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Journal articles on the topic 'Human mediation in a museum context'

Author: Grafiati

Published: 23 September 2022

Last updated: 28 September 2022

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1

Massarani, Luisa, Rosicler Neves, Graziele Scalfi, et al. "The Role of Mediators in Science Museums: An Analysis of Conversations and Interactions of Brazilian Families in Free and Mediated Visits to an Interactive Exhibition on Biodiversity." International Journal of Research in Education and Science 8, no. 2 (2022): 328–61. http://dx.doi.org/10.46328/ijres.2636.

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The social interactions that take place in science museums, whether between family members or with mediators, are recognized as essential to visitors’ experience. However, there is still little empirical research in the Brazilian context on how families interact and converse on visits to science museums – and even less on the role of the mediator in the museum experience. In this exploratory study, the authors analyze the social interactions of families in an interactive exhibition on biodiversity: “Forest of the Senses”, at the Museum Science and Life (Brazil), characterized by having one of

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Strepetova, Marina, and Jordi Arcos-Pumarola. "Literary heritage in museum exhibitions: Identifying its main challenges in the European context." Muzeológia a kultúrne dedičstvo 8, no. 3 (2020): 95–109. http://dx.doi.org/10.46284/mkd.2020.8.3.5.

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Literary heritage presents a dialectic relationship between tangible and intangible elements. This complex duality presents challenges for curators, who must try to communicate this immaterial essence through the exhibition language. This article, structured on a two-phase research process, aims to identify the main challenges for literary heritage valorisation and communication in the museum context. First, interviews with specialists in literary heritage and museology from Catalonia and Russia were carried out to identify the main issues to be considered when designing a literary heritage ex

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Arriaga, Amaia, and Imanol Aguirre. "Museum-university collaboration to renew mediation in art and historical heritage. The case of the Museo de Navarra." Arte, Individuo y Sociedad 32, no. 4 (2020): 989–1008. http://dx.doi.org/10.5209/aris.66295.

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We present an action research project in which a university and a regional museum of art and historical heritage collaborate. The objective of this project has been to design and develop a mediation plan and its interpretation resources. First, a description is provided of the historical context of the debate regarding the educational function of the museum and mediation actions for the interpretation of art. Next, we present the theoretical principles on which our approach to mediation in museums is based and explain the two phases of the action research project. Initially, an investigation o

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Sousa do Nascimento, Silvania. "The human body on Exhibit: promoting socio-cultural mediations in a science museum." Journal of Science Communication 07, no. 04 (2008): C05. http://dx.doi.org/10.22323/2.07040305.

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This paper discusses three mediation concept approaches and, consequently, three facets of mediator action. The approaches presented start with a bibliographical review of the concept of mediation present in education and scientific communication studies. These approaches serve as a basis for interpreting a semi-directive interview with the director of the Museum of Morphological Sciences of the Federal University of Minas Gerais (UFMG). They also help us reflect on the complexity of organizing the objectives of a museum action that takes into account the transformational role of the meaning o

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Ilinskaya, N. I. "ART MEDIATION IN RUSSIA AND FRANCE: GENERAL AND DIFFERENCES." Arts education and science 1, no. 4 (2020): 149–54. http://dx.doi.org/10.36871/hon.202004019.

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The article discusses the phenomenon of art mediation. The relevance of this problem is due to the fact that the concept of art mediation, or "museum as a cultural mediator", is relatively new in Russia. It is mainly adopted in our country by contemporary art museums, often nonstate. At the same time, in a number of countries around the world, and especially in France, the concept of art mediation (médiation culturelle), or "museum-mediator", firmly rooted in museum practice, in the legal field, as well as in university education and training, practically forcing out the more familiar for Russ

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Kliuchko, Yuliia. "MEDIATION IN THE CONTEXT OF THE EDUCATIONAL ACTIVITY OF THE MODERN MUSEUM." CULTURE AND ARTS IN THE MODERN WORLD, no. 21 (July 10, 2020): 81–89. http://dx.doi.org/10.31866/2410-1915.21.2020.208238.

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Dubois, Arnaud. "How to understand engineering sciences with the techniques of the body: The case of the bridges collection of the Musée des Arts et Métiers explained by circus acrobatics." Social Science Information 56, no. 2 (2017): 254–69. http://dx.doi.org/10.1177/0539018417697387.

