Journal articles: 'Hugo Williams'

1

Mariani, Paul. "Remembering William Carlos Williams: Hugo Rodríguez Alcalá (1917–2007)." William Carlos Williams Review 31, no. 1 (2014): 1–14. http://dx.doi.org/10.1353/wcw.2014.0001.

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Matos, Xênia Amaral. "Bodies that Desire: The Melodramatic Construction of the Female Protagonists of The Glass Menagerie and A Streetcar Named Desire, by Tennessee Williams." Em Tese 21, no. 1 (September 13, 2015): 130. http://dx.doi.org/10.17851/1982-0739.21.1.130-149.

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O melodrama desenvolveu-se na França durante o século dezoito e é majoritariamente caracterizado por abordar relações amorosas e familiares através de uma abordagem emotiva. O melodrama influenciou diversos autores como Charles Dickens, Victor Hugo e Tennessee Williams. Tennessee Williams é um dramaturgo norte-americano famoso pela peça A Streetcar Named Desire. Suas peças exploram o emocionalismo, os conflitos amorosos, a decadência econômica e os problemas familiares. Este trabalho apresenta uma análise da construção melodramática das protagonistas femininas Amanda e Laura Wingfield (The Glass Menagerie) e Blanche DuBois (A Streetcar Named Desire). Discute também como o melodrama auxilia a construir o desfecho trágico dessas personagens.

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Grafe, Adrian. "The Poetic Voice And The Voice Of Popular Music In Poems By Philip Larkin, Hugo Williams And Paul Muldoon." Sillages critiques, no. 7 (April 1, 2005): 141–54. http://dx.doi.org/10.4000/sillagescritiques.1150.

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HEALY, DAVID. "Child and Adolescent Clinical Psychopharmacology. Wayne Hugo Green. Williams & Wilkins, 298 pp. ISBN 0-683-03767-6 (pbk). £33." Human Psychopharmacology: Clinical and Experimental 12, no. 2 (March 1997): 168. http://dx.doi.org/10.1002/(sici)1099-1077(199703/04)12:2<168::aid-hup870>3.0.co;2-b.

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Sabourin, Lise. "Victor Hugo, William Shakespeare." Studi Francesi, no. 189 (LXIII | III) (December 1, 2019): 589. http://dx.doi.org/10.4000/studifrancesi.21436.

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Saylor, Eric. "Dramatic Applications of Folksong in Vaughan Williams's Operas Hugh the Drover and Sir John in Love." Journal of the Royal Musical Association 134, no. 1 (2009): 37–83. http://dx.doi.org/10.1080/14716930902756844.

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Although Ralph Vaughan Williams's operas Hugh the Drover (1924) and Sir John in Love (1929) both prominently feature English folk and traditional tunes, the dramatic ends such music serves differ significantly between the two works. This article compares the ways in which Vaughan Williams uses folk music in both operas, with the larger aim of providing a more nuanced perspective on the changing musical and dramatic potential the composer saw for indigenous English music within the context of opera.77

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7

Sharma, Sanjay, and Jonathan Wong. "Book Review Age-Related Macular Degeneration: A Comprehensive Textbook Edited by D. Virgil Alfaro III, Peter E. Liggett, William F. Mieler, Hugo Quiroz-Mercado, Rama D. Jager, and Yasuo Tano. 364 pp., illustrated. Philadelphia, Lippincott Williams & Wilkins, 2006. $159. 0-7817-3899-7." New England Journal of Medicine 355, no. 14 (October 5, 2006): 1507–8. http://dx.doi.org/10.1056/nejmbkrev39704.

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Knoll, Manuel. "Nietzsche’s Jewish Problem and Great Politics: The Continued Research Interest in his Political Thought." Nietzsche-Studien 47, no. 1 (November 1, 2018): 473–87. http://dx.doi.org/10.1515/nietzstu-2018-0024.

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Abstract After presenting an overview of the research on Nietzsche’s political thought, this article discusses Robert C. Holub’s book Nietzsche’s Jewish Problem (2016). While Holub talks about Nietzsche’s “eugenic calculations”, he does not mention his notion of a “great politics”, which aims at breeding superior humans. This notion is central for Hugo Drochon’s Nietzsche’s Great Politics (2016) and Gary Shapiro’s Nietzsche’s Earth. Great Events, Great Politics (2016), which are critically examined in the article. Shapiro’s “postmodern” interpretation of Nietzsche’s thought neglects Zarathustra’s crucial statement that “The Übermensch is the meaning of the earth”. Drochon uses Bernard Williams’s four criteria to define what a “coherent politics” is. Drochon’s arguments that Nietzsche is indeed a political thinker are persuasive. However, William’s criteria are not sufficient and need to be amended.

