Relevant bibliographies by topics / Horrocks

Academic literature on the topic 'Horrocks'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Horrocks"

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Atzenbeck, Claus. "Interview with Ian Horrocks." ACM SIGWEB Newsletter, Autumn (September 2009): 1–4. http://dx.doi.org/10.1145/1592394.1592396.

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Severance, Charles. "Ian Horrocks: Standardizing OWL." Computer 46, no. 11 (November 2013): 8–9. http://dx.doi.org/10.1109/mc.2013.386.

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Hogan, John D., Philip M. Clark, and George G. Thompson. "John E. Horrocks (1913-2002)." American Psychologist 57, no. 9 (2002): 726. http://dx.doi.org/10.1037/0003-066x.57.9.726.

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Horrocks, R. "Jeremiah Horrocks, astronomer and poet." Journal of the Royal Society of New Zealand 42, no. 2 (June 2012): 113–20. http://dx.doi.org/10.1080/03036758.2012.672430.

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Barth, Wolf, Klaus Hulek, and Ross Moore. "Degenerations of Horrocks-Mumford surfaces." Mathematische Annalen 277, no. 4 (August 1987): 735–55. http://dx.doi.org/10.1007/bf01457868.

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Fowdar, Udhav, and Simon Salamon. "Symmetries, tensors, and the Horrocks bundle." Differential Geometry and its Applications 82 (June 2022): 101892. http://dx.doi.org/10.1016/j.difgeo.2022.101892.

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Santoni, Larry. "Horrocks’ question for monomially graded modules." Pacific Journal of Mathematics 141, no. 1 (January 1, 1990): 105–24. http://dx.doi.org/10.2140/pjm.1990.141.105.

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Marston, Paul. "The short life of Jeremiah Horrocks." Physics World 17, no. 9 (September 2004): 50–51. http://dx.doi.org/10.1088/2058-7058/17/9/44.

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Costa, L., S. Marchesi, and R. M. Miró-Roig. "A Horrocks' theorem for reflexive sheaves." Journal of Algebra 499 (April 2018): 74–102. http://dx.doi.org/10.1016/j.jalgebra.2017.11.031.

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Malaspina, F., and A. P. Rao. "Horrocks Correspondence on a Quadric Surface." Geometriae Dedicata 169, no. 1 (March 6, 2013): 15–31. http://dx.doi.org/10.1007/s10711-013-9839-0.

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Dissertations / Theses on the topic "Horrocks"

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Borgwardt, Stefan [Verfasser], Franz [Akademischer Betreuer] Baader, and Ian [Akademischer Betreuer] Horrocks. "Fuzzy Description Logics with General Concept Inclusions / Stefan Borgwardt. Gutachter: Franz Baader ; Ian Horrocks. Betreuer: Franz Baader." Dresden : Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2014. http://d-nb.info/1068447249/34.

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Melliez, Franck. "Une rédaction sur la courbe de Bring comprenant notamment une étude sur l'"involution dualité" liée aux sections du fibré de Horrocks-Mumford." Lille 1, 2001. https://pepite-depot.univ-lille.fr/LIBRE/Th_Num/2001/50376-2001-43-44.pdf.

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Pour produire cet opuscule, un Thésard T a utilisé un manuscrit du célèbre alchimiste T. TIMOLEI traitant de l'iquenosaèdre. Il prétend en extraire certains renseignements, par exemple que toute sextique rationnelle plane a 6 tritangentes est projection de l'unique sextique gauche rationnelle (2l 5-invariante) qui admet une infinité de plans tritangents (celles-ci sont presque en bijection avec les sections du célébrissime fibré de Horrocks-Mumford sur P 4 = Proj(C[K,L,E,I,N])). Ce phénomène découle de l'unicité - dans un espace projectif (complexe) - d'une "figure" formée d'une cubique gauche et d'une cubique gauche duale dont les réseaux sont orthogonaux. Avec un égal brio, l'auteur T. T. Poursuit sa cueillette en mettant en évidence une presque bijection (i. E. Une application qui est génériquement un isomorphisme) entre l'ensemble des variétés abéliennes (1,5)-polarisées à isomorphisme et dualité près d'une part, et l'ensemble des sextuplets de points d'une droite projective complexe à homographie près d'autre part. Outre les résultats (indispensables) de BARTH et MOORE concernant le fibré de Horrocks-Mumford, l'argument clé est qu'il existe au plus une droite rencontrant six plans trisécants à une quintique rationnelle normale.
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Melliez, Franck Gruson Laurent. "Une rédaction sur la courbe de Bring comprenant notamment une étude sur l'"involution dualité" liée aux sections du fibré de Horrocks-Mumford." [S.l.] : [s.n.], 2001. https://iris.univ-lille1.fr/dspace.