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In this article, I will examine an experimental mediation performed by acrobats at the Paris Musée des Arts et Métiers in May 2016. I will ask if body techniques can facilitate the public’s understanding of the abstract engineering sciences exhibited in a science and technology museum. Using the ethnographic study of this performance, I will ask if this new type of museum mediation opens up new research issues about technical gestures and helps us to blur boundaries between tangible and intangible heritage in the museum context. In doing so I try to redeploy the methods of analysis of museum c

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Kuklinova, Irina A. "CULTURAL MEDIATION: HISTORY AND CURRENT UNDERSTANDING OF THE TERM." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 41 (2021): 240–47. http://dx.doi.org/10.17223/22220836/41/21.

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This paper discusses the history of the use and specific understanding of one of the new museology terms – mediation. The terms of museology as an academic and university discipline still need perfecting, and this is vividly manifested in the use and treatment of the notion of mediation. The term originated in the French-speaking world, and it entered the Russian language in the 2010s. Currently, it is being developed by theoreticians and is also often used by practical workers describing the experience of a museum’s interaction with the surrounding world, there is training in this field for a

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Rasteli, Alessandro. "Mediação Cultural no contexto Francês trajetória histórica e evolução." Páginas a&b Arquivos & Bibliotecas 16 (2021): 81–96. http://dx.doi.org/10.21747/21836671/pag16a5.

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In contemporary logics, the concept of mediation gains prominence by its centrality in social interactions and symbolic mediations, becoming understood as an inherent process in all the work of the information professional. In view of this, the goal is to describe the trajectory of cultural mediation in France, observing its emergence, historyand evolution. The study hasa qualitative approach, of descriptive type, adopting the bibliographical research method. At first, cultural mediation was associated with book mediators and museum environments. Currently, its emergence in the French context

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Sidoli del Ceno, Julian. "Compulsory mediation: civil justice, human rights and proportionality." International Journal of Law in the Built Environment 6, no. 3 (2014): 286–99. http://dx.doi.org/10.1108/ijlbe-09-2013-0036.

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Purpose – This purpose of this paper is to critically examine jurisprudentially the current judicial and academic scepticism that exists in some quarters with regard to compulsory mediation primarily from the context of England and Wales. In doing so, it seeks to respond to well-articulated and established concerns with regard to any compulsion in mediation as outlined by Hazel Genn among others as well as some senior members of the judiciary. Design/methodology/approach – This paper seeks to critically examine jurisprudentially the current judicial and academic scepticism that exists in some

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Cieślak, Jan Piotr, Wiktoria Kozioł, and Magdalena Kunińska. "„Cały świat – samo życie”. Rola materii w malarstwie Tadeusza Kantora w latach 1945–1964." Artium Quaestiones, no. 29 (May 7, 2019): 121–59. http://dx.doi.org/10.14746/aq.2018.29.5.

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The topic of the paper is the idea of matter in Tadeusz Kantor’s painting after World War II, including metaphorical painting, the informel, and the painting of the matter (1945-1964). The artist defined matter as an indeterminate, universal foundation which is a vehicle of the attributes of all that can be perceived by the senses, both animate bodies and inanimate things. A starting point are Kantor’s own texts – his notes and publications reflecting particular stages of his artistic evolution, critical essays on art, as well as later statements referring to the period under scrutiny. The pre

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Ruiz-Funes, Concepción Ruiz. "Mediation within science centres and museums. The guides of Universum, México." Journal of Science Communication 07, no. 04 (2008): C04. http://dx.doi.org/10.22323/2.07040304.

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The creation of a scientific culture through the experiences that can be offered in a museum is the central theme in the training of guides at Universum. Emphasising the social importance of science democratisation, providing the public with the chance to enjoy science itself, conceiving it as a human creation of extreme beauty, giving it the chance to be appreciated and enjoyed, presenting it from the different fields where an approach to it is possible, is something difficult to achieve outside a science museum and impossible without the intervention of the anfitriones.

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Coggburn, Jerrell D., Dennis M. Daley, Jessica Katz Jameson, and RaJade M. Berry-James. "Assessing the Six-Factor Model of Organizational Justice in the Context of Workplace Mediation." Review of Public Personnel Administration 40, no. 3 (2018): 355–83. http://dx.doi.org/10.1177/0734371x18816758.

