1i1.5205.
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ARTIST’S BIO: Nomi Stone is a Postdoctoral Research Associate at Princeton University. She has recently published articles in Cultural Anthropology and American Ethnologist, and her poetry appears in The New Republic, The Best American Poetry, POETRY Magazine, American Poetry Review, Tin House, and widely elsewhere. Nomi Stone has won a Pushcart Prize and was a Fulbright scholar in creative writing in Tunisia. She has recently served as a judge for the Society of Humanistic Anthropology’s Ethnographic Poetry Competition. Her first poetry collection, entitled Stranger’s Notebook (TriQuarterly Books), was published in 2008, and her forthcoming collection, Kill Class, will be published in 2019 by Tupelo Press.
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Altfeld, Heather. "2014 Society for Humanistic Anthropology Poetry Awards First Place." Anthropology and Humanism 40, no. 1 (June 2015): 106. http://dx.doi.org/10.1111/anhu.12075.
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Vít, Ladislav. "The Poet at the Teacher’s Desk: W.H. Auden on Education, Democracy and Humanity." Prague Journal of English Studies 6, no. 1 (July 26, 2017): 27–43. http://dx.doi.org/10.1515/pjes-2017-0002.
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Abstract In the 1930s W.H. Auden taught at several public schools in Britain while simultaneously embarking on his poetic career. Later in life, he lectured at various educational institutions and returned to Oxford, his alma mater, in the 1950s as Oxford Professor of Poetry. His experience of teaching allowed Auden to reflect upon the pitfalls of Britain’s interwar educational system and its social function. Therefore, this article diverts attention from the prevailing scholarly focus on Auden’s poetry to his critical prose in order to examine the poet’s concerns about the content, purpose and role of education in society, his views on the structure of the educational system and disquiet about the tension between the utilitarian and humanistic dimensions of the educational process. At a more general level, the paper points out the relation that Auden maintained existed between education, democracy, art and the “crystallizing” power of poetry.
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Khidier, Assist Teacher Rafid Jeyad. "Mohammed Almagout poetry in his collection ( Seyaf Alzehour) Textual reading in Purposefulness." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 223, no. 1 (December 1, 2017): 167–94. http://dx.doi.org/10.36473/ujhss.v223i1.324.
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Mohammed Almagout is a fruitful poetical character of innovative ideas , violating the standard system in thinking and writing. He aims to create intellectual and epistemological alternatives , to reach the future, where the targeted poetical dreams rather than reality. He is with humanistic vision seeking glimpses of hope. His poetical approach is humanistic targeting new horizons to provide life with purposefulness for the responder . The research problem: The research tackles the concept of ( purposefulness) as textual criteria , and basic condition in humanistic communication process, between the poet, the creator of coherence and aim connected text , and the responder , who intends to investigate the purposefulness. The research method and aim.The research follows textual approach, to explain the language of the poet in this collection, and to locate and investigate the mechanism of the poet purposefulness, where that opens a gap to show the text, and multiple readings. The purposefulness is of condensed dimension rather than significance rational , as in ordinary text.
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Das, Mrinal Kanti. "Exploration of Humanistic Insight in the Poetry of Jayanta Mahapatra." POETCRIT 33, no. 2 (June 25, 2019): 57–63. http://dx.doi.org/10.32381/poet.2020.33.02.7.
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MACPHAIL, C. L. "POETRY AND PASS LAWS: HUMANISTIC GEOGRAPHY IN URBAN SOUTH AFRICa." South African Geographical Journal 79, no. 1 (April 1997): 35–42. http://dx.doi.org/10.1080/03736245.1997.9713620.
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Sharahina, Olha. "Cordocentrism and Natural Philosophy of Hryhorii Skovoroda in the Poetry of “Silent Poets”." Kyiv-Mohyla Humanities Journal, no. 9 (December 29, 2022): 212–21. http://dx.doi.org/10.18523/kmhj270846.2022-9.212-221.
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The article has examined the influence of cordocentrism and natural philosophy of Hryhorii Skovoroda on the formation of worldviews and aesthetic program of “silent poets.” The motive and figurative constants of “silent poets,” the specifics of the creation of their poetic universe through the conceptual system of cordocentric and natural philosophical codes are clarified. It is proved, that in the poetry of Iryna Zhylenko, Svitlana Yovenko, Anatolii Kychynskyi, Volodymyr Pidpalyi, Liudmyla Skyrda, Leonid Talalai, Pavlo Movchan, Dmytro Cherednychenko the image of the heart became a symbol, which emphasized the spirituality of human, formed by the humanistic attitude to the world. The dominant place in the poetic creativity of “silent poetry” was occupied by the sensual imperative: love, love for relatives, and the native land. Emphasis is placed on the fact that the natural world endowed the lyrical hero of “silent poets” with mental harmony and freedom of choice, conditioned by moral foundations and beliefs, independent of the political situation of the second half of the 20th century.
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Alexandra, Darcy. "Society for Humanistic Anthropology 2018 Writing Awards Poetry First Prize (tie)." Anthropology and Humanism 44, no. 1 (June 2019): 166–68. http://dx.doi.org/10.1111/anhu.12233.
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Seng, Anabela Fong Keng. "THREE MILLENNIA OF CHINESE POETRY." Revista Brasileira de Literatura Comparada 22, no. 41 (December 2020): 103–9. http://dx.doi.org/10.1590/2596-304x20202241afk.