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Siqueira, Mônica Soares. "Arrasando horrores." reponame:Repositório Institucional da UFSC, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/93027.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em Antropologia Social, Florianópolis, 2009
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Esta tese de doutorado propôs-se a realizar um estudo etnográfico das narrativas biográficas e formas de sociabilidade de sujeitos que se identificam como "travestis das antigas". Ao procurar empreender, em termos de Eckert & Rocha (2005), uma etnografia das lacunas da duração pretendeu-se compreender os processos pelos quais estes sujeitos foram construindo, ao longo de suas trajetórias sociais, e por intermédio de seus itinerários urbanos, suas formas de sociabilidade relacionadas às suas vivências na cidade do Rio de Janeiro. Pensar as formas de sociabilidade específicas das interlocutoras desta pesquisa me conduziu à análise de suas interações sociais e, conseqüentemente, das formas de apropriação do espaço urbano, bem como de suas relações, percepções e concepções da cidade entendida, principalmente, como cenário de atuação desses atores sociais. Acredito que ao compartilhar de suas caminhadas ao longo de suas vidas através de suas memórias e seus cotidianos somos levados aos dramas, às intrigas e aos dilemas que compõem a interface entre o que estou chamando aqui, inspirada em De Certeau (2008), cidade conceito e cidade ordinária. Se em suas narrativas sobre as experiências na e da cidade são enunciados preconceitos e discriminações constrangedoras de seus processos de construção de subjetividade, de formulações de projetos e de apropriações e usos da cidade em que nasceram e/ou escolheram para viver, também são relatadas suas astúcias e táticas no intuito de impor seus estilos de uso nos diferentes espaços urbanos e de serem, assim, senhoras de seus passos na cidade do Rio de Janeiro.
This thesis sets out to conduct an ethnographic study of biographic narratives and sociability forms of subjects identified as "transvestites of the ancient kind". While trying to undertake, in terms of Eckert and Rocha (2005), an ethnography of the gaps of duration, it intends to understand the processes by which these subjects were building, all along their social trajectories and through their urban itineraries, their forms of sociability related to their existences in the city of Rio de Janeiro. Thinking the specific forms of sociability of the interviewed led me to analyze their social interactions and consequently the forms of appropriation of the urban space, as well as their relations, perceptions and conceptions of the gay city, principally, like stage of performance of these social actors. I believe that sharing their walking along his lives through his memories and his daily activities we're taken to the dramas, intrigues and dilemmas that compose the interface between what, inspired in De Certeau (2008), I refer to as concept city and ordinary city. If, in their narratives of the experiences in and of the city, prejudices and embarrassing discriminations of his processes of subjectivity-building, of projects-formulation and of appropriations and uses of the city in which they were born and/or chose to live are expressed, their cunnings and tactics as they try to impose their styles of use in different urban spaces and of becoming ladies of their steps in the city of the Rio de Janeiro are also told.
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Oliveira, Ana Maria Fernandes de. "Baile dos Horrores: A presença do grotesco e do horror num baile de carnaval do Rio de Janeiro." Universidade do Estado do Rio de Janeiro, 2012. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=5981.