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Applying the six-factor model of organizational justice, this study examines the relationship between disputants’ (i.e., grievants and respondents) perceptions of organizational justice and satisfaction with workplace mediation. Using secondary data, collected postmediation from participants in the (former) North Carolina Department of Correction’s (DOC) mediation process, the findings show that perceptions of organizational justice and mediation satisfaction are high for both grievants and, especially, respondents. Logistic regression results find statistically significant relationships betwe

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Hrynko, Yana. "Explication of "places/museums of conscience" in the context of memory culture." National Academy of Managerial Staff of Culture and Arts Herald, no. 2 (September 17, 2021): 79–83. http://dx.doi.org/10.32461/2226-3209.2.2021.239940.

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The purpose of the article is to analyze the role and place of “museum of conscience” in modern politics of memory and cultural space. The methodology is based on a comprehensive study of a wide range of museum expositions (interviews, reports, museum projects, reviews of museum collections, etc.) and generalization of the obtained material to identify current trends in the development of "museums of conscience" in the context of memory culture. Scientific novelty. On the example of specific museum research institutions (the Sixth District Museum in Cape Town, the Holocaust Memorial Museum (Wa

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Varela, Teresa, Odete Palaré, and Sofia Menezes. "The Enhancement of Creative Collaboration through Human Mediation." Education Sciences 10, no. 12 (2020): 347. http://dx.doi.org/10.3390/educsci10120347.

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This text presents a reflection on the elements that coinfluence creative processes in learning. This study highlights a specific period in secondary education at the António Arroio Art School in Lisbon, Portugal, developed during the curricular activity Training in Working Context with students of the 12th grade. It aims to identify interpersonal and intercultural relations utilizing active participation and involvement in communities of artistic practice. This research follows an action-research methodology with data collection via observation and interviews with students. The results show t

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Pilyak, Sergey. "Interpretation of Material Cultural Heritage in the Context of Museum." Ideas and Ideals 12, no. 3-2 (2020): 337–51. http://dx.doi.org/10.17212/2075-0862-2020-12.3.2-337-351.

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Interpretation of cultural values and cultural heritage is one of the most common types of their development and creative understanding. However, the concept of ‘interpretation’ remains blurred among related processes, usually without getting much mention. In the field of cultural heritage preservation, interpretation is the main method of human development of cultural heritage objects. The process and results of interpretation, as shown by the long history of preservation of cultural heritage, also affect the preservation of cultural heritage. The proposed material is devoted to the considera

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Weber, Wolfgang Georg, and Hans Jeppe Jeppesen. "Collective Human Agency in the Context of Organizational Participation." Zeitschrift für Arbeits- und Organisationspsychologie A&O 61, no. 2 (2017): 51–68. http://dx.doi.org/10.1026/0932-4089/a000234.

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Abstract. Connecting the social cognitive approach of human agency by Bandura (1997) and activity theory by Leontiev (1978) , this paper proposes a new theoretical framework for analyzing and understanding employee participation in organizational decision-making. Focusing on the social cognitive concepts of self-reactiveness, self-reflectiveness, intentionality, and forethought, commonalities, complementarities, and differences between both theories are explained. Efficacy in agency is conceived as a cognitive foundation of work motivation, whereas the mediation of societal requirements and re

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18

Dang, Qiong. "Literature Review on the Digital Museum in a Chinese Context." Communication, Society and Media 1, no. 2 (2018): 149. http://dx.doi.org/10.22158/csm.v1n2p149.

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<em>Parry (2007) claims that “it would be an exaggeration to suggest that the computer has been the cause of the recent ‘reimagining’, ‘rethinking’, ‘reshaping’ and ‘reframing’ of the museum” (p. 140). Technological innovation creates new possibilities for the development of the museum, and the digital museum as one of its products plays a key role in the preservation and communication of cultural heritage. However, research on the digital museum is lacking in China. Therefore, this article is an attempt to determine the extent to which factors influence the construction of digital museu

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Boshuijzen-van Burken, Christine. "Beyond Technological Mediation." Techné: Research in Philosophy and Technology 20, no. 3 (2016): 177–97. http://dx.doi.org/10.5840/techne201671949.

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Several philosophers of technology have argued that technology mediates human actions. For example, in the branch of post-phenomenology, authors such as Don Ihde and Peter-Paul Verbeek have described the mediating aspects of technology in terms of morality of technology (more prominent in Verbeek) as well as in the sense that technology changes our perception of ourselves and the world (more prominent in Ihde). In this article, different existing types of mediation are presented, critiqued, and enriched. The four types are illustrated by referring to military high-tech environments with a focu

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Conforti, María Eugenia, Maria Gabriela Chaparro, Pamela Degele, and Juan Carlos Díez Fernández Lomana. "Visitor profiling at the Museum of Human Evolution of Burgos (Spain)." Journal of Science Communication 17, no. 04 (2018): A03. http://dx.doi.org/10.22323/2.17040203.

