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Academic literature on the topic 'Humanisme – 16e siècle'
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Journal articles on the topic "Humanisme – 16e siècle"
Maillard, Michel. "L'évolution des modèles propositionnels dans la grammaire portugaise de 1536 à 1936." Cahiers du Centre de Linguistique et des Sciences du Langage, no. 25 (April 9, 2022): 201–16. http://dx.doi.org/10.26034/la.cdclsl.2008.1397.
Full textPionchon, Pauline. "La Généalogie des dieux païens entre le Décaméron et les nouvelles des humanistes du premier xve siècle." Cahiers d’études italiennes, no. 10 (March 15, 2010): 55–78. http://dx.doi.org/10.4000/cei.167.
Full textIzquierdo Benito, Ricardo. "Alfonso X: un rey ante la historia." Vínculos de Historia Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, no. 11 (June 22, 2022): 533–47. http://dx.doi.org/10.18239/vdh_2022.11.26.
Full text"Buchbesprechungen." Zeitschrift für Historische Forschung 45, no. 3 (July 1, 2018): 495–650. http://dx.doi.org/10.3790/zhf.45.3.495.
Full text"Buchbesprechungen." Zeitschrift für Historische Forschung: Volume 46, Issue 3 46, no. 3 (July 1, 2019): 483–574. http://dx.doi.org/10.3790/zhf.46.3.483.
Full textDissertations / Theses on the topic "Humanisme – 16e siècle"
Kammerer, Elsa. "Le creuset lyonnais : littérature humaniste et pensée religieuse au cœur des échanges entre Lyon, la cour de France, l'Italie et l'Allemagne dans la première moitié du XVIe siècle." Lille 3, 2005. http://www.theses.fr/2005LIL30030.
Full textCrossroad of significant networks of printers, engravers and poets that link her to both Italy and Germany, the city of Lyons in the first half of the 16th century is a relatively independent and powerful center of a catholic and humanist reformation, and the place for philological, iconographic, symbolic and political experimentations that have decisively nurtured biblical exegesis. The central figure of this study, Jean de Vauzelles, is the incarnation of that conciliation of religion and humanism experimented in Lyons. Closely linked to the royal court of France, translator of Ottmar Nachtgall, a major figure of the German catholic reformation, as well as of Aretino's adaptations of the Bible based on contemporary paintings, Vauzelles is, with Sante Pagnini, active in the renewal of hebraic studies. He is also the first French translator of Colonna's Poliphile's Dream whose literary temes he has adapated in France even before Rabelais
Vaillancourt, Luc. "La lettre familière au XVIe siècle : rhéthorique humaniste de l'épistolaire." Paris 4, 2000. https://www.classiques-garnier.com/numerique-bases/garnier?filename=LvtMS01.
Full textPineau, Guylaine. "Des secrets de l'art au silence éloquent : les statégies discursives dans les Oeuvres d'Ambroise Paré." Paris 4, 2005. http://www.theses.fr/2005PA040183.
Full textAmbroise Paré's Oeuvres (1585) call for an investigation into the conditions in which a new ideology emerges, privileging experience and calling for the promulgation of knowledge in French. The reorganization within the text of the topoi fundamental to medical and religious thought allows a reevaluation of the status of the body in the discourse on the miseria hominis. His Oeuvres open a reflection bearing upon the value of authorities and the rhetorical functioning of quotations, comparisons and synecdoches. To state certain daring conclusions, Paré is forced to apply the "prudence method" theorised by Ramus and to elaborate enunciatory strategies mobilizing different figures involving allusion and ambiguity (ironie, litote, enthymeme, reticence. . . ). The ambition to produce a work which will last, despite the fact that its scientific content will inevitably become obsolete, accentuates the egotistical and literary temptations within his writing, giving Paré a genuine authorial status
Tin, Louis-Georges. "Tragédie et politique en France au XVIe siècle." Paris 10, 2003. http://www.theses.fr/2003PA100138.