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O trabalho aborda o baile dos Horrores, que acontecia no período pré-carnavalesco do Clube Magnatas de Futebol de Salão localizado na Rua General Belford no bairro do Rocha, subúrbio do Rio de Janeiro, de 1960 a 1988. Sua característica marcante foi o horror levado às últimas conseqüências, chamando a atenção da imprensa e provocavam mal estar em pessoas mais sensíveis. A dissertação busca discutir os motivos da presença desses elementos numa festa onde a alegria predomina. Procuramos, desse modo, associar o baile a um período do século XX em que as tensões ocasionadas por uma série de fatores (como a Segunda Guerra Mundial, a Guerra Fria e a Guerra do Vietnã, por exemplo) causavam os mais diversos temores com elementos nunca antes visto, como a bomba atômica, iniciando assim novo período onde as metamorfoses seguiam o caminho do terror. A ciência, por sua vez, aceleraria processos que teriam influencia em todos os campos da produção humana, inclusive, ou principalmente, nas artes
The paper addresses the Ball of Horrors (Baile dos Horrores), which happened during the pre-carnival time in the Clube Magnatas de Futebol de Salão in Rio de Janeiro, 1960-1988.Its salient characteristic was theme of horror taken to its ultimate consequences, drawing media attention and causing discomfort in sensitive individuals. The paper seeks to discuss the reasons for the presence of these elements at in kind of festivity where joy prevails. We seek thus associate the ball whith the twentieth century period when tension caused by a number of factores (such as the Second World War, Cold War and the Vietnam War, for example) brought a fear never seen before, like the one associate with the atomic bomb, thus initiating new period where the metamorphosis followed the path of terror. Science, in turn, accelerants the processes that have influence in every of human production, even, if not especially, in the arts
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Crowley, Dale Allen. "Eldritch Horrors: The Modernist Liminality of H.P. Lovecraft's Weird Fiction." Cleveland State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=csu1496326220734249.

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Scales, Adam. "Logging into horror's closet : gay fans, the horror film and online culture." Thesis, University of East Anglia, 2015. https://ueaeprints.uea.ac.uk/59454/.

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Harry Benshoff has boldly proclaimed that ‘horror stories and monster movies, perhaps more than any other genre, actively invoke queer readings’ (1997, p. 6). For Benshoff, gay audiences have forged cultural identifications with the counter-hegemonic figure of the ‘monster queer’ who disrupts the heterosexual status quo. However, beyond identification with the monstrous outsider, there is at present little understanding of the interpretations that gay fans mobilise around different forms and features of horror and the cultural connections they establish with other horror fans online. In addressing this gap, this thesis employs a multi-sited netnographic method to study gay horror fandom. This holistic approach seeks to investigate spaces created by and for gay horror fans, in addition to their presence on a mainstream horror site and a gay online forum. In doing so, this study argues that gay fans forge deep emotional connections with horror that links particular textual features to the construction and articulation of their sexual and fannish identities. In developing the concept of ‘emotional capital’ that establishes intersubjective recognition between gay fans, this thesis argues that this capital is destabilised in much larger spaces of fandom where gay fans perform the successful ‘doing of being’ a horror fan (Hills, 2005). This, I argue, illustrates that gay horror fandom is constructed and performed differently across fan spaces as a means to articulate gay identity in culturally meaningful ways. In presenting the voices of gay fans, the significance of this thesis lies in challenging existing models of horror fandom by suggesting its multiplicity for the fans researched. Indeed, whilst the ‘knowledgeability’ (Hills, 2005) of horror fans is important, this study explores the meaningful connections that gay fans establish with one another and the cultural significance of horror to the identity work of fans across distinctive online spaces.
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Johnson, Jay. "'Same hell, different horrors' : women in the Holocaust : testimony into fiction." Thesis, De Montfort University, 2001. http://hdl.handle.net/2086/4297.

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Lima, Dulce Fabiana Mota. "Traduzindo horrores com H. P. Lovecraft (1890-1937) : aspectos afetivos e relação tradutoria." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269233.