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This paper presents the first study ever conducted on the profile of visitors to the Museum of Human Evolution of Burgos (Spain), which exhibits the finds of the Atapuerca archaeo-paleontological sites. The research was guided by the principles of public communication of science and the methodology of the studies on museum visitors. The analysis reveals a positive perception; the Museum is associated with the sites and they are valued as cultural heritage. Complaints are very limited but useful to produce a set of recommendations to further improve the exhibition. In addition, the findings are

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Golding, Viv, and Maria Helena Lima. "Reclaiming the Human: Creolizing Feminist Pedagogy at Museum Frontiers." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 7 (May 1, 2015): 42. http://dx.doi.org/10.12681/syn.16196.

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In this paper we reflect, together with a group of international students, on the affective and political power of texts and contexts. Our starting point is Joan Anim-Addo’s Imoinda, a text whose form, setting, and narrative structure render productive moments of “Relation” (Glissant), in which individuals and their historical experiences – rooted in colonial oppression – establish connection to each other through difference rather than commonality. We outline a series of collaborative teaching workshops designed with Andy McLellan, the Head of Education and his colleague Salma Caller at the P

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Lewis, John. "The Intellectual Context of Solon’s Dike." Polis: The Journal for Ancient Greek Political Thought 18, no. 1-2 (2001): 3–26. http://dx.doi.org/10.1163/20512996-90000029.

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Solon is our only primary source for the intellectual context of archaic Athenian political thought. Dike is central to that context. The primary question of dike is the degree of abstraction it denotes. To Solon dike is neither an abstract principle with metaphysical proportions, nor merely the concrete procedures of dispute mediation. Solon understands Dike in a polis that is ordered by the thoughts and actions of particular human beings, not by divine dispensations. This re-alignment of political authority from vertical authoritarianism to horizontal citizen relationships is directly relate

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Scott, David A. "Modern Antiquities: The Looted and the Faked." International Journal of Cultural Property 20, no. 1 (2013): 49–75. http://dx.doi.org/10.1017/s0940739112000471.

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AbstractThis article discusses some of the issues regarding the acquisition of art and the different philosophical views of some of the main protagonists regarding the reclaiming of art by nation-states, following American museums' acceptance of the 1970 UNESCO Convention, using examples from the Getty Museum and the Metropolitan Museum of Art. The mediation of Native American Graves Protection and Repatriation Act (NAGPRA) claims by conservators is often an important component of the dialogue between museums and native communities. The philosophical and art-historical opinions regarding the v

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Siu, Noel Yee Man, Tracy Junfeng Zhang, and Ho Yan Kwan. "Reference effects and customer engagement in a museum visit." International Journal of Contemporary Hospitality Management 34, no. 2 (2021): 482–508. http://dx.doi.org/10.1108/ijchm-02-2021-0208.

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Purpose By extending the expectancy-disconfirmation theory and integrating the elaboration likelihood model, this study aims to explore the reference effects (i.e. disconfirmation and self-identity) and customer engagement that affect customer experience on satisfaction with a museum visit. The study is designed to test a dual-mediator mechanism involving disconfirmation and self-identity. The moderating role of cognitive, affective or behavioral engagements is also examined with the overall purpose to advance the understanding of customer experience in cultural consumption such as museum visi

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Diallo, Mbaye Fall, and Isabelle Collin-Lachaud. "Impact of Hedonic Evaluation of Technological Innovations on Revisit Intention in a Store Digitalization Context." International Journal of Technology and Human Interaction 15, no. 4 (2019): 38–53. http://dx.doi.org/10.4018/ijthi.2019100104.

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The objective of this research is to investigate how hedonic evaluation of technological innovation affects directly store revisit intention and indirectly through the mediation of customer satisfaction and shopping experience. 257 real customers assessed the introduction of four innovative tools (automatic check-out, Internet kiosk, Smartphone and self-scanning) in supermarkets. Structural equation modeling results show that customer hedonic evaluation of technological innovation affects positively store revisit intention. However, while technology pleasantness influences it significantly tec

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Chang, Man-Ling, and Cheng-Feng Cheng. "A mediation model of leaders’ favoritism." Personnel Review 47, no. 7 (2018): 1330–44. http://dx.doi.org/10.1108/pr-10-2016-0283.