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Denning, Peter J. "An interview with William Hugh Murray." Communications of the ACM 62, no. 3 (February 21, 2019): 28–30. http://dx.doi.org/10.1145/3306614.

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Yoo, Baekyun. "Wystan Hugh Auden and William Butler Yeats." Yeats Journal of Korea 42 (December 30, 2013): 197–214. http://dx.doi.org/10.14354/yjk.2013.42.197.

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11

Batuille, Robert R. "Hugh Kelly, William Kenrick, and “Mr. Spatter”." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 2, no. 4 (October 1989): 130–31. http://dx.doi.org/10.1080/19403364.1989.11755215.

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Day, H. J. B. "A Review of “Who is amelia? Caring for children with limb deficiencies”." Prosthetics and Orthotics International 23, no. 2 (August 1999): 181. http://dx.doi.org/10.3109/03093649909071631.

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13

Cohen, Mitchell I., Jeffrey P. Jacobs, and Sertac Cicek. "The 2017 Seventh World Congress of Paediatric Cardiology and Cardiac Surgery: “The Olympics of our Profession”." Cardiology in the Young 27, no. 10 (December 2017): 1865–69. http://dx.doi.org/10.1017/s1047951117002323.

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AbstractThe 1st World Congress of Paediatric Cardiology was held in London, United Kingdom, in 1980, organised by Dr Jane Somerville and Prof. Fergus Macartney. The idea was that of Jane Somerville, who worked with enormous energy and enthusiasm to bring together paediatric cardiologists and surgeons from around the world. The 2nd World Congress of Paediatric Cardiology took place in New York in 1985, organised by Bill Rashkind, Mary Ellen Engle, and Eugene Doyle. The 3rd World Congress of Paediatric Cardiology was held in Bangkok, Thailand, in 1989, organised by Chompol Vongraprateep. Although cardiac surgeons were heavily involved in these early meetings, a separate World Congress of Paediatric Cardiac Surgery was held in Bergamo, Italy, in 1988, organised by Lucio Parenzan. Thereafter, it was recognised that surgeons and cardiologists working on the same problems and driven by a desire to help children would really rather meet together. A momentous decision was taken to initiate a Joint World Congress of Paediatric Cardiology and Cardiac Surgery. A steering committee was established with membership comprising the main organisers of the four separate previous Congresses and additional members were recruited in an effort to achieve numerical equality of cardiologists and surgeons and a broad geographical representation. The historic 1st “World Congress of Paediatric Cardiology and Cardiac Surgery” took place in Paris in June, 1993, organised by Jean Kachaner. The next was to be held in Japan, but the catastrophic Kobe earthquake in 1995 forced relocation to Hawaii in 1997. Then followed Toronto, Canada, 2001, organised by Bill Williams and Lee Benson; Buenos Aires, Argentina, 2005, organised by Horatio Capelli and Guillermo Kreutzer; Cairns, Australia, 2009, organised by Jim Wilkinson; Cape Town, South Africa, 2013, organised by Christopher Hugo-Hamman; and Barcelona, Spain, 2017, organised by Sertac Cicek. With stops in Europe (1993), Asia-Pacific (1997), North America (2001), South America (2005), Australia (2009), Africa (2013), and Europe again (2017), in 2021, The World Congress of Paediatric Cardiology and Cardiac Surgery will be held for the first time in the continental United States.1 The 8th World Congress of Paediatric Cardiology and Cardiac Surgery will be held in Washington DC, United States of America, 19–24 September, 2021, and will be organised by Jeffrey P. Jacobs and Gil Wernovsky. Mitchell I. Cohen served as the Scientific Program Co-Chair for the 2017 World Congress of Paediatric Cardiology and Cardiac Surgery, and he will again serve as the Scientific Program Co-Chair for the 2021 World Congress of Paediatric Cardiology and Cardiac Surgery along with Kathyrn Dodds RN, MSN, CRNP. Information about the upcoming 8th World Congress of Paediatric Cardiology and Cardiac Surgery can be found at www.WCPCCS2021.org

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Reich, Charles A., Howard Ball, and Philip J. Cooper. "Of Power and Right: Hugo Black, William O. Douglas, and America's Constitutional Revolution." Journal of American History 79, no. 4 (March 1993): 1662. http://dx.doi.org/10.2307/2080326.