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Orientador: Jo Anne Marie McCafrey Busnardo Neto
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: Esta dissertação apresenta um estudo de caso auto-reflexivo que denomino autoetnografia de tradução. Esse estudo visa a minha própria relação tradutória com um escritor norte-americano bastante representativo para a literatura de horror, Howard Philips Lovecraft (1890-1937). Para investigar essa relação, utilizo-me de uma metodologia de pesquisa qualitativa que combina dois instrumentos: histórias de vida e protocolos verbais (aos quais me refiro também como protocolos de tradução). Durante as análises dos dados coletados, eu verifico a aplicabilidade de certas teorias psicanalíticas: o neo-lacanianismo do teórico da escrita Mark Bracher (1999); o pós-lacanianismo de Julia Kristeva e suas noções de registro Semiótico e de abjeto; o conceito de relação tradutória amorosa (ou relação de amor) e a idéia de escrita singular da teórica brasileira de tradução Maria Paula Frota (2000); e o ¿Esquema Lacandemônico¿ do teórico norte-americano de tradução Douglas Robinson (2001). O foco da investigação é a visibilidade do tradutor. Faço uso também de teorias de recepção para compreender as implicações ¿ inclusive as implicações éticas ¿ de uma relação tradutória caracterizada por um amor infeliz e que é construída pelo apagamento de aspectos importantes do texto de partida
Abstract: This dissertation presents a self-reflexive case study which I will call an autoethnography of translation. The study describes my own relationship, as a translator, to the North American author H. P. Lovecraft (1890-1937), one of the most representative creations of the horror genre in literature. In order to investigate that relationship, I utilize a qualitative research methodology which combines two instruments: life histories and verbal protocols (which I also refer to as translation protocols). During the analysis of the data collected, I attempt to verify the applicability to translation processes of certain psychoanalytic theories: the neo-Lacanianism of the writing theorist Mark Bracher (1999); the post-Lacanianism of Julia Kristeva and her notions of the Semiotic Register and the abject; the concept of the translation love relationship (or love affair) and the idea of the singular in translation writing processes of the Brazilian translation theorist Maria Paula Frota (2000); and the ¿Lacandemonic Schema¿ of the North American theorist of translation Douglas Robinson (2001). The focus of the investigation is the translator¿s visibility. I also make use of theories of reception in order to understand the implications ¿ including ethical implications ¿ of a translation relationship characterized as unhappy love, and which is constructed through the erasure of important aspects of the source text
Mestrado
Tradução
Mestre em Linguística Aplicada
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Kendrick-Alcántara, Carolyn. "Life among the living dead the Gothic horrors of Latin American literature /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1383468231&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Books on the topic "Horrocks"

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Bushell, W. F. Jeremiah Horrocks. Liverpool: Liverpool Astronomical Society, 1992.

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Chapman, Allan. Jeremiah Horrocks and Much Hoole. [England]: A. Chapman ; distributed by the Rector, St. Michael's Church, Much Hoole, 1994.

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Warner, Philip. Horrocks: The general who led from the front. London: Sphere, 1985.

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The transit of Venus: The brief, brilliant life of Jeremiah Horrocks, father of British astronomy. London: Weidenfeld & Nicolson, 2004.

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The transit of Venus: The brief, brilliant life of Jeremiah Horrocks, father of British astronomy. Lancaster: Carnegie, 2012.

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Horrors! Woodstock, N.Y: Overlook Press, 1989.

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1947-, McGee Mark Thomas, ed. The Little Shop of Horrors Book. New York: St. Martin's Press, 1988.

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Font, Silvia. Horrores cotidianos. Ciudad Autónoma de Buenos Aires, Argentina: Editorial PeAZeta, 2001.

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Roas, David. Horrores cotidianos. Palencia: Menoscuarto, 2007.

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Font, Silvia. Horrores cotidianos. Buenos Aires: Ediciones de la Librería del Escritor, 2000.

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Book chapters on the topic "Horrocks"

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Jackson, Francine. "Horrocks, Jeremiah." In Biographical Encyclopedia of Astronomers, 1008–10. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-9917-7_652.

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Lam, Tsit Yuen. "Horrocks’ Theorem." In Springer Monographs in Mathematics, 139–60. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/978-3-540-34575-6_5.