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Abstract Poetry has a history of thousands of years in China and can be said to be the shining jewel in the crown of Chinese literature, occupying a major proportion in her history. Having originated from folk songs, the Chinese poetry has produced a large number of brilliant examples from the Western Zhou Dynasty (1046-771 BC) to the Chunqiu (Spring and Autumn) Period (770-476 BC). China has, since ancient times, maintained a tradition of education in poetry, which is used to educate the people and arouse their intelligence. Through the reading, studying and writing of poetry, it is possible to instruct and cultivate the character of young pupils, as well as to promote children’s creative thinking, logical dialectics and humanistic consciousness. In addition, reciting, learning and writing poetry has the ability to cultivate one’s temperament, allowing people of all social strata, professional occupation and age to cleanse and purify their minds. The realm of poetry has the same effect of calming the soul as religious belief. This article shows the highlights of three millennia of Chinese poetry to the readers or scholars whose native language is not Chinese.
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Kreuter, Eric A. "Prose and cons: Use of poetry in existential-humanistic therapy for prisoners." Journal of Poetry Therapy 19, no. 1 (March 2006): 41–46. http://dx.doi.org/10.1080/08893670600565538.
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Kang, Yeon-ho. "A Study on the Humanistic Reflection through the Use of Poetry Storytelling." Lingua Humanitatis 19, no. 2 (December 31, 2017): 139–61. http://dx.doi.org/10.16945/201719206.
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Akamov, Abusup'yan Tatarkhanovich, and Aigul' Muratovna Bekeeva. "Poetic language features of Abdurakhman from Kakashura." Филология: научные исследования, no. 4 (April 2022): 52–60. http://dx.doi.org/10.7256/2454-0749.2022.4.36386.
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The article is devoted to the study of the artistic style of the famous scientist-theologian, the outstanding poet Abdurakhman from Kakashura. Particular attention is paid to the philosophical and aesthetic principles that form the basis of his work. The artistic manner of Abdurahman from Kakashura is distinguished by the originality of his worldview, imagery and specific use of linguistic means. His poetic world contributes to the in-depth study of Sufism - one of the main phenomena in the political and cultural life of the Republic of Dagestan. The work of Abdurakhman from Kakashura carries a predominantly humanistic message; he is the founder of the humanistic trend in Kumyk literature and represents to some extent a transitional stage between the literature of the Middle Ages and the literature of Modern times. The influence of the work of Abdurakhman from Kakashura on the subsequent generations of Kumyk and Dagestan poets is also indisputable. It is also important to note that most of the issues in his poetry are understood very interestingly and had a great resonance in Dagestan and were important for the development of progressive thought of his time.
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Makhamatov, T. M. "The Philosophy of Man in the Poetry of Sеid Nasimi Imadeddin." Humanities and Social Sciences. Bulletin of the Financial University 10, no. 4 (November 3, 2020): 99–103. http://dx.doi.org/10.26794/2226-7867-2020-10-4-99-103.
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In the article, the author substantiates the position about the relevance of Nasimi’s thoughts about the unity of God, that all people are children, that everyone should enlighten his mind. The poet’s lines about ignorance as to the cause of evil and cruelty because it is the essence of Shaytan remain relevant. Nasimi’s work, which is pantheistic, anthropocentric and humanistic, developing the language of the Azerbaijani people, contributed to the unification of Azerbaijanis into a single people, the formation of self-consciousness and national identity. The beauty of a syllable, depth of thoughts, melodiousness of lines of poetry of the poet and the philosopher, attracting love to itself and admiring such poets and thinkers of related Turkic nationalities as Alisher Navoi, Lutfi, Babur, Mashrab, etc. , promoted understanding by them of the relatedness with each other. Nasimi’s thoughts, based on the profound progressive humanistic and democratic provisions of the Qur’an, were ahead of his time and did not fit the socio-political conditions of the Islamic world of those times. It is so because he wrote that he does not fit into this world. The author concluded that the provisions of Nasimi about man as the highest value of existence are relevant today. Nasimi revealed the basis of the civilisational unity of humankind, which is also achieved by the legal “frame” of the value of human life, its freedom, and equality.
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Ram Avadh Prajapati. "Environmental, Cultural and Humanistic Perspectives in the Poetry of Robert Frost, Kazuyosi Ikeda and Syed Ameeruddin." Creative Launcher 4, no. 4 (October 31, 2019): 67–71. http://dx.doi.org/10.53032/tcl.2019.4.4.12.
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The modern world has witnessed radical changes in all sorts of discourses. Different kinds of changes in environment, culture and humanistic approach have brought relevant dimensions in literature. The points are quite interesting, contemporary, burning and have masculine, vital and thought-provoking concerns. Everyone is running after ease and comfort forgetting the importance of nature and environment. This can be reiterated in the words of William Wordsworth that getting and spending we are busy in wasting our powers, health, knowledge, wisdom, human feelings. Further, he says that we have lost all our sensibilities to realize the relevance and grateful towards nature. Actually, we do not even realize the importance of nature in our life. The paper explores the concept of environmental, cultural and humanistic concerns in the poetry of Robert Frost, Kazuyosi Ikeda and Syed Ameeruddin.
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Conti, Marco. "Humanistic aspects of Carolingian Court Poetry: Poetical Technique and Use of Sources in Paul the Deacon's Carmen X." Saeculum Christianum 24 (September 10, 2018): 47–53. http://dx.doi.org/10.21697/sc.2017.24.4.
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The object of this article is the analysis of a typical specimen of Carolingian court poetry, namely Paul the Deacon’s Carmen X, which was written at the very beginning of the so-called Carolingian Renaissance in 781. In my opinion, Paul’s poem demonstrates once more how, on the one hand, the poetical technique and use of classical sources and, on the other hand, the crucial influence of the environment of Charlemagne’s court that both makes Carolingian poetry an extremely innovative literary form, and strongly connects it with the later phenomenon of Humanism.