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PurposeThe purpose of this paper is to develop a mediation model for understanding how favoritism, in the context of the leader–member exchange (LMX) theory, influences subordinate-rated LMX via the subordinates’ perception of organizational justice.Design/methodology/approachThe sample comprised 39 managers and 159 employees working in local branches of banks in Taiwan. While the managers were asked to rate their LMX scores with all employees, three to five employees were randomly selected to participate in a survey which included two phases with a time lag of three months. Given the nested s

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NDHLOVU, Charles. "REACHING OF JESUS VIS-À-VIS LASSWELIAN THEORYG." Icoana Credintei 7, no. 14 (2021): 20–26. http://dx.doi.org/10.26520/icoana.2021.14.7.20-26.

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Mediation is generally a terrestrial element. In heaven, we will see God face to face through the beatific vision. There will be no mediation because we will be there face to face with God. However, in our present life, it has pleased God to reveal himself to us in a mediated way. He has done this through different means which we call medium of God’s communication to the human person. This mediation happens in the context of the world – in the existential categories of life. Mediation takes place in this world – in our daily experiences. This agrees very much with the existentialism of Heidegg

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Partarakis, Nikolaos, Xenophon Zabulis, Michalis Foukarakis, et al. "Supporting Sign Language Narrations in the Museum." Heritage 5, no. 1 (2021): 1–20. http://dx.doi.org/10.3390/heritage5010001.

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The accessibility of Cultural Heritage content for the diverse user population visiting Cultural Heritage Institutions and accessing content online has not been thoroughly discussed. Considering the penetration of new digital media in such physical and virtual spaces, lack of accessibility may result in the exclusion of a large user population. To overcome such emerging barriers, this paper proposes a cost-effective methodology for the implementation of Virtual Humans, which are capable of narrating content in a universally accessible form and acting as virtual storytellers in the context of o

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Macchia, Teresa, Giacomo Poderi, and Vincenzo D'Andrea. "Infrastructuring Knowledge in Cultural Infrastructure." International Journal of Sociotechnology and Knowledge Development 7, no. 1 (2015): 16–32. http://dx.doi.org/10.4018/ijskd.2015010102.

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This paper discusses infrastructuring as an informal experience of Participatory Design in the context of museums. The authors describe “participation” as an embedded and stable parameter for looking at museums sustainability. Their standpoint is that museums develop and encourage knowledge through participative and interrelated relationships among various actors. Thus, the value of participation intersects the concept of infrastructuring, which implies the ongoing feature, the hybridity of networks and the complexity of the context, and consider together human and non-human. Describing visito

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Bationo-Tillon, Anne, and Françoise Decortis. "Understanding museum activity to contribute to the design of tools for cultural mediation: new dimensions of activity?" Le travail humain 79, no. 1 (2016): 53. http://dx.doi.org/10.3917/th.791.0053.

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Duhamel, Karine R. "Kanata/Canada: Re-storying Canada 150 at the Canadian Museum for Human Rights." Journal of the Canadian Historical Association 28, no. 1 (2018): 217–47. http://dx.doi.org/10.7202/1050900ar.

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“Kanata/Canada: Re-storying ‘Canada 150’ at the Canadian Museum for Human Rights” seeks to contextualize the changing role of museums and of heritage institutions within contemporary discussions about the urgent need for public education on Indigenous histories and contemporary realities. The author of this article argues that museums can become truly decolonizing spaces if they are willing to re-examine their own purpose and mandate. Through an examination of the CMHR’s own exhibition development for 2017, she maintains that undertaking grounded, reparative reconciliation that is meaningful t

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Sun, Yanan. "A Study on the Application of Computer-assisted Translation in Henan Museum Translation." MATEC Web of Conferences 359 (2022): 01027. http://dx.doi.org/10.1051/matecconf/202235901027.

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Museum is the Treasure House of human history and culture, which bears the responsibility of inheriting history and spreading culture. The Henan Museum is also attractive because of its rich and profound traditional culture. In order to make the world fully understand Henan culture, it is necessary to actively explore scientific and reasonable English translation strategies based on Henan Museum text features and incorporating Trans-cultural diffusion features. In the context of intelligent translation scenarios, the advantages of computer-aided translation are becoming more and more obvious,

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De Cesaris, Alessandro. "Philosophy and Mediation. A Manifesto." ETHICS IN PROGRESS 10, no. 1 (2019): 67–82. http://dx.doi.org/10.14746/eip.2019.1.6.