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15

Ball, Howard, and Phillip Cooper. "Fighting Justices: Hugo L. Black and William O. Douglas and Supreme Court Conflict." American Journal of Legal History 38, no. 1 (January 1994): 1. http://dx.doi.org/10.2307/845321.

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Vignest, Romain. "Le mage et l'histoire. Poésie et rédemption dans William Shakespeare de Victor Hugo." Littérature 126, no. 2 (2002): 18–39. http://dx.doi.org/10.3406/litt.2002.1754.

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Duram, James C., Howard Ball, and Phillip J. Cooler. "Of Power and Right: Hugo Black, William O. Douglas, and America's Constitutional Revolution." American Historical Review 98, no. 1 (February 1993): 267. http://dx.doi.org/10.2307/2166568.

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Cohen, William, Howard Ball, and Phillip J. Cooper. "Of Power and Right: Hugo Black, William O. Douglas, and America's Constitutional Revolution." American Journal of Legal History 37, no. 3 (July 1993): 386. http://dx.doi.org/10.2307/845676.

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19

Stephenson, D. Grier, Howard Ball, and Phillip J. Cooper. "Of Power and Right: Hugo Black, William O. Douglas, and America's Constitutional Revolution." Political Science Quarterly 107, no. 2 (1992): 365. http://dx.doi.org/10.2307/2152685.

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20

Friedemann, Joë. "«Cet inquiétant rire de l'art»: William Shakespeare et l'œuvre critique de Victor Hugo." Les Lettres Romanes 49, no. 3-4 (August 1995): 263–78. http://dx.doi.org/10.1484/j.llr.4.00925.

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21

JONES, DEWI. "“Nature-formed botanists”: notes on some nineteenth century botanical guides of Snowdonia." Archives of Natural History 29, no. 1 (February 2002): 31–50. http://dx.doi.org/10.3366/anh.2002.29.1.31.

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During the nineteenth century mountain guides could be hired at almost all the inns and hotels of Snowdonia; they were local men self-educated in subjects like botany and geology. In 1838 Edwin Lees while staying at The Dolbadara, Llanberis, an inn with a long tradition with the Snowdon guides, hired the services of such a man. Names of local guides are sparsely found among the pages of visitors-books kept in the huts on Snowdon's summit, inscribed for posterity by the Victorians, also in rare guide-books and on slate tombstones. Tom Jones of Beddgelert was guide to Sir Henry De la Beche during his geological survey of Snowdon. William Williams the botanical guide, known locally as „Will boots”, an expert on Arctic-alpine plant localities, met his end when his rope broke while he was gathering a rare fern for a client on Snowdon. Slate-quarryman Hugh Lewis, who showed Charles Babington the locality of another rare fern, was also guide to a mysterious lady fern-collector who published an account of her mountain adventures under the pseudonym „Filix-foemina” in a gardening periodical. John Hughes, whose pocket-book is still kept in the family, bears testimony of clients who benefited from his extensive local knowledge on geology and botany.

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22

Barone, A. "Letters of Ralph Vaughan Williams 1895-1958. Ed. by Hugh Cobbe." Music and Letters 91, no. 2 (April 26, 2010): 282–88. http://dx.doi.org/10.1093/ml/gcq022.

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23

Perloff, Marjorie. "Modernism Under Review: Hugh Kenner's The Pound Era." Modernist Cultures 5, no. 2 (October 2010): 181–94. http://dx.doi.org/10.3366/mod.2010.0102.

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This essay offers a critical re-assessment of Hugh Kenner's The Pound Era. It argues that Kenner's magisterial survey remains important to our understanding of Modernism, despite its frankly partisan viewpoint. Kenner's is an insider's account of the Anglo-American Modernist writing that he takes to have been significant because it sought to invent a new language consonant with the ethos of the twentieth century. The essay suggests that Kenner's impeccable attention to the Modernist renovation of language goes beyond formalism, since, for him, its ‘patterned energies’ (a term derived from Buckminster Fuller's theory of knots) relate Modernism to the larger complex of artefacts within which it functions and, beyond these, to what he takes to be the great works of the past and to the scientific-technological inventions of the present. But the essay also points out that Kenner's is an eccentric canon, which makes no room for Forster, Frost, Lawrence, or Stevens. Furthermore, Kenner's emphasis on the First World War as a great cultural rupture, while plausible, works less well for Joyce and Williams than it does for Pound and Eliot.

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Varner, Paul. "Three Pacific Northwest Poets: William Stafford, Richard Hugo, and David Wagoner by Sanford Pinsker." Western American Literature 23, no. 2 (1988): 148–49. http://dx.doi.org/10.1353/wal.1988.0033.