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UZDENOVA, F. T. "POETRY BY S. MUSUKAEVA: MODAL SPECIFICITY (MATERIALS FOR THE BIOBIBLIOGRAPHIC DICTIONARY "KARACHAY-BALKARIAN WRITERS")." HUMANITARIAN RESEARCHES 4, no. 80 (2021): 171–75. http://dx.doi.org/10.21672/1818-4936-2021-80-4-171-175.
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The features of S. Musukayeva's poetry are investigated: poetics and philo-sophical-humanistic principle, apperceptive and sensitive models, emotive-modal character of a literary text. The conclusion is made about the resistance of the axiological modality in the texts of the Karachai-Balkarian authors and a tendency to increase the “meaningfulness” (M. Meerovich). In the work gnoseological and hermeneutic approaches are applied, a short literary analysis was made.
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Petrovic, Sonja. "Charity, good deeds and the poor in Serbian epic poetry." Balcanica, no. 36 (2005): 51–69. http://dx.doi.org/10.2298/balc0536051p.
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The analysis of relation between the poor and the concept of charity in Serbian epic poetry is initiated as part of the research project "Ethnic and social stratification of the Balkans", which includes study of social margins and subcultures in oral literature. Charitable activities directed toward the poor are discussed as social models, but also as a complex way of social interaction between the elites and the poor, which left its mark on oral tradition and epic poetry. Care for the poor, almsgiving and charitable deeds were a religious obligation, and in the course of time, the repetitiveness and habitual character of poor relief became an important issue in structuring cultural patterns. Ethical, educative and humanistic potential of charity, and its being founded on cases witnessed in real life directly connect charity to the shaping of poetic narrative models. Epic models reflect and poeticize socio-cultural patterns and characters, which is represented both in medieval documents and in epic tradition, in similarity of their themes and formulas on the level of contents and structure. This resemblance has led to the conclusion that charitable giving, care for the poor and salvation of soul existed as specific patterns and intergeneric symbols, which were handed down in various oral and written forms.
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Wimbush, Andy. "Humility, Self-Awareness, and Religious Ambivalence: Another Look at Beckett's ‘Humanistic Quietism’." Journal of Beckett Studies 23, no. 2 (September 2014): 202–21. http://dx.doi.org/10.3366/jobs.2014.0104.
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This article provides a commentary on the opaque and often contradictory arguments of ‘Humanistic Quietism’, Samuel Beckett's 1934 review of Thomas MacGreevy's Poems. Using Beckett's complicated relationship to both his own Protestant upbringing and the Catholicism of MacGreevy as a starting point, the article proposes new ways of understanding Beckett's ambivalent comments about MacGreevy's interiority, prayer-like poetry, humility, and quietism. It draws on Beckett's comments on Rilke, André Gide, and Arnold Geulincx, as well as his familiarity with Dante, to unpack the review's dense allusions and make sense of Beckett's aesthetic allegiances.
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Dr. Mirza Sibtain Beg. "Gita Mohanty’s Poetry: An Outcry of a Humanised Soul." Creative Launcher 5, no. 3 (August 30, 2020): 153–62. http://dx.doi.org/10.53032/tcl.2020.5.3.21.
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Gita Mohanty is reckoned as a very stellar modern Indian poet residing in America. She is very intelligent, intriguing and intense human being, and her aesthetic attributes spurred me stoutly to write a paper on her poetry. She is an adjunct Biology professor in the U.S. A. She is a passionate poet with a primly and pellucid thoughts and progressive outlook. Poetry to her is an inner conversation with her soul. She is a humanist and radiates humanistic gestures of goodwill with her facile pen in the maze of her beautiful pieces of verse. She is a philanthropist and serves selflessly blind children and underprivileged in India. Her poetry reflects robustly her love for humanity, Indian ethos, Indian culture, Indian philosophy and pertinence of life nonchalantly. Despite living in a foreign country, she never sever ties with her motherland and always reminisces the liveliness of Indian culture and vibrancy of life found in the country. She is a prolific writer and relentlessly posts her poems on various literary fora: Global Literary Society, Motivational Strips, Atunis Poetry, and World Writers’ Web. The present paper, however, is a humble attempt to pry into her mind and art, and to present perspicuous appraisal of her poetry from biographic, thematic and spiritual perspective.
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Mehl, James V. "Hermann von dem Busche's Vallum humanitatis (1518): A German Defense of the Renaissance Studia Humanitatis*." Renaissance Quarterly 42, no. 3 (1989): 480–506. http://dx.doi.org/10.2307/2862080.
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Hermann von dem Busche typifies the younger, more aggressive generation of humanists who became embroiled in the literary feuds and controversies of pre-Reformation Germany.' While Peter Luder and Conrad Celtis had preceded him as "apostles of humanism" in Germany, Busche carried the tradition of the "wandering poet" into the early sixteenth century. His major prose work, the Vallum humanitatis, exemplifies an important literary genre of the humanists, the "defense of poetry," usually approached as a defense of humanistic learning against scholastic opponents. Several recent studies need to be taken into account when assessing the literary and historical significance of Busche's Vallum humanitatis. Concetta Greenfield's analysis of Italian "defenses of poetry" between 1250 and 1500 lends further credence to Kristeller's wellknown thesis regarding the simultaneous development of scholasticism and humanism in Renaissance Italy.
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LAI, JOHN T. P. "Wellspring of Inspiration: TheMandarin Union Versionand Modern Chinese Poetry in the Early Twentieth Century." Journal of the Royal Asiatic Society 30, no. 1 (December 21, 2018): 163–77. http://dx.doi.org/10.1017/s1356186318000676.
