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Books on the topic 'Horror films – psychological aspects'

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Author: Grafiati

Published: 27 July 2024

Last updated: 28 July 2024

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1

D, Baumann Hans. Horror: Die Lust am Grauen. Weinheim: Beltz, 1989.

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2

1974-, Schneider Steven Jay, ed. Horror film and psychoanalysis: Freud's worst nightmare. New York: Cambridge University Press, 2004.

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3

1959-, Royer Diana, ed. The spectacle of isolation in horror films: Dark parades. New York: Haworth Press, 2005.

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4

Jones, E. Michael. Horror: A biography. Dallas, Tex: Spence Pub. Co., 2002.

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5

König, Jan C. L. Herstellung des Grauens: Wirkungsästhetik und emotional-kognitive Rezeption von Schauerfilm und -literatur. Frankfurt am Main: Lang, 2005.

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6

Creed, Barbara. Phallic panic: Film, horror and the primal uncanny. Carlton, Vic., Australia: Melbourne University Press, 2005.

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7

Schoell, William. Stay out of the shower: The shocker film phenomenon. London: Robinson, 1988.

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8

Laughing, screaming: Modern Hollywood horror and comedy. New York: Columbia University Press, 1994.

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9

B, Weaver James, and Tamborini Ronald C. 1952-, eds. Horror films: Current research on audience preferences and reactions. Mahwah, N.J: Erlbaum, 1996.

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10

Derry, Charles. Dark dreams 2.0: A psychological history of the modern horror film from the 1950s to the 21st century. Jefferson, N.C: McFarland & Company, Inc., Publishers, 2009.

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11

Jones, E. Michael. Monsters from the Id: The rise of horror in fiction and film. Dallas, Tex: Spence Pub. Co., 2000.

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12

Bebber, Jörg van. Dawn of an Evil Millennium: Horror/Kultur im neuen Jahrtausend. Darmstadt: Büchner-Verlag, 2011.

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13

Creed, Barbara. The monstrous-feminine: Film, feminism, psychoanalysis. London: Routledge, 1993.

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14

Blothner, Dirk. Erlebniswelt Kino: Über die unbewusste Wirkung des Films. Bergisch Gladbach: Bastei Lübbe, 1999.

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15

Wuss, Peter. Filmanalyse und Psychologie: Strukturen des Films im Wahrnehmungsprozess. Berlin: Sigma, 1993.

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16

Botz-Bornstein, Thorsten. Films and dreams: Tarkovsky, Bergman, Sokurov, Kubrick, and Wong Kar-wai. Lanham, MD: Rowman & Littlefield, 2007.

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17

Loken, John. Oswald's trigger films: The Manchurian candidate, We were strangers, Suddenly. Ann Arbor, Mich: Falcon Books, 2000.

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18

Siegfried, Kracauer. Von Caligari zu Hitler: Eine psychologische Geschichte des deutschen Films. Berlin: Suhrkamp, 2012.

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19

D'Elia, Anna. Per non voltare pagina: Raccontare l'orrore. Roma: Meltemi, 2007.

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20

A Christian response to horror cinema: Ten films in theological perspective. Jefferson, North Carolina: McFarland & Company, Inc., Publishers, 2015.

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21

Horror Film and Psychoanalysis. Cambridge University Press, 2006.

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22

Schneider, Steven Jay. Horror Film and Psychoanalysis: Freud's Worst Nightmare. Cambridge University Press, 2004.

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23

Schneider, Steven Jay. Horror Film and Psychoanalysis: Freud's Worst Nightmare. Cambridge University Press, 2004.

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24

Schneider, Steven Jay. Horror Film and Psychoanalysis: Freud's Worst Nightmare. Cambridge University Press, 2004.

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25

Royer, Carl, and B. Lee Cooper. Spectacle of Isolation in Horror Films: Dark Parades. Taylor & Francis Group, 2013.

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26

Royer, Carl, and B. Lee Cooper. Spectacle of Isolation in Horror Films: Dark Parades. Taylor & Francis Group, 2013.

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27

Royer, Carl, and B. Lee Cooper. Spectacle of Isolation in Horror Films: Dark Parades. Taylor & Francis Group, 2013.

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28

Royer, Carl, and B. Lee Cooper. Spectacle of Isolation in Horror Films: Dark Parades. Taylor & Francis Group, 2013.

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29

Spectacle of Isolation in Horror Films: Dark Parades. Routledge, 2013.

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30

Schneider, Steven Jay. Horror Film and Psychoanalysis: Freud's Worst Nightmare. Cambridge University Press, 2009.

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31

Schneider, Steven Jay. The Horror Film and Psychoanalysis: Freud's Worst Nightmares. Cambridge University Press, 2003.

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32

Risse im Alltäglichen: Die Rezeption okkulter Darstellungen in Filmen. Frankfurt am Main: P. Lang, 2000.

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33

Reyes, Xavier Aldana. Horror Film and Affect. Taylor & Francis Group, 2018.

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34

Jones, E. Michael. Horror: A Biography. Spence Publishing Company, 2002.

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35

Nesseth, Nina. Nightmare Fuel: The Science of Horror Films. Doherty Associates, LLC, Tom, 2022.

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36

Nightmare Fuel: The Science of Horror Films. Doherty Associates, LLC, Tom, 2022.

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37

Nightmare Fuel: The Science of Horror Films. Doherty Associates, LLC, Tom, 2022.

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38

Forcen, Fernando Espi. Monsters, Demons and Psychopaths: Psychiatry and Horror Film. Taylor & Francis Group, 2016.

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39

Forcen, Fernando Espi. Monsters, Demons and Psychopaths: Psychiatry and Horror Film. Taylor & Francis Group, 2016.

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40

Forcen, Fernando Espi. Monsters, Demons and Psychopaths: Psychiatry and Horror Film. Taylor & Francis Group, 2016.

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41

Forcen, Fernando Espi. Monsters, Demons and Psychopaths: Psychiatry and Horror Film. Taylor & Francis Group, 2017.

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42

Forcen, Fernando Espi. Monsters, Demons and Psychopaths: Psychiatry and Horror Film. Taylor & Francis Group, 2016.

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43

Forcen, Fernando Espi. Monsters, Demons and Psychopaths: Psychiatry and Horror Film. Taylor & Francis Group, 2016.

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44

Dark dreams 2.0: A psychological history of the modern horror film from the 1950s to the 21st century. Jefferson, N.C: McFarland & Company, Inc., Publishers, 2009.

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45

Weaver, James B., and Ron Tamborini. Horror Films: Current Research on Audience Preferences and Reactions. Taylor & Francis Group, 2013.

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46

Weaver, James B., and Ron Tamborini. Horror Films: Current Research on Audience Preferences and Reactions. Taylor & Francis Group, 2013.

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47

Horror Films: Current Research on Audience Preferences and Reactions. Routledge, 2013.

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48

Reyes, Xavier Aldana. Horror Film and Affect: Towards a Corporeal Model of Viewership. Taylor & Francis Group, 2016.

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49

Reyes, Xavier Aldana. Horror Film and Affect: Towards a Corporeal Model of Viewership. Taylor & Francis Group, 2016.

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50

Horror Film and Affect: Towards a Corporeal Model of Viewership. Taylor & Francis Group, 2016.

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