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25

Wasielewski, Alice. "The huge hubbub: Freshman orientation fun at the library." College & Research Libraries News 70, no. 7 (July 1, 2009): 394–96. http://dx.doi.org/10.5860/crln.70.7.8216.

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On August 25, 2008, within the hallowed halls of Kentucky’s largest research library, the atmosphere was not as “academic” as one might think. From outside, gazing up at the imposing edifice of the University of Kentucky’s William T. Young library, which takes up nearly an entire city block in Lexington, Kentucky, you might have faintly heard the echoes of Guitar Hero, Wii bowling, or other video games. If you peeked inside, you would have found that students at the second annual “Hubbub” were enjoying a wide variety of free activities designed to welcome new freshmen during orientation week, by showing . . .

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26

Kiraz, George A. "William L. Petersen (1950-2006)." Hugoye: Journal of Syriac Studies 10, no. 1 (April 1, 2011): 5–6. http://dx.doi.org/10.31826/hug-2011-100103.

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Collington, Tara. "Hugo à la rencontre de Rabelais : l’esprit carnavalesque dans Attentat d’Amélie Nothomb." Études françaises 42, no. 2 (October 25, 2006): 149–66. http://dx.doi.org/10.7202/013868ar.

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Dès le premier paragraphe d’Attentat, Amélie Nothomb fournit l’intertexte le plus important de son roman, qui raconte l’histoire d’un homme laid s’étant épris d’une belle femme : Notre-Dame de Paris de Victor Hugo. La réécriture du texte hugolien s’effectue ici sous l’égide de ce que Mikhaïl Bakhtine nomme l’esprit carnavalesque, et doit ainsi beaucoup à un autre antécédent littéraire : l’oeuvre de François Rabelais. Dans la présente étude, qui s’inspire aussi des travaux de Linda Hutcheon sur la parodie, nous analysons le lien entre la réécriture, le postmodernisme et le carnaval, avant de passer à une analyse des éléments carnavalesques dans Attentat. De plus, nous étudions la façon dont Hugo, dans William Shakespeare, interprète le carnaval rabelaisien. Les commentaires de Bakhtine à ce sujet permettent de réévaluer les réactions critiques à l’égard d’Attentat. La plupart des critiques ont tendance à souligner le côté destructif de la réécriture nothombienne de texte connus, y voyant l’anéantissement de la tradition littéraire. Cependant, même si la parodie brise les conventions de la bienséance des romans « classiques » et nous encourage à réévaluer des textes bien connus, il est aussi vrai qu’elle les réactive en tant que modèles génériques qui déterminent toujours l’horizon d’attente lors de la lecture. C’est ainsi que, loin de signer la mort du roman, le style tout à fait rabelaisien de l’oeuvre postmoderne de Nothomb signale plutôt sa « renaissance ».

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Waszink, Jan. "Religion and Government in Hugo Grotius’s Annales: Orthodoxy, William the Silent and Reason of State." Grotiana 42, no. 1 (July 1, 2021): 110–36. http://dx.doi.org/10.1163/18760759-42010007.

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Abstract In Grotius’s Annales, religion appears almost exclusively as a social and political problem. References (implied or explicit) to religion as a good thing or its positive effects are lacking. This aspect of Grotius’s text arises from its equation of ‘religion’ with ‘combative orthodox religion in the post-reformation era’. However, it is not credible that this view represents Hugo Grotius’s actual opinion of the Christian faith as such. The solution seems rather that the above equation must be a conscious rhetorical strategy designed to strengthen the argument of the Annales. Continuing from that conclusion, however, the texts allow us to deduce some views on reason of state and religious policy, which do seem to have been actually held by Grotius in this period, or at least to have enjoyed his active interest.

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Gelhard, Andreas. "Das Dispositiv der Eignung." Zeitschrift für Medien- und Kulturforschung 3, no. 1 (2012): 43–60. http://dx.doi.org/10.28937/1000106352.