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Coinciding with the May Fourth new cultural and literary movement, the publication of theMandarin Union Version, the vernacular Chinese translation of the Bible, in 1919 had a profound impact on the formation of modern Chinese literature. This paper examines the ways in which theUnion Versionprovided a novel source of imageries, poetic genres and worldviews for the experimentation of modern Chinese poetry during the Republican period, particularly between the 1920s and 1940s. Revering the Bible as the Holy Scripture, young Christian poetess Bing Xin (1900–99) spontaneously expressed her religious sentiments and commitment by composing a series of “sacred poems” as her own poetic response to the striking beauty of biblical images. Zhou Zuoren (1885–1967), a renowned May Fourth Chinese writer and intellectual, regarded the Bible as a treasured anthology of Jewish literature and appreciated the humanistic values embodied in the teachings of Jesus. Placing the biblical references of the wilderness, Jesus's universal love and Moses's legalistic position in the forefront, Zhou Zuoren's poem“Qilu,”or “Crossroads,” captured the perplexity of his contemporary intellectuals, Zhou himself included, in their sabbathless search for cultural rejuvenation and national salvation during the transitional and tumultuous Republican era. An ardent admirer of W. B. Yeats and T. S. Eliot, Chinese modernist poet Mu Dan (1918–77) studied their poetry at the Southwest United University in Kunming during the Second Sino-Japanese War (1937–45). Imbued with biblical allusions, for instance, the fall of humankind and the loss of paradise, Mu Dan's poems, like“She de youhuo,”or “The Temptation of the Serpent,” articulate his penetrating critique of modernity. These works of poetry represent the multiple voices and diverse reactions of the early twentieth-century Chinese poets towards theUnion Versionwhich had not only firmly established its canonical status as the predominant Chinese translation of the Bible used by the Protestant Church, but also emerged as a literary tour-de-force to propel the evolution of modern Chinese poetry.
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Shen, Yuan, and Fang Liu. "A Thematic Study of Shakespeare’s Sonnets." English Language and Literature Studies 6, no. 2 (April 28, 2016): 102. http://dx.doi.org/10.5539/ells.v6n2p102.
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<p>Shakespeare’s sonnets are a summit in terms of their thematic profundity as well as their rhetorical beauty and emotional exquisiteness. This paper attempts to make an exploration of the thematic uniqueness of Shakespeare’s sonnets through analyzing the themes of time, beauty, and love in the cultural context of the Renaissance. These sonnets show that men should conquer time through offspring, poetry and true love to procure eternal beauty and life, and thus reflect Shakespeare’s humanistic consciousness and his philosophical thoughts.</p>
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SÁNCHEZ CAMARGO, MARTÍN. "Estudiar literatura en tiempos de odio y sobrevivir en el intento." Estudios λambda. Teoría y práctica de la didáctica en lengua y literatura. 2, no. 1 (June 30, 2017): 222–32. http://dx.doi.org/10.36799/el.v2i1.66.
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In starting with a question What are poets good for in hateful times?, M. Hedegger (1958:147) in his essay “Hölderlin and the essence of poetry”, tries to grasp an answer for the function of poetry in the difficult times he happened to live in. In an broad way of saying, beginning with the concept “crisis in the humanities”, we set oup a reflection around the usefulness of humanistic disciplines, literature in particular, which endures an increasing loss of social credit as a form of knowledge which confronts the glorification of science and technology, and, likewise, the one which in front of the utilitarian individualism gives more value to profit than to knowledge. Facing a so devastating scenario including some social sectors’ contempt for letters and philosophy, the growing banalization of theory and methods of reflection, a dislocation of university curricula and a too conservative pedagogy, in this paper we propose to revitalize human thought and literature through an opening based in a productive and contextualized dialog with the other humanistic disciplines along with social sciences and even natural sciences. We propose the possibility to dodge the weakening process that humanities suffer, when we become conscious and alert of the fact that their mere devaluation compromises our future as a society, and that in order to strengthen themselves arts and humanities must catch up, via cross disciplines in order to accompany individuals in a new outline of the institutions that guaranty citizens a dignified life.
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Markov, Alexander. "Gustav Klimt and Egon Schiele in contemporary Russian Poetry." Philology & Human, no. 2 (July 21, 2021): 153–63. http://dx.doi.org/10.14258/filichel(2021)2-14.
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Leading Austrian artists of the first quarter of the 20th century, Gustav Klimt and Egon Schiele, did not attract the Russian writers attention until the 1990s, when the development of Russian postmodern literature was conductive to the attention to their experiments, polystylistics, cultural symbolism and aestheticism. It is stressed that although the heritage of these artists was adapted to the aesthetic project of Russian postmodernism, poetic statements about them revealed aspects of art that are not obvious to the common viewer. First of all, in the Russian poetry of the 1990s and the early 2000s (Alexander Ulanov, Alexander Skidan, Irina Mashinsky, Polina Barskova, Elena Fanailova) it was convincingly shown that Schiele’s expressionism directly takes it start from the symbolism of Klimt, and Klimt’s aesthetics already contains Schiele’s one, but Schiele’s manner retains the achievements of Klimt. Further, the author shows a connection between these artists and the achievements of physics along with the cultural and political atmosphere of the time. Finally, it was reported that the achievements of these artists opposed Nazism because Klimt and Schiele demonstrated the inadmissibility of any form of oppression. Regardless of the private thoughts or the works of Klimt and Schiele, these ideas are conveyed by the very form of their works and the approach to style: the semanticization of the material and the ability to give life to the depicted characters. Particular techniques and devices of expressiveness of both artists were interpreted as auxiliary to their humanistic ideas, and it should be recognized as the contribution of poetry to art history.
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Al-Douri, Hamdi Hameed, and Saba Ali Khalaf. "THE WOMANLY VOICE OF RACISM AS REPRESENTED IN GWENDOLYN BROOKS'S IN THE MECCA." Al-Adab Journal 3, no. 141 (June 15, 2022): 1–14. http://dx.doi.org/10.31973/aj.v3i141.3716.