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The current condition of philosophy as a discipline is quite problematic, in particular if we consider its relationship to other human sciences and to other disciplines in general. The philosophical debate appears fragmented, and philosophy itself has lost any specific role in the present scientific landscape. This situation determines a sort of “identity crisis”, whose main consequence is the coexistence of antinomical views about philosophy in the contemporary scientific and public discourse. Starting from this context, the paper aims at providing a description of philosophy as “theory of me

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Bennett, Jim. "Geometry in Context in the Sixteenth Century: the View From the Museum." Early Science and Medicine 7, no. 3 (2002): 214–30. http://dx.doi.org/10.1163/157338202x00126.

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AbstractThis paper examines the discrepancy between the attitudes of many historians of mathematics to sixteenth-century geometry and those of museum curators and others interested in practical mathematics and in instruments. It argues for the need to treat past mathematical practice, not in relation to timeless criteria of mathematical worth, but according to the agenda of the period. Three examples of geometrical activity (cartography, surveying and warfare) are used to illustrate this, and two particular contexts (the wider world of human affairs and the discipline of natural philosophy) ar

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Finn, Rachael, Graeme Currie, and Graham Martin. "Team Work in Context: Institutional Mediation in the Public-service Professional Bureaucracy." Organization Studies 31, no. 8 (2010): 1069–97. http://dx.doi.org/10.1177/0170840610376142.

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This paper examines how context shapes team work within the public-service professional bureaucracy. We examine the effects of an interaction between both macro-institutional and local-organizational context upon the micro-negotiation of team work. Specifically, we consider how features of local context mediate professional-institutional effects. Drawing upon neo-institutionalism (Lawrence and Suddaby 2006; Powell and DiMaggio 1991), we view team members as ‘institutional agents’ (Scott 2008), shaping team work in ways that either reproduce or transform professional structures within particula

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Wahyudi, Imam, and Rangga Kala Mahaswa. "Metafisika Mediasi Teknologis: Kritik Atas Filsafat Teknologi Klasik." Jurnal Filsafat 30, no. 2 (2020): 202. http://dx.doi.org/10.22146/jf.52321.

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This paper aims to propose philosophical criticism toward 'classical' thinking on philosophy of technology. This set of thinking tends to be trapped in the distinction between subject-object and romantic-pessimisms on the existence of technological dominance. The authors objective is to provide comprehensive understanding through contemporary approaches in philosophy concerning technological mediation. The study employs factual historical analysis and philosophical reflection to understand technological mediation patterns. The result maps point of view that develops a metaphysical orientation

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Prince, R., and M. Kameshwar Rao. "Voice behavior of Indian IT employees: a moderated mediation model." International Journal of Organizational Analysis 28, no. 6 (2020): 1255–71. http://dx.doi.org/10.1108/ijoa-11-2019-1926.

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Purpose The purpose of this study is to explore how promotive and prohibitive voice behaviors of Indian information technology (IT) employees vary in their relationship with other factors. This study investigates a moderated mediation model involving different factors like managerial openness, voice self-efficacy, turnover intentions and promotive and prohibitive voice behaviors. Design/methodology/approach This study uses a cross-sectional design to collect data from 254 executives working in the IT companies located in India. This study uses IBM SPSS 22 along with the Hayes’ PROCESS module t

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Curran, Deirdre. "The role of mediation in the resolution of two industrial disputes in Ireland." Employee Relations 36, no. 5 (2014): 496–515. http://dx.doi.org/10.1108/er-06-2013-0066.

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Purpose – The purpose of this paper is to explore the impact of mediation on two long-running collective industrial disputes in Ireland using a theoretical framework established in the literature. Design/methodology/approach – The paper presents a detailed qualitative analysis of two disputes. In both cases a panel of mediators was invited to intervene when the established dispute resolution structures and processes had failed and impasse had been prolonged. Each member of the mediation panels, and the lead union representative, was interviewed about their perception of the mediation process a

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Toé, François Thierry, and Anne-Marie Émond. "Overview of Museum Education and Cultural Mediation in a Quebec Regional Museum: Between Democracy and Cultural Democratization / Aperçu de l’éducation muséale et de la médiation culturelle dans un musée régional du Québec : entre démocratie et démocratisation culturelle." Canadian Review of Art Education / Revue canadienne d’éducation artistique 46, no. 2 (2019): 54–70. http://dx.doi.org/10.26443/crae.v46i2.77.