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Williams, Thomas R., François Charette, Roy H. Garstang, Katherine Bracher, Yoshihide Kozai, Jürgen Hamel, Daniel W. E. Green, et al. "Horrocks, [Horrox] Jeremiah." In The Biographical Encyclopedia of Astronomers, 527–28. New York, NY: Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30400-7_652.

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Westfall, John, and William Sheehan. "Homage to Horrocks." In Celestial Shadows, 271–87. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4939-1535-4_10.

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Wepster, Steven A. "The Horrocks Legacy." In Between Theory and Observations, 91–120. New York, NY: Springer New York, 2009. http://dx.doi.org/10.1007/978-1-4419-1314-2_6.

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Beaty, Bart, and Benjamin Woo. "Hicksville by Dylan Horrocks?" In The Greatest Comic Book of All Time, 133–42. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-53162-9_12.

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Aure, Alf Bjørn. "Surfaces on quintic threefolds associated to the Horrocks-Mumford bundle." In Lecture Notes in Mathematics, 1–9. Berlin, Heidelberg: Springer Berlin Heidelberg, 1989. http://dx.doi.org/10.1007/bfb0095964.

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González-Dorrego, M. R. "Degree 8 and Genus 5 Curves in ℙ3 and The Horrocks-Mumford Bundle." In Algebraic Geometry and Singularities, 303–10. Basel: Birkhäuser Basel, 1996. http://dx.doi.org/10.1007/978-3-0348-9020-5_16.

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Chapman, Allan. "To the Heavens in Rural Lancashire: Jeremiah Horrocks and His Circle, and the Foundation of British Astronomical Research." In Participating in the Knowledge Society, 23–35. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230523043_2.

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Lukić, Marko, and Tijana Parezanović. "Heterotopian Horrors." In The Palgrave Handbook of Contemporary Gothic, 1137–51. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33136-8_68.

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Conference papers on the topic "Horrocks"

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Akers, Elizabeth. "9 Little room of horrors." In GOSH Conference 2019, Care of the Complex Child. BMJ Publishing Group Ltd and Royal College of Paediatrics and Child Health, 2019. http://dx.doi.org/10.1136/archdischild-2019-gosh.9.

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Maria Soledad Bucalo, Luz Calvo, Fernando Cucchietti, David Garcia Povedano, Artur Garcia-Sáez, Juan Felipe Gómez, Camilo Arcadio González, et al. "A Constellation of Horrors: Analysis and Visualization of the #Cuéntalo Movement." In WWW '19: The Web Conference. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3308560.3316459.

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Erni, Philipp, Matthieu Varagnat, Gareth H. McKinley, Albert Co, Gary L. Leal, Ralph H. Colby, and A. Jeffrey Giacomin. "Little Shop of Horrors: Rheology of the Mucilage of Drosera sp., a Carnivorous Plant." In THE XV INTERNATIONAL CONGRESS ON RHEOLOGY: The Society of Rheology 80th Annual Meeting. AIP, 2008. http://dx.doi.org/10.1063/1.2964770.

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McMain, Emma. "Horrors in the Chthulucene: "Pedagogical Misanthropy" as a Critical Framework for Disrupting Anthropocentric Media." In 2021 AERA Annual Meeting. Washington DC: AERA, 2021. http://dx.doi.org/10.3102/1683220.

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Gollob, Bernhard. "Austria and Artistic Freedom: A Troubled History?" In Mezinárodní konference doktorských studentů oboru právní historie a římského práva. Brno: Masaryk University Press, 2022. http://dx.doi.org/10.5817/cz.muni.p280-0156-2022-9.