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Vieles spricht dafür, dass das Dispositiv der Schuld, das mit der Leitunterscheidung erlaubt/verboten operiert, im Verlauf des 20. Jahrhunderts in ein Dispositiv der Eignung umgebaut wurde, dessen Leitunterscheidung können/nichtkönnen lautet. In diesem Zusammenhang spielen die um 1900 aufkommende Angewandte Psychologie und die von ihr entwickelten Prüfungstechniken eine entscheidende Rolle. Der Aufsatz demonstriert dies exemplarisch an den Arbeiten von William Stern (Schülerauslese), Hugo Münsterberg (Betriebspsychologie) und Kurt Lewin(social management). Dabei zeigt sich, dass das Eignungsdispositiv auch solche psychologischen Techniken zu integrieren vermag, die ursprünglich nicht für die Eignungsprüfung konzipiert wurden. This paper argues that during the 20th century the dispositive of guilt (which operates with the principal distinction permitted/forbidden) is restructured as a dispositive of aptitude, which relies on the principal distinction able/not able. In this context, the (applied psychology), which emerges at the turn of the century and the technologies of examination it developed play a significant role. This can be demonstrated with reference to the works of William Stern (selection of students), Hugo Münsterberg (work psychology) and Kurt Lewin (social management). Furthermore, it can be shown that the dispositive of ability can also integrate those psychological techniques that originally were not conceived for ability testing.

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Wagenaar, Pieter. "Classical Corruption: Hugo van Arckel , Dike Warden of the Krimpenerwaard, and the Corruption of His Time." Public Voices 10, no. 2 (December 8, 2016): 44. http://dx.doi.org/10.22140/pv.147.

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Burgomaster Hugo van Arckel had saved Schoonhoven. When this small Holland town had become part of the Dutch Republic’s battle front during the 1672-1678 war against France, it was he who had almost single-handedly prevented it from giving itself up. Unsurprisingly, Stadtholder Prince William III of Orange, supreme commander of the Army and Navy and the Republic’s most influential public official at that moment, rewarded Van Arckel handsomely by bestowing several important offices on him. Four years later the one-time hero was tried and sentenced for corruption. What had happened in the meantime? Most contributions to this special issue of Public Voices apply a neo-classical perspective to corruption: Corruption scandals are studied to shed light on underlying value conflicts. The authors try to find out how corruption is constructed, at a certain moment, and why. Yet, there are far more theory clusters dealing with corruption. We will first take a look at these theory clusters, next analyze Van Arckel’s downfall, and then see which cluster is most suitable.

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31

Bellato, Giulia. "Fortune’s Wheel and God’s Whip: Religious Attitudes and Secular Power in Hugo Falcandus’s Liber de Regno Siciliae." Medieval History Journal 23, no. 1 (November 20, 2019): 144–67. http://dx.doi.org/10.1177/0971945819865232.

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Hugo Falcandus, the author of the Liber (or Historia) de Regno Siciliae (1154–69), is a contentious figure among historians of the twelfth century. Often disgruntled and embittered, he wrote about the reigns of two Sicilian kings, William I and II, in a text rife with classicising references and personal judgements. Most unusually for a medieval writer from this period, his Liber appears free of any religious elements or framework. This article conducts a search for God in Falcandus’s work and challenges the view that the divine element is entirely ignored by this author. By doing so and through a comparative approach, it also aims at re-contextualising his writings within the production of texts on secular power and authority taking place in the twelfth century. It will show that the apparent lack of a religious framework is a result of the author’s political vision and that Falcandus is a product and a representative of broader ideological changes sweeping through medieval Europe during his time.

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BATAILLE, ROBERT R. "Hugh Kelly, William Jackson, and the Editorship of the "Public Ledger"." Papers of the Bibliographical Society of America 79, no. 4 (December 1985): 523–27. http://dx.doi.org/10.1086/pbsa.79.4.24303683.

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Pacelle,, Richard L. "Of Power and Right: Hugo Black, William O. Douglas, and America's Constitutional Revolution.Howard Ball , Phillip J. Cooper." Journal of Politics 55, no. 1 (February 1993): 260–62. http://dx.doi.org/10.2307/2132249.

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Brown, Daniel J. F. "Power and Patronage across the North Channel: Hugh de Lacy, St Andrews and the Anglo-Scottish Crisis of 1209." Scottish Historical Review 94, no. 1 (April 2015): 1–23. http://dx.doi.org/10.3366/shr.2015.0237.

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The connections between the medieval kingdom of Scots and Irish earldom of Ulster have remained elusive. One of the most intriguing points of contact occurred in 1205×10, when the first earl of Ulster, Hugh II de Lacy (d. 1242), granted churches within his Irish lordship to the cathedral priory of St Andrews. Exploring de Lacy's links to the bishop of St Andrews, William Malveisin, and the constable of Scotland, Alan of Galloway, this article suggests that the gift to St Andrews was part of the earl's bid to secure King William the Lion, as an ally in the North Channel region. The king of Scots is connected to de Lacy's attempts to undermine King John of England, involving partners in France and northern England. It is further argued that the revelation of de Lacy's patronage of St Andrews contributed directly to the Anglo-Scottish crisis of 1209 and the humiliating terms imposed on the Scots by the treaty of Norham in the same year. What is superficially an ordinary grant of ecclesiastical benefices is on closer inspection found to be charged with political meaning, leading ultimately to Hugh de Lacy's expulsion from the earldom of Ulster by the army of King John.