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Summary: The Beaulne Museum is a regional institution located in Coaticook, Quebec. Its threefold mission includes the showcasing of textiles and costumes, local heritage, and visual arts. While favouring an historical approach, the museum’s programming is also open to modernity. A large number of exhibitions and a range of cultural activities are offered to the public with the aim of promoting cultural democracy and cultural democratization. This paper examines audiences’ response to the museum’s offerings and the impact of the socio-economic and environmental context on the relevance of its

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Fleming, Stephen A., Jonas Hauser, Jian Yan, Sharon M. Donovan, Mei Wang, and Ryan N. Dilger. "A Mediation Analysis to Identify Links between Gut Bacteria and Memory in Context of Human Milk Oligosaccharides." Microorganisms 9, no. 4 (2021): 846. http://dx.doi.org/10.3390/microorganisms9040846.

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Elucidating relationships between the gut and brain is of intense research focus. Multiple studies have demonstrated that modulation of the intestinal environment via prebiotics or probiotics can induce cognitively beneficial effects, such as improved memory or reduced anxiety. However, the mechanisms by which either act remain largely unknown. We previously demonstrated that different types of oligosaccharides affected short- and long-term memory in distinct ways. Given that the oligosaccharide content of human milk is highly variable, and that formula-fed infants typically do not consume sim

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Prianti, Desi Dwi, and I. Wayan Suyadnya. "Decolonising Museum Practice in a Postcolonial Nation: Museum’s Visual Order as the Work of Representation in Constructing Colonial Memory." Open Cultural Studies 6, no. 1 (2022): 228–42. http://dx.doi.org/10.1515/culture-2022-0157.

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Abstract The study of colonialism and its legacies have mostly left the category of memory studies. However, for the colonised subject, what they experienced in the past inevitably forms their present and future discourse. This study focuses on how the museum’s visual order articulates colonial memory. By looking at the work of representation, in this context museum’s visual order, this study investigates how memory lives on through the circulation of colonial memory that the museum simulates. Museum’s visual order translates how colonial memory should be remembered and celebrated as public kn

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Che, Xiaoli, A. Fakhrorazi, Wei-Kit Loke, Swarmilah Hariani, and Qinyuan Chen. "The development of k-worker's task performance: an empirical research based on the Chinese context." Journal of Organizational Change Management 34, no. 7 (2021): 1300–1315. http://dx.doi.org/10.1108/jocm-10-2020-0316.

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PurposeThis study examines the effect of knowledge workers' (k-workers') leader-member exchange (LMX) on task performance and the mediation effect of affective commitment and organizational citizenship behavior (OCB) in China.Design/methodology/approachIn this study, 384 qualified questionnaires will be collected from k-workers in China by using a self-administered survey, and the partial least square structural equation modeling (PLS-SEM) technique was employed for data analysis.FindingsThis finding showed that LMX has positive relationship on affective commitment, organizational citizenship

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Da Silva, Aila Regina. "O corpo mediador: dança e mediação no museu." Repertório, no. 28 (December 5, 2017): 390. http://dx.doi.org/10.9771/r.v0i28.25018.

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<p class="p1">Resumo:<span class="Apple-converted-space"> </span></p><p class="p2">De um simples piscar de olhos a um pulo, a dança traz ao ser humano novos meios de conectar-se consigo e com o espaço a sua volta. Este artigo é um estudo sobre as relações da mediação com dança em comparação aos processos do <em>site specific</em> e performance, como produtos indiretos da experiência mediativa. Recorte da pesquisa de mestrado <em>Proibido tocar, permitido dançar: dança e mediação no museu de arte contemporânea</em>, que submete um grupo hete

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Kjartansdóttir, Katla. "The changing symbolic meaning of the extinct great auk and its afterlife as a museum object at the Natural History Museum of Denmark." Nordisk Museologi 26, no. 2 (2019): 41–56. http://dx.doi.org/10.5617/nm.7476.

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This article examines the historical context and afterlife of the great auk as a museum object. The focus is on the changing meaning of the bird as it travels across cultural boundaries, material forms and historical periods. It starts by focusing on how the bird was contextualized within Ole Worm’s cabinet in the 17th century and then moves on to more recent museum representations. By conducting interviews with museum staff and professionals and analysis of items stored and/or exhibited at the museum, the symbolic meanings and representative functions of the great auk are brought into light.

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Stier, Oren Baruch. "Torah and Taboo: Containing Jewish Relics and Jewish Identity at the United States Holocaust Memorial Museum." Numen 57, no. 3-4 (2010): 505–36. http://dx.doi.org/10.1163/156852710x501360.