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Austria perceives itself as “cultural superpower”. Therefore, it seems fairly surprising that an own fundamental rights provision to protect the arts was positivised only in 1982. The socio-political situation in the perished Austrian Empire and the Weimar Constitution had a decisive impact on attempts to adopt a corresponding provision after World War One. Following the horrors of World War Two, the young Second Republic of Austria used arts and culture as tool to draw the picture of a peace-loving “Kulturnation” sui generis. In the following years a significant cleavage between the Austrian self-perception and the legal-political reality can be observed (also) in regard to Artistic Freedom. Neither Austria’s authoritarian past nor its Nazi past and related crimes had a significant impact on the legislative process.
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Pigulevskiy, V., and L. Mirskaya. "AMPLIFICATION OF THE PLOT «THE TEMPTATION OF SAINT ANTHONY»." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2555.978-5-317-06726-7/97-101.

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Attention is focused on the art of sketching meaning, amplifying the plot of “the Temptation of St. Anthony”. Starting in the late middle Ages, the plot becomes the occasion for developing the problem of the miraculous. For centuries, the artist's attention has been focused on horrors and torments, then on temptations and longing. The bestiary serves as an occasion for developing the wonderful, the terrible, and the ugly. If in the Renaissance the attention is focused on torment and horror, in the New age the interest is shifted to seduction and vicious beauty. The interest in hallucinations poses the problem of combining the charming and the disgusting to Surrealists. Over the course of the epochs, the aesthetic meaning of the “Temptation” story is transformed from the frightening infernal, invading reality as le merveilleux, to the psychosexual energy of the unconscious, generating le merveilleux sexuel.
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Reports on the topic "Horrocks"

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Durán Toledo, Diego. La necesidad de la condena al “negacionismo” para el fortalecimiento de la democracia. Universidad Autónoma de Chile, September 2020. http://dx.doi.org/10.32457/20.500.12728/9046202015.

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Durante las últimas semana en Chile, en el contexto de una nueva conmemoración del Golpe de Estado del 11 de septiembre 1973, se han realizado una multiplicidad de actos y homenajes efectuados por la ciudadanía, con la intención de mantener viva la historia de un país que conoce de los errores y horrores de su pasado y con el objetivo de intentar no repetir la historia y honrar a la memoria de las víctimas de las violaciones a los derechos humanos durante el régimen militar.
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Lajosi, Krisztina. ECMI Minorities Blog. Disinformation, Digital Nationalism and the Hungarian Minority in Ukraine. European Centre for Minority Issues, April 2022. http://dx.doi.org/10.53779/slwe2333.

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The Hungarian minority in Ukraine living mainly in the region of Transcarpathia (Zakarpattia Oblast) has not yet been directly exposed to the horrors of the war. However, roughly since 2014, it has been targeted by online propaganda and disinformation serving the interests of the Kremlin in both Russian and Hungarian media. Several studies have demonstrated how the right-wing media supporting the Hungarian government have come increasingly under Russian influence either directly by translating pieces from Russian media outlets, or indirectly by channeling the talking points of the Kremlin. This digital propaganda has merged with the offline diffusion of ideologies supporting the illiberal democracy that Viktor Orbán declared official policy in Hungary in his infamous speech from 2014. This blog post explores the intricate web of nationalisms that influence political opinions among the Hungarian minority in Ukraine.
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Klengel, Susanne. Pandemic Avant-Garde Urban Coexistence in Mário de Andrade’s Pauliceia Desvairada (1922) after the Spanish Flu. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, December 2020. http://dx.doi.org/10.46877/klengel.2020.30.

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The radical aesthetic of the historical avant-garde movements has often been explained as a reaction to the catastrophic experience of the First World War and a denouncement of the bourgeoisie’s responsibility for its horrors. This article explores a blind spot in these familiar interpretations of the international avant-garde. Not only the violence of the World War but also the experience of a worldwide deadly pandemic, the Spanish flu, have moulded the literary and artistic production of the 1920s. In this paper, I explore this hypothesis through the example of Mário de Andrade’s famous book of poetry Pauliceia desvairada (1922), which I reinterpret in the light of historical studies on the Spanish flu in São Paulo. An in-depth examination of all parts of this important early opus of the Brazilian Modernism shows that Mário de Andrade’s poetic images of urban coexistence simultaneously aim at a radical renewal of language and at a melancholic coming to terms with a traumatic pandemic past.
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