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Dahood, Roger. "Hugh de Morville, William of Canterbury, and Anecdotal Evidence for English Language History." Speculum 69, no. 1 (January 1994): 40–56. http://dx.doi.org/10.2307/2864784.

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Fried, Stephen B. "An Undergraduate Course in American Popular Psychology." Teaching of Psychology 25, no. 1 (January 1998): 38–40. http://dx.doi.org/10.1207/s15328023top2501_11.

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In this article, I describe a special topics course in American popular psychology. Course objectives are to (a) trace the history of the popularization of psychology in America; (b) discuss the efforts of the “great popularizers,” including William James, G. Stanley Hall, Hugo Münsterberg, and J. B. Watson; and (c) evaluate the quality of various examples of popular psychology. I emphasize active learning throughout the course. Students read original sources, participate in a variety of exercises, and prepare historical papers or content analyses of popular psychology. I recommend that interested faculty offer such a course or incorporate some of the material on popular psychology into existing history of psychology courses.

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Arblaster, Anthony. "‘A London Symphony’ and ‘Tono-Bungay’." Tempo, no. 163 (December 1987): 21–25. http://dx.doi.org/10.1017/s0040298200023573.

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SHORTLY BEFORE HIS DEATH in 1958 Vaughan Williams told Michael Kennedy, who was already committed to writing the composer's ‘musical biography’, that the coda or Epilogue to the final movement of his A London Symphony had a link with the end of H.G. Wells's novel Tono-Bungay, in which London is evoked as the book's narrator and central character passes down the Thames through the city to the open sea. ‘For actual coda see end of Wells's Tono Bungay’ was the composer's laconic advice. Kennedy then quotes two short passages from the final chapter of Tono-Bungay, and these have since become a standard point of reference for other writers on the symphony. They have appeared in record sleeve and programme notes, and in other places, such as Hugh Ottaway's BBC Music Guide to the Vaughan Williams Symphonies. The most frequently quoted passage is the following:Light after light goes down. England and the Kingdom, Britain and the Empire, the old prides and the old devotions, glide abeam, astern, sink down upon the horizon, pass—pass. The river passes—London passes, England passes…

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HAGGH-HUGLO, BARBARA. "Foreword." Plainsong and Medieval Music 25, no. 1 (March 15, 2016): 1–3. http://dx.doi.org/10.1017/s0961137115000236.

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This special issue of Plainsong and Medieval Music honours the memory of Michel Huglo (1921–2012) with four articles that resulted from two sessions of papers held on 11 May 2013 at the 48th International Congress on Medieval Studies at the University of Western Michigan. Titled ‘Chant and Liturgy: Papers in Memory of Michel Huglo’, the sessions were organised by Anna Grau, Cathy Elias and Daniel DiCenso, with papers given by Terence Bailey, Frank Lawrence, Rebecca Maloy (in collaboration with Emma Hornby), William P. Mahrt, Nils Holger Petersen and Michael Norton. Also included is a bibliography of Michel Huglo's articles and unpublished papers to 2012, complementing earlier bibliographies. Obituaries are also cited. Each article in this volume advances research on subjects that occupied Michel Huglo fully at different times in his life.

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Driess, Matthias. "Periodic Tales. A Cultural History of the Elements, from Arsenic to Zinc. Von Hugh Aldersey-Williams." Angewandte Chemie 124, no. 5 (December 23, 2011): 1130–31. http://dx.doi.org/10.1002/ange.201108295.

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Driess, Matthias. "Periodic Tales. A Cultural History of the Elements, from Arsenic to Zinc. By Hugh Aldersey-Williams." Angewandte Chemie International Edition 51, no. 5 (December 23, 2011): 1104–5. http://dx.doi.org/10.1002/anie.201108295.

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RAÑA DAFONTE, César. "Magistrorum lectio. Una lección en el siglo XII / Magistrorum lectio. A Lesson in the 12th Century." Revista Española de Filosofía Medieval 17 (October 1, 2010): 81. http://dx.doi.org/10.21071/refime.v17i.6147.

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This paper presents a lesson given by three master teachers in the first half of the XIIth century: Honorius of Autun, Hugh of Saint Victor, William of Conches. The three of them were magistri and leading writers. The lesson is about the relevance of study and intellectual education. It is divided in three parts, and each part was given by one of the three above mentioned master teachers.