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Gwendolyn Brooks has found herself in a double bind, first because of her "race or ethnicity" as an African American, and at that time because of her femininity. Brooks's writing demonstrates this twofold strain. Brooks is proud of her ethnicity and culture, and she also promotes and celebrates femininity. This study aims to examine the subject of racism in Black American poetry using descriptive techniques by examining certain works by Gwendolyn Brooks. So, Brooks attempts to portray the social injustice and oppression of women of her community that occurred in the 1960s of the 20th century. However, Brooks's modern poetry became an attempt to persuade black people to be heavily associated with their history in order to achieve their essential responsibilities in the community. Furthermore, Brooks emphasizes the need for humanistic respect and love as among the most important prerequisites for a happy life.
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Hamas, Marisa Salsabila, and Khafid Roziki. "As-Sulṭatu wa al-Haimanatu as-Siyāsiyatu fi al-Diwān li Ahmad Maṭar (Dirāsah al-Adab al-Ijtimāiy 'inda Antonio Gramsci)." Journal of Arabic Literature (JaLi) 3, no. 1 (December 31, 2021): 18–28. http://dx.doi.org/10.18860/jali.v3i1.13373.
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The purpose of this study was to determine the ideological formations and the forms of resistance contained in the anthology of Ahmad Mathar's poetry using Hegemony theory based on the perspective of Antonio Gramsci. This research is a descriptive qualitative study. This study used the anthology of Ahmad Mathar's poetry as primary data and used some journals that are relevant to this study as secondary data. Data collection methods were done by reading, listening, and writing. The researchers used persistence, data triangulation, and discussion to test the data validity. The data analysis techniques used the technical analysis version of Miles and Huberman. Data analysis techniques were done by reducing data, presenting data, and concluding. What our study showed were The ideological formations that emerged from 3 main figures in poetry, namely the United States as a political society or the bourgeois class, Saddam Hussein's government as a political and civil society, and Iraq as a civil society. The three figures interpreted several events of hegemony, and each figure has a different ideology. There are three forms of resistance from civil society of hegemony, namely violent resistance from armed groups, humanistic resistance, and ideological negotiation
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Marciniak, Paweł. "„i / ta wielka łapka / na ludzi” – o podmiocie w poezji Ewy Lipskiej." Przestrzenie Teorii, no. 35 (December 15, 2021): 83–101. http://dx.doi.org/10.14746/pt.2021.35.3.
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The article concerns the idea of the subject’s evolution in the poetry of Ewa Lipska. The article presents the unexplored path of subjectivity’s development in selected poems by this Cracovian poet. The main research concept regards the interpretation of particular poems from the perspective of current philosophical problems, connected with posthumanism, which is understood here as the ability to go beyond the bounds of humanism, a revision of previous humanistic assumptions. The essential change of direction in the reception of Ewa Lipska’s writings could be perceived as a result of the interpretation contained in this article.
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SMITH, ROGER. "The embodiment of value: C. S. Sherrington and the cultivation of science." British Journal for the History of Science 33, no. 3 (September 2000): 283–311. http://dx.doi.org/10.1017/s0007087499004021.
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The paper examines the reputation of C. S. Sherrington as both eminent physiologist and eminent representative of scientific culture. It describes Sherrington's ‘figurehead’ status. In his career, research and personal manner, he embodied a life of science, not only not in opposition to humanistic values but in fact appearing to be the highest achievement of those values. An analysis of Sherrington's research, of his lectures on Man on His Nature and of his poetry supports this account. The paper uses Sherrington's reputation to describe the values of an establishment group of English-speaking scientists and physicians in the 1930s and 1940s.
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Cervantes-Ortiz, Leopoldo. "Una Teología de la Alegría Humana: La Teología Liberadora, Lúdica y Poética de Rubem Alves." REFLEXUS - Revista Semestral de Teologia e Ciências das Religiões 8, no. 12 (May 13, 2015): 45. http://dx.doi.org/10.20890/reflexus.v8i12.237.
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Resumo: Ninguém imaginaria que o mesmo autor que em maio de 1968 escreveu uma tese tão densa e provocadora como Towards a theology of liberation: an exploration of the encounter between the languages of humanistic messianism and messianic humanism escreveria décadas mais tarde poesia, oração, mística e teologia. Em sua obra, Rubem Alves expressa a peregrinação que passou até alcançar o cume de um estilo dominado pela poesia e o aprofundamento completamente anti-dogmático que já havia anunciado, muito veladamente, em seus primeiros escritos. Antes de sua passagem por Princeton, “junto aos rios de Babilônia”, ele já havia esboçado uma interpretação teológica dos processos revolucionários que seriam publicados no seu país apenas no século XXI, 40 anos mais tarde. Além do lugar que ocupa no panorama teológico e intelectual desde sua juventude, Rubem Alves é também uma das grandes figuras da literatura brasileira contemporânea. Ele se tornaria alguém que chegou bastante tarde à poesia, mas muitos de seus ensaios, que reivindicam o corpo, a imaginação, o erótico e a magia, já abriam as portas para uma expressão inédita e insuspeitada para ele mesmo. A música da poesia e a literatura esperaram-no, até que, finalmente, o possuíram de corpo e alma. Palavras-chave: Rubem Alves. Teologia. Poesia. Estética. Abstract: Nobody could imagine that the same author who in May 1968 wrote a so dense and thought-provoking thesis as Towards a Theology of Liberation: The Exploration of the Encounter between the Languages of Humanistic Messianism and Messianic Humanism would write poetry, prayer, and mystical theology some decades later. In his work Rubem Alves expresses the pilgrimage he experienced until reaching the summit of a style dominated by poetry and a complete deepening into the anti-dogmatism that he had already announced very covertly in his early writings. Before Princeton, “along the rivers of Babylon” he had already outlined a theological interpretation of revolutionary processes that would be published in his country only in the XXI century, 40 years later. Besides the place he has occupied in the theological and intellectual scene since his youth, Rubem Alves is also one of the great figures of contemporary Brazilian literature. He would eventually become a late-blooming poet as he forayed into poetry late in life; however, many of his essays championing the body, imagination, eroticism and magic opened the doors to an expression that was unprecedented and unsuspected to him. The music of poetry and literature waited until they finally possessed his body and soul. Keywords: Rubem Alves. Theology. Poetry. Aesthetics.