Full textThe rebirth of tragedy in Renaissance France is linked to two phenomena: first, humanists eager to discover the writings of Antiquity; second, civil wars leading to the widespread impression that the kingdom's entire political life was itself a tragedy. Thus, new dramatists felt that in dealing with the past, they also dealt with the present. The political engagement of French tragedies in the 16th century is quite conspicuous, but after the Wars of Religion, the plays tend to express a sort of political consensus: they become less radical and are slowly replaced by pastoral, elegiac or courtly tragedies. On the whole this reflection is a contribution to the history of French Tragedy. It restores some of the elements missing from histories of the genre (tragedy during medieval times, during and after the Wars of Religion) and explains the political implications of the various Jewish, Greek, Roman or French tragedies written during the Renaissance
Sinko-Depierris, Djurdja. "Le phénomène du petrarquisme en Croatie : les poètes et le contexte historique, social et culturel (XVe-XVIe siècles)." Paris, EHESS, 2005. http://www.theses.fr/2005EHES0063.
Full textWe have divided our thesis into six parts dedicated to the following : Croatian Literature form its beginnings till 15th century; Petrarcha's "spiritual portrait"; the humanist milieu which helped create Croatian petrarchan poetic tradition; love lyric in the croatian language between the end of the 15th and the beginning of the 16th century; the evolution of the tradition of the petrarchan poetry until the end of the 16th century; song-books of croatian petrarchists in the italian language. We have placed the representatives of the croatian petrarchism into two groups. The first group consists of S. Mencetic (1457-1527), G. Drzic (1461-1501) and the anonymous poets from Ragnigna's codex who imitated directly Petrarcha and italian petrarchists. The second group make the petrarchists influenced by Bembo : H. Lucic (1485-1553), D. Ranjina (1536-1607) and D. Zlataric (1558-1613). Finally, we have studied the song-books written in the Italian language by J. Bizanti, L. Pasquali, S. Bobaljevic and M. Monaldi during the 16th century
Mouren, Raphaële. "Piero Vettori et les auteurs classiques (1499 - 1585) : édition et enseignement à Florence au temps du second humanisme." Paris, EPHE, 2002. http://www.theses.fr/2002EPHE4001.
Full textMartin, Ana Maria. "Les lettrés espagnols à l'université de Paris au XVIe siècle et leur contribution aux grands débats humanistes de leur temps." Paris 10, 2002. http://www.theses.fr/2002PA100147.
Full textIn the XVIth century, Paris was one of the oldest and one of the most prestigious academic town. Its famous university which counts the most important theological faculty in Europe attracted a vast number of students of various origins. Spanish people represent an important part of the foreign people who attended the different colleges of the Sorbonne to be, either as simple students or as teachers, or sometime both. Therefore, Paris has undoubtedly influenced their thoughts. A lot of them didn't leave any marks. Though, a relative important number of the most illustrious literate people of the Peninsula completed their intellectual training there. Our work has tried to find their tracks to highlight their contributions to the XVIth century thought from Trente Concile to the big humanist debates which punctuated that complex period of time. The study of the most famous Spanish people's thoughts such as Soto, Vitoria, and Vivés is a testimony of the universal value of the conclusions to which they ended. They seem to have anticipate the fist steps of international law. They also appear as the forerunners of human rights by their absolute assertion of the holy character of the human being. Thus, their questionings echo ours, through the centuries
Espejo, Surós Javier. "La obra drámatica de Hernán López de Yanguas : teatro y religion en la primera mitad del siglo XVI." Thesis, Rennes 2, 2012. http://www.theses.fr/2012REN20059.