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Moore, Robert, E. Hankinson Gathman, and Nicolas Ducheneaut. "From 3D Space to Third Place: The Social Life of Small Virtual Spaces." Human Organization 68, no. 2 (May 30, 2009): 230–40. http://dx.doi.org/10.17730/humo.68.2.q673k16185u68v15.

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Massively multiplayer online (MMO) environments are an emerging computer technology that makes possible new kinds of distributed communities and online sociability. What distinguishes MMOs from other Internet media is that they take face-to-face conversation as their primary metaphor for user interaction, rather than, say, the page or the bulletin board. Because they simulate 3D spaces and contain thousands of people who do not know each other, MMOs constitute public spaces, although virtual ones. As such, they can be studied in ways analogous to those of public places in the physical world. Inspired by the work of William H. Whyte and Ray Oldenburg on sociability in real-life public places, we take a similar approach toward the study of MMOs. We ask the question: what makes some virtual public spaces in MMOs successful "third places" while other similar places fail? Through our virtual ethnography of dance clubs and corner bars in three MMO environments, we find four features of virtual public spaces that appear critical for their success: accessibility, social density, activity resources, and hosts. We further argue that MMO sociability is just as authentic as that in "real-life" contexts while highlighting ways in which it is distinctly different.

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Dixon, Nicholas. "George IV and William IV in their Relations with the Church of England*." English Historical Review 134, no. 571 (December 2019): 1440–70. http://dx.doi.org/10.1093/ehr/cez364.

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Abstract George IV and William IV have long been represented as fundamentally pleasure-seeking monarchs who had little or no interest in religion. However, this assumption has never been sustained by detailed evidence. This article comprehensively challenges the stereotype by presenting the regency and reign of George IV together with William IV’s reign as a distinct and significant period in the relationship between the British monarchy and the Church of England. Three main aspects of this relationship are considered: George IV and William IV’s private commitments as manifested in court religion, the political actions of these monarchs in relation to the established church and their encouragement of Anglican church building and educational projects. The article draws upon a wide range of neglected sources, and especially the private correspondence and memoirs of those closest to George IV and William IV. Most notably, it introduces into the discussion the extensive and revealing autobiography of George IV’s chaplain Hugh Pearson, which has received scant attention from historians until now. From such sources, there emerges a picture of royal interaction with Anglicanism that almost entirely overturns the conventional view. Not only were the two last Hanoverian kings interested in religion; their Anglican beliefs directed much of their public and private conduct. This reinterpretation has important implications for our understanding of monarchy, religion and political culture in pre-Victorian England.

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Straumann, Benjamin. "Natural Rights and Roman Law in Hugo Grotius's Theses LVI, De iure praedae and Defensio capitis quinti maris liberi." Grotiana 26, no. 1 (2007): 341–65. http://dx.doi.org/10.1163/187607508x366454.

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AbstractRoman property law and Roman contract law as well as the property centered Roman ethics put forth by Cicero in several of his works were the traditions Grotius drew upon in developing his natural rights system. While both the medieval just war tradition and Grotius's immediate political context deserve scholarly attention and constitute important influences on Grotius's natural law tenets, it is a Roman tradition of subjective legal remedies and of just war which lays claim to a foundational role with regard to his conception of subjective natural rights. Grotius made use of Roman law and Roman ethics in order to submit a normative case for a rights-based just war in the East Indies. His conception of a law of nature was originally conceived to apply a theory of compensatory justice to the high seas of Southeast Asia, envisaged as a natural state lacking political authority. Eventually, however, this argument was to reveal its anti-absolutist implications, and contributed—by virtue of its applicability to individuals, private entities and commonwealths alike—to the emergence of a rights-based constitutionalism. This article discusses Grotius's early treatise De iure praedae commentarius (1604-1606) and its offshoot Mare liberum, which already contained an inchoate version of subjective natural rights, as well as the elaborate natural rights doctrine which can be found in Grotius's early Theses LVI and in the Defensio capitis quinti maris liberi, a defense of the fifth chapter of Mare liberum, written around 1615 and directed against the Scottish jurist William Welwod's attack on Mare liberum.

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Roberts, Michael B. "Genesis Chapter 1 and geological time from Hugo Grotius and Marin Mersenne to William Conybeare and Thomas Chalmers (1620–1825)." Geological Society, London, Special Publications 273, no. 1 (2007): 39–49. http://dx.doi.org/10.1144/gsl.sp.2007.273.01.04.

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McCormick, Ted. "The Economic Thought of William Petty: Exploring the Colonialist Roots of Economics, by Hugh Goodacre." History of Political Economy 52, no. 1 (February 1, 2020): 197–99. http://dx.doi.org/10.1215/00182702-8009625.

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Reid-Baxter, James. "William Sweeney and the Voice of the People." Tempo, no. 188 (March 1994): 26–30. http://dx.doi.org/10.1017/s0040298200047847.

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‘Rise to birth with me now, my brother …’William Sweeney's most extended work to date is also his best-known, thanks to its having been broadcast three times. Most recently, and appropriately, his 70-minute setting of Hugh MacDiarmid's epic A Drunk Man Looks at the Thistle was heard on Radio 3 on Hogmanay. What better moment than the gateway of the New Year for Sweeney's musical gallimaufry, which in its rich diversity and mixture of song and speech, not to mention musical styles, is a faithful tribute to the poem it sets? In a sense, Sweeney's setting repays a very old debt. For it was the voice of Hugh MacDiarmid, lecturing in East London in 1974, that ‘put things together’ in the mind of a 24-year-old ex-avantgarde composer-clarinettist not quite sure what direction he wanted to follow. MacDiarmid's London lecture suddenly brought back to Sweeney an essential but hitherto unrecognized element in his own psyche: the revived folksong-movement of his leftwing Glaswegian childhood, spear-headed by the late Norman Buchan M.P. At Knightswood Secondary School, Sweeney had become fascinated first by contemporary jazz – Davis, Coltrane, Evans – and then Stockhausen (‘via Schoenberg’), and his principal study had been clarinet, continued at the RSAMD, and – from 1970 – at the RAM in London with the redoubtable Alan Hacker. Yet as a child, Sweeney had particularly loved the unaccompanied singing of Archie Fisher's sister Rae, and significantly, he ‘always felt disappointed when the guitars came in and spoiled it’.

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McBurney, Gerard, and Jules Lai. "A COMPOSER IN THE PRAIRIES: WILLIAM LESTER AND HIS MUSIC." Tempo 62, no. 246 (October 2008): 35–48. http://dx.doi.org/10.1017/s0040298208000260.

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The 400 block of South Michigan Avenue, Chicago, is rich in musical associations. On the southern corner stands the Auditorium Building, the 1889 masterpiece of Sullivan and Adler. Inside its huge theatre were born both the Chicago Symphony Orchestra and the Chicago Civic Opera. For this gilded space with its unusual acoustics, Prokofiev in 1919 composed The Love for Three Oranges.

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Beito, David T. "New Deal Mass Surveillance: The “Black Inquisition Committee,” 1935–1936." Journal of Policy History 30, no. 2 (March 8, 2018): 169–201. http://dx.doi.org/10.1017/s0898030618000040.

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Abstract:At the behest of the Roosevelt administration in 1935, the U.S. Senate established a special committee to investigate lobbying activities by opponents of the “death sentence” of the Public Utility Holding Company Bill. Chaired by Hugo L. Black (D-Ala.), the “Black Committee” expanded its mission into a more general probe of anti–New Deal organizations and individuals. The committee used highly intrusive methods, notably catch-all dragnet subpoenas, to secure evidence. It worked closely with the IRS for access to tax returns and with the FCC to obtain copies of millions of telegrams. When the telegram search became public information, there was a major backlash from the press, Congress, and the courts. Court rulings in 1936, resulting from suits by William Randolph Hearst and others, not only limited the committee’s powers but provided important checks for future investigators, including Senator Joseph McCarthy.

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Edgington, Erin E. "The Poet and the Philanthropists: William Chapman's Aspirational Bid for the Nobel Prize." Nottingham French Studies 60, no. 1 (March 2021): 1–17. http://dx.doi.org/10.3366/nfs.2021.0301.

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French Canadian poet William Chapman is generally dismissed as second-rate imitator of Lamartine, Hugo or his compatriot Louis Fréchette. Chapman's bitter feud with Fréchette has been – much more than the five collections of verse he published between 1876 and 1912 – his claim to fame. Despite being at odds with his North American contemporaries, Chapman was indefatigable in his pursuit of literary prestige. Chapman's quest for literary honours including the Nobel Prize, while it has thus far attracted the derision of critics, in fact provides context for a deeper understanding of his poetic practice within the shifting philanthropic landscape of the turn of the century. Close readings of two of Chapman's poems, ‘À M. Andrew Carnegie’ and ‘Nobel’, alongside contemporary journalistic sources, point to a new understanding of Chapman's considerable body of occasional verse and of Chapman himself as a savvy professional attuned to the developing ‘economy of prestige’.

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Journal articles on the topic 'Hugo Williams'

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