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Borysevych, Liliia, Mariia Novosad, and Alla Sinitsyna. "Ukrainian Itinerant Students — Bearers of the Humanistic Ideas of the 17—18 Centuries." Ukrainian Studies, no. 2(83) (July 24, 2022): 244–54. http://dx.doi.org/10.30840/2413-7065.2(83).2022.261058.
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The current importance of the research. The current importance of the research stems from the fact that there is a need to define the common features of the life and work of Ukrainian students who in different historical times managed to bring to the people the ideas of humanism and the Enlightenment. Among the oldest forerunners were Ukrainian itinerant students popularly called “itinerant deacons”, “myrachi”, “vahanty”(Ukrainian words for the goliards). Today, in the times of the full-scale Russian-Ukrainian war, Ukrainian students are playing the role of humanism bearers. Their activities highlight the importance of the present – victory over the enemy. Among the modern bearers of justice and the ideas of humanity, there are many volunteers, singers, musicians, poets, chaplains, scientists – creators of good and light. Although a lot of time has passed, what they have in common remains. Ukrainian itinerant students were bearers of the ideas of world culture, their own creative work, important political, public and social news. Isn’t the same mission being carried out today by Ukrainian students and educational institutions that are being aggressively destroyed by the Russian army?The aim and objectives of the research. The aim of the paper is to analyse the creative heritage of the itinerant students of the 17-18 c. as a manifestation of humanistic ideas, moral and ethical principles through burlesque and travesty poems. To achieve this aim, it is necessary to meet the following objectives: – to consider the socio-cultural circumstances of the life and work of itinerant students; – to identify the characteristic features of the composition and genre of carols and songs; – to outline the forms of understanding poetic works of itinerant students.Research methods: analytical – to study the original sources of itinerant students’ poetic creativity; theoretical – to generalise the characteristic features of the forms of itinerant students’ poetic creativity; descriptive – to characterise the educational activities of itinerant students as bearers of humanistic ideas.The results of the research. The paper analyses the satirical work of the itinerant students of the 17-18 c. in Ukraine. It is noted that burlesque and travesty poetry fits into the culture of the Enlightenment; it is aimed at affirming human dignity, ridiculing the shortcomings of contemporary society. Priests and the social elite of the time, called to set a moral example of ordinary people, were particularly criticised. The work of itinerant students confirms the basic thesis of the Enlightenment: art is designed to cultivate high moral qualities in people.
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Haskell, Yasmin. "The Vineyard of Verse." Journal of Jesuit Studies 1, no. 1 (2014): 26–46. http://dx.doi.org/10.1163/22141332-00101003.
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This review of scholarship on Jesuit humanistic literature and theater is Latin-oriented because the Society’s sixteenth-century code of studies, the Ratio Studiorum, in force for nearly two centuries, enjoined the study and imitation in Latin of the best classical authors. Notwithstanding this well-known fact, co-ordinated modern scholarship on the Latin poetry, poetics, and drama of the Old Society is patchy. We begin with questions of sources, reception, and style. Then recent work on epic, didactic, and dramatic poetry is considered, and finally, on a handful of “minor” genres. Some genres and regions are well studied (drama in the German-speaking lands), others less so. There is a general scarcity of bilingual editions and commentaries of many “classic” Jesuit authors which would, in the first instance, bring them to the attention of mainstream modern philologists and literary historians, and, in the longer term, provide a firmer basis for more synoptic and synthetic studies of Jesuit intertextuality and style(s). Along with the interest and value of this poetry as world literature, I suspect that the extent to which the Jesuits’ Latin labors in the vineyard of the classroom formed the hearts and minds of their pupils, including those who went on to become Jesuits, is underestimated.
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Shadurski, Maxim. "Aldous Huxley’s Poetry of Silence." Respectus Philologicus 21, no. 26 (April 25, 2012): 59–70. http://dx.doi.org/10.15388/respectus.2012.26.15411.
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Utopian thought, conventionally seeking to harmonize the world, witnessed an essential revision in the 20th century. This period of grand political and social upheavals, world wars, an arms race, scientific and technological progress, ecological concerns, and globalization radically undermined mankind’s faith in the humanistic potential of utopian projects. However, in Aldous Huxley’s writings, the intention to summon up a utopian experiment superseded any agonies of doubt about programmes of social reconstruction. Huxley turned to utopia when mass distrust in the constructive impulse of the genre had become notable in the socio-cultural climate. In Huxley’s last novel, Island (1962), “the poetry of silence” can be seen to render an optimistic response to the unholy state of the world.This article examines the novel’s lyrical interspersions, which arguably create a specific concept of silence through a series of thematic explorations comprising the ideas of noiselessness, speechlessness, and peace. The idea of noiselessness endorses a form of overcoming the world’s invincible cacophony. This kind of omnipotent dissonance can be diminished only by a supernatural power which integrates man’s disparate relationships with the universe. Like Nature for Wordsworth, Huxley’s image of the noiseless movement of the world unveils an image of unity to those who bring with them “a heart that watches and receives.” The idea of speechlessness surfaces in the lyrical fragments of the novel that touch upon intuition. Intuitive discoveries lie at the heart of a religion unfettered from dogma, and allow access to the perennial wisdom which becomes “suddenly visible” through the act of elevation to the summit of the universe. The idea of peace is placed outside the conventional frame of existential discrepancies. For this reason, the image of Shiva is meant to transcend the opposition of life and death. As long as Shiva dances simultaneously in all the planes of reality, the Palanese can learn from him how to exist in non-attachment. The acceptance of the world’s entropic progression checked by the poetry of silence leads the protagonist to a spiritual awakening and stirs his empathy for the utopian order realized in Pala.The poetry of silence embraces the beauty of the world which comes into existence from what Huxley calls a “pregnant emptiness.” The mystery of this creation cannot be subjected to any scientific, philosophical, or even theological systems of reference. One may only sense this mystery without reasoning. Wisdom converges with the skyin emptiness, dubbed “the womb of love,” and creates a universe from the poetry of silence. In Island, utopian thought, traditionally focusing on the regular patterns of a perfect society and state, attains a mystical profile promoted by the poetry of silence.
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Sylaiev, Oleksandr, Iryna Razumenko, Oleksandr Tararak, Viktoriia Vorozhbit-Horbatiuk, and Inna Prokopchuk. "Russian Poets and the October Revolution: Alexander Blok, Sergey Yesenin, Mikhail Kuzmin and Others." Revista Amazonia Investiga 9, no. 27 (March 21, 2020): 436–44. http://dx.doi.org/10.34069/ai/2020.27.03.48.
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The article considers the question of the ideological and creative evolution of famous Russian poets at a turning point in the history of the twentieth century - during the years of the active formation of a totalitarian state system and its aesthetic socialist-realist doctrine. Revolutionary maximalism, the idea of a complete renewal of all being, came not only from Marxism and the Bolsheviks, but was also prepared by literature, long before the revolution, it had already “artistically matured” in the poetry of Alexander Blok, Sergey Yesenin, Osip Mandelstam, Vladimir Mayakovsky and many others. There is every reason to assert that the sources of Soviet literature as a cultural phenomenon were not only party leaders, not only so called proletarian culture and commissaries, but also honest artists who were ready to see in the cruelty of the revolution the right path to the cardinal renewal of life that their soul, which was full of angry denial of the world. The authors of the article argue that, having survived “belated insight”, Russian poetry in the person of Alexander Blok, Sergey Yesenin, Andrey Bely, Mickhail Kuzmin and others began a dramatic struggle for humanistic ideals and creative freedom.
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Wang, Wenjuan. "Implementation of Values Education based on the Cultural Essence of Ancient Poems and Classics." Journal of Contemporary Educational Research 5, no. 7 (July 30, 2021): 68–74. http://dx.doi.org/10.26689/jcer.v5i7.2308.
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During COVID-19, the entire human race is facing a major change that is rare in this century. The intricate competition between countries and the ever-changing situation at home and abroad have put forward new propositions for education in schools. As the collection of human wisdom for thousands of years, the classics of poetry and prose carry the endless spiritual strength of the Chinese nation, the spiritual support for the healthy growth of young people, and the cultural essence of morals and values education. Using ancient poems and classics as the breakthrough point, excavating cultural essence, reciting texts, interpreting meanings, and practicing them enhance students’ humanistic quality and cultural self-confidence in addition to cultivating future talents with deep Chinese roots and broad modern vision.
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Gallagher, Sean. "Pater optime: Vergilian Allusion in Obrecht's Mille quingentis." Journal of Musicology 18, no. 3 (2001): 406–57. http://dx.doi.org/10.1525/jm.2001.18.3.406.
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Efforts to uncover biographical data in the text of Jacob Obrecht's motet Mille quingentis have led scholars to minimize the significance of the poem's figurative language. Written in response to the death of the composer's father, the text is a hybrid of different poetic styles, a reflection of the rich web of literary and cultural practices that lies behind it. Allusions to the poetry of Vergil figure more prominently in the motet than has been previously recognized. Other examples of the kinds of allusions found in Mille quingentis, drawn from a wide range of works, demonstrate that Obrecht was here participating in a more general commemorative practice, wherein the assimilation of well-known classical texts served to express private sentiments using a "public" language newly charged with meaning. A consideration of texts that possibly mediated his use of Vergilian language and themes (among them a treatise of Johannes Tinctoris) suggests that the motet's biographical significance lies principally in what it can tell us about Obrecht's intellectual background and tendencies, as well as his engagement with the humanistic literary environment he would have encountered during his first stay at the Ferrarese court.
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Eisner-Sagüés, Federico. "Technology-assisted close listening to sound poetry vocal practices for creative musical collaboration." Journal of Interdisciplinary Voice Studies 6, no. 2 (December 1, 2021): 181–99. http://dx.doi.org/10.1386/jivs_00046_1.
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As part of a sustained increase in interest in voice studies from all kinds of fields of knowledge and from a post-humanistic comprehension of voice as an assemblage, this investigation understands vocal practices as the pivot of artistic collaboration between music and sound poetry. It presents a method for analysing vocal practices in sound poetry in a creative context of artistic research in collaboration with electroacoustic music. The method involves a mixture of close listening, audio information retrieval, phonetics and morphology. It is based on a standard voice analysis of a sound poet (i.e. prepared samples) and a case-specific vocal practice (i.e. actual sound poem) with a creative rather than comparativist aim. After discussing the principle of differentiation between analysing and creating, the text offers two concrete artistic outputs of electroacoustic interventions over the vocal practice of the Uruguayan sound poet Luis Bravo’s sound poem ‘Descubrimiento del Fuego’. Finally, a set of compositive ideas based on this method are classified as either mimetic or metaphoric, according to their relationship with the obtained data. Both the concrete examples and the compositive ideas provoke unavoidable questions about current electroacoustic and vocal practices and point to discussions on voice studies about issues such as presence, virtuality, identification and materiality.
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Künstler-Langner, Danuta. "Kobieta w dawnej literaturze polskiej. Inspiracje, wzorce, twórczość." Studia Interkulturowe Europy Środkowo-Wschodniej, no. 13 (November 25, 2020): 153–81. http://dx.doi.org/10.31338/2544-3135.si.2020-13.8.
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This paper presents the images of women in European culture and Old Polish Literature. The works devoted to women from the Middle Ages to Baroque focused on their social and political duties or artistic creation. The authors chose different literary forms: chronicles, poems, epigrams, laments, odes, sonnets, or epic works. The created characters included: a saint, a beloved lady, a donna angelicata, a hero of a chronicle or an autobiography. The works described their life, creative activity, or artistic aspirations. Some of them are panegyric poems, religious works, meditations, or love poetry. Women with an amazing sense of observation were discovering the space of literature and were participating in a world in its dynamic changes. They were excellent creators of humanistic and religious literature, referring to ancient tradition and European values.
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Дейкина and Alevtina Deykina. "Humanistic Essence of the Text in the Russian Language Course from the Intercultural Communication Point of View." Modern Communication Studies 3, no. 2 (April 10, 2014): 36–40. http://dx.doi.org/10.12737/3449.
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This article describes the humanistic essence of the text, which express
communicative functions of a language. Text is a linguistic and didactic unit
that promotes knowledge of the language and the development of skills and
competences, including communicative and cultural. Appeal to the text in
the Russian language course is an appeal to the author’s identity, his position,
his cultural space. To achieve positive results we need selection and
search of modern Russian language teaching. Dialogue with the text is one
of the cognition methods of the language. We can speak about useful reflection
on the text (poetry, prose), based on the amount of knowledge and
skills of students in the language and broadly — in the culture. Systematic
work with the text will help the student to acquire intercultural competence,
to overcome the difficulties in cross-cultural communication, keeping the
priorities of their own culture and respecting the culture of the interlocutors.
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POLISHCHUK, Volodymyr. "THE FIGURE OF HRYHORIY SKOVORODA AND SKOVORODA'S SENSES IN THE POETRY BY OLEXII SOFIYENKO." Almanac of Ukrainian Studies, no. 31 (2022): 40–46. http://dx.doi.org/10.17721/2520-2626/2022.31.5.
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In this research, the works with the Skovoroda theme were analyzed, written by the talented poet from Kaniv, Oleksii Sofiyenko (1952-2011). Considering the relative little-known status of the writer, the study contains basic biographical information about him. O. Sofiyenko’s poetic language is analyzed in sufficient detail based on all six of his collections; its metaphorical saturation and complexity, intellectuality, problem-thematic richness, versification variety and mastery are noted. The poet’s formal and substantive experimentation, the originality of his visual poetry as an echo of baroque stylistics, is especially emphasized, which to some extent brings Sofiyenko’s work closer to baroque features in the works of Hryhorii Skovoroda. Other possible typological similarities between the works of Skovoroda and Sofiyenko are noted, namely, the philosophical and expressive saturation of the contemporary artist’s poetic texts with biblical, religious, and spiritual imagery and symbolism. It is also noted that O. Sofiyenko’s semantically and figuratively complicated poetry requires active reader cooperation and empathy. Other semantic contexts, particularly stylistic ones, of this poet’s works are indicated. The article focuses on the analysis of O. Sofiyenko’s poem “Apostle of Freedom”, written on the occasion of the 200th anniversary of the death of Hryhorii Skovoroda (1994) and published only in the poet’s posthumous collection “Singing Blood” (2013). Detailed attention is paid to the structuring of the poem and its versification pattern, to the realization of the key idea of the work in it - the idea of will (in H. Skovoroda’s - freedom), to the semantics of the concept of will in the world of chaos (“hell of will”) and in the harmonized world (“infinity of will”). It is noted that, according to O. Sofiyenko, world harmony is realized to a large extent by the confession of humanistic values, including spiritual and religious values, through the idea of God. The evolution of imagery and tonality of the poem is traced. Considerable attention of the study was paid to the analysis of other “Skovoroda” poems in O. Sofiyenko’s collections (“Skovoroda”, “Truth”, “Happiness”, “Create Yourself”, etc.), to the semantics artistically reproduced in them, as well as to epigrams and intertexts “from Skovoroda” in the works of a modern poet.
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GERLI, E. MICHAEL. "‘Por una gentil floresta’: Invention, Discovery and Desire in a Fifteenth-Century Villancico." Bulletin of Hispanic Studies 98, no. 5 (May 1, 2021): 453–69. http://dx.doi.org/10.3828/bhs.2021.26.
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We persistently fail to appreciate the very status of cancionero poetry as an innovative art form, as literature worthy of serious analysis, and as an intellectual and humanistic pursuit. The villancico ‘Por una gentil floresta’, attributed to both the Marqués de Santillana and Suero de Ribera, is a case in point, a composition that is very well known but grossly underappreciated as a work of art, a cultural commentary, or for its social significance. It exists in multiple incarnations, in both the manuscript and early printed traditions of the cancioneros, attesting to its ample circulation and popularity. While the object of intense philological enquiry regarding issues of authorship, transmission, and possible influence, the numerous studies dedicated to this villancico do not foreclose further discussion of it to achieve greater appreciation of its artistic and human complexity. Close reading illustrates the abundant literary, thematic and cultural possibilities it offers, and allows us to articulate the wealth, intricacy, human understanding and artistic significance of fifteenth-century Castilian courtly verse; possibilities that reach well beyond philology and textual criticism and prove it a rich source for fruitful interpretation that exemplifies the kind of poetry and hermeneutical potential that can be found in the cancioneros.