Full textThis dissertation provides new knowledge in the field of French and Spanish hispanism about the dramatic work of Hernán López de Yanguas (Yanguas, Soria, 1487 – 1547 a quo) as a part of a Christian humanist paideia belonging to the Biblical faith tradition that, at the dawn of Modernity, aspires to refound the religious heritage. Evangelism, humanism, erasmism and reform, which are subjugated to the imperial politics, become/ a legitimate aspiration to a Christian society. The author’s theatrical adventure is based on his use of a heritage of theatricality and ‘dramaticity’ characteristic of a time when the interpenetration of the spectacular fields produces the emergence of a professionalized theatre, on the one hand, and insures the continuity of diffused theatricality events, on the other hand. From the effort made by the author to rid himself of the chains submitting him to other traditions (ritual, folkloric, cancioneril poetry, but also the dramatic eclogues written in Salamanca) emerges a system of signs linked to the theatre’s very essence whose aim is to fix the spatio-temporal production, the characters’ scenic attitude and movements, or the costumes and the accessories. López de Yanguas fits the drama into a different intertextual (or intertheatrical) chain – the one formed by the predication. This gives his work the moral – or even the sacramental – function to communicate an intense religious experience. In this way, the author makes use of a codified rhetoric of the affects and produces a body educated in erudition, in eloquence and in gestures whose reason of living is to love God over all things
El estudio presentado da a conocer al Hispanismo francés y español la obra dramática de Hernán López de Yanguas (Yanguas, Soria, 1487 – 1547 a quo), inscrita en una paideia humanista cristiana arraigada en la tradición de la fe bíblica y que, en los albores de la Modernidad, aspira a refundar la herencia religiosa. Evangelismo, humanismo y reforma se hacen teatro, a su vez, desde las coordenadas más comprometidas con la política imperial, proyectada y sublimada en el imaginario colectivo como aspiración propia y legítima de una sociedad cristiana. La aventura teatral del autor se fragua manipulando un caudal de teatralidad y dramaticidad característico de un tiempo de interpenetración de campos de fuerza espectacular que produce la emergencia del teatro profesionalizado, por una parte, y asegura la continuidad de eventos llamados de teatralidad difusa, por la otra. Del forcejeo por liberarse de las cadenas que la sujetan a otras tradiciones rituales (cancioneriles, folclóricas o escolares y, asimismo, de la dramaturgia pastoril salmantina) emerge un sistema de signos ligados a la esencia misma del teatro y cuyo objeto es fijar unas coordenadas de realización espacio-temporal, la actitud escénica de los personajes, sus movimientos o el vestuario o el atrezo. López de Yanguas insiere al drama en una cadena intertextual (interteatral) conformada por la predicación, dotándolo de una función moral e incluso sacramental que tiene por objeto promover una intensa experiencia religiosa. El autor manipula una retórica de los afectos codificada y libra a las tablas a un cuerpo educado en una erudición, donaires y elocuencia cuya razón de ser es amar a Dios sobre todas las cosas
Zyssman, Elisabeth. "De l'ordre politique au XVIe siècle : l'humanisme chrétien à l'épreuve de la Réforme." Paris 10, 2002. http://www.theses.fr/2002PA100143.
Full text[Texte en anglais] the purpose of this work is to examine the way in which XVIth century thinkers with various backgrounds have come to reflect on political order and to define it. Through a review of nine great figures of the period - Machiavelli, Erasmus, More, Luther, Müntzer, Calvin, La Boétie, Bodin and Montaigne -, the object is to set out and analyse the stakes, the operating conditions and the main characteristics of the political order (inside the state, not international), which was conceived at the dawn of modern times, before the Reform, by the Reform and by thinkers confronted with the Reform. Did they, in the XVIth century, dream of setting up a radically new order, improving the established order, or just keeping it, if not restoring it ? Who was supposed to be responsible for the disorders recorded, and who was expected to restore order ? Statesmen ? the elite ? the people ? Did order depend on the reform of institutions, military and police dispositions, or the regeneration of men? In the century of Humanism, what was the placegiven to the representations and the passions of men (the governors and the governed alike), when reflecting on the causes of disorder and on the ways of preventing it or coping with it. . .
Duval, Patrick. "L'humanisme hollandais et la "nation" (1515-1555)." Paris 4, 1999. http://www.theses.fr/1999PA040073.
Full textBooks on the topic "Humanisme – 16e siècle"
Structures sonores de l'humanisme en France: De Maurice Scève, Delie, object de plus haulte vertu (Lyon, 1544) à Claude Le Jeune, Second livre des meslanges (Paris, 1612). Paris: H. Champion, 2005.
Find full textFrancine, Wild, ed. L'art de la lettre humaniste. Paris: H. Champion, 2004.
Find full textCalvin, Musée Jean. Humanistes chrétiens & protestants de Picardie au 16e siècle: Musée Jean Calvin & galerie du chevalet, Noyon, exposition du 10 juillet au 31 octobre 2009. Noyon: Direction des affaires culturelles de la ville de Noyon, 2009.
Find full textHenri, Becker Abraham. Humaniste Au 16e Siècle, Loys le Roy, Ludovicus Regius, de Coutances. Creative Media Partners, LLC, 2018.
Find full textHumanistes chrétiens & protestants de Picadie au 16e siècle: Noyon, exposition du 10 julliet au 31 octobre 2009. Noyon: Musée Jean Calvin, 2009.
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