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AbstractIs museum space religious space? Do strategies of display, i.e., the ways certain objects such as human remains and ritual items are presented and/or experienced, make them into sacred objects? Who or what determines whether or not a particular object may be appropriately displayed in a museum context? In focusing on the United States Holocaust Memorial Museum (USHMM) and on a series of staged encounters there with spaces, objects, and other people, this article considers the possibility that the USHMM serves as a contemporary Jewish reliquary as well as the implications of such a noti

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Salasar, Desirée Nobre, and Francisca Ferreira Michelon. "Análise Prática de Mediação Acessível com um grupo de pessoas com deficiência intelectual em um museu português/ Practical analysis of accessible mediation with a group of people with intellectual disabilities in a portuguese museum." Revista Interinstitucional Brasileira de Terapia Ocupacional - REVISBRATO 2, no. 4 (2018): 816–26. http://dx.doi.org/10.47222/2526-3544.rbto12758.

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O presente artigo tem como objetivo apresentar e discutir uma intervenção da Terapia Ocupacional em uma visita com mediação acessível oferecida a um grupo de crianças com deficiência intelectual e necessidades educativas especiais, em um museu português. A prática referida neste trabalho insere-se no campo da Terapia Ocupacional e Cultura e foi realizada no Museu da Comunidade Concelhia da Batalha, localizado na Vila da Batalha, em Portugal, dentro do contexto do estágio em Acessibilidade Cultural, realizado no ano de 2015. As visitas guiadas a públicos especiais já compunham as atividades do

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Hu, Yaou, Hyounae (Kelly) Min, and Na Su. "How Sincere is an Apology? Recovery Satisfaction in A Robot Service Failure Context." Journal of Hospitality & Tourism Research 45, no. 6 (2021): 1022–43. http://dx.doi.org/10.1177/10963480211011533.

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This study examined the effects of service recovery entities (i.e., robot-generated text, robot-generated voice, and human service employee) on recovery satisfaction through the mediation of perceived sincerity. This study also tested the moderating role of the need for human interaction. The results of this study suggest that people perceive service recovery provided by a human to be more sincere than that provided by a service robot, thereby leading to higher levels of satisfaction. Moreover, this effect is stronger for those with a stronger need for human interaction. However, differences i

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�� and Larisa Kozhemyakina. "Museum Pedagogics in the Context of Federal State Educational Standard of General Education (on the Example of the Museum n.a. Nicholas Roerich)." Standards and Monitoring in Education 2, no. 4 (2014): 41–46. http://dx.doi.org/10.12737/5873.

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The article focuses on capabilities of museum pedagogy (regulated by the Federal State Educational Standard of General Education)as part of the culture edifying paradigm aimed tocreate a new individual of culture able to perceive personal responsibility for universal cultural and human values, that enable existence, unity, and evolution of humanity and provide the dialog of cultures, epochs, and nations. The article reveals the importance of artistic, literary, and epistolary heritage of a famous Russian artist, public figure, philosopher, and historian of culture � Nic

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Huertas-Valdivia, Irene, F. Javier Llorens-Montes, and Antonia Ruiz-Moreno. "Achieving engagement among hospitality employees: a serial mediation model." International Journal of Contemporary Hospitality Management 30, no. 1 (2018): 217–41. http://dx.doi.org/10.1108/ijchm-09-2016-0538.

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Purpose This paper aims to disclose some mechanisms whereby job engagement can be created in a hospitality context. A study was conducted to examine the relationships among high-performance work practices (HPWPs), empowering leadership behaviors, psychological empowerment and engagement. Design/methodology/approach A theoretical serial mediation model was developed to examine the proposed relationship. The hypotheses were tested using regression analysis with bootstrapping. In total, 340 hotel workers participated in this study. Findings Both empowering leadership and psychological empowerment

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Koštialová, Katarína. "The specific museum presentation forms of cultural heritage in rural areas, based on the example of the Hont ecomusuem and educational public footpath." Muzeológia a kultúrne dedičstvo 10, no. 2 (2022): 5–22. http://dx.doi.org/10.46284/mkd.2022.10.2.1.

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This study focuses on forms of museological presentation for the mediation of natural, cultural, historic and social values, with specific reference to ecomuseums and educational public footpaths. The object of the study is to characterise these forms and on the basis of real examples, in order to highlight opportunities in the field of museological communication that lead away from the traditional interpretation of forms focused on the object, towards contemporary flexible modes of communication directed towards the experience within its context. It also explores the utilisation of